Like Free Stuff? Enter Nightmare Nostalgia’s COMET & CHARGE! March Giveaway!

Because who doesn’t like free stuff? Enter to win this awesome prize pack from Comet and Charge TV!


In case you haven’t heard, Comet TV is a new television channel dedicated to sci-fi entertainment offering popular favorites, cult classics, and undiscovered gems, every day.  The retro lover’s station is available over the air, on cable, streaming for free online and now on ROKU and APPLE TV. This month, Comet is rolling out the red carpet for some of the best worst movies on planet Earth. They’re so bad… they’re awesome. Catch films like …

Creature (1985) 
Gargoyles (1972) 
Jaws of Satan (1982) 
Johnny Mnemonic (1995) 
Monster Dog (1984) 
Reptilicus (1962) 
The Milpitas Monster (1976)
Vicious Lips (1986)

Friday Primetime Movie 8/7C
Saturday Encore Presentation 8/7C

King Cobra (March 9) 
Monkey Shines (March 16) 
Code 46 (March 23
High Spirits (March 30)

Stargate Universe
Monday-Friday at 2/1C & 10/9C
Unlock the secrets of the ninth chevron with the boldest show in the Stargate franchise’s illustrious history. SGU features stunning visuals, a complex storyline, and all the gate-hopping action you could possibly need. So, what are you waiting for? Board the Destiny and join COMET for the adventure.

On top of all that glorious shredded cheese, Comet has added a sister network CHARGE!  An action network showing the most “kickin’” and “punchin’” films ever created, like let’s say oh… ALL THE KICKBOXER MOVIES! The classic Van Damme films highlight the March schedule, roundhousing into your living rooms with a five-film marathon on March 10th, 2018 along with the classic Avengers series!

Saturday, March 10 at 10/9C
Monday, March 26 at 6/5C

Kickboxer 2: The Road Back
Saturday, March 10 at MIDNIGHT/11C
Tuesday, March 27 at 6/5C

Kickboxer 3: The Art of War
Saturday, March 17 at 10/9C
Wednesday, March 28 at 6/5C

Kickboxer 4: The Aggressor
Saturday, March 17 at MIDNIGHT/11C
Thursday, March 29 at 6/5C

The Redemption: Kickboxer 5
SaturdayMarch 24 at 10/9C
Friday, March 30 at 6/5C

The Avengers

Revisit a classic. The British ultra suave spy series The Avengers is sleuthing its way onto CHARGE! with back to back episodes Monday through Friday at 1:30/12:30C.

Ranked by TV Guide as one of the top 20 cult TV series of all time, The Avengers is a spy-fi delight!
Weekdays at 1:30/12:30C

To celebrate the Comet and Charge March Mayhem of awfully awesome movies, the network is offering a super cool prize pack for one lucky Nightmare Nostalgia reader! Open to US residents only, simply click the link below via our set-up Rafflecopter and that’s it! Winner will be announced April 1st, 2018 (I promise, it’s not an April’s Fools joke) on our Facebook page!

Like Free Stuff? Enter Nightmare Nostalgia's COMET & CHARGE! March Giveaway!

1 – Limited Edition Johnny Mnemonic COMET TV T-shirt: One of the best of the worst films ever. Can you carry Nearly 80 Gigs Of Data In Your Head… It depends on if I have my morning coffee! This shirt is exclusive and only 130 are in existence.

1 – Kickboxer Exclusive Charge! Clamshell Box: Talk about retro goodness! This Bloodsport exclusive clamshell box features exclusive throwback artwork and will immediately take you back to the days of waiting in line for new release movies at the video store!

1- Kickboxer “Kickin’ It” Viewing Kit: When you’re working up a sweat either by saving the world or sitting on the couch, this viewing kit will aid you, in your quest. It has an official Kickboxer elastic headband as well as some popcorn and stickers.

2 – Exclusive COMET TV Film Cards: The best thing to celebrate the cult classic films arriving on COMET TV this month! A limited edition set only available here!

2 – Exclusive CHARGE! Film Cards: Get in the mood to check out CHARGE! with this card set showcasing some of the awesome movies showing on CHARGE! this month!



Check Out This Hilarious Nintendo Training Video From 1991!

When the Nintendo Entertainment System finally made its glorious US debut in the late 80’s, all of us kids just about lost our shit at the video game quality coming from this grey box of sorcery. Retailing at the time for the Action Set (NES Zapper, two controllers, and the Super Mario Bros./ Duck Hunt duel cartridge) for now what seems a mere $149.99 just in time for the 1988 Christmas holiday, sold nearly seven million systems that year. And according to this splendid video below, blowing that number out of the water 2 years later with a whopping 90 million NES systems bought in 1990.

That’s a lot of virtual dead ducks. Fantastic.

Image result for nintendo duck hunt gif


So yeah, one can only imagine the headaches retail workers had to endure concerning the new system that every one of us damn kids HAD to have, (it’s cool, I was one of them). Most likely no different than the average migraine customer service deals with on a daily with those “customer is always right, consumers“. But hey, as time has told over again throughout the past 30 years that when a new system comes out, you better damn well be prepared Mr. Electronics section of Wal-Mart. And after a few years of booming sales from the system, Nintendo thought they would do the retail workers of America a favor and make a proper training video for handling consumer complaints and ridiculous customers involving returns with the NES. This includes any bullshit scammers attempting to nab a refund after some careless kids spilled soda all over the control deck.

Oh yes, that’s actually in there. “What are you supposed to do? Tell them what you really think? Of course not!” 

