Celebrate Friday the 13th With These Behind The Scenes Offscreen Death Photos of Claudette!

Here we are friends, with another glorious Friday the 13th upon us. Well, that is unless you’re like me who has to work at a tattoo shop catering to hundreds of people looking for a $13 F13 tattoo. Seriously, tip your artist well on this day. They are tired and deserve it! So yeah, that being my situation, I don’t get to plop my fat-ass on the couch and (fully) watch the return of Joe Bob Briggs or the obvious Friday the 13th marathon. However, best believe I’ll be drowning the shop in the sweet sounds of Pseudo Echo, doing a wicked robotic dance on the floor in-between breaks. Try and stop me.

Celebrate Friday the 13th With These Behind The Scenes Offscreen Death Photos of Claudette!

Anyway, that will be my day. However, before the chaos, I wanted to celebrate the second to best day to Halloween here at Nightmare Nostalgia with a little trivia from the original 1980 film, and most importantly, rare photos (courtesy of Fridaythe13thFranchise.com) of some cool shots of what would have been, Claudette’s death!

You see, what we all know and love about the opening sequence of Friday the 13th- the tense feeling, the first time we heard the music, and the horrific face Claudette makes in her final moment before being murdered off camera was actually a last minute substitution for what was originally intended. The original scripted opening of Barry and Claudette was crafted as a more traditional stalk and murder scene with a lot more gore. And you guessed it, you get to actually see Claudette get nailed, (in the murderous sense perv). Instead of getting frisky in a barn, the scene was set as the pair of lover counselors taking a lovely moonlit walk around the lake after leaving their campfire setting. The killer stealthily stalks her victims and a chase ensues around a boathouse where the duo ultimately ends up being killed. This scene would later serve a purpose at the conclusion of the film and showcased in later sequels. But alas, that never came to pass.

Big thanks to Mother Nature for totally screwing us out of an action-packed opener for one of the greatest slasher franchises in horror history. The story goes, nasty weather is to blame along with Claudette’s death never being seen on camera. Why? No clue as they could have easily done something indoors but hey, I’m no movie maker. And I actually don’t mind the current opener for what it’s worth. It’s just that never REALLY seeing a victim’s fate with being left to guess can sometimes irk us horror fans. Don’t give me that, “use your imagination” bullshit. I want to see her throat slashed dammit. And apparently according to these photos, it looks to be just that.

Celebrate Friday the 13th With These Behind The Scenes Offscreen Death Photos of Claudette!

 

Celebrate Friday the 13th With These Behind The Scenes Offscreen Death Photos of Claudette!

According to the F13-Franchise website, these photos were taken as publicity shots in 1979, however, there’s been a shit ton of contradictory statements from people involved in the film, including Tom Savini and Sean Cunnigham who said the scene HAD been filmed and then later retracting it. So, are these actual still shots from Claudette’s unrealized death scene? Or really just test shots. Who the hell knows and maybe we’ll actually get a definitive answer one day. But for now, all we can do is speculate and enjoy these photos for what they are- CLASSIC HORROR TREASURES.

Happy Friday the 13th!

Stream FREE Horror Movies On KANOPY For Your Friday the 13th!

Happy Friday the 13th horror fiends! Today, you’ll most likely be settling in with a good, old-fashioned marathon of beloved scary flicks as per the usual horror fan’s tradition on this glorious day. However, in the modern day where streaming services serve as king over cable and the go-to for today’s customer, not everyone has that luxury. Enter KANOPY streaming service; the FREE alternative to the Netflix giant that boasts hundreds of contemporary titles and of course, new and older beloved horror films! And all you simply need is a public library card!

Gives a good reason to break out crumpled college library pass, eh?

horror books

 

Beginning as a simple educational service for students, KANOPY is now competing in the mighty streaming game with an app that is available on Roku, Chromecast, Apple TV, Amazon Fire Tablet, and iOS and Android devices. By simply downloading and signing up on the streaming site with your public library card, you can access a glory-pod of titles including,  “My Friend Dahmer,” “The Love Witch,” “What We Do in The Shadows,” A Girl Walks Home Alone at Night,” “They Remain,” “Momento,” “Donnie Darko,” “The Night of the Living Dead”, “Day of the Dead”, “Nosferatu”, and many more!

To sign up a free account, click here and begin your Friday the 13th marathon!

 

Live Your Favorite Moments From ‘Friday the 13th’ With New Single Player Update!

When it comes to slasher cinema one franchise defines the genre as a definitive whole. That would be none other than the slasher-film maestro, Friday the 13th.

Growing up nothing was more synonymous with blood-curdling horror than a simple hockey mask. That mask became the unfeeling and inhuman visage of violent rage and unrelenting terror. It captivated our generation’s imagination and we couldn’t get enough Jason!

