A Few Things You Might Not Know About “The Exorcist III”

I fondly remember the fateful night in 1990where my father, uncle, my cousin and an eight-year-old Patti made a Saturday night trip to our favorite local movie theater that stood as possibly, one of the last retro looking movie houses in all of Las Vegas. This might sound silly as of course, this was 1990, but I’m talking SUPER RETRO here. The entire building was made of brick, popcorn stands where mere popcorn and hot dog carts inside the lobby with a few cases of candy on the side, velvet red curtains covered the theater screens until showtime commenced, and the GIANT illuminated cinema marquee sign that displayed the featured films playing, could literally be seen from miles away. The place was absolutely beautiful inside and out, (as you can see pictured below of the inside lobby) and served as the place where I had seen most of the movies growing up until its demise and demolition over 15 years ago.

A Few Things You Might Not Know About "The Exorcist III"

*Shout out to ClassicLasVegas.com for this awesome photo!

It’s also the place where I first saw our movie of the day here, The Exorcist III. And yep. I remember peeing my pants a little as I was eight-goddamn-years-old in regards to that one scene. You know which one I’m talking about… And also, yes. The two grown men and older teenage male cousin laughed at the eight-year-old girl who produced a squirt of nature’s lemonade.

Dicks.

*MAJOR SPOILER HERE. DO NOT PROCEED IF YOU HAVEN’T LIVED AND HAVE DONE A DISSERVICE TO YOUR LIFE BY NOT WATCHING THIS FILM.

 

As fun as it is to reminisce about peeing the pants, let’s get to the real topic here. If you’re here and still reading, chances are you’re a fan of the HIGHLY UNDERRATED psychological-thriller based off William Peter Blatty’s fantastic novel, Legion; which of course, serves as the true direct sequel to The Exorcist. So, we’re going to skip all the captain obvious bullshit plot explanations and get right into some shit that you may or may not know about this film. And hell, if you watch it again with a new knowledge and some more appreciation, well stunning. I’ve done my job here.

 

1. The Exorcist III Was Jeffrey Dahmer’s Favorite Movie

A Few Things You Might Not Know About "The Exorcist III"

Well, a film that focuses on another serial killer doesn’t seem far-fetched as a favorite of one of America’s most notorious, eh? According to various old reports, Dahmer would watch the movie over, and over. And even watched portions of the film with some of his victims after bringing them back to his apartment. One of these men was one who had escaped- Tracy Edwards, who claims the film was on at the time he was guided around the apartment by Dahmer. Reports also claim that Dahmer had purchased contact lenses with yellow tint, to mimic The Gemini Killer.

 

2. They Snuck In A Reference To The Fly II

A Few Things You Might Not Know About "The Exorcist III"

As I may have stated in previous articles, my parents had no qualms about taking their young child to the theater for an extreme horror film. Becuase, hey, fuck 101 Dalmations. They didn’t have the patience for that watered down-Disney shit. So, watching this at the theater at the age of eight, I caught this one right away as I had seen The Fly II a year prior with my mother and I left the theater crying after the scene with the dog. Ugh. I still hate it. Anyway, Lee Richardson plays that asshole in that film that got his just desserts for hurting that animal and has a small part as the University President in The Exorcist III. When asked by Father Dyer what his favorite film, he replies coyly, “The Fly.”

*Also worth noting, Brad Dourif who brilliantly portrays the Gemini, references his cinematic alter-ego Chucky during one of his ramblings. In the film, he says, “It’s child’s play”, and we then cut to a scene to a young boy that resembles a Good Guy.

 

3. Both William Friedkin and John Carpenter Were Attached To Direct Before Blatty

john carpenter

Well, it certainly would have been iconic enough had OG Exorcist director William Friedkin at the helm once again, but John Carpenter?! That would have been something to see his vision of legion eh? Blatty originally collaborated with Friedkin and penned out The Exorcist III with Friedkin attached to direct. After Friedkin backed out, the project died and was turned into a novel- AKA Legion. After the success of the novel, Blatty offered out it on the market in the form of a screenplay and Morgan Creek bought the rights to make the film, whom brought on the legendary John Carpenter to direct. However, after seeing Blatty’s passion and visionary input regarding his adaptation, he stepped down to hand the reigns to the rightful owner.

 

4. A Plot Twist Was Suggested Involving Regan Macneil- And A Birth Of Possessed Twins….?!

Regan-MacNeil-From-Exorcist

This has to be the most WTF fact of them all…

Yes, this was suggested to William Peter Blatty as studios were in negotiations to adapt the screenplay by Carolco Pictures. The idea of a grown-up Regan giving birth to possessed twins completely undermines the whole idea of Legion and I don’t blame him a bit for laughing that off and settling with Morgan Creek Productions- even if they still haven’t given us a REAL directors cut of the film, at least that didn’t happen.