And that’s why folks, yours truly could never work a successful retail position.

Related image


Anyways, I couldn’t help but laugh especially at the bit about the blank color screen issue WE’VE ALL experienced at one point due to a bit of dust settling inside the deck. Clearly, this guy never figured out the “blow and go” solution. And guess what? 30 years later it’s still 100% effective. Which brings up an excellent point: The Classic Nintendo I have sitting in my house is getting dangerously close to that age bracket and still works like a dream. Just goes to show the highest of quality built into that little sucker.

But hey, it’s 2018 and if you’re having any issues with your NES, all your answers can be answered right here in this handy retro video uploaded by Retro Games TV Commercial HD!


“Halloween 2018” Will Pay Homage to Every Other “Halloween” Movie

That means we’ll get a Silver Shamrock tribute, right?!

Here at Nightmare Nostalgia, we don’t really cover too many current events and films, with the exception of course to anything referencing throwbacks to classics. However, this is Halloween, and the return of the one and only Nick Castle as “The Shape”. So yeah, I don’t really think I need to give any further explanation.


 Related image


Anyway as you may, or hey may not have heard, Halloween 2018 is set to be a straight sequel to the 1978 immortal classic with John Carpenter producing and overseeing the ominous score. And of course, one of the most beloved scream queens of our generation Jaimie Lee Curtis reprising her role as Laurie Strode. It doesn’t really get any better than that folks. That is until news coming exclusively from Flickering Myth this morning via an interview with co-writer Danny McBride who says the new film will hold references to the other Halloween films in the franchise.


“This picks up after the first one. The Halloween franchise has kind of become a little bit of like choose your own adventure, you know like there’s some many different versions, and the timeline is so mixed up, we just thought it would be easier to go back to the source and continue from there. It was nicer than knowing you’re working on Halloween 11, it just seemed cooler, ‘we’re making Halloween 2‘. We do [reference the other movies]. For fans, we pay homage and respect to every Halloween that has been out there.”


With no official title yet other than Halloween, the film is helmed by David Gordon Green with a script by Green and Danny McBride. Along with Jamie Lee Curtis and Nick Castle returning, the film stars Judy Greer (War for the Planet of the Apes, Archer), Andi Matichak (Orange Is the New Black), Will Patton (Shots Fired), Virginia Gadner (Runaways), Miles Robbins (Mozart in the Jungle), Dylan Arnold (Mudbound) and Drew Scheid (Stranger Things).

Hell unleashes on Haddonfield on October 19, 2018. Are you ready?! Stay tuned for further updates!


Related image


Featured image via The Mad Butcher- Deviant Art


Saturday Fright at the Movies: Before “Counting Cars”, Danny Koker Was Count Cool Rider

If you’re a die-hard reality TV junkie, chances are you may have heard of Danny Koker and his History Channel show Counting Cars; filmed right here in my hometown of Satan’s butthole, I mean, Las Vegas. (Hey, if you’re a local, you know damn well of the seething summer heat I speak of.) Before Counting Cars gained a loyal following of car enthusiast viewers, Koker made his love of motorcycles and automobiles known very well via appearances on History’s American Restoration and Pawn Stars.  Oh, and of course, dressing us a hip as shit vampire riding through the dark Vegas streets on a pimped out motorcycle.

via Nightmare Nostalgia

Ahh, the glorious nostalgic days of the Count and Saturday Fright nights. It didn’t get any better than this for us Vegas locals.



Yes folks, us Vegas horror-loving locals will always know Koker as Count Cool Rider. It seems fair to say that growing up, many local stations throughout the country had something similar going on with horror hosts serving up delightful movie gore during the weekend. On a nationwide basis, we had Monstervision with Sir Joe Bob Briggs. And while duh, I was a loyal viewer, Saturday Fright at the Movies with the Count was something special for us Vegas people. It was OURS. And very well responsible for allowing young horror fans here in the city of sin without cable, to enjoy some free horror flicks.

Airing on what used to be KVCW, virtual channel 33 in Vegas, Saturday Fright at the Movies had a respectable run from 1990-2001; and if I can remember correctly, aired around 10pm. With the exception of that oh-so-Elvis Vegas vampire opener vibe, the program followed the same formula as other horror-hosted movies nights. The Count would then do a little schpiel on tonight’s Saturday Night film and we’d dive right into it, with breaks in between commercials backtracking to Cool Rider with some trivia or some thoughts on tonight’s picture selection.

It seems via my search the through the interwebs, Saturday Fright at the Movies is mostly remembered for airing a lot of B-Movies. While I don’t argue because I do in fact remember a few occasions when it happened, the program also broadcasted titles like the TV version of John Carpenter’s Halloween, DOLLS, and as seen above Pumpkinhead II.  Speaking of which, that would be the first time I had ever seen that version of Carpenter’s immortal classic with the added bonus scenes. At nine-years-old, it blew my damn mind that Linda had borrowed that blouse from Laurie and then bitched to Bob about how “expensive” it was when he was being a tad careless with that beer.

It’s the little things really. So while unfortunately, the days of channel 33 and Count Cool Rider are behind us, on behalf of us locals, thank you. For giving both kids like me staying up past bedtime and adults something really special that we, as we hold this genre very dear to us, can look back on and smile. Also, you should bring back the Count for maybe a weekly October event leading up to Halloween, much like AMC Fearfest. Errm, minus the 1,000 reruns of The Walking Dead.

Just throwing that out there.


Saturday Fright at the Movies: Before "Counting Cars", Danny Koker Was Count Cool Rider



March to the Grave – Cemetery Man!