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image via PSN Manic Exorcism

 

Then our dreams (or nightmares) came true. We were given a chance to visit Crystal Lake thanks to Nintendo. We could finally face off against our favorite killer. Sadly the game didn’t meet up with people’s expectations, but many of us still loved it. Even to this day it holds a special place in our hearts. Yet we needed a damn upgrade.

 

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image via PSN Manic Exorcism

 

We wanted to explore the sets from each movie. We wanted to explore each cabin and snoop around the Jarvis house. Well finally someone did something about that and brought to life a game all horror fans dreamt of! Gun Media and IllFonic gave us the frightening chance to explore Crystal Lake with the Friday the 13th The Game.

Not only that but we wanted to be Jason. We wanted to step behind that mask and recreate the famous kills seen in the movies. Once again, the masterminds behind the game’s production have made that possible. As you can see from my screenshots, this game lets us become Jason himself.

 

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image via PSN Manic Exorcism

 

Now is the time to jump in the game. Thanks to the latest update gamers can now explore the films like never before. With the highly-anticipated Single-Player Challenges, you will stalk through ten different stages as the iconic masked killer. If you’re familiar with the game already you’ll know it’s praised for its elaborate kills. Already many of the famous murders straight out of the franchise have been employed to great effect.

 

 

However, there was still so much more to be explored as this latest update proves. Providing newer kills at our fingertips and story-set ups taken from our favorite horror series, this is the definitive retro horror experience.

Single-Player Challenges

These Challenges bring the movies all to life.

 

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As Jason, you will need to use stealth and cunning as you hunt down each unsuspecting camper and greet them with a messy, messy fate. One of my personal favorites happens early on and involves a wood chipper. A mother-fucking woodchipper! Buah ha ha ha!!! You’re gonna love it. Another great one introduces someone’s stupid face to the business end of a boat propeller. Oh, it gets nice and messy around here, my ghastlies.

I was laughing like a proper psychopath and worried my roomies.

 

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image via PSN Manic Exorcism

 

Each Challenge will judge your gameplay based on whether you get noticed by the campers, whether anyone escapes and whether you meet the score criteria. Each success you achieve will open new emotes for your favorite campers in online play.

Overall this update offers plenty to keep fans cheering for a long time. I’m never disappointed with what this team has been giving us. This is what happens when fans are in charge of a project. So while we may not have a new Friday the 13th film, we can relive the movies now like never before.

 

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image via PSN Manic Exorcism

 

So do yourself a big favor and step onto some of horror’s most sacred hunting grounds and experience the movies you’ve loved in a whole new way.

 

Live Your Favorite Moments From 'Friday the 13th' With New Single Player Update!
image via PSN Manic Exorcism

 

Friday the 13th is available for PlayStation 4, PC, Xbox One.

This has been Manic Exorcism and I’ll be catching you later.

Someone Made An Actual Movie Trailer For the Friday the 13th NES Game and it is GLORIOUS

“You’re dead. Your friends are dead. Your family’s dead. Your fucking pets are being skinned alive. Your mom’s a fucking whore. You suck at life. The whole world hates you. You’re going to Hell. Live with it. Game Over.” – Via the ever so wise Nintendo Sensi, James Rolfe.

He wasn’t wrong you know. Although the original Friday the 13th game for the Nintendo Entertainment System seemed like a horror fan’s 8-bit wet dream, the frustration of gameplay quickly softened any prepubescent boners we may have had going into this pixelated LJN nightmare. I would never refer to it as a giant piece of donkey shit like some may have dubbed it, but the game itself is a goddamn pain in the ass for sure to get through without blowing your blood pressure out of range.

Image result for avgn friday the 13th gif

Anyway, today being the 13th of Friday here at Nightmare Nostalgia, I figured now is as a good as time as ever to showcase something that any fan of the NES game would appreciate the Holy Pixels out of. Youtube channel Mega64 brought about this hilarious fanmade movie trailer back in 2015 of you guessed it-Friday the 13th The Game The Movie. And it is goddamn gloriously nostalgic from those days of throwing ineffective knives at zombies and flying Pamela Voorhees rotting heads. Complete with VHS static to give it that retro feel, the fanmade trailer nails every aspect of the game that we love to bitch about endlessly. They even throw in the old joke of Jason’s machete looking like a giant toothbrush gag.

It doesn’t really get any better than that folks. Happy Friday the 13th campers!

 

When it Comes to Friday Final Girls, Sometimes You’ve Got to Let it Cooke for a While

Sometimes I’m a little slow. Example. It was not an uncommon occurrence in my collegiate days to wander around the local Walmart  in a zombie-like state at two in the morning. I’d wrap things up at the library, head over to snag some food, and have a well-deserved gander at the DVDs. One night, I … Continue reading When it Comes to Friday Final Girls, Sometimes You’ve Got to Let it Cooke for a While

Ya-Bang: Vinny Guastaferro Reflects on the Legacy of Jason Lives

“One of the great, great things about horror movies is that because there’s almost, I don’t want to use the words ‘cult following,’ but a fanatic fan base, they last forever.”