 

5. The Alternate Ending We Still Haven’t Seen

exorcist 3 ending

The ending we all know, and even in that Shout Factory edition, was not the intended final vision of Blatty. Reports claim it was scripted AND filmed, but we’ve still yet to see the dramatically different ending to The Exorcist III. But you know, Morgan Creek wanted that exorcism in there, so if moneybags wanted it, by God they were going to get it and the following was scrapped and reshot to their liking:

The novel Legion ends with the Gemini Killer summoning Kinderman to his cell for a final speech and then willingly dropping dead after his alcoholic Christian evangelist abusive father, finally dies from a heart attack. As his motive for killing was always to shame daddy, the Gemini’s reason for remaining on Earth ceases to exist. He then drops dead, thus freeing Karras. Albeit by death, but nevertheless releasing him from all the torture. In Blatty’s original screenplay adaptation, the ending is similar to the novel except that the Gemini’s death is not self-induced but forced supernaturally and suddenly by the death of his father.

 

The Exorcist III remains criminally underrated and if anything to the haters, (and really, who are you?) serves as a beautiful character analysis of different walks of life in the form of one chilling film. Aside from Silence f the Lambs, it stands as one of THE BEST psychological thrillers in cinematic history. Bold statement? Maybe. Perhaps you should schedule a rewatch and come back to comment to challenge me.

That’s me issuing a clear invitation to the dance. Pick up your copy from Amazon here!

 

Still Hooked on Teri McMinn Four Decades Later

It is perhaps the most iconic scene from one of the most iconic franchises horror has ever known. Yet the lasting wound inflicted upon TEXAS CHAINSAW MASSACRE audiences forty-four years ago had more to do with a meat hook than a chainsaw.

While director Tobe Hooper and stars Marilyn Burns and Gunnar Hansen have enjoyed most of TCM’s notoriety since 1974, the most indelible images (and sounds) came not from Leatherface, but Pam, a character created by a then 22-year old actress from Houston, Texas named Teri McMinn.

What McMinn was able to accomplish in less than one minute is by any standard, underrated. McMinn went from sheer dread at the sight of Leatherface (Hansen) to crazed desperation in efforts to escape his clutches, before the horrified recognition of what was to come and finally (and as odd as it may seem to say), the subtle performance which followed Pam being plopped onto a hook designed for slaughtered animals.

That fleeting minute offered much to digest, and because its intensity was so unrelenting, it felt like a landed sucker punch that to this day, still takes this writer’s breath away.

Rather than over-the-top writhing shrills, McMinn communicated what our collective imagination was too frightened to conjure—incomprehensible pain—and as such, her reaction was almost one of disbelief.

McMinn hookDisbelief of what was happening to be sure, but also the agony that would have undoubtedly been coursing through Pam’s body. Truly study McMinn’s face and the whimpers which emanated from her throat and you won’t witness a contrived portrayal of misery, but rather an honest performance from an actress who dared to take a momentary glimpse at torture.

Hooper’s decision to deliver a quick, almost home movie style shot of McMinn’s feet as they hovered above a bucket to collect droplets of blood, then quickly panned to capture Pam’s excruciating and immobilized terror served as the icing on the proverbial cake.

It was heart-pounding and almost too real, and we have McMinn to thank for that.

For as much as Leatherface means to horror, memories of McMinn’s minute are what flood through this writer’s mind when conversations turn to THE TEXAS CHAINSAW MASSACRE.

That we’ve lost Hansen and Burns over the past few years is all the more reason to embrace the fact that McMinn owned a scene like few have owned any scene.

McMinn German

Joe Bob and ‘Dinners of Death’ Redefined Family

Before signing off on The Last Drive-In for what we believed to be the final time this past summer, Joe Bob Briggs noted that the Shudder marathon, as well as his Drive-In Theater and MonsterVision programs “tried to be the place to hang out for the weirdos and the misfits, and the people who felt left out of mainstream culture,” before touching on the myriad people who had shared tales of how he had saved their lives by giving them something to look forward to.

Some of it had to do with “horrible home” lives, and the ability to “lock the doors of their room when our silly show came on, and it would make ‘em feel able to face the next week.” Ever the gentleman, Briggs added that it was a “wonderful by-product” of shows intended to make people laugh and expose them to forgotten films. He then added, “I can’t take credit for that.”

I’m here to stump Joe Bob by saying yes. Yes, he can.

A common theme of both The Last Drive-In and Dinners of Death was the idea of communal experience, that stories were intended to be viewed together, to be shared and discussed with friends and strangers alike. In other words, like family.

The horror community is a small one, in many ways like a family, and that is exactly what I want to discuss here.

Be it because of depression or absence of actual family, the holidays can be a difficult time for people. I know—I fall under each category—and also know that I am not alone, not by a wide margin.

Whether direct or extended, Thanksgiving is a day for family, to gather around a table for a meal, to talk and laugh and love. Not everyone is fortunate enough to have that opportunity. Maybe they’ve moved and can’t return home for the holiday, they don’t want to burden their friends by “tagging along,” or their loved ones have passed away, or they simply don’t speak with family members anymore. Whatever the reason, it can leave people feeling worthless, and very alone.

But that’s where Dinners of Death and Joe Bob Briggs and Diana Prince come in.