Hello, my sweet gargoyles and ghouls. It’s your dearly demented friend, Manic Exorcism, asking you to join me on a lovely cemetery stroll where the departed, well, they just aren’t content to rest peacefully.  So grab a shovel – or a boomstick, should you prefer – as we unearth the unconsecrated bowels of these crypts and look at this underrated gem – Cemetery Man. Or also known as Della Morte Dell Amore.

The Zombie Genre

Once upon a time zombie films were few to be found. Cemetery Man, much like its festering brothers and sisters of the genre, was a definite rarity. That might seem shocking to our modern audiences today – who have been nursed on The Walking Dead, Resident Evil games, and countless tons of independent flesh eating atrocities – but zombie movies used to be hard to find.

Crazy, I know, right? Today we have too many of them. It’s an over saturation really, as if we’re overrun by hordes of living-dead films. Each one shambling over one another and inseparable in their rotten likenesses.  A drooling mess of celluloid brainless insatiable cravings, each of them clawing at us, demanding our numb attention and refusing to let us escape. A true epidemic and apocalypse. It is a wasteland of lost creativity.

giphy 2
image vie giphy

Wow!  Almost sounds like I hate zombie movies. I don’t, but admittedly I’m not a fan of the current state of them. They’re all too similar. Similar in tone, in style and even in their characters. Honestly I think that zombies were way scarier when they were rare.

The Cemetery Man

Cemetery Man came out during a golden age when film makers dared to take risks and tackled well-established tropes we were familiar with, but added some much-appreciated originality to a subject matter that otherwise would have been left rotting beneath the earth. There were some creative minds that brilliantly brushed away the layers of mold and breathed putrid life into those bones.


The problem I have with modern zombie incarnations is if you’ve seen one you’ve seen them all. Stop me if this sounds familiar: a band of miss-matched survivors must face the undead legions across a dystopian landscape. Throw in some romantic drama and BOOM you have your zombie flick. CG blood effects will complete the mendacity and your indie zombie movie will get lost in the stinking tide of an over-used gimmick. 28 Days Later was part of the zombie renaissance and it’s formula has been recycled to death with few contributions adding any freshness to the field. But hey, I guess we can praise Zombeavers for its uniqueness. At least it was different!

(That’s not to say I don’t have my modern favorites. Shaun of the Dead is to be praised. So is Planet Terror. However, both of those movies were clear throw backs to that golden age of risky film making I already mentioned.)

On the contrary, films like Creepshow, Braindead, Return of the Living Dead, Night of the Creeps (they’re zombies, right?) and of course today’s subject, Cemetery Man all offered audiences something new, fresh, and (believe it or not) entirely unseen before. Who can forget the mean old bastard who rises from his wormy grave still demanding his father’s day cake? Or who else got hot around the color as our pre-pubescent eyes watched Trash bare it all and dance in a grave yard? (We love you Linnea Quigley!) We also got to see (whether we wanted to or not) zombies have sex  on a dining table and later give birth to a zombie baby who goes on to run amok across a playground. Holy shit! These movies were awesome!

They became instant cult classics and are still highly adored to this very day. There is no replacing them.  Their fandom swells with every new generation and will never lose steam as more audiences are introduced to their ingenuity and creativity.

They weren’t about any catastrophic dystopian society. They were about everyday people having a really bad, bad day. And we genuinely felt a connection with the characters.

Aside from practical effects do you know what each of these beloved movies have in common? They don’t take themselves too seriously. They made horror fun. They’re fun but not stupid, I must stress that. They are serious movies with some hard-core punk flare. They made us squirm, squeal and scream for more! That’s something gravely lacking in the majority of today’s zomb-zomb endeavors. Their tones are too serious for their own good or they try to be funny and just mock it up. (I guess there was a time when talent was a thing.)

If you’re a fan of any of these aforementioned punk-rock flicks then I can assure you that Cemetery Man is one you’ll want to see. The plot centers around our hero who is tasked with killing the freshly buried who rise from their graves. That’s it. What makes this movie remarkable are the scenes and visuals. The filmmakers had a great eye and at moments it feels like grotesque art come to life.

imdb 2
image via imdb

Honestly this movie is more beautiful than any zombie movie has any right to be. It’s hypnotic and at times you won’t be able to look away. The project was purely a work of inspiration.

The movie is also subtly deceptive. Sure, on the surface you’ll think it’s about a guy who shoots the living dead in the head. But then the film begins to explore intense subjects such as love and all of its treachery and the mysteries of Death itself. It becomes a gradual existential odyssey between the living and the dead.

Our cemetery man is played by Rupert Everett, a surprising role for him but very well done! He is assisted by a mentally challenged fellah, Gnaghi (François Hadji-Lazaro), who is the perfect cross between Curly from the Three Stooges and Uncle Fester. Gnaghi is just too much fun. At one moment he crushes hard on the mayor’s daughter and throws up all over her as a sign of affection. There’s another great scene where he’s sitting down in front of the TV and happily eating some chocolate ice cream all the while his partner is busily fighting off a sudden invasion of the living dead. Gnaghi remains entirely oblivious the whole time.

nerd ninja
image via Nerd Ninja

Just like Return of the Living Dead this movie is damn cool. I mean what other movie will give you a zombie biker bursting out of his grave on his mother-fucking motorcycle? That and the Grim Reaper makes one Hell of an appearance that you won’t soon forget.