Jason Lives: Friday the 13th Part VI hit theatres on August 1, 1986, and three decades on, it’s a film that has not only demonstrated the staying power Vinny Guastaferro described, but seems to be gaining in popularity with each passing year. To mark the 32nd anniversary of Jason Voorhees’ resurrection, Guastaferro shared some memories of one the most popular, and certainly most unique chapters in franchise history.

Guastaferro came to the role of Deputy Rick Colone after being cast in Bullpen, a baseball play that revolved around the “banter between the pitchers” in the bullpen of a New York Yankees / Boston Red Sox contest that was directed by Tom McLoughlin.

The mastermind behind Friday’s sixth chapter, “like a lot of people in Hollywood,” shared with Guastaferro that “I just got a job doing a big movie and I’d like you to be in the movie,” the Jason Lives writer and director told the man who would go on to be Colone, “but it’s for Paramount Pictures and you have to audition and everything.”

Guastaferro didn’t mind the specter of an audition because “fighting for a role is part of what an actor is inured to.” It wasn’t until Guastaferro read the script, however, that he became excited for a “terrific role,” because he would be playing a cop with “a singular agenda,” itching to shoot somebody or something, who was “kind of the comic relief and the asshole all at once.”

McLoughlin loved Guastaferro’s take on the character, as would the fans. The rest, as they say, is history.

The overwhelming fan response to Deputy Rick from the Friday faithful was a bit foreign to Guastaferro at first. He wondered if some of the fans were a bit crazy, what with couples waking around conventions with two-year olds in strollers, others with his lines tattooed on body parts, and stories of 10-year olds watching with their parents. But the more exposure he had to horror aficionados, the more Guastaferro came to realize that it was all about the love of Jason Lives being handed down from generation-to-generation.

“I actually came to appreciate the fans and the fanaticism for these movies a little bit later because I just did [Jason Lives] as a movie and said ‘I hope it’s good,’ and it was good.” Guastaferro admits to being “a little prejudiced” when saying that he believes Part VI to be “the best of the whole franchise,” but legions of fans back up that assertion. “Look, I know people who are fanatic about this movie who are still under 10 years old, and I know people that are fanatics about this movie that are about 65 or 70 years old.”

That a horror flick filmed in Georgia three decades back has enjoyed an almost incomprehensible shelf life is humbling to Guastaferro.

“It’s been a privilege to be in a movie that has had this kind of recognition for this many years. People still email me and Facebook me and call me Rick and deputy, and they quote my lines. Pretty amazing to me.”

The affable New Jersey native is very humorous by nature, and wasted no time noting that one of those lines that gets quoted constantly has been more rewarding than the wife he got out of the production.

You read right.

Red dotGuastaferro had been dating Cynthia Kania, who along with Roger Rose was brought in to play Annette following principle photography to be double-skewered on a motor scooter to ensure McLoughlin reached the picture’s death quota. And when asked which ranked higher, landing the line or the spouse, Guastaferro didn’t hesitate.

“Ohhh, having one of the most memorable lines, I was gonna get that wife no matter what,” Guastaferro shot back. “I had met her a little earlier, and I had dated her, but definitely having the line. Are you kidding?! ‘Wherever the red dot goes, ya-bang!’ is something that I get in the mail, I get people sending me photos with that written on it, I had a woman in Vienna (Austria) show up at one of the horror cons I did over there, and she had that line tattooed on her fucking arm!”

“I think having the line is probably the most rewarding thing ever,” Guastaferro said. “I mean, I was watching Predator the other night, and I love the line (adopting an Ahnold accent) ‘If it bleeds, we can kill it.’ And I thought, ‘Yeah! I own one of those lines!’ I’m really happy to have that (laughs).”

It was a line Guastaferro came up with himself, exclaiming “Ya-bang!” when McLoughlin presented him with the hand cannon and scope that would be used in the cemetery scene, a benefit of the trust established through his previous project with McLoughlin. “Tom gave me a lot of leeway in there, and I invented some of the lines and improvised and he decided to keep them because he wanted the character to be revealed as partly a jerk, and funny.”

The line (and the decision to keep it) was inspired, because with the fans, all these decades later, the red dot still hits the target.

“I’ve been to conventions where people have asked me to write it on their ass, on their bald head with a permanent marker, on their cleavage. Girls would come in with crop tops on and have me write ‘Wherever the red dot goes, ya-bang!’ right across [the small of their back].”

For those scoring at home, Guastaferro and Kania were married a month after they wrapped on Jason Lives, but the legacy of “ya-bang!” isn’t lost on Guastaferro.