DarcyThe concept of giving folks something to look forward to still rings true, because for many (myself included), waiting for the clock to strike nine and Shudder’s Thanksgiving marathon provided those who were feeling alone something to hold onto, something to share.

As soon as Joe Bob opened the festivities with a crack about Wild Turkey only needing to be aged eight years and “do not make me tell you this again,” a smile found our lips, perhaps for the first time all day, and the stress of said day began to fade.

And as the drive-in Jedi began to regale us with tidbits about The Texas Chainsaw Massacre and vehemently defended the career of Tobe Hooper, we felt connected to what he was saying (not just because it was true goddamn it), but because we too felt discredited and forgotten. All it took was a few short minutes of impassioned twang from a man we all adore to feel peace for the first time all day.

And it was shared. Not only on the screen, but on Twitter and Facebook. Not just with fellow fans who may or may not have been or felt alone that day, but thanks largely to Darcy the Mail Girl, otherwise known as Kinky Horror. She spent the entire marathon, nearly 10 hours, interacting with us as we watched. She laughed at our observations, shared images and stories (even the Drinking Game Fu I came up with while downing a turkey dinner at a restaurant by myself), answered questions, and just…kept us company as we enjoyed what was unfolding in and outside of Joe Bob’s “trailer.”

Many felt alone for most of Thanksgiving, but from nine o’clock on, we were anything but. Briggs and Darcy made sure of that. They gave us something to look forward to. Joe Bob and Prince gave us something to share. With a Drive-In Mutant family. They made what would have otherwise been a sad day one to smile about.

Briggs had said he couldn’t take credit for such things back in July, but to be honest, that burns my bacon. Yes he can. And he should. As should Prince.

A professor of mine once said that when it comes to art, if a person takes something away from it that its creator had never intended to be there, it’s still real. It still matters. Briggs and Diana gave something to all of us that can never be taken away, intended or not.

Maybe Joe Bob and Darcy hadn’t set out to give folks who were feeling alone a sense of inclusion and peace and family on Thanksgiving, but that’s exactly what they did. Something for which I, and many others shall be forever thankful .

For all those who feel as I feel — please — take credit for that.

JBB

A Thin Line Between Love and Hate

The first time I watched HELLRAISER (1987), I actually blurted, “Looking forward to whatever happens to that fucker.” Julia Cotton’s pool of loathsome deeds ran deep—a strained relationship with her daughter-in-law, unfaithful to Kirsty’s (Ashley Laurence) father with her uncle Frank (Sean Chapman), luring numerous men to their death—all so that she could help said uncle return to form after his dance with the Lament Configuration. To say nothing of plotting to murder her husband so that his brother could inhabit his skin and they could live happily ever after.

In short, Julia was deplorable. And played to poisonous perfection by Clare Higgins.

When summoned back to Earth in HELLBOUND: HELLRAISER II (1988), Julia quickly proved that old habits die hard, leaning on murder and mayhem as means to an end. This time, she led Dr. Phillip Channard (Kenneth Cranham) and his morbid curiosity around by the nose, to say nothing of his psychiatric patient who possessed an aptitude for solving puzzles. The good doctor simply felt compelled to understand the secrets and power of the box, and the hidden world it housed.

Nearly two feature films in, Julia had a moment of redemption.

Not that she had an epiphany or did the right thing. No, no, no, Julia finally embarked on a mission so deliciously sinister that I couldn’t help but smile at the similarities between her endeavors and the story I hold most dear, Edgar Allan Poe’s “The Cask of Amontillado.”

Dr. Channard’s thirst for knowledge and power were the elusive barrel to Julia’s impunity; and much like poor Fortunato, by the time the physician realized that what he desired wasn’t worth the asking price, it was too late.

“But this is what you wanted! This is what you wanted to see. This is what you wanted to know. And here it is.”

Higgins 2Julia, in full, smirking Montresor could not help but point out that what her lord required was souls, and she had brought him one to celebrate the symbolic retribution of hell—a doctor to impale with needles and probe with disgusting tentacles.

Backing the doctor into a box where immediate invasion was met with screams, Julia smiled “And you wanted to know.” Moments before razor-sharp wires wrapped themselves around Channard’s skull, digging deep into his skin, again Julia delighted “Now you now.”

Though she stopped short of imploring the doctor to touch the damp nitre, Julia couldn’t help but taunt the fettered Channard with the painful reminder that he had found exactly what he’d been seeking.

With a grin, Julia offered “Goodbye, doctor” as the box began its descent, hauling the doctor away for eternity.

Not unlike my reaction to Melisandre (Carice van Houten) resurrecting Jon Snow (Kit Harrington) in Game of Thrones, all was forgiven.

For as despicable as Julia was, I couldn’t help but smile at the parallels between Poe and Pinhead, and revel in the powerful arrogance of Higgins’ performance.

If you’re going to be evil, at least do it with a little flair. For one delectable moment in HELLBOUND, Clare Higgins was downright flamboyant.

And I kind of loved it.

Did You Guys Here the One About: Joe Bob’s Best Jokes from ‘The Last Drive-In’

We’re all sad that the blissful days of October have once again come to an end, but that doesn’t mean we can’t find something to smile about.