It’s been a while since I’ve seen this one and upon a re-watch, I now have a brand new favorite. I really hope that someday Arrow Video will give us a proper Blu-ray release of this sadly underrated cult classic.

villains wikia
image via villains Wikia

This has been Manic Exorcism thanking you for joining me on another macabre journey into the heart of darkness. Be sure to keep checking in here at Nightmare Nostalgia for all those lovely chills and thrills. I’ll catch you all later, my lovelies. And next time you won’t get away so easily. Heheheh

Cemetery Man (1994)

Silence of the Beets: Dummy Skin-Wearing Dwight Schrute is Now an Action Figure!

Bears. Beets. Battlestar Galactica. Oh, and the mutilated rubber skin from a dummy of course. It was only a matter of time before the master of the almighty beta vegetable became a legit action figure. And today is that day ladies and gents.

Chances are if you’re a fan of The Office (and who the Hell isn’t) you might just remember  Season 5 two-parter “Stress Relief”, in where Dwight is directly responsible for inducing a heart-attack upon Stanley with a false fire drill. Thus, bringing about a mandatory safety meeting and CPR training for the Dunder Mifflin employees. And well…


Anyway, via the rad as hell website Super Secret Fan Club, you can now own a mini Hannibal Schrute with some super cool bonus features!

Behold, Silence of the Beets!


Silence of the Beets: Dummy Skin-Wearing Dwight Schrute is Now an Action Figure!


Skin-mask Dwight Schrute is 8″ tall and sits on an 8×10 card and comes with the infamous now faceless dummy from the CPR segment. As an added treat, on the back of the packaging is a cut-out dummy mask just like the one Dwight is wearing. Although, I highly doubt if you’re going to drop $100 (yep, that’s the price tag), you’re probably not going to want to massacre that packaging.




Chest-Pounding Fury: “Fear” Remake Announced From Universal Pictures

Pound your chest in happiness or full-on rage. Either way, a Fear remake is in the works.


Image result for fear mark wahlberg


According to an announcement yesterday over at Deadline, Universal Pictures is taking the ever-so-awesome 90’s film starring a post “Good Vibrations” Mark Wahlberg and Reese Witherspoon, and bringing it into the 21st century with a “reimagining”.  Oscar-nominated Jonathan Herman (Straight Outta Compton) is set to co-scribe the script.

Brian Grazer, who originally produced the 1996 thriller, is returning in one of the producer’s chairs for this modern take on vengeful chest-pounding and roller coaster shenanigans.

While most of the plot is being kept under wraps for now, the studios did say this time around that the story will be told from a “female perspective”. Although I’m pretty sure we already saw that in The Crush and Swimfan.

Personally, I’m more interested in the roller-coaster’s perspective, but what do I know…


Related image


Original for eva? Or are you interested in a revamping of every 90’s kids’ go-to-teenage thriller? Let’s talk about this.

Why Jigsaw is my Dirty Dancing

So I’m out with the boys for a few brewskis the other night, and Dustin decides to drop a “Time of My Life” bomb on us. It was only a matter of seconds before someone belted “Nobody puts Baby in a corner!”

Before I go any further, just know that I get songs stuck in my head with incredible ease, and they tend to stay there. I’ve had that goddamn saxophone looping in my grape for days.

Which brings me to sunny point number two: I have had a love affair with the Saw franchise since 2004. It may be no Patrick Swayze, but those annual October trips to the theatre with one of my best friends were bonding moments that I’ll always hold dear.

Now that the table’s been set, I have to come clean – I was so jacked for Jigsaw that I’d built it up like a family function helmed by Clark Griswold — an event that no flick could ever live up to.

And it rang true.

When I made my way to the local movie house, I was disappointed from the outset. In fact, I fell asleep in my seat. Watching Saw. And I know this because at one point my own snore startled me back to the festivities, and I played it off like I was not only coughing, but completely engrossed with Laura Vandervoort’s declaration that “Games can be won.”


What’s more, after the credits began to run, I remember tweeting something to the effect that for as loyal as I’d been to the world of John Kramer (Tobin Bell), and as long as I’d waited for a new chapter, “It would have been nice to have that faith rewarded.”

So, four-plus months on, and with that sax solo dancing in my head, I decided that I owed it to the franchise I adore another go.

And in the words of the late, great Jerry Orbach, “When I’m wrong, I say I’m wrong.”

Is Jigsaw great? No, but aside from the original, how many installments of this franchise can honestly make that claim?

The issue was that I was expecting an epic continuation of the saga, when I should have just gone into it looking to once again lose myself in that universe, and enjoy the entertaining ride.

jigsaw-2560x1440-tobin-bell-2017-5k-10339Other than Mr. Bell, none of the key players we’d come to know and love were present, and in the theatre, that irked me. Which was complete nonsense, because I knew going in that none were in the cast. That didn’t stop me from hoping there’d be a surprise appearance from Cary Elwes or Costas Mandylor. So yeah, I was the horror equivalent of those Star Wars geeks who got all bent out of shape because their perception of canon was crushed.

Josh Stolberg and Pete Goldfinger were charged with the nearly impossible task of making an eighth film interesting and fresh (sans familiar faces save Tobin), when, to steal one from John Carpenter, the story “had been mined.”

Yes, Detective Halloran was a cliché character, and with respect, Callum Keith Rennie played it that way, and the traps were a bit stale, but let’s focus on what worked.

Regardless of how you feel about any single film aside from Leigh Whannell and James Wan’s brilliant beginning, Tobin Bell has always been worth the price of admission. And though some of us (read me) were hoping one of the finest actors in the genre would play a larger on-screen role, his voice work and brief appearances were as spot on as they’ve ever been. Dude just has a magnetic presence as “Jig-fucking-Saw.”