“I felt good every night knowing that the audience was leaving touched by what I did (on stage), but it’s nowhere near as rewarding as knowing that there are friggin’ five million people out there who were enamored of Friday the 13th,” Guastaferro reflected.

“Listen, every actor wants to know that what they did had some kind of impact on people,” Guastaferro said. After more than 50 films, 100 television appearances and extensive theatre performances, it hasn’t been the dramatic roles with social messages that have endured, but a horror film from 1986.

“It’s not deep, it’s not meaningful, it’s not about social cause or change, it’s entertainment. And that’s what Tom wanted it to be.”

Guastaferro referred to Jason Lives as “the king of my movies,” and continued, “I am so pleased, I’m so pleased. One of my proudest movies is Friday the 13th.

Ted White, who portrayed Jason in The Final Chapter, is apt to say “Always leave them wanting more,” a sentiment echoed by Guastaferro. “Smile and laugh, that’s what we want.”

It’s been 32 years since Deputy Rick Colone unholstered his sidearm. We’re still smiling, and still laughing.

Guastaferro

New Horror Infused Garbage Pail Kids and “They Live” Merch Hits FRIGHT RAGS

Jabbed Jason, Sick Sid, Hallow Jean… All new creations from Garbage Kids Pail artist Brent Engstrom made exclusively for FRIGHT RAGS vast horror collection of tees featuring the punny, rotted orphans from the patch of cabbage!

Friday the 13th, The Lost Boys, House of 1000 Corpses, and Halloween III: Season of the Witch have received Garbage Pail Kids makeovers and are selling fast. Each design is printed on Fright-Rags’ super soft 4.5oz poly/cotton blend shirts. In addition, the horror clothing extraordinaire company has also grown its own Garbage Pail Kids character, Fright Rag Freddy! It’s available on a ringer tee, a pair of socks, and in a “wax pack” featuring a T-shirt, enamel pin, and trading card. The wax pack is limited to 200 with the women’s shirt and pack bundle already sold out!
New Horror Infused Garbage Pail Kids and "They Live" Merch Hits FRIGHT RAGS
Also new to the website this weekend is the wonderful collection featuring John Carpenter’s eye-opener “horror doc”, They Live, which celebrates its 30th anniversary this year! Consume five T-shirts, a pair of socks, and two enamel pins – one of which includes a humanoid face that flips open to reveal that iconic blue and red alien interior.
New Horror Infused Garbage Pail Kids and "They Live" Merch Hits FRIGHT RAGS

“Victor Crowley” Has a Limited VHS Release That You Can Buy Right Now!

Nothing warms my nostalgic heart more than when a NEW movie becomes available to own in a classic VHS format. While some still claim VHS is dead, you might want to reconsider that statement as this type of marketing is gaining some momentum with nostalgic horror fans. Like me, for instance. I’m totally all over this guys and MUST have it in my horror VHS collection!

"Victor Crowley" Has a Limited VHS Release That You Can Buy Right Now!

Broke Horror Fan‘s Alex DiVincenzo has teamed up with Witter Entertainment to bring a retro feel to Victor Crowley, starring the one and only Kane Hodder. Released by Dark Sky Films and AireScope Pictures, the VHS is available in three different and equally exquisite varients of cover-art designed by Dark Horse Books artist Will Perkins. Personally approved by writer-director Adam Green, each VHS tape is of course fully functional and also a must-have collectible for any horror fan.

Per the press release:

There are three covers to choose from: the standard edition (limited to 300), bloody variant (limited to 150), and line art variant (limited to 50; hand-numbered and signed by the artist). Variant editions include a blood-splattered letter from Adam Green to the Hatchet Army members.
“Having lived through both the birth and the death of the ‘local video store’ era, my horror movie education happened on VHS,” comments Green. “Whether you purchase this copy to actually watch or just to display on a shelf as part of your Hatchet collection, I’m confident that you share my nostalgic love for this classic format.”
For optimal VHS viewing, the film has been cropped from its original aspect ratio to 4:3 full frame. It is only available in the US and Canada.
In 2007, over forty people were brutally torn to pieces in Louisiana’s Honey Island Swamp. Over the past decade, lone survivor Andrew’s (Parry Shen) claims that local legend Victor Crowley (Kane Hodder) was responsible for the horrific massacre have been met with great controversy. But when a twist of fate puts him back at the scene of the tragedy, Crowley is mistakenly resurrected and Andrew must face the bloodthirsty ghost from his past.
The cast of Victor Crowley includes Kane Hodder (Friday the 13th Parts VII-X), Parry Shen (Hatchet), Laura Ortiz (The Hills Have Eyes), Dave Sheridan (Scary Movie), Brian Quinn (Impractical Jokers), Felissa Rose (Sleepaway Camp), Chase Williamson (John Dies at the End), Tiffany Shepis (Sharknado 2: The Second One), and Jonah Ray (Mystery Science Theater 3000).
The premier installment in the BrokeHorrorFan.com Presents line is Adam Green’s Victor Crowley, the fourth installment in the Hatchet franchise. It’s on sale now at WitterEntertainment.com.