HALLOWEEN (2018) is still ripping it up in theatres everywhere, SUSPIRIA (2018) opens tonight, and we’re not allowed to forget that Joe Bob Briggs returns to Shudder with the Dinners of Death Thanksgiving marathon on November 22, “because there are two things in life you should always binge on, horror flicks and Wild Turkey.”

See? Plenty to be giddy about.

We don’t need to remind any of you that no one spins a yarn quite like the drive-in Jedi, and with that in mind, it’s time to revisit some of Briggs’ best jokes from July’s The Last Drive-In.

Get ready to laugh. And when you inevitably share one or five of these with friends or co-workers later today, don’t thank us, thank Joe Bob.

TOLD AT THE CONCLUSION OF BLOOD FEAST

“So did I tell you guys the one about the history professor and the psychology professor at the nudist camp? The history professor and the psychology professor are sittin’ on a sun deck at a nudist resort, and the history professor turns to the psychology professor and he says ‘Have you read Marx?’ And the psychology professor says ‘Yeah, I think it’s from the wicker chairs.’”

THE PROWLER

“That actually reminds me of the one about the man who comes home from work and he’s greeted by his wife, and she’s dressed in spiked high heels and lingerie. And she says ‘Tie me up, sweetie. You can do anything you want.’ And so he ties her up and goes golfin’.”

Crew

SORORITY BABES IN THE SLIMEBALL BOWL-O-RAMA“evidence that in the ‘80s you could basically write a script on Tuesday, film it on Wednesday, and have it in the video store by Thursday.”

“Alright, man goes into a bar (laughs), man goes into a bar and he orders a drink. The bartender’s a robot, so this robot serves this perfectly prepared cocktail and then the robot says ‘What’s your IQ?’ and the man says ‘150.’ And so the robot proceeds to make a conversation about global warming and quantum physics and nanotechnology and string theory and Jungian psychoanalysis. And the customer is very impressed, but he decides, ‘Ya know, I’m gonna test that robot.’

So he walks out of the bar, turns around, comes back in for another drink. Robot serves a perfect cocktail and then he says ‘What’s your IQ?’ This time the man says ‘About 100,’ so immediately the robot starts talkin’ about football, NASCAR, baseball, supermodels, fast food, guns, and enormous hooters. Now the guy’s really impressed, so he leaves the bar again and he turns around and he decides to test the robot one more time.

So he goes back in, gets the perfect cocktail and the robot says ‘What’s your IQ?’ ‘Uh, it’s only about 50, I think.’ Robot says ‘So are you gonna vote for Trump again?’”

DEMONS

“I was watchin’ The Bachelor the other night, and it reminded me of this guy in Arkansas who was wantin’ to get married but he was havin’ trouble choosin’ among three likely candidates to marry.

So he decides to give each woman a present of $5,000 and watch what they do with the money. So the first woman does a total makeover, she goes to a beauty spa, she gets her hair done, new makeup, buys several outfits, joins a spa, gets toned, tells him she’s done all this to be more attractive for him because she loves him so much, and he’s fairly impressed by that.

Second woman, she goes shoppin’ to buy him a bunch of gifts. She gets him a new set of golf clubs, walk-in humidor for his cigars, some expensive clothes, and she presents all this stuff to him and she says she spent all the money on him because she loves him so much, and he’s fairly impressed by that.

The third one invests the money in the stock market, she earns several times that $5,000 back. She gives him back his $5,000, she re-invests the rest in a joint account, and then she tells him she wants to save for their future because she loves him so much, and the man is very impressed by that.

So he thought for a long time about what each woman had done with the money, and then he married the one with the biggest boobs.”

JBB Bowling

TOURIST TRAP

“Did I ever tell you guys the one about the Irish girl who runs away from home? I feel like we need an Irish joke in honor of Chuck Connors, this is Chuck Connors’ night. So, this Irish guy’s daughter disappears, she doesn’t come home for five years. She finally comes home and her dad cusses her out, ‘Where you been all this time? Why didn’t you write? What were you doin’? You know what you put your mum through?’ They call it ‘mum’ in Ireland.

Well, the girl’s cryin’, she says ‘Dad, I’m so sorry. I became…a prostitute.’ And the dad says ‘What?! Go back where you came from. I don’t ever wanna see you again.’ And the girl says ‘Okay dad, I will, but I’m gonna leave all this stuff I brought for you. I have some fur coats for mom and I have a deed to this mansion I bought, and I have a savings account for five million euros, and I also got a gold Rolex for my little brother. And for you there’s a limited edition Mercedes outside, and if you want it, there’s a yacht, I parked it on the Riviera.’

And so her dad thinks for a minute and he says ‘Tell me again how you got this money,’ and the girl says ‘I became a prostitute.’ And dad says ‘Oh Jesus, you scared me for a minute. I thought you said Protestant. Come give you old man a hug!’”

BASKET CASE a film presentation that remembered Gerald the security guard, who was released on weekends to work (at the Highway 183 Drive-In in Irving, Texas), and would always have words of drive-in wisdom like, ‘Never walk up on a baby blue El Camino with two men inside unless you wanna see things described in the Old Testament.’”