And while Vandervoort was the one highlight I took away from my first viewing, my take on Matt Passmore’s performance as Logan Nelson has flipped completely.

Cue the sax.

PassmoreI found Passmore to be a bit hammy and over-the-top back in October, but upon further inspection, he nailed it. That’s not to say there weren’t elements of Velveeta and over-acting in spots, but he fulfilled an important role, and for my money, offered a finer contribution to the franchise than Mr. Mandylor ever did as Mark Hoffman.

One thing that Saw has always delivered were convoluted storylines that brought everything full circle when the dust settled, with clues to the truth scattered throughout. Now, keen observers of said universe likely picked them up as Jigsaw played out, but that does not negate the fact that they were well executed, or that we got a little dash of Shyamalan twist for good measure.

Jigsaw was not the epic experience I had hoped for, but that was only because it was not what I’d expected. And that’s just not the way to view cinema. You have to let the creators take you on a journey, and judge it for the adventure they present to you, now rail on it because it didn’t play the way you’d wanted.

So after witnessing Passmore lift Bell with fresh eyes bereft of preconceived notions, I echo Orbach, “When I’m wrong, I say I’m wrong” – Jigsaw is a fine addition to the Saw saga.

Themes dominate each iteration of the franchise, and Jigsaw’s was simple – confess.

So let me own up, I carried a watermelon.


Arrow Video March Releases Include 30th Anniversary Edition of “Killer Klowns From Outer Space” and Much More!

Sure it might be nice outside, but those damn Spring allergies may just prompt for a day indoors cuddled up with a favorite horror movie. If that sounds like it could be you, the ever-so-awesome Arrow Video has you covered with a FANTASTIC March collection of retro horror releases that are sure to soothe that pollen-induced headache. Including, a newly restored version of the 80’s cult favorite, Killer Klown From Outer Space!


From Arrow Video:

Donnie Darko

Release date: 3/6/18

Fifteen years before Stranger Things combined science-fiction, Spielberg-ian touches and 80s nostalgia to much acclaim, Richard Kelly set the template – and the high-water mark – with his debut feature, Donnie Darko. Initially beset with distribution problems, it would slowly find its audience and emerge as arguably the first cult classic of the new millennium. Donnie is a troubled high school student: in therapy, prone to sleepwalking and in possession of an imaginary friend, a six-foot rabbit named Frank, who tells him the world is going to end in 28 days 06 hours 42 minutes and 12 seconds. During that time he will navigate teenage life, narrowly avoid death in the form of a falling jet engine, follow Frank’s maladjusted instructions and try to maintain the space-time continuum. Described by its director as “The Catcher in the Rye as told by Philip K. Dick”, Donnie Darko combines an eye-catching, eclectic cast – pre-stardom Jake and Maggie Gyllenhaal, heartthrob Patrick Swayze, former child star Drew Barrymore, Oscar nominees Mary McDonnell and Katherine Ross, and television favourite Noah Wyle – and an evocative soundtrack of 80s classics by Echo and the Bunnymen, Tears for Fears and Duran Duran. This brand-new 4K restoration, carried out exclusively for this release by Arrow Films, allows a modern classic to finally receive the home video treatment it deserves.

Bonus Materials

  • Brand new 4K restoration from the original camera negative produced by Arrow Films exclusively for this release supervised and approved by director Richard Kelly and cinematographer Steven Poster
  • Original 5.1 audio
  • Optional English subtitles for the deaf and hard of hearing
  • Audio commentary by writer-director Richard Kelly and actor Jake Gyllenhaal
  • Audio commentary by Kelly, producer Sean McKittrick and actors Drew Barrymore, Jena Malone, Beth Grant, Mary McDonnell, Holmes Osborne, Katharine Ross and James Duval
  • Brand-new interviews with Richard Kelly and others
  • The Goodbye Place, Kelly’s 1996 short film, which anticipates some of the themes and ideas of his feature films
  • Twenty deleted and alternate scenes with optional commentary by Kelly
  • Trailer

Donnie Darko


The Crazies

Release date: 3/13/18

After the experimental outings of There’s Always Vanilla and Season of the Witch, Night of the Living Dead director George A. Romero returned to rather more distinct horror territory with his 1973 infection opus The Crazies. When a plane carrying a secret biological weapon crash-lands in the vicinity of a small, rural town, the area descends into chaos. Infected with a virus that sends them into a homicidal frenzy, the locals turn on each other in an orgy of bloody violence. As the army cordons off the town and government agents clash with scientists over the appropriate course of action, a small band of survivors attempts to make their way to safety. Starring cult icon Lynn Lowry (Shivers, I Drink Your Blood), the influence of Romero’s The Crazies can be felt in everything from the director’s own subsequent work – many commentators have noted the stylistic and thematic similarities to his zombie classic Dawn of the Dead – right up to Danny Boyle’s 28 Days Later and beyond.