Could There Be A Chucky Game In the Making? New Teaser Hints At That!

It’s a very fun time to be a Chucky fan! That little malevolent bastard is popular as ever it would seem. Fans are already anticipating an upcoming TV continuation of the current Chucky lore, while an unexpected Child’s Play remake is also in the works. How this is going to work is anyone’s guess right now. Not to mention the official Child’s Play 2 replica (by Trick or Treat Studios) proved to be a Kickstarter success – and believe me, I saw one of those things face to face and it looks entirely too real – allowing sickos and psychopaths to cuddle up with their very own Good Guy doll! If that doesn’t light your fire your wood’s wet.

Now, thanks to Fireblitz Games, it would seem we may also have a ‘Chucky’ game to look forward to. That’s right, my Nasties, you read that right. However, for now, it’s not being called Chucky, but just from a casual glance – thanks to this newly dropped teaser – we can easily see all the trademark signs of our favorite maniacal doll.

Sadly there’s not a whole lot known about this project and some are calling it a little sketchy. Originally the website offered more pics, some featuring models from the Bride of Chucky, or the stitched-faced Chucky, model. It’s also been claimed that the logo on his snazzy overalls which now reads “Cool Boys” originally said “Good Guys.” Not to mention, Charlie is wearing the familiar shirt, overalls, and by the maniac gods if that’s not Chucky’s face then I don’t know what is. This is Chucky in everything but name. It’s definitely something I want to know more about and it’s teased my curiosity.

This year games like Dead by Daylight and the massively successful Friday the 13th proved the high demand for horror films brought to video game formate. While we were all heartbroken to hear the sad news that halted all new content for any further Jason DLC, gamers are still piling into Camp Crystal Lake’s haunted woods to face off with the grueling might of Jason Voorhees. Meanwhile, Freddy, Michael Myers, Pigface (SAW) and Leatherface are playable denizens over at Dead by Daylight.

This is a new age of horror gaming! Where we the fans are finally given the chance to jump in and match our wits and wills against the dangers and awe of some of our most cherished horror franchises!

Child’s Play would seem like the perfect video game platform. Given what we learned from Friday the 13th – where players are allowed to step behind the fetid mask of Jason and stalk helpless campers to their messy demise – I would love to think we could become Chucky, oh I’m sorry, Charlie and hunt down random dipshits and sharpen our killing skills on their screaming faces.

Let’s get a properly liscenced Child’s Play game. Drop the Charlie bullshit and give us an authentic Chucky experience! Look at the titanic success other games are enjoying. Plus it would only help spread popularity in the property. It’s a clear win-win!

So here’s the teaser. Let us know what you think in the comments. Should this become a Chucky game? Would you be just as fine playing as Charlie?

INTERVIEW-FU: Grab Your Tall Boys, Joe Bob Briggs Dishes on “THE LAST DRIVE-IN”

The devoted and demented believers of the drive-in oath have patiently awaited the triumphant return of Joe Bob Briggs since the cancellation of MonsterVision nearly twenty years ago, and thanks to Shudder, that patience is about to be rewarded.

The Drive-In Jedi is set for one last gig as television horror host when Shudder live streams The Last Drive-In with Joe Bob Briggs on July 13.

Before life comes to a screeching halt for that 24-hour marathon complete with blood, breasts and beasts, drive-in totals and, of course, the new mail girl, Nightmare Nostalgia had the opportunity to conduct an email interview with the man himself to discuss memorable guests, Briggs’ thoughts on “post-horror,” and the selection process for the big night.

And Joe Bob had us laughing before we even got to the first question, noting “First of all, Landon, I appreciate your doing this, even though being featured in Nightmare Nostalgia makes me a Retro Guy. Retro Guy is one step away from Lifetime Achievement Award, which is the last thing that happens before you go to that Vincent Price crematorium in East L.A..

The Last Drive-In with Joe Bob Briggs will live stream on Friday, July 13 at 9 p.m. EST, only on Shudder.

Last Drive-In logoNIGHTMARE NOSTALGIA: Not unlike fans hounding Sam Raimi and Bruce Campbell for more Evil Dead (which resulted in three seasons of Ash vs. Evil Dead), your followers had been clamoring for your triumphant return to television since MonsterVision came to an end at TNT. How did this 24-hour marathon come to pass, and why Shudder?