“Girl goes into her doctor’s office for a check-up, as she takes off her blouse the doctor notices a big red ‘H’ on her chest. He says ‘How’d you get that mark on your chest?’ She says ‘Oh, my boyfriend went to Harvard and he’s so proud of it that he never takes off his Harvard sweatshirt even when we make love, so I guess it leaves an impression.’

Couple days later, another girl comes in for a check-up, takes off her blouse, there’s a big ‘Y’ on her chest. ‘How’d you get that mark on your chest,’ asks the doctor. ‘Oh, my boyfriend went to Yale and he’s so proud of it he never takes off his Yale sweatshirt, even when we make love.’

Couple days later, another girl comes in for a check-up, as she takes off her blouse the doctor notices a big green ‘M’ on her chest. So the doctor says ‘You have a boyfriend who went to Michigan?’ and the girl says ‘No, but I have a girlfriend at Wisconsin, why do you ask?’”

THE LEGEND OF BOGGY CREEK

“Did I tell you the one about the husband and wife don’t trust each other? So the woman doesn’t come home one night and her husband wants to know why, and she says well, she slept over at a girlfriend’s house. So, the man calls his wife’s ten best friends, none of ‘em know anything about it. So he cuts her off, he calls her a liar, he makes her suffer for days.

Little while later, the husband doesn’t come home one night, so in the morning the wife wants to know why not. He tells her, ‘Well, I slept over at a buddy’s house.’ So, the woman calls her husband’s ten best friends. Eight of ‘em confirmed that he slept over, two of ‘em claimed he’s still there.”

Maple syrup

Postmortem and Pulled Pork: A ‘Saw’ Story

For fans of horror, it always comes down to a single film or franchise. You can love them all, most of them, or even just bits and pieces, but in the end, it boils down to the one vehicle that drives that affection. I plan to be a six-foot Billy the Puppet this Halloween, adore Tobin Bell, and have a soft spot for Shawnee Smith. For me, it’s all about SAW, but above all else, the world of John Kramer has always been about friendship.

Each October for seven years, my best friend and I would make our way to the theatre for the latest installment of Leigh Whannell and James Wan’s creation, strengthening a bond already more than three years in the making. While my boy Dan dug the traps—and got a chuckle out of how much they made me squirm—I was happy to lay money down to get the latest dose of Bell, which is always worth the price of admission.

Both of us fall under the massive fandom umbrella of THE PRINCESS BRIDE (1987), and while many a laugh was had at the beauty of Westley book-ending the initial seven chapters of the saga, often times we found ourselves defending our SAW obsession with friends who were not of the horror persuasion. “It’s basically the same movie over and over, why do you keep going?” Our stock answer became a running joke, “We’ve come this far.”

Part of that journey came in 2007, when we met right after work for SAW IV. For as much as I love the genre of blood and guts, I’ve never been big on gore, especially when I’m eating, but my old pal thought it would be fine to pick up some sandwiches, sneak them into the theatre, and get dinner out of the way.

I was a bit hesitant—like I said, the traps are Dan’s thing—and let’s face it, SAW films usually start with a bang. He quickly shot back that we’d most likely have the sandwiches eaten before the trailers were over, but even if we didn’t, it wasn’t like someone was going to have flesh peeled from their skulls right off the bat.

With sandwiches discreetly tucked into our jackets, we took our seats, and dug in.

Saw IV

With a few bites remaining at the close of said trailers, I was hopeful that I’d gobble them down before anything heinous turned my stomach. Moments later, the autopsy of John Kramer began unfolding on-screen, and wouldn’t you know it, Jigsaw’s scalp was being removed from his cranium like a bloody wet suit.

I shot a death stare and “You motherfucker!” in my buddy’s direction to find him doubled over in laughter just one seat over. Safe to say, the sandwich met the theatre floor and those last few morsels went uneaten.

Dan denies it to this day, but I’m still not convinced that he hadn’t seen it already and thought he’d have some fun at my expense.

A friendship that began over a mutual love of movies continues 17 years later, but no one film or series represents our bond more than SAW. Nearly a decade after our shared disappointment with what was supposed to be THE FINAL CHAPTER (2010), both of us were missing our October tradition, unable to believe or accept that 3D was truly the end.

But then JIGSAW was announced for last fall. The franchise we had shared for seven years was returning after seven more, and when I found out, I giddily texted “I want to play a game. Again.”

His response was simple, “We’ve come this far.”

Dan and I have been all-in since SAW debuted on this day in 2004, and we’re willing to go much, much further. Just…without sandwiches.

Whannell Adam

Jackie Gleason on Acid: How Vinny Guastaferro Landed a Role in ‘Shocker’

Long have we been fascinated with behind the scenes stories that detail how certain scenes came to be, or  parts were scored, but few are as genuinely entertaining as how Vinny Guastaferro came to his role in Wes Craven’s SHOCKER (1989).

Forget that Horace Pinker was supposed to supplant Freddy Krueger as Craven’s next franchise villain, because three years after Guastaferro made “Ya-Bang” a household word for horror fans, he was tasked with making a strong first impression on the legendary director.

Apparently that red dot had reach.

On the 29th anniversary of SHOCKER’s release, we share Guastaferro’s story.

“I’ll start out with a disclaimer saying I blame it on myself because I don’t know if I was in a good mood or a bad mood or if I felt like ‘Oh boy, another horror movie and why is my agent doing this and why should I be going out for a horror movie?’ But then I realized it was Wes Craven, and I knew who he was from his earlier movies, which some of them weren’t really that scary.

He was an excellent writer, and I went in the room, and I looked at this role on paper and I said ‘God, wouldn’t you know it, he’s not havin’ me like read some of the more mundane crap that I have to say at the beginning of the movie, he wants me to do the actual meltdown scene,’ the scene where I am possessed.

Guastaffero ShockerVery early in my career I had worked with Jackie Gleason, who was dominant on television during my childhood and was known as one of the best comedians in the business. He had a very broad comedic style, and when he used to yell and go ‘Pow! Zoom! To the moon!’ and all of that, I used that image of Jackie Gleason getting mad at Alice and having him be on acid.

I went into the audition room for Wes Craven and I just went fuckin’ nuts. I kicked over the coffee table, I laid on the floor and (growling, snarling noises), and did everything that probably you saw in the movie. I squirmed, I laid, I yelled, I fake shot, I did everything (chuckles) that I do in the movie in the audition room. And when I was done–I was having such a good time I got immersed in it–I looked up, Wes was smiling and the two casting people were sitting there with a look of fucking horror on their faces (chuckles). They looked like ‘What did this guy just do?’

The only thing that casting ever worries about is did I bring in somebody who’s gonna make me look bad by doing a bad job, or did I bring in somebody that the director’s going to like and hire? And the casting people were sitting there with that ambiguous look on their faces, Wes was already smiling, and then he went over to Gary Zuckabroad the casting director and he said ‘I want Vinny, so what can we do to get out of this session?’

And I swear, I’m just, I’m not bragging, I’m just telling you this is such a Hollywood story—the casting director had to go to the outer room where there are like six, eight other guys waiting to audition and say ‘I’m sorry everybody, something has come up and the director has to leave. We’ll have to call you again and re-schedule you for this,’ and he sent everybody home. I was called back into the room and he said ‘You’ve got the part. You got it on the spot. I want you to start workin’ on this now.’ And that’s how it went.

I mean, it was a fantastic experience for me because, once again to give you another analogy, what an actor likes to do is go into the room, throw their fastball–meaning whatever choices they’ve made, you don’t go in a room with a guy like Wes Craven and say ‘Well, how do I do this? How do I act crazy and possessed and deadly, and at the same time funny?’–ya know? You gotta go show them your variant of it, so I went in and threw my fastball and ended up getting the part. And that for me, was one of the most rewarding experiences in my life. And then to work with Wes was just unbelievable.” 

Lucio Fulci’s “ZOMBIE” Getting An Uncensored 4K Restoration Blu-Ray!

In Italy, it was considered the ‘unofficial sequel’ to DAWN OF THE DEAD. In England, it was known as ZOMBIE FLESH EATERS and banned as obscene. In America, it was called ZOMBIE and advertised with the depraved tag line “WE ARE GOING TO EAT YOU!”  Marking the 40th anniversary of Lucio Fulci’s ambitious, and squeamish to those with eye injury phobias, Zombie (Zombi) which premiered in Italy back in 1978; the beloved Italian-Horror is finally getting its due credit with a beautiful 4k restored Blu-Ray release from Blue Underground!

 
Tisa Farrow (THE GRIM REAPER), Ian McCulloch (CONTAMINATION), Al Cliver (CANNIBALS), and Richard Johnson (THE HAUNTING) star in this worldwide splatter sensation directed by ‘Maestro Of Gore’ Lucio Fulci (CITY OF THE LIVING DEAD, THE HOUSE BY THE CEMETERY) that remains one of the most eye-skewering, skin-ripping, gore-gushingly graphic horror hits of all time.
This is a ZOMBIE release like never seen it before, bursting at the seams with hours of new and archival extras. It includes the Original Motion Picture Soundtrack CD by Fabio Frizzi (with an exclusive bonus track), a collectible booklet with a new essay by Stephen Thrower, and a ton of other killer bonus features.

zombie bluray

 

Disc 1 (Blu-ray) Feature Film + Extras:
  • NEW! Audio Commentary #1 with Troy Howarth, Author of Splintered Visions: Lucio Fulci and His Films
  • Audio Commentary #2 with Star Ian McCulloch and Diabolik Magazine Editor Jason J. Slater
  • NEW! When The Earth Spits Out The Dead – Interview with Stephen Thrower, Author ofBeyond Terror: The Films of Lucio Fulci
  • Theatrical Trailers
  • TV Spots
  • Radio Spots
  • Poster & Still Gallery
  • Guillermo del Toro Intro
Disc 2 (Blu-ray) Extras:
  • Zombie Wasteland – Interviews with Stars Ian McCullochRichard Johnson & Al Cliver, and Actor/Stuntman Ottaviano Dell’Acqua
  • Flesh Eaters on Film – Interview with Co-Producer Fabrizio De Angelis
  • Deadtime Stories – Interviews with Co-Writers Elisa Briganti and (Uncredited) Dardano Sacchetti
  • World of the Dead – Interviews with Cinematographer Sergio Salvati and Production & Costume Designer Walter Patriarca
  • Zombi Italiano – Interviews with Special Make-Up Effects Artists Gianetto De RossiMaurizio Trani and Special Effects Artist Gino De Rossi
  • Notes on a Headstone – Interview with Composer Fabio Frizzi
  • All in the Family – Interview with Antonella Fulci
  • Zombie Lover – Award-Winning Filmmaker Guillermo del Toro talks about one of his favorite films

Available now at the online MVD Shop for pre-order, this glorious version of ZOMBIE will be officially be released with a street date of  November 27th, 2018.

CONTEST ALERT! Win This October Prize Pack from CHARGE and COMET TV!

No tricks, all treats here as we here at Nightmare Nostalgia are hosting a pretty damn awesome giveaway here sponsored by our friends over at COMET and CHARGE TV in celebration of the most wonderful time of year- HALLOWEEN!

This Halloween tune in to COMET TV as they bring you the horror classics that will send shivers down your spine. Before Buffy, before Edward, and before a certain Count, there was Nosferatu. The classic Vampire film, which is followed by The Cabinet of Dr. Caligari and the original Phantom of the Opera.

Sure to send you to another world, COMET TV brings Space: 1999 and Babylon 5 back for classic spacey adventures! Every day you can see Babylon 5 and Space: 1999 has back-to-back episodes on Saturday and Sunday evenings! Talk about out of this world!

So you can’t sleep? COMET TV has the solution with cult classic midnight movies airing Mon – Fri! You can pencil in Night of the Creeps, get sucked into Vampires on Bikini Beach and do your best to escape The House on Haunted Hill!

And CHARGE! has the classic series CHiPs! Join Ponch and Jon as they cruise the freeways of Los Angeles solving crime… Back when you could cruse the freeways of Los Angeles!

To usher in the spooky happenings of October we want to give you, the readers, the chance to win the COMET TV and CHARGE! October Prize Pack!

All you need to do is share this post on Facebook, comment entered and #HUSHAWEEN on the original post! Winner will be announced HALLOWEEN NIGHT on NIGHTMARE NOSTALGIA’s Facebook page. That’s it guys! Super easy. 

PRIZE PACK INCLUDES:

1 – Limited Edition Nosferatu Shirt: Only available via this promotion, this creepy T-Shirt is sure to make your neighbors and friends shriek with envy! AHHHHHHHHH!

1 – COMET TV Blood Bag Water Bottle: I would like some Type-A Negative please. No matter what your flavor, this novelty water bottle is the perfect thing to fill up for an on the go refreshment.

1- COMET TV Stargate Magnets: Show off your spacey side with these super fresh Babylon 5 magnets. Perfect for any new recruit looking to sign up for new spacey adventures!

1 – COMET TV Midnight Movies Blood Splattered Candy: Do you have a bit of a sweet tooth? This candy assortment will give you that sugar rush you’re craving! There’s Ghost Poofs, suckers, bugs, lizards and more!

2 – Exclusive CHARGE! CHiPs Ticket Memo Pad: Do you see someone breaking the law and you just have to sound off and tell them? Is someone’s parking THAT bad you want to be like… Dude come on? Now’s your chance! Write them a little note, and maybe mention that CHiPs is heading to CHARGE! as well!

HAPPY HALLOWEEN!

 

Check Out This Map Of Most Popular Horror Villians By State According To Google

Oh, Google. You have consumed our lives with your vast of knowledge of everything and beyond from medicinal home remedies, that perfect pumpkin pie recipe, and of course, each US state’s most popular horror villain. Because, you know, the last one is pretty goddamn important here.

However, you’re probably asking yourselves how something like this is determined? Well, simply put- the data analyst team over at Frontier Bundles selected 15 popular villains from classic, pre-2000 horror movies and used Google Trends to analyze their search volume in the last 12 months. The horror icon with the highest search volume from each state was then determined as the cream of the crop from your home state! 

I have a feeling you’re either going to be ultimately outraged or gleefully chanting to the Heart of Damballa. Good times either way and might I add: Way to go West Virginia! I’m thoroughly impressed with your love for all things horror!

Check Out This Map Of Most Popular Horror Villians By State According To Google

Check Out This Map Of Most Popular Horror Villians By State According To Google

Your State’s Most-Googled Horror Villain

Alabama Chucky

Alaska Alien

Arizona Chucky / Norman Bates

Arkansas Hannibal Lecter / Norman Bates

California Chucky

Colorado Jack Torrance

Connecticut Frankenstein’s Monster

Delaware Norman Bates

Florida Norman Bates

Georgia Ghostface

Hawaii Alien

Idaho Frankenstein’s Monster

Illinois Chucky

Indiana Pinhead

Iowa Pennywise

Kansas Count Dracula

Kentucky Leatherface

Louisiana Chucky

Maine David Kessler

Maryland Norman Bates

Massachusetts Frankenstein’s Monster

Michigan Norman Bates

Minnesota Alien

Mississippi Chucky

Missouri Hannibal Lecter

Montana Norman Bates

Nebraska Pennywise

Nevada Chucky

New Hampshire Norman Bates

New Jersey Frankenstein’s Monster

New Mexico Alien

New York Frankenstein’s Monster

North Carolina Chucky

North Dakota Norman Bates

Ohio Norman Bates

Oklahoma Norman Bates

Oregon Jack Torrance

Pennsylvania Norman Bates

Rhode Island Norman Bates / Frankenstein’s Monster

South Carolina Chucky

South Dakota Pinhead

Tennessee Chucky

Texas Chucky

Utah Count Dracula

Vermont Hannibal Lecter

Virginia Jack Torrance

Washington Alien

West Virginia (See below for 7-way tie results)

Wisconsin Norman Bates

Wyoming Count Dracula

West Virginia’s 7-way tie: Pinhead, Michael Myers, Count Dracula, Hannibal Lecter, Freddy Krueger, Jason Voorhees, and Pennywise

 

Do you agree with these findings? Drop a comment and let’s talk about this!

Book Review: “AD NAUSEAM” Is The Holy Grail of 80’s Horror Newsprints

Once upon a time before the wild world of the interwebs, you had to turn to that black and white rolled up bunch of papers that magically appears in your driveway every morning to observe the latest movie premieres and listing showtimes. Plainly speaking, living in an advanced age of technology has spoiled us from giving in that extra effort as any and (almost) all information is literally at our fingertips. And with the entrance of Google, the exit of what is now considered a lost art occurred.

As with horror-based VHS art, newsprint graphics for film announcements became an entity in its own with not only promoting said picture but influencing audiences into seeing the movie with the alluring black and grey art attached to the information. Former Fangoria Editor-in-Chief and presently, one of Rue Morgue’s head-honchos’ Michael Gingold has taken this long-lost pastime and breathed new life into the forgotten advertisements with his new book, “AD NAUSEAM: NEWSPRINT NIGHTMARES FROM THE 1980s”.

I recently had the opportunity to gleefully gawk at the 245-page book and holy Nicolas National Treasure Cage- it is as glorious as the retro sunbeams beaming off a neon synthwave.

Book Review: "AD NAUSEAM" Is The Holy Grail of 80's Horror Newsprints

With all retro advertisements seen within, some extremely rare or never-before-seen all from Gingold’s personal collection, compiled into yearly chapters that range from 1980-1989, this truly is a must-have for not only lovers of 80’s horror, but ALL genre enthusiasts. From a historical standpoint, this nostalgic book certainly serves as an opened time capsule from a time where horror was both beloved and misunderstood by the general public- (If you’re questioning that last bit, check out this little diddy from 20/20). So whether you’re reliving that era or discovering it for the first time, the feeling you get as you flip the pages through these newsprint nightmares can easily be compared to watching your very first horror film. And that my friends, is such a rare experience to come across in the modern days of the interwebs.

Book Review: "AD NAUSEAM" Is The Holy Grail of 80's Horror Newsprints

In addition to the glorious spread of page after page of retro goodness, snippets of reviews are matched alongside select films. It goes without saying this was a time where Rotten Tomatoes and online reviews were years ahead in the future. That being said, in a time where horror didn’t harbor the respect it has accumulated from critics over the years, you’ll find a few of these snippets might just trigger your horror senses into a flight or fight reaction. As explained in the book, these reviews were posted at the time of release, and I’m just taking a shot in the dark here, from a few snooty film advisers.

However, I can overlook those very real reviews with an extensive introduction from Gingold explaining what had compelled him to save all these clippings to begin with. If you hadn’t already taken the hint or looked around at my website here, I kind of really love reminiscing about my journey in and around the horror genre and the influences it had on me as a child; but hearing it from the mouth of someone who is hugely respected here, and around the horror writing community is pure gold. And I highly urge everyone in this business that picks up this gem to resist the temptation and read what Gingold has to say before going balls deep into the ads. VERY IMPORTANT HERE.

Towards the end of the retro 80’s horror ad road, you’ll find an intriguing closing entitled “The Art of the Sell”- which includes conversations with Terry Levine (President of Aquarius Releasing), and longtime partner and artist Wayne S. Weil who dive into the drive of these ads and putting “asses in theater seats” via these said newsprints.

As you may have gathered already, this book is a definite must-have centerpiece for your house of macabre’s coffee table for any collector of physical horror media. It is both highly stimulating for your retro horror senses, and a wonderful journey of film history through the decade where horror shined like no other era. The book drops tomorrow on Amazon Prime and you can pre-order it here at a discounted price, or directly from 1984 Publishing to obtain a signed copy.

Upcoming Book "Ad Nauseam" Highlights Newsprint Nightmares from the 1980s

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