Bonus Materials

  • Brand new 4K restoration from the original camera negative
  • High Definition Blu-ray (1080p) presentation
  • Original Mono Uncompressed PCM Audio
  • English subtitles for the deaf and hard of hearing
  • Brand new audio commentary by Travis Crawford
  • Romero Was Here: Locating The Crazies – Romero historian Lawrence DeVincentz takes us on a guided tour of Evans City, PA and the locations used in The Crazies
  • Crazy for Lynn Lowry – cult star Lynn Lowry discusses her early career including her role in The Crazies
  • Q&A with Lynn Lowry filmed at the 2016 Abertoir Film Festival
  • Audio interview with producer Lee Hessel
  • Behind-the-scenes footage with optional commentary by Lawrence DeVincentz
  • Alternate Opening Titles
  • Image Galleries
  • Trailers & TV Spots
  • Reversible sleeve featuring original and newly-commissioned artwork by Gilles Vranckx’

Crazies, The


Season of the Witch

Release date: 3/13/18

Perhaps the most unclassifiable of filmmaker George A. Romero’s works, 1972’s Season of the Witch sees the Night of the Living Dead filmmaker returning to the realm of the supernatural for this bewitching tale of a housewife driven to an interest in the dark arts. On the surface, Joan Mitchell has it all – family, friends, and a beautiful home equipped with all the latest appliances. But when a neighbor educates her on the practice of witchcraft, Joan believes she’s discovered the perfect antidote to her monotonous suburban existence and embarks upon a dark path that will lead to a shocking conclusion. Filmed as Jack’s Wife and subsequently cut down and retitled Hungry Wives for its theatrical release in an attempt to market it as a sexploitation film, Season of the Witch is arguably one of Romero’s most overlooked films – an intimate and thought-provoking character study that serves as the perfect companion piece to his later Martin.

Bonus Materials

  • Brand new 4K restoration of the original theatrical version from the camera negative [90 mins]
  • Alternate extended version [104 mins]
  • High Definition Blu-ray (1080p) presentation
  • Original Uncompressed PCM Mono Audio
  • English subtitles for the deaf and hard of hearing
  • Brand new audio commentary by Travis Crawford
  • When Romero Met Del Toro – filmmaker Guillermo Del Toro in conversation with George Romero
  • The Secret Life of Jack’s Wife – archive interview with actress Jan White
  • Alternate Opening Titles
  • Location Gallery with audio commentary by Romero historian Lawrence DeVincentz
  • Memorabilia Gallery
  • Trailers
  • Reversible sleeve featuring original and newly-commissioned artwork by Gilles Vranckx

Season Of The Witch


There’s Always Vanilla

Release date: 3/13/18

Available for the first time on Blu-ray, Night of the Living Dead director George A. Romero’s second feature film, There’s Always Vanilla – a biting satire of early ’70s American society and an unjustly overlooked entry in the late director’s filmography. When young drifter Chris meets beautiful model Lynn by a chance occurrence, the pair hit it off and a romantic relationship ensues. But with their wildly contrasting outlooks on life, it soon becomes clear that the coupling is doomed from the outset. Starring Judith Streiner (born Judith Ridley) from Night of the Living Dead and Ray Laine, who would go on to appear in Romero’s next film, Season of the Witch, There’s Always Vanilla is a unique entry in the director’s canon and one that’s ripe for reappraisal.

Bonus Materials

  • Brand new 2K restoration from original film elements
  • High Definition Blu-ray (1080p) presentation
  • Original Uncompressed PCM Mono Audio
  • English subtitles for the deaf and hard of hearing
  • Brand new audio commentary by Travis Crawford
  • Affair of the Heart: The Making of There’s Always Vanilla – brand new documentary featuring interviews with producers John Russo and Russell Streiner, stars Judith Streiner and Richard Ricci, and sound recordist Gary Streiner
  • Digging Up the Dead – The Lost Films of George A. Romero – archive interview with Romero discussing his early films There’s Always Vanilla and Season of the Witch
  • Location Gallery with audio commentary by Romero historian Lawrence DeVincentz
  • Memorabilia Gallery
  • Trailer
  • Reversible sleeve featuring original and newly-commissioned artwork by Gilles Vranckx



Killer Klowns From Outer Space

Release date: 3/27/18

Step aside Pennywise… These Killer Klowns from Outer Space are outta this world – literally! – and they’re packing deadly popcorn guns and cotton candy cocoons! When Mike and his girlfriend Debbie warn the local police that a gang of homicidal alien-clowns has landed in the nearby area (in a spaceship shaped like a circus big-top, no less), the cops are naturally skeptical. Before long, however, reports are coming in from other anxious residents detailing similar run-ins with the large-shoed assailants. There can no longer be any doubt – the Killer Klowns from Outer Space are here, and they’re out to turn the Earth’s population into candy floss! Written and produced by the Chiodo brothers – knowns for their work on a host of special-effects-laden hits such as Team America: World Police and the Critters movies – Killer Klowns from Outer Space is a cinematic experience unparalleled in this galaxy, now newly restored by Arrow Video for this stellar edition.

Bonus Materials

  • Brand new restoration from a 4K scan of the original camera negative
  • High Definition Blu-ray (1080p) presentation
  • Newly remastered stereo 2.0 and 5.1 DTS-HD MA audio options
  • Optional English subtitles for the deaf and hard of hearing
  • Archive audio commentary with the Chiodo Brothers
  • Let the Show Begin! Anatomy of a Killer Theme Song – an all-new interview with the original members of the American punk band, The Dickies
  • The Chiodos Walk Among Us: Adventures in Super 8 Filmmaking – an all-new documentary highlighting the making of the Chiodo Brothers childhood films, from the giant monster epics made in their basement to their experiments in college
  • New HD transfers of the complete collection of the Chiodo Brothers 8mm and Super 8 films, including Land of Terror, Free Inside, Beast from the Egg, and more!
  • Tales of Tobacco – an interview with star Grant Cramer
  • Debbie’s Big Night – an interview with star Suzanne Snyder
  • Bringing Life to These Things – a tour of Chiodo Bros. Productions
  • The Making of Killer Klowns – archive production featurette
  • Visual Effects with Gene Warren Jr. – archive interview with co-writer/producer Charles Chiodo and visual effects supervisor Gene Warren Jr.
  • Kreating Klowns – archive interview with Charles Chiodo and creature fabricator Dwight Roberts
  • Komposing Klowns – archive interview with composer John Massari
  • Klown Auditions
  • Deleted Scenes with filmmaker’s audio commentary
  • Bloopers
  • Image galleries
  • Original Theatrical Trailer
  • Reversible sleeve featuring original and newly commissioned artwork by Sara Deck