JOE BOB BRIGGS: Many clamor, but few have the key to an executive washroom at a TV network. Many producers, some of them quite mighty, have come to me over the years and proposed a new show, but it’s difficult to get people in television to repeat the past. After all, the show got canceled, there must have been a reason—or so goes the reasoning. (In my case the cancellation was caused by a re-branding of the network.) At any rate, one of those producers was Matt Manjourides, a Troma veteran who is also producing the final film of George Romero, and he approached me in the fall of 2017 and asked if he could promote a MonsterVision reboot to Shudder. I said yes, of course, as I always do, and promptly forgot about it. Then a Shudder executive showed up in New York, met us for lunch, and we were off and running with various ideas of how to do it. We eventually hit on the marathon idea, since fans of MonsterVision were accustomed to a long, unstructured show that kind of ran forever. (At TNT we had no restrictions on length or time, we just had to be finished by 6 a.m.) Hence The Last Drive-In, 24 hours, 13 movies on Friday the 13th, and actually it’s likely to run anywhere between 26 and 28 hours because I talk too much.

NN: Tell us about the selection process for the films. And can you tease any of the titles as appetizer?

JBB: Shudder has a library of about 600 titles, some of which are licensed for long periods, some not so long, and so the first pass through that library was made by myself and Austin Jennings, a South Carolina guy whose normal job is heading up post-production at MTV but he was hired by Matt to direct the marathon. Austin is eminently qualified as a) a pop culture maven, and b) an expert on MonsterVision. (He remembers things I did that I don’t remember doing.) I just marked all the titles that were either intriguing to me or the ones that had personal stories attached to them. (After all these years, I’ve met just about everyone.) Then we tried to make it a mix of classics, cult films, so-bad-they’re-goodies, etc. For example, Tourist Trap is an extremely odd supernatural slasher from 1979 that I’m very fond of, and I thought we could make an attempt to upgrade the film’s reputation. I will be talking about how star Chuck Connors’ plan to become “the modern Boris Karloff” didn’t work out, how director David Schmoeller’s innovative supernatural effects were the inspiration for the later “Puppetmaster” series, and how the performance of Tanya Roberts was completely eclipsed by less famous actresses. But mostly I’ll be talking about how it never should have flopped in the first place. Basket Case has always been one of my favorites, but I’ve never really told the story of how I helped save it from oblivion by sponsoring a world drive-in premiere in Dallas, an event that led to a lifelong friendship with Frank Henenlotter, the Greenwich Village mastermind horror director who calls himself –correctly– “a strange little man.” So the selection process was a combination of the personal and the curatorial, if I can be allowed to use that extremely fashionable but overused word.

NN: You haven’t enjoyed the luxury of unfettered “blood, breasts and beasts” since the days of Joe Bob’s Drive-In Theater at The Movie Channel, so how excited are you that there won’t be any “edited for cable” restrictions for the films you’ll be presenting for Shudder?

JBB: Well, fortunately we’ve moved beyond the era of heavy-handed editing of horror films. I’m more worried about the breasts than the blood or the beasts. There seems a ridiculously heightened fear of nudity—especially female nudity—among  programmers, executives, anyone involved with television or streaming, and that’s a regression in a direction I could never have predicted. In a world where they’ve eliminated the bikinis in the Miss America pageant, nekkid bodies are considered “lewd” and gratuitous. We’re just three years away from the 400th anniversary of Plymouth Rock, and yes, the Puritans have never left us.

PiperNN: Over the years, you had special guests stop by to chat about pictures that you were presenting – Tom Savini, Roddy Piper, Linda Blair, and a particularly memorable conversation with Brad Dourif – so, aside from guests’ fear of filming-as-live, give us an exchange that, whether it shocked you or cracked you up, you just didn’t see coming. And who might drop by this coming Friday the 13th? Because we know it won’t be Ted Turner. 

JBB: Landon, you gotta go easy on me, that was an extremely complicated question and I’m a Retro Guy. By the way, that interview was not with Brad Dourif, it was with Chucky the Doll. But the most memorable interview, I would have to say, was Sally Kirkland, dressed in lingerie, and the two of us were in bed together—you may remember we had a bedroom in my set, and for this interview we were partially under the covers so you couldn’t see exactly how nekkid we were. And in the course of the interview Sally said something about sleeping with Moammar Quaddafi, but I wasn’t quite sure what she had said, so it was one of the rare times we stopped filming and I went back to her and said, “Sally, did you just say you had sex with the Libyan dictator?” And she never did quite answer the question but talked about doing her part for world peace. I was never sure with Sally because she tends to talk in these greats waterfalls of verbiage, run-on sentences that can end up confusing you. Gary Busey was another one. He forced me to stick my fingers into the giant dent in his skull so he could convince me that his motorcycle accident had altered his brain. And he was, of course, correct. As to the upcoming marathon, we programmed Sleepaway Camp so that I could bring on Felissa Rose, because I wanted to ask her some basic questions about gender confusion in that movie that, believe it or not, I don’t think have ever been properly addressed.

NN: You once shared frustration with critics who talk about dramas and thrillers with “horror elements,” and wondered why a horror movie couldn’t simply be a horror movie without qualifiers, so it’s clearly not a new issue, but with some suggesting that films like IT (2017), Get Out (2017), Hereditary and (2018) aren’t horror, however, we’re seeing it more and more. In fact, the term “post-horror” continues to surface, so why do you feel so many mainstream critics are so reluctant to offer a tip of the cap to the genre when executed exceptionally well?

JBB: I’m not exactly sure when academic jargon and elitist attitudes started taking over the field of horror criticism, but I hate it. I got a copy of a book on I Spit On Your Grave published by Columbia University Fucking Press. I have nothing against Carol Clover’s Men, Women and Chainsaws, published all those years ago. Carol is a Berkeley professor, which is about as elitist academic as you can get, but she was the first to explain how the transgender killer in slasher films allows the adolescent male to identify with a female heroine, and that single insight has helped to defend these movies against censorship. You mention Get Out. I loved it, but there was a completely ridiculous cover story in the New York Times Magazine essentially calling it the Citizen Kane of our times, and I was just “Really? You’re gonna ruin this one for us, too?” Thank god an out-and-out monster movie won the Academy Award this year, and Guillermo del Toro is not ashamed of calling it that. There’s no such thing as post-horror, just good horror and bad horror.

NN: Not to beat a dead horse about mainstream media, but the past few years have also found critics focusing on social commentary within the genre. Some proclaim such commentary has brought a depth to horror films that, to their thinking, hasn’t been there before. One need look no further than Frankenstein (1931) or George Romero’s Dead films or Saw VI (health insurance) and The Purge franchise of the recent past for societal analysis, so why does it appear acceptable that mainstream critics lack historical knowledge of horror?

JBB: Well, you’ve answered your own question. I would use another example. The Texas Chain Saw Massacre was the first true counter-culture film, about the youth of America facing the darkness of the entrenched grown-up way of doing things. Leatherface vs. Sally, and neither of them win, they’re condemned to eternal strife. Without social context horror has no meaning at all, and so it’s kind of weird that they separate out the subtext and dredge it up to the surface and essentially disembowel the film when they talk about it. And after a hundred years they’re just discovering that—gasp!—Mary Shelley was a girl? Yawn.

Briggs podiumNN: You’re not shy about presenting your political viewpoints in your columns, and I have no intention of splitting our readers into red or blue allegiance right now, but I am very curious to gauge your thoughts on how you believe those in our nation can actually begin to converse and view one another as countrymen and women once again?

JBB: I grew up in Texas and Arkansas, but mostly in Arkansas, and whenever I would go home to visit, I would always run into slackers from my youth who had benighted opinions because they’d never traveled anywhere, and so I would say, “Cletis, you really have to go to Europe once in your life, or just go to New York or Chicago or something—you need to meet a few Yankees.” And then we’ve had this complete reversal in my lifetime, because Cletis is no longer the problem. The problem now is that both coasts have no clue about why their fellow Americans became dissatisfied. So today I would say, you people on the Upper West Side of Manhattan and you people in West Hollywood need to get your asses out to Hattiesburg, Mississippi, and educate yourselves about the rest of the country. We can’t go on like this, too much hatred on both sides, and the reason I’m called “controversial” is that I often write about issues as a moderate—the guy in the middle—and everybody hates the guy in the middle. One way we can start loving each other is to start calling ourselves Americans again instead of giving ourselves narrow labels like conservative, progressive, black, white, Hispanic, gay, pro-life, whatever, like we’re constantly saying to one another, “Okay, here’s what I am, what the fuck are you?” We’re all Americans. Stop sending me those polls about my race, age, gender, whatever. Stop labeling.

NN: All right, that’s enough of the serious questions. Your glee could be felt through the screen when you presented The Legend of Boggy Creek, which has always left us wondering, of all the films you presented for MonsterVision, how many were you thrilled to talk about, and how many were a struggle to keep interesting?

JBB: The only films I ever had a problem with were the cynical ones, films that seemed to be made by guys who had a contempt for exploitation. The hollowness at their core—just a bunch of kill scenes strung together—make them no fun for anybody. But a film can be totally inept and yet be made with passion, an example being The Howling 7, the movie that killed the Howling franchise but then became a minor cult hit when we kept rerunning it.

NN: Walk us through the process of your host script for a single movie. Did you watch it before writing anything or simply go off of memory from having seen and reviewed it in the past? From start to finish, how much time did it take for you to have a script that was ready to shoot?

JBB: I always rewatch the movie, no matter how many times I’ve seen it, and of course I need the commercial-interruption time codes to know at which points I’ll be talking. It’s a little bit more fluid process than what you’re describing here. I might spend a day and a half deciding exactly what I want to say—I do a lot of background research, and in some cases I know the filmmakers so I have information from them—and then what I end up with is an outline that I can depart from as the situation arises. So two days per movie, but of course I’m doing other things during those two days. I also try to be loose enough to go totally off topic if that’s what will be the most entertaining option. We’re really getting into the weeds here. One reason I hate writers’ conferences is that a) writers are boring, and b) writers talking about writing is boring even to writers.

Briggs pumpkinNN: You once noted that Donald Pleasence made the Halloween movies work, so despite the absence of Dr. Loomis, there’s no way we can have this conversation without us picking your brain to get your impressions of Blumhouse’s return to Haddonfield, due October 19.

JBB: As you probably know, I don’t get too excited about remakes, sequels, or, in this case, a 40-years-later “reimagining.” I would assume that Loomis is dead and that there’s a new quasi-Loomis, but I don’t know anything about it except that there were three—count ‘em—three writers, so I have to assume it’s complicated.

NN: We know you have laughs in store for us, but dare we hope you eclipse your evisceration of the absurdity of Orca (1977)? Just a reminder of what I’m referring to, quoting you: Richard Harris then gets out his harpoon gun, misfires, wounds the female killer whale instead of the male, hauls it up on the ship, witnesses a whale miscarriage, then washes the dead fetus overboard like a heartless abortionist, causing mommy and daddy Orca to both roar like wounded jaguars. Daddy Orca is so mad that he jumps up and eats Keenan Wynn, then gives Richard Harris the big killer whale evil eye before he swims away, signaling ‘I’ll be back,’ with his bloody, wounded fin. Does that about sum it up? Wouldn’t want to exaggerate or anything.

JBB: Wow, you’re really dredging up the classics, aren’t you? And all this time I thought I would spend the rest of my life without ever having to think about Orca again.

NN: Finally, you busted out the Mountain Dew and Starbucks energy drinks for the Halloween dusk-till-dawn Friday the 13th marathon at TNT back in the day, so we have to know, will this Shudder marathon be highly caffeinated, or can we expect your coozie to contain Old Milwaukee Tall Boys?

JBB: We’re going with Lone Star for the full span. We’re sticking to the classics, on screen and off.

From Shudder’s press release for The Last Drive-in with Joe Bob Briggs:

Characterized by an outrageous worldview and trademark “Drive-in Totals” lists, Joe Bob’s film critiques amassed a loyal fanbase through his long-running TV series Joe Bob’s Drive-In Theater and, later, MonsterVision. For 14 years between the two shows, Joe Bob was the ultimate fan, a voice of authority with an unconventional, affable approach. Ahead of his time then, Joe Bob is now a legendary voice within the horror community, and THE LAST DRIVE-IN WITH JOE BOB BRIGGS reminds audiences of the host’s singular perspective on the genre.

THE LAST DRIVE-IN WITH JOE BOB BRIGGS is packed with 13 films curated to suit Joe Bob’s signature brand of color commentary. The following is a sneak peek of what’s in store for horror fans during Shudder’s exclusive programming event, with the rest of the line-up to be announced in the coming weeks:

  • Tourist Trap (July 13) Five friends are hunted by a creepy killer after stopping to visit a roadside museum in this slasher that counts Stephen King as one of its biggest fans. After car trouble, the doomed group goes to visit an odd attraction filled with eerie mannequins that seem to be alive. Tourist Trap is an off-kilter thriller that will have you rethinking any stops on your next road trip.

 

  • Sleepaway Camp (July 13) Angela Baker, a traumatized and very shy young girl, is sent to summer camp with her cousin. Shortly after her arrival, campers and counselors meet their ends in a series of grisly murders. This bloody “who done it” features a shock ending that stands the test of time.

 

  • Basket Case (July 14) In a tale of revenge with a demented twist, a young man and his basket-bound, hideously deformed twin brother seek vengeance on the doctors who separated them against their will.

“Joe Bob is a horror icon and raconteur whose signature wit and insightful commentary entertained viewers for 14 years on TV,” said Craig Engler, general manager of Shudder. “We’re delighted to bring him back for this exclusive Shudder event where new fans can discover him, and old fans can rediscover him, as he takes on some of the greatest low-budget horror movies ever made.”

Shudder members will be encouraged join the conversation with Shudder’s Twitter account @Shudder during the marathon, which will include special guests, surprises, and prizes for participation.

Other initiatives centered around THE LAST DRIVE-IN WITH JOE BOB BRIGGS include an upcoming Reddit AMA on July 10th, as well as screenings hosted by Joe Bob at the Nitehawk Cinema in Brooklyn, NY on July 11th and the Alamo Drafthouse in Dallas, TX on July 12th.

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