Killer Klowns From Outer Space


Robert Altman’s Images

Release date: 3/20/18

The early seventies were a period of remarkable activity for Robert Altman, producing masterpiece after masterpiece. At the time he came to make Images, MASH and McCabe & Mrs. Miller were behind him, with The Long Goodbye, California Split, and Nashville still to come. Originally conceived in the mid-sixties, Images concerns a pregnant children’s author (Susannah York, who won the Best Actress award at the Cannes Film Festival) whose husband (Rene Auberjonois) may or may not be having an affair. While on vacation in Ireland, her mental state becomes increasingly unstable resulting in paranoia, hallucinations, and visions of a doppelgänger. Scored by an Oscar-nominated John Williams, with “sounds” by Stomu Yamash’ta (The Man Who Fell to Earth), Images also boasts the remarkable cinematography of Vilmos Zsigmond (Close Encounters of the Third Kind).

Bonus Materials

  • Brand-new 4K restoration from the original negative, produced by Arrow Films exclusively for this release
  • High Definition Blu-ray (1080p) presentation
  • Original English mono audio (uncompressed LPCM) soundtracks
  • Optional English subtitles for the deaf and hard-of-hearing
  • Audio commentary by Samm Deighan and Kat Ellinger
  • Scene-select commentary by writer-director Robert Altman
  • Interview with Robert Altman
  • Brand new interview with actor Cathryn Harrison
  • An appreciation by musician and author Stephen Thrower
  • Theatrical trailer
  • Reversible sleeve featuring original and newly commissioned artwork by the Twins of Evil
  • FIRST PRESSING ONLY: Illustrated collector’s booklet featuring new writing on the film by Carmen Gray and an extract from Altman on Altman

Robert Altman



Release date: 3/27/18

Four Films 1936-1938 brings together a quartet of 1930s features by Sacha Guitry, the celebrated French filmmaker, playwright and actor of the stage and screen, each based on his earlier works. Indiscretions (Le Nouveau testament) follows a holier-than-though physician who is scuppered by his own hypocrisy. My Father Was Right (Mon père avait raison) tells off a man who, after being left by his wife for another man, raises his son to be wary of women. Let’s Dream (Faisons un rêve…) is another story of mistrust, between husband, wife and lovers. And the history of one of France’s most famous streets is retold in Up the Champs-Élysées (Remontons les Champs-Élysées), featuring multiple performances from Guitry himself. Available for the first time on Blu-ray this set presents some of Guitry’s earliest and most enjoyable works.

Bonus Materials

  • Limited Edition Dual Format Collection [2000 copies]
  • High Definition Blu-ray (1080p) and Standard Definition DVD presentations
  • Original French mono audio (uncompressed LPCM on the Blu-ray)
  • Optional English subtitles
  • Two French television documentaries: Cinéastes de Notre temps: Sacha Guitry (1965) and Thèmes et variations du cinéma: Guitry (1967)
  • An interview with Guitry from the 1959 television series Magazine du théâtre
  • 60-page limited edition book featuring new writing on the films

Sacha Guitry: Four Films 1936-1938 Limited Edition [Blu-ray + DVD]


ERIK THE CONQUEROR (Original Motion Picture Soundtrack)

Release date: 3/9/18

Arrow Records proudly presents the original soundtrack to Mario Bava’s swashbuckling epic of treachery, heroism and forbidden love, Erik the Conqueror! Previously unpublished on vinyl, Roberto Nicolosi’s rousing film score evokes romance and adventure with a selection of compelling and varied musical cues that truly bring Bava’s Viking spectacle to life. This limited, translucent yellow, double-vinyl edition has been newly mastered from the original analog tapes by James Plotkin and is presented on 180-gram wax, housed inside a 350gsm sleeve. Featuring newly commissioned artwork by Graham Humphreys and accompanying film notes by Tim Lucas.

Erik The Conqueror (Original Motion Picture Soundtrack)


DEATH WALKS ON HIGH HEELS (Original Motion Picture Soundtrack)

Release date: 3/9/18

Arrow Records proudly present the original soundtrack to Luciano Ercoli’s sexy, stylish giallo Death Walks on High Heels. Scored and conducted by Stelvio Cipriani, a prolific and underrated composer who worked across a variety of genres with directors including Sergio Martino, Jose Larraz, and Mario Bava, Death Walks is a majestic giallo soundtrack combining jarring, staccato suspense themes with luxurious lounge jazz arrangements. This limited, translucent red double-vinyl edition has been newly mastered from the original analog tapes by James Plotkin and is presented on 180gram wax, housed inside a 350gsm sleeve. Featuring newly commissioned artwork by Gilles Vranckx and accompanying film notes by Lovely Jon.

Death Walks On High Heels (Original Motion Picture Soundtrack)


THE BLAIR WITCH PROJECT by Russell Gomm (Book)
Release Date: 3/20/18
As the Millennium approached, horror was becoming an unusual commodity. Low budget horror films flooded the home video market while their big budget counterparts took hold at the box office. It seemed that a balance could not be found that would please everyone. In the final months of 1999, horror was saved by a film that became a turning point in many aspects – including film production, film marketing, and film distribution. One film was a revelation of cinema which shook the world at the time and created such panic and fear that the effects of the film can still be felt today. Film-maker Russ Gomm takes a look at the phenomena of The Blair Witch Project through the eyes of a fan who was captivated by the unusual promotional strategy that led up to the release. This book takes a trip back in time to the 1990s to uncover the history of the production of the film including a unique making of and its path to success. Through conversations with fellow fans, filmmakers, and other industry professionals, the book also examines the lasting effect that this seminal film had on not only the audiences but the film industry itself and indeed the future of the horror genre. Cover illustration: Peter Strain.
Russell Gomm - The Blair Witch Project


Fright Crate Brings the Retro Horror Fuzzies in March!

We’ve all seen those mystery boxes offered up by various companies on the interwebs. You know, the ones that cater to a specific genre that you pay an x amount of dollars for a month to either end up super pumped on this month’s purchase or completely disappointed. More than half the time, it’s a hit or miss situation. I myself have fallen into that mystery box rabbit hole, and while I don’t regret the money I’ve spent, I also feel like sometimes- it just wasn’t worth it. That is until I came across Fright Crate via social media. They offered no bullshit, looks at previous months loot (which blew me away mind you), and honest and open communication.

Here’s the deal: I pick and choose what I would like to cover and help spread the word about. I get zero kickbacks, and I don’t ask for any. I do this purely out of geeked-out passion. That’s pretty much what we’re all about here at Nightmare Nostalgia! Much like this little, albeit growing company that oozes with fierce zealousness for the genre, I HAVE to let you guys know about because well, that’s what these guys are all about. Also holy snopes do they offer a KILLER DEAL on these blind horror boxes. Let’s talk with co-owner Jay Stephens about the fantastic Fright Crate.

NNOk, so the Fright Crate looks like it’s made by horror fans, for horror fans. Looking at previous crates, every treasure inside just looks like a winner. How long has Fright Crate been live and what inspired you to begin it?

JS: We’ve existed for a little while (laughs). We’ve been around since September 2016. We sent promo boxes to a few Youtubers to get our name out there. We are and always have been self-funded, we are not a conglomerate or part of any corporate entity. That’s why we feature lesser known films in our service as well as popular ones.

What inspired us is our love for the horror genre and everything that spawned it. There isn’t really a lot of merchandise out there for horror fans compared to let’s say, sci-fi or comic book characters. A lot of what we do are exclusive products that you can’t find anywhere else. Typically, what we specialize in are figures, shirts, and pins. We also feature celebrity autographs most months along with prop replicas, crafts, customs, and prints. We work with indie companies that provide content for the box along with quite a few companies that produce exclusive products for us. For only $30 a month plus shipping, we deliver 4-6 items mailed straight to your door.

Fright Crate is for all types of horror fans. From the casual to more serious ones. Also, everyone involved in Fright Crate is a horror fan.

NN: It seems you have a particular fondness for the ’80s genre, which I can totally appreciate! Will we see any more genre boxes like that in the future?

JS: My opinion, as far as films are concerned, there hasn’t been a more exciting decade for horror since the 1980’s. We’ve seen the birth of many horror icons along with many cult classics and the full-on mastery of practical effects shots. As far as themed boxes are concerned, we’ve kind of danced around with the idea of doing a strictly ’90s box which I believe is everyone’s second favorite decade for horror (myself included).

NN: What is the estimated shipping time on each crate, (So new customers know what to expect)?

JS: Fright Crate is a monthly service, we take orders from the 1st-20th of each month on and we ship at the very end of each month. We welcome everyone to have fun with us and at least try us out. I know there are other horror boxes out there but we are one of the highest rated ones, we don’t attempt to hide our ratings like some of the others do or give anyone a bad service each month to increase our profit margins, we are a very transparent company. Our service costs $30. Value wise, you can’t get any better than Fright Crate, our figures sell for $30 in itself, custom figures usually run around $50 on Instagram and Etsy. We do fan sculpted figures as well as public domain licenses (Night of the Living Dead and Little Shop of Horrors which we used the 1960 license but made the figure looking closer to its 1986 counterpart).

We have the best shirts of any subscription box out there, usually digital paintings similar to the ones you can get from high-end horror shops for $30. Our pins go for $10, if there’s an autograph, they are usually $20 or more and we put other goodies in the box as well. You’ll get at least double on what you paid for. If you look at the fair market value and the quality speaks for itself.

NN: And lastly, anything else in the works you’d like to promote or announcements you’d want to add?

JS: There are several things in the works but nothing really to announce at this time, we are just glad to get featured on your site and would love to have the opportunity again in the future.  Also for anyone that would like to follow us on social media, we would love to hear from you and we are usually very prompt in getting back to everyone!



As an obvious horror and geeky retro fan, I don’t think I could be any happier than what subscription box company Fright Crate is offering beginning March 1st- an I Love the 80’s Horror Box!

Good God, just look (below) at the glorious, nostalgic films themed out in this mysterious soon-to-be-declared national treasure! Featuring themed loot from Tales From the Crypt, Little Monsters, Cujo, and The Lost Boys, this sure as shit to go quick retro horror box will be available to order directly from FrightCrate.Net March 1st! Also, be sure to keep up with future announcements with the company by giving them a follow on Facebook, Twitter, and Instagram.


 fright crate


Be sure to follow Fright Crate on Facebook, Twitter, and Instagram.

%d bloggers like this: