Horror takes many shapes and assumes various forms in order to affect us. Be it monsters, killers, or simple catastrophes, horror is there to incarnate both our deepest fears and our darkest sense of humor. By far, the Slasher Genre is my favorite kind of horror to watch, and there are hundreds to choose from out there. So much so that too many of them go overlooked and remain underrated. For that reason I, Manic Exorcism, gladly pull back the tattered veil to shed some sinister light upon these underrated slasher killers.
Uncle Sam (1996)
Yes, the patriotic spirit swept the nation this past week as droves of hard-working men and women piled into cars and made their ways to picnics, barbeques, beaches or to visit friends and loved ones. Bold rockets lit up the night sky and people sat back from Coast to Coast to celebrate how Colonials kicked a whole lot of ass back before any of us were ever born. So why not commemorate that victory with a shitty little slasher film a lot of people have never heard of?!
Uncle Sam is a movie that – and if – anyone has actually heard of it, they’ve never really seen it. Now, and thanks to Shudder, you can spend an evening with this star-spangled serial killer and remember freedom as the blood flows out of wounds before your eyes.
The movie is guilty fun. Let’s face it though, Slashers are not known for their acting. We know what to expect here: boobs, blood and fantastic kills. That’s the basic formula, and Uncle Sam is not above that expectation. It does have all three of those tropes here, so seasoned horror fans won’t be disappointed.
That said, this movie has some of the worst acting I’ve seen since Twilight. We don’t expect anything of Hugh Jackman’s caliber here, but mother of piss is the acting terrible in this one.
So the movie is about a mean bastard of a guy named Sam Harper (David Fralick). A fucker so god-awful nasty that his fellow soldiers see him to the grave with a little ‘friendly fire.’ Back home though his now-widowed wife (Anne Tremko) is not really phased, and if anything is glad to be rid of his sadistic abuse. However, his obnoxious little nephew (Christopher Ogden) hero worships the man and can’t wait until he’s old enough to enlist himself and follow in Sam’s footsteps.
So Sam is brought back to life once a group of local morons burns a flag over his open grave, and well, this soldier ain’t staying dead for that kind of shit. His reanimated corpse comes back to inflict revenge on anyone he deems to be unpatriotic or disrespectful to the Nation. He finds some peeping-Tom dressed in an Uncle Sam costume, and after poking the perv’s eyes out (and spouting off one-liners that would make Freddy cringe, things like, “Hope you got an eyeful?” as he digs his fingers into both eye sockets) and then walks about on the 4th of July as our happy killer Uncle Sam.
It’s a fun gimmicky movie, another holiday-centered horror flick, and honestly, that’s a category all on its own, and one the slasher genre loves to infiltrate. I felt this movie missed some golden opportunities. Like I wish there had been some hilarious Star-Spangled type of deaths. I wanted Uncle Sam to walk around shoving fistfuls of bottle rockets up people’s butts and seeing them burst from the inside out like gooey fireworks. We do get a flagpole death though.
I can’t say this is anywhere near one of my favorite slasher characters/films, but it does have a goofy charm to it. If NECA ever released an Uncle Sam figure I’d be tempted to buy the damn thing. I mean I do collect horror icons, I’m even getting my own custom-made Madman figure! Whoop whoop!
I know the holiday has come and gone already, but the movie is still a perfect choice if you’re looking for a good summer screamer to enjoy.
So yes, without any doubt Sam is worth our attention. We stand and salute you, Sir. We thank you for your service to the history of horror and may you remain obscure no longer.
Madman may not share the infamy of other slasher films of the era such as Sleepaway Camp, Silent Night, Deadly Night, or My Bloody Valentine, but make no mistake – this small-budget independent horror movie has proven to be a tremendous force to be reckoned with.
Madman Could Not Be Stopped
Upon its release, it received horrible coverage. According to Madman himself (Paul Ehlers) the film never found its way on the cover of any magazine of the day and there was only a tiny blurb of an article discussing its merit. That’s shameful! To top it all off, very few theaters chose to showcase the movie making its audience miserably limited. Under most usual circumstances, Madman should have been quickly forgotten in the traffic of better-known franchises. However, in spite of its challenges not only did the film find its audience but has enjoyed cult stardom that grows stronger with each new viewing.
Being a fan of Madman is like being part of an exclusive club. A fan club with members like Joe Bob Briggs and Quentin Tarantino. Yup, both of them are Madman fans. Others praise Jason, Michael, and Freddy (nothing wrong with that at all I must add), but Madman fans are a category all of their own. It’s as if knowing the movie is our own kind of secret handshake. We recognize his growl and know his theme song by heart – and damn proud of it!
Originally the movie was based on local ghost stories. That’s right, my little ghoulies, initially Madman was rooted in the infamous Cropsey legend and was always intended to be the quintessential campfire boogeyman. He is a rumor, the resident guilty secret no one dares talk about after nightfall, and a whisper that chills the blood with inescapable dread. After thirty years he is still proving to be the ultimate deep woods camp legend. All you need to know to survive is “Don’t say his name above a whisper, or pay the hideous consequences.”
Today we’re going to pay the Madman his dues and celebrate all the fun, screams, and gory good fun of this underrated slasher!
The Madman Legend
Old man Marz was anything but a soft-spoken farmer who lived peaceably out in the woods with his family. Oh no. Marz was an ugly drunk who beat his wife to a pulp and savaged both of his kids. When he wasn’t raising Hell at home he was busy cracking skulls open at the local tavern. In one such brawl his nose had been bitten off, but Marz – being the hateful cuss that he was – didn’t feel a thing.
His was a house of pain where a bruised wife and traumatized children lived in constant fear of his violent outbursts. It was anything but a home. That same hateful abode still stands, but is now rattled by the cruel ticking away of time and is cursed with haunted whispers and frightful suspicions; for one night Marz went completely ravenous mad. Without a hint of warning or any reason the old farmer picked up his axe and walked across the creaking floor boards with only a single thought in mind: murder. One by one Marz slaughtered each member of his family with cold systematic precision. As if to celebrate the event once finished Marz strolled into town – and still sodden by his family’s blood – sat himself down and had a beer at the tavern.
Upon realizing his crime vigilantes took matters into their own hands. Fed up with the sadism of the hateful creature they dragged Marz onto the streets. Someone took the Madman’s bloodied axe and buried it deep into the farmer’s face. He was still standing though, now driven by a rage that would please the cruelties of Satan and ready to slaughter the whole town. Luckily though they strung him up to the nearest tree and hung him there, thinking all was over. The next morning though Marz was no longer at the tree. He and the bodies of his family went missing, never to be found.
Madman Marz –as he came to be known, was never mentioned among the locals for fear that he would hear his name and come running.
Upon the anniversary of the Marz family murder our cast of heroes (victims) have decided to camp just a little too close to the old farmer’s abandoned property. What begins as a fun little camp-fire ghost story soon turns into a night of savage butchery as the Madman hunts each of them down. All too late it becomes apparent that the legends are real – that he is real – and there is no escaping him.
As far as back stories go his is one Hell of a good one. So why in the Hell does he not get any more recognition than he does? Madman is just as equally vicious as either Jason or Leatherface. As a matter of fact, I’d love to see a crossover of Madman vs Leatherface. The hatchet vs the chainsaw. Two backwoods maniacs with a taste for blood battling it out to the death! It should at the very least be a comic book for Shoggoth’s sake!
It’s an understatement to say this is a criminally underrated 80’s slasher film. It’s beautifully filmed all at night giving it an eerie tone that makes you think the killer waits behind every shadow. Fans of the slasher genre deserve to discover this one. It’s a film that needs to be experienced, and is best experienced with a group of friends.
While filming Madman there was a rumor that someone was lurking around the woods at night uninvited and wanting to interrupt the crew’s progress. The director approached our Madman star and asked him to go out in the woods at night and stalk the stalker. While in full makeup and costume by the way. No lurker was ever found though.
Gaylen Ross of Dawn of the Dead stars in the movie. However, not only does she use a fake name in the end credits but allegedly refuses to admit she was ever involved in the making of the film.
Today we have seen Jason in Manhattan and space. Hell, the fucking Leprechaun got his little ass shot up into space. Michael has survived rappers and a remake. Freddy has been in a womb, in hell, and at Crystal Lake. And we have how many Hatchet – clearly inspired from Madman’s design – movies are there now? Not to mention Leatherface, Michael, Jason and Freddy are all now video game stars. But we only have one Madman movie. No sequels or remakes. There was talk that Paul Ehlers and his son had been working on a remake, but to my knowledge it hasn’t progressed beyond that. I think it’s a travesty that this never was allowed to become a franchise in of itself.
Not to mention I’m a horror figure collector and my shelf feels empty because Marz isn’t there. I’d gladly commission a talented artist to make me a Madman figure to stand beside my McFarlane Movie Maniacs.
Fans have made custom masks and fake trailers in honor of Marz. There’s a high demand for the Madman out there, and the love for his lore isn’t dying down. If you’re looking for a fun movie this is one
This has been Manic Exorcism. You all be sure to stay tuned in and keep those fuzzy nostalgic feelings warm here by the campfire. I’ll be leaving you with the iconic Madman song.
Hey, comic fans! True believers know the iconic badass VENOM has two origin stories. Could the upcoming movie give us both?
First off, this is only friendly speculation because nothing concrete has been announced – yet. Nevertheless, the geek in me can’t help but wonder what all might be in store for us given what we’ve already seen from the teaser.
Naturally, this is an origin story about how Eddie Brock came to inherit the symbiote and together with it became the entity we know as Venom. The interesting thing is though Venom has two different origins in the comic books, and, if I’m correct, they possibly may be in play here.
In the beginning, there was space. That’s where Spider-Man first came in contact with the symbiote and changed to the black Spidey suit. The symbiote bonded with both Peter’s flesh and mind granting him accelerated abilities in strength and speed such as he’d never known before. He was tougher, stronger, and meaner, making him a through and through greater superhero…so we would think at least.
The suit proved to have a will of its own and began to slowly poison Parker’s psyche for its sinister purposes. Peter was changing due to the symbiotic influence, and became increasingly more reliant on the suit to an unhealthy degree, as though he was an addict. At last, and realizing the deadly impact the poisonous symbiote had over him now, he tore the thing from himself. And after a great struggle was released from the toxic co-existence. The suit hated Spider-Man for being rejected.
That’s the interesting thing about the symbiotes – they are in fact living entities. They have a mind and will they exercise, not to mention they have a telepathic voice that drives (intoxicates) their chosen host. That’s the other thing, they choose which vessel will better accomplish their purpose.
Meanwhile, Eddie Brock, a former employee at the Daily Bugle, had been fired and blamed his misfortune on Peter Parker. Together, one hating the Spider and the other hating the man, the symbiote untied with Brock and became Venom, Spider-Man’s most dangerous foe. Venom knew everything about his enemy and swore to kill Parker for the troubles he’d brought upon both Eddie and the symbiote. Worst of all, Venom shared Peter’s memories, and, you guessed it, no one in Peter’s life was safe.
It was only after Spider-Man saved Eddie’s ex-wife that Brock finally realized perhaps Parker wasn’t entirely his villain. Now, wait: is Venom a supervillain or antihero? He has killed, but only killed those he felt were guilty and deserved to die. The Punisher does that much. The reason why Venom was so Hell-bent on killing Spider-Man was because he truly did believe Spidey was the bad guy. Anyway, a truce was made and Venom went on to star in his own mini-series where he battled other symbiotes.
In the Ultimate Spider-Man comic series the superhero enjoyed a successful reboot. In this version, Peter was still in high school and he and Eddie Brock were friends. The Venom symbiote was grown in a laboratory and was meant to be a secret weapon, that and their father’s both had something to do with its creation. Tracking the notes of his father, Peter discovered the experiment and bonded with the black suit. The outcome was very much the same as in the original storyline. The suit proved too great a threat for Peter and he shed himself ofit. The rejected symbiote bonded with the other son of the man who helped grant it life and Venom came into existence once again.
Admittedly there was a more epic tone to the original and I liked that it was from space, but getting Parker into space may be a complication for the story. And no, Infinity War is not connected to Venom according to my source, although it is somehow part of the current Spider-Man Homecoming storyline. So…???
So what can fans expect? What do we know so far?
From the trailer, we see a crashed ship, and things being extracted from the crash site. We then see Eddie (Tom Hardy) snooping into a high-security lab where he (I mean he has to) get in contact with the writhing black essence of the symbiote. The teaser perfectly shows how the symbiote whispers to Eddie’s mind and begins to meld with him into a dual entity, a fact proven in how he addresses himself at the end. “We are Venom” because the two have perfectly become one.
So I’m supposing the crashed ship carried some alien thing back to earth, a thing gets harvested and tested in shady experiments in hopes of perfecting the ultimate weapon. Already we know that Venom is set to fight other symbiotes in the movie, something like the comic miniseries aforementioned. We also know that Cletus Cassidy has been cast and Venom’s main threat will be Carnage! Fucking holy shit really?! Venom and Carnage in one cinematic explosive fight?! Listen, this is going to be intense, I just have a feeling. Fans have been waiting for this ever since Sam Raimi first directed Spider-Man. So yeah, I’d be cool with both origin stories in play here.
Now as for the beginning of Carnage and his dark origins, well let’s save that for next time. Until then, check out the trailer and let us know what you think. This has been Manic Exorcism. ‘Nuff said.
One of my fondest memories from childhood was staying up late and watching the many glorious horror-themed shows late-night TV had to offer us back in the 80’s. My mom was pretty cool about that back then. I was no more than five and I still recall the greats I spent many nights watching. Twilight Zone, The Hitchhiker, Alfred Hitchcock Presents, Unsolved Mysteries – just to name a few, and their themes still ring loud and clear in the shadowy halls of my memory.
One thing these spooktacular shows all shared was a riveting opening title accompanied by a haunting score. You all know what I’m talking about. The Twilight Zone sports a pivotal theme that remains timeless to this day. And who can deny the impact Danny Elfman’s immortal theme from Tales From the Crypt had on our generation? Remarkable!
All of that is to bring us to the subject at hand revolving around one of my favorite creepy shows, Tales From the Darkside!
From horror maestro himself, George Romero came this grizzly collection featuring beloved short horror tales from the mind of Clive Barker and other renowned writers of horror, Tales From the Darkside brought scary stories to life in various comeuppance morality tales.
The opening always gave me the chills as a kid. That eery as Hell music playing over visions of lovely fields, a country farmstead, a rippling brook and a covered bridge. Sights that should convey a welcoming sense of warmth and meditation, something the dark mind of Paw Paw Romero intentionally planned just so he could pull the rug out from underneath our feet. The sights change as the title is revealed and all of a sudden the pleasant world we have been introduced to is malformed into a sinister realm of shadows and dread, just like the genuine dark world which awaits behind the placid world we live in. Darkness is always just only one bad day away.
Right before the title shows, and I mean like a second or so before, we see in the bottom left corner a car that gets swallowed up in the Darkside. It never was anything I gave much of a thought to until an ex of mine mentioned the car was a blooper. Like it was a mistake and wasn’t supposed to be caught on film. Like while the studio was filming the opening shots some random car photobombed the process.
Funny, because I never once got that impression. I told her that too and explained how I always assumed the car was meant to be there. As if whatever family was in that car had just suddenly been sucked into the void. The idea startled her, because that’s how Hell works, right? One moment you’re out enjoying a lovely drive out in the countryside and the next the Darkside consumes you, your day, and possibly you’re entire life.
A flat tire lands you stranded in the middle of the shadowy woods where you can hear a distant banjo playing.
You’re out by yourself hoping to get some sun by the lake when local rapists come zooming by with oogly eyes all over your body.
You get a puzzle box and suddenly awaken the wonders of Hell.
You have a nightmare that lures the dream demon to your helpless state of mind.
That’s what horror has always been about! The normal and everyday world being consumed by the Darkside. That little car in the opening credits epitomizes what we love about horror. I don’t know who was in that car – and that’s part of the charm, it could be anyone of us in it – but I thank them for providing such a wonderful (but underrated) visual for us.
Ok my Nasties, this has been your good pal, Manic Exorcism once again. I’ll be back later to over-analyze even more things no one in their right mind would give a second thought to. But hey, that’s what we do here.
Let us know your thoughts in the comment below? Was it a simple photobomb, or perhaps there was something more sinister afoot?
Welcome back my Nasties! Gather close and snuggle up with a corpse because we have some ghastly goodness to discuss. I’m your host, Manic Exorcism, and today I, once again, am being forced to bid farewell to some more hard-earned cash. That’s because our friends over at Shout Factory just gave us some of the best damn news ever, and frankly, I’m a bit shocked. Earlier today the team responsible for giving us some of the finest horror Blu-rays ever just announced that we will be getting a CREEPSHOW Collector’s Edition. It’s finally happening!
It’s about fucking time too! For the longest while, we had to settle for an inferior, bare-bones release of one of the most beloved horror titles of all time. CREEPSHOW is the pinnacle example of how a horror anthology should be done. Certainly, this movie wasn’t the very first horror anthology, but it’s certainly the favorite among many. It’s my personal favorite one.
The masterminds over at Arrow Video did give us a brilliant release of CREEPSHOW 2, and I’m very happy with that edition. Nevertheless, I still wanted the set to be complete (CREEPSHOW 3 can eat shit and die because it doesn’t exist to me) and hoped to see the original movie (FINALLY) get a proper Blu-ray treatment.
The movie deserves it.
The fans deserve it.
Jordy Verrill gave his life to see this finally happen.
And by God, we’ve waited long enough!
“Romero and King have approached this movie with humor and affection, as well as an appreciation of the macabre.” – Roger Ebert, Chicago Sun-Times
That’s the charm of this movie. It’s spooky fun, something modern horror needs to be reminded of.
No matter what kind of day you’re dealing with this movie will make you feel better.
It’s also something you can watch with your kids, just in case you’re wanting to raise them to be proper horror fanatics. It has everything! The dead rising from the grave, Joe Hill getting the shit slapped out of his face, Leslie Nielsen being a dickhead to Ted Danson, and a drunk Adrienne Barbeau – this movie is fun for the whole family!
I’m curious to see what kind of Special Features we’re going to get with this one too. I’m really hoping it mirrors the UK DVD edition that came out a while ago. Regardless this is the Collector’s Edition and given Shout Factory’s past record I know we can expect some great things.
Preorders are limited right now, and they boast:
EXCLUSIVE LIMITED-EDITION OFFER FOR SHOUTFACTORY.COM – ONLY 1,500 AVAILABLE – INCLUDES:
A rolled 28.5” x 16.5” lithograph of the new slipcase art by Laz Marquez
A rolled 18” x 24” poster of an alternative art illustration by Laz Marquez
Chances are if you’re a long-time horror fan you’ve lived to see your favorite horror movie fall under the Remake Guillotine. ‘Guillotine,’ I think that’s somewhat fitting. Makes the process sound just as scary as we imagined it would be. We dreaded the news that Halloween, Poltergeist, The Omen, Fright Night and Last House On the Left were all lined up to be decapitated so new filmmakers could inspect the intimate moist jelly of some of the greatest minds behind titanic horror titles. Often times our beloved movies were nothing more than a quick cash in as studios banked on making bank just from a film’s title alone. Nightmare on Elm Street’s name would be more than enough to pull in an audience, or so it was believed. However, that movie proved to be dismal at the box office and left studio heads standing around scratching their scalps trying to figure out why. That’s part of the problem – the people (mostly) behind making these remakes do not get what made the original movies great, to begin with.
Slashers and exploitation films seem to have fallen victim most of all to this post-current trend. Both genres are notorious for their graphic use of sexuality and violence; normally, both are used interchangeably as a grotesque malformation of Life and Death. That’s the essential formula of the Slasher and Exploitation genres.
These are movies that elicit very negative feelings from their audience. We find ourselves somehow trapped within the Hellish circumstances of the tragic heroes and victims we set out with. For nearly two hours we will have our senses assaulted by hyped-up violence and the glamorization of helplessness against cruelty. Should you enter this seedy underworld of depravity and carnage don’t be surprised if you feel the need to shower once the credits roll. No one would blame you either. These are disgusting places we must stomp through. The topics handled inside are seldom pleasant.
Who in the new millennium would dare venture out with the goal to remake some of the most notorious titles in cinematic history? Never in my life did I ever think someone would get the gumption to remake I Spit on Your Gave. Then, that remake inspired two sequels, and, admittedly, I really enjoy the second movie in the trilogy. It offered us something new out of the familiar rape-and-revenge slough. But the idea alone that it was greenlit in the first place is astonishing!
What Remakes Get Right/Wrong
I remember back in the late 90’s someone had the bright idea to remake Hitchcock’s masterpiece Psycho. Why in the world was that ever an option? Just why? The movie happened and is nothing more than a shot-for-shot retelling of a film classic. Of course, it doesn’t hold a candle to the master’s vision. Now, on the other hand, the Psycho lore was rebooted via Bates Motel on TV and gained a successful fan following. Why did it work? Because it offered viewers something different out of the familiar lore.
Praise is due to the show Hannibal for accomplishing similar success. They managed to retell a section of the lore which we already knew, but they did it in a manner that had fans hooked and desperate to see what new grotesque beauties awaited us each subsequint episode. The storyline of Red Dragon has already had two cinematic interpretations, but this time around – even though it was technically the third retelling – it offered us something exquisitely new and innovative. Proving how the retelling of a familiar lore can (and should) be should be handled.
That’s where remakes work! That’s the key, the masterstroke of success! You see, I don’t attack remakes, I attack bad movies, and sadly most movies that are remade just suck. But there are plenty that gets it right. In the case of Hannibal, initially, I wasn’t prepared to like the series. How happy was I to be wrong once I realized how beautiful and profound this show was determined to be. It brought the stories to life, more like breathed new life into the characters, thus demonstrating how to do things properly.
Films like The Fly, The Thing, all of Hammer’s Dracula and Frankenstein movies, and even last year’s IT all proved to be successes. Why? Well, as I’ve already mentioned with Bates Motel and Hannibal, these movies work as remakes simply because they give us a brand new look at the familiar material. We’re not forced to watch a shot-for-shot retelling of a beloved title.
With the original The Thing, society was eaten alive with a growing paranoia that Communists could be living right next door. Who can you trust when there could be a dirty Red hiding just beyond your own front door? The Cold War was in full effect and was reflected in the spooky movies of that time. When Carpenter released his updated take, The Thing no longer spoke about ‘neighbor danger,’ but focused on the terror growing in our own bodies. The 80’s decade was a war on drugs and unsafe sex. AIDS was a real threat and people were terrified. One moment a person could appear just fine and healthy, the next that same person would be diagnosed with a terrifying disease that would end in the grave. Society was very aware of how quickly our own bodies could turn viciously against us if we weren’t careful.
The Thing became a cautionary tale about how the body can transform with a viral enemy inside of us ready to malform our anatomy to suit its own selfish purposes. It’s no surprise that it was released during a time when people were being warned of cancer. It got to be that everything would give a person cancer. People couldn’t even feel safe breathing in the air they inhaled for fear of second-hand smoking – and you guessed it, that gave you cancer too. When you look at The Thing it’s a hideous amalgamation of swollen tumors that destroy and ruin all they touch. The movie was not well received in its day, but has now grown to cult fandom and is praised as one of the best sci-fi horror films of all time.
The remake of The Fly is about losing control of one’s own body. All it took was one innocent night of carelessness. This body-horror classic has an underlining theme of cautionary sex, it may not be noticed at first, but once it is it’s hard to deny. Our unfortunate hero (Jeff Goldblum) gets infected by an experiment gone deathly wrong. He took every precaution. He crouches himself into the womb-shaped sanctity of the teleporter he’s built. Everything is a go, but unforeseen to him, a single freak chance of fate happens beyond his grasp, a fly lands in the teleporter and the two become merged as one entity. The consequences are dire for him. It was a simple accident, one slip of chance and all of a sudden it doesn’t matter how cautious he was. He is infected, but he hasn’t really realized it yet. He has sex with his girlfriend because of course, he does. Once she learns of his disturbing fate his girlfriend (Geena Davis) has some vivid dreams about the consequences of sleeping with her infected lover. I’m saying the word ‘consequences’ an awful lot, but that’s what this movie is all about. It’s pretty obvious that the social fear of venereal consequences is in play here.
I’m not one to argue that a good horror movie has to have come underlining social message in it to make it good. It could be simple coincidence, or maybe some deep thought was put into the making of those films. However, my point was, in the case of these remakes and what made them work, they weren’t just a rehash of the original source material. They were social up to date and played on the current fears of the people. If you make a horror film then you better at least try to aim at scaring your audience for fuck’s sake.
The only way you can scare an audience is by engaging them with the characters, make what scares them scare us, and then, after earning our trust rip our hearts out. That’s horror.
There’s no doubt people hate Rob Zombie still for remaking Halloween, one of horror’s most cherished films. To this day that movie stands like a plague in the minds of many fans. But this is what I’ve gathered from most of the people who hate it. They seem to praise the first half of the movie but curse the latter half. The first half of the film is a complete departure from Carpenter’s vision. It’s a gritty and uncomfortable look at a domestic meltdown.
Michael is from a highly dysfunctional household. The making for disaster is found early on in the movie’s opening. Michael’s upbringing is anything but nurturing. His mother’s boyfriend is a screaming, foul-mouthed abusive man who taunts Michael every chance he can. Being the only male role-figure in his life, the man is only too happy to mock Michael’s premature sexuality, calling him girly names that almost echo John Gacy’s own abusive relationship with his dad. Even Michael’s older sister throws around oddly arousing jokes at his expense. For adults, we can laugh at sick shit like this, but this is all very damaging for the young psyche of an impressionable growing boy.
To top things off, his mother is a local stripper and her intimate way of living is constantly thrown in Michael’s face by the run-of-the-mill shitheads at school. Combine all of this and you have the gathering elements of the perfect storm. One of destruction, pain, and misery. It will not feel empathy, it will be cut off from the social norms of what’s acceptable and what’s illegal. You have the disturbed making of a true psychopath.
This is the household environment that spawns the likes of John Gacy, Albert Fish, and Edmond Kemper – all of them real-life boogeymen. Killers, slashers, serial rapists; monsters in suits of men.
This is not the Michael Myers we know, and that made him fascinating! This was a problem, a toxic danger that could be building right next door (or behind closed doors right upstairs). Were we going to get some actual psychological inside-looks into real-life murderers through the imaginative eyes of Michael Myers? Or, what I’m trying to say is, were we going to get inside of Myer’s mind? Would we see through the eyes of madness and true darkness all from behind his mask? It was really exciting. We already had a movie that followed the babysitters, so would this movie explore a very evil world that is hiding in plain sight all around us? That heinous world of the serial killer?
Oh, forget allllllllll about that, my nasties. It doesn’t take long for this to turn into a near shot-for-shot remake (oh sorry, ‘reimagining’) of Carpenter’s movie. People love to hate this movie and use it as the poster-child of poorly made remakes, but I have my own criticism of Zombie’s movie. That being: we almost had a great movie! Almost. Had Zombie just stuck with an original idea, something like following Michael’s journey into – not only madness – but also his heart of darkness; in essence, watch him become pure evil, and go on a blood-soaked murderous rampage. Make it an exploitation film, kinda like how it started out as.
It could have been great and I feel we got robbed.
And when it comes to Nightmare on Elm Street, instead of seeing the exact same movie we’ve all grown up with, why couldn’t we see the Springwood Slasher before he became the Dream Demon? Why not show us his vengeful demise at the hand of vigilante parents? Start out with him being a good neighbor, someone who would walk your dog for you. Someone you ask for an opinion, and who is glad to give it. Someone who loves his daughter and part of the PTA board. You know, like actual serial killers from the past? They always lived across the street. Why not give us that kind of movie, something we’ve not seen? Then pull the rug out from underneath us as we follow Fred Krueger down some very uncomfortable places, places where little skulls sit in the smoldering ash of a furnace deep in the depths of his boiler room.
Why not give us something like the rise of the Dream Demon?
Freddy could have come back and targeted the households of the parents who burned him alive and made it, oh I don’t know, something more relatable and personal to the families along Elm Street.
Eh, what I’m getting at is these remakes that are hated so much could have been good. They had potential and a chance, and that’s what I gave them – a chance.
Now whereas remakes don’t erase the original movie (thankfully), they do pose a problem for audiences nonetheless. A person can watch a really bad remake and not want to give the original a chance.
Imagine if someone watched that awful Fog remake and then had no desire to see the original one? They would be missing out on a great experience. I kind of dealt with that. Thanks to Quarantine I had no interest in seeing [REC], like at all. In fact, I only just watched [REC] this year. That’s the problem with bad remakes – they may turn people off of some really amazing movies.
Not to mention we now have to distinguish which movie we’re talking about. My best friend was so happy when she bought me Night of the Demons for my birthday. It’s one of my all-time favorites and she knew I had been wanting it. Thing is, she bought me the remake (yes, that has a remake too) when it’s the original movie I love. Bless her heart, she was so thrilled to get me that Blu-ray though. She didn’t know there were two out there. Someone else sent me Texas Chainsaw Massacre not knowing it was the remake. They honestly thought it was Hooper’s movie. There are too many remakes out there and it does get confusing.
Now we have a Suspiria remake to look forward to. Am I mad about that? No, and I’ll go to see it. Not only that, but we’re getting Pet Sematary, Tommyknockers, and honestly the remake train doesn’t look to be slowing down any time soon.
To be honest I’m excited. I know that may shock some of my readers, but this was not meant to be some ‘I hate all remakes’ article. I don’t hate them, I just want to see them done right. IT proved a remake can be done right, and, if done so, will be a massive hit.
So there you have it, my ghoulies. This has been your Manic Exorcism once again. I encourage you to not let bad remakes ruin good movies. Keep checking us out here at Nightmare Nostalgia for all your retro needs. Now go forth to enjoy the horror line-up before us.
When it comes to slasher cinema one franchise defines the genre as a definitive whole. That would be none other than the slasher-film maestro, Friday the 13th.
Growing up nothing was more synonymous with blood-curdling horror than a simple hockey mask. That mask became the unfeeling and inhuman visage of violent rage and unrelenting terror. It captivated our generation’s imagination and we couldn’t get enough Jason!
Then our dreams (or nightmares) came true. We were given a chance to visit Crystal Lake thanks to Nintendo. We could finally face off against our favorite killer. Sadly the game didn’t meet up with people’s expectations, but many of us still loved it. Even to this day it holds a special place in our hearts. Yet we needed a damn upgrade.
We wanted to explore the sets from each movie. We wanted to explore each cabin and snoop around the Jarvis house. Well finally someone did something about that and brought to life a game all horror fans dreamt of! Gun Media and IllFonic gave us the frightening chance to explore Crystal Lake with the Friday the 13th The Game.
Not only that but we wanted to be Jason. We wanted to step behind that mask and recreate the famous kills seen in the movies. Once again, the masterminds behind the game’s production have made that possible. As you can see from my screenshots, this game lets us become Jason himself.
Now is the time to jump in the game. Thanks to the latest update gamers can now explore the films like never before. With the highly-anticipated Single-Player Challenges, you will stalk through ten different stages as the iconic masked killer. If you’re familiar with the game already you’ll know it’s praised for its elaborate kills. Already many of the famous murders straight out of the franchise have been employed to great effect.
However, there was still so much more to be explored as this latest update proves. Providing newer kills at our fingertips and story-set ups taken from our favorite horror series, this is the definitive retro horror experience.
These Challenges bring the movies all to life.
As Jason, you will need to use stealth and cunning as you hunt down each unsuspecting camper and greet them with a messy, messy fate. One of my personal favorites happens early on and involves a wood chipper. A mother-fucking woodchipper! Buah ha ha ha!!! You’re gonna love it. Another great one introduces someone’s stupid face to the business end of a boat propeller. Oh, it gets nice and messy around here, my ghastlies.
I was laughing like a proper psychopath and worried my roomies.
Each Challenge will judge your gameplay based on whether you get noticed by the campers, whether anyone escapes and whether you meet the score criteria. Each success you achieve will open new emotes for your favorite campers in online play.
Overall this update offers plenty to keep fans cheering for a long time. I’m never disappointed with what this team has been giving us. This is what happens when fans are in charge of a project. So while we may not have a new Friday the 13th film, we can relive the movies now like never before.
So do yourself a big favor and step onto some of horror’s most sacred hunting grounds and experience the movies you’ve loved in a whole new way.
Friday the 13th is available for PlayStation 4, PC, Xbox One.
It’s time to crack open the forbidden tomes of Eibon, faithful followers. Here we bid a long farewell to our flesh. Beyond this point, there shall be no return. The mind will melt and the soul filleted as such oozing spectacles assault our vision from the Beyond. Forsake ye all hopes for a restful grave at the sure ending of life, because a hideous power, one of wickedness and dread, this way quickly comes. Eibon has been reopened forthwith ushering us into fresh circles of Hell.
. . . The Book of Eibon, that strangest and rarest of occult forgotten volumes … is said to have come down through a series of manifold translations from a prehistoric original written in the lost language of Hyperborea.
—Clark Ashton Smith, “Ubbo-Sathla”
Eibon Press is proving themselves to be the unrelenting future of horror comics. With a lethal eye trained for macabre details, they are undoubtedly the undisputed masters of their craft. By blending gruesome art with fiendish tales they masterfully weave new layers of terror into some of our most cherished exploitation films and cult classics, thus ensuring their secured place in horror history.
Horror naturally prospers in comic book form, mainly because the MPAA can’t step in with their bitchy attitudes and erase away any sight of blood, guts or sexuality that might make them blush with a bad case of the vapors. Many of our favorite horror franchises have suffered needlessly beneath the rigorous afflictions of uptight censorship, thus ruining some perfectly good horror movie opportunities in terms of those messy little meaty details. Friday the 13th, at least the later films, were systematically abused by the righteous endeavors of the MPAA. Luckily, the grimy halls of comic books are unspoiled by such convictions and their haunted halls are rife with maniacs who freely kick down our doors, raise their chipped hatchets and cleave our puny good sensibilities into a bloody and gurgling pulp.
Now, if you’ve had a chance to read anything from Avatar Press – I’m thinking especially Wormwood, but especially Crossed – or just about anything by Garth Ennis, you’ll know immediately what I mean here. Comic books are not safe, and woe to any who thinks differently. No one who appears in such macabre volumes shall be spared. Their eyes will melt and their flesh decay, no one, not even our most beloved of heroes, are safe beneath the ink of those given to this expression of Art. These writers and artists will not hesitate to shove us down and kick our teeth in. Oh no, horror comics are not safe, and they never should be.
This is an unshakable fact Eibon Press knows about very, very well. In the hands of these master sadists, the Art has taken a new form in order to distribute the Evangelium of terror. To gross someone out is honestly not in the least bit complicated, and believe me, many have (failingly) attempted to gain an audience by simply defiling their readers’ eyes through shocking gross-outs. But to craft an engaging story, to make the Art come to life, to beget something that will continue in the minds of their audience long after the reader puts away the book is only a thing masters of the craft can accomplish. It takes truly insidious talent to breathe something into existence that invades our normal everyday lives, plaguing us with visceral images and ghoulish scenes we won’t soon forget. Not just anybody can achieve this level of the Art. Junji Ito is able to do this effortlessly and has been my reigning favorite horror artist until I met with Eibon Press and witnessed what they have to offer.
Just like horror movies have many genres, the same is equally true of horror comics. In the case of Eibon Press, they’ve skillfully dominated the sodden field of exploitation experiences. Be it a grimy alleyway with dripping echoes of sweltering lust and shame, perhaps the humid gates of everlasting Hell, or a restless cemetery where the rotting dead rise out of the mire and mold – Eibon Press depicts some wonderfully dreadful landscapes you will traverse once you crack open their pages. Violence awaits and there will be no turning back once you enter. It is a horror fan’s paradise.
They make gritty somehow beautiful. Ascetically brilliant, they make full use of color to accentuate the full volume of gore at hand. I can guarantee gore hounds will not be disappointed! And as for tone, well this is like the equivalent of your favorite death metal albums in illustrated form. There will be slaughter and lots of blood.
But all is not just blood, guts and eroticism. These guys are better than that and build upon plot and focus on the characters who must face all the horrors Hell has to offer. If you think this is just an-all out splatterfest…well, you’d be correct! It gets very sticky as you turn the pages, but I assure you it’s the stories they’ve released that will keep you turning those pages.
Eibon Press specializes in embellishing upon the beloved cult classics of Lucio Fulci, and I love them for that! I’ve always been a Fulci fan so I approached these comics with a critical eye. I was not disappointed, but very much the opposite. I was impressed by how much love and care they handled the material with. It didn’t take long to realize these guys love Fulci’s work as much as I do.
I did say they embellish on the stories. For example, when reading Gates of Hell (City of the Living Dead) we get a lot more details of the evil priest who hangs himself at the beginning of the movie. With the use of some good narrative, the team gives us a fuller and broader story to the lores we already love and know. If you think you know everything there is to know about Zombi, think again. There is so much more to glean from that vicious story, and with the comic Zombie, Eibon proves this to be true. For example, you know how Zombi 2 ends? Well, Eibon extends the story and takes us right into the chaotic-strewn streets of the city. Put on your big boy pants because it just keeps getting more and more savage.
In case that’s already not enough to have you ready to order their entire line of comics, let me tempt you even further. In their epic Gates of Hell title, not only is Eibon giving us the hellish story of City of the Living Dead, but this is only the start of the Saga of the 7 Gates line. A series that begins with CotLD and will involve both The Beyond and House By the Cemetery, mummy! And I’m pretty sure Bob won’t be anywhere near as annoying in comic form as that little shit was in the movie. “Mummy, I see a girl in the window, Mummy! Mummy! Mummy! Mummy!”
Ok I got it out of my system. That fucking voice though! Screw you, Bob!
They have also adapted both Maniac and Laserblast into comic form. Laserblast, people! I never in my sickest fever dreams would have ever expected that to be a comic storyline! Oh, you’re uninitiated into the silliness of Laserblast. Here, check this out.
Isn’t that just glorious? Only diehard fans of horror would take the time to adapt a movie this spectacularly cheesy into an art form and share it so a new generation may discover it. And after a speaking with these guys, I know they are indeed fans of the genre.
As a bonus feature for both of these (Maniac and Laserblast) you can get a truly unique VHS sleeve. Oh, that’s another thing, not only are we treated to some of the best gore in comics today, but, just like any great DVD release, we are also given loads of bonus content with every comic purchase. Bookmarks, fliers, collectible cards and (in some cases) music tracks. Yeah, they give codes for exclusive music content relating to the comics. When’s the last time Marvel did that? These guys treat the fans!
I can’t kiss the publisher’s ass enough. And no, I didn’t get a special deal from them. I’m still paying full price plus shipping, and that’s fine by me. I’m just a fan who wants everyone else to know what they’ve been missing. So let’s hurry up and fix it.
Eibon also has a totally original run called Bottomfeeder which is as pretty as a truckstop outhouse. That’s not a criticism either. It’s a story set in the 80’s and features some all-time favorite cult faces who regularly make cameos throughout the story. You can call it detectivesploitation as our asshole anti-hero is set against Roger Corman’s Humanoids From the Deep. Holy shit! Just typing that line was exciting.
These guys go for the jugular and never apologize for it. These are wickedly dangerous comics and you’ll need your manliest pair of britches to get into them, but you will not regret it. Fair warning these are in no way safe for work or around kids. There is explicit nudity in them all. And if child death affects you I would advise you stay away. Like in any good Fulci film kids are known to get a bad case of dead here.
Out of all the horror comics to choose from out there these guys are my absolute favorite. You cannot find these titles in stores, however, so be sure to visit their website here and don’t be scared to buy. Already Zombie is in its third printing and sells out like mad. Pretty sure I’ll be doing a review of that run fairly soon.
I’ve been talking with Eibon on the possibility of there being a Madmancomic, and the idea is out there. So fingers crossed.
This has been Manic Exorcism once again hoping you stay scared and dare to open these forbidden Gates and unleash a little Hell.
Welcome back my little fiends, it’s your favorite freak show carnival host – Manic Exorcism! I’m back with some exciting news for you. Originally I was going to post a great big article covering my latest obsession. Oh yes, there is a magnanimously hideous power on the near horizon, one I just can’t hardly wait to share with you all. But I’m sad to say you have to wait just a teensy bit on that. So as I blue ball you all, let me fill in your time with some exciting news.
This may just prove that I have the attention span of a chipmunk, but as I sat down to do some editing I flipped on the Shudder app for a little background noise – because silence is disgusting sometimes. To my surprise, once Shudder opened up I was immediately treated to the one and only Reggie (Reggie Bannister) guitar pickin’ in the cult-classic Phantasm.
You see, Shudder always provides streaming movies that play around the clock. Technically you’d never have to choose a movie and just trust in Shudder TV to provide you scores of relentless entertainment. Wait a minute though! I must assume some of you may not know what the heck it is I’m talking about. Just in case you didn’t know – Shudder is the horror equivalent of Netflix and Hulu. They provide horror fans horror movies! In the past, they have included exploitation favorites such as Cannibal Holocaust and The Beyond. Who the Hell else does that?
Where else will you find New York Ripper and Maniac Cop together in the same place?
Not to mention now is a kick ass time to join in! I shit you not, this month they just added The Evil Dead (I’m talking about the all-time splatter classic here), Tobe Hooper’s Salem’s Lot, the original IT with all of that Tim Curry goodness, as well as Cat’s Eye! For God’s sake, they have Cat’s Eye on here! If you’ve not seen that Stephen King classic then stop reading this right now, go to Shudder and watch that movie! No King fan’s life is complete until they’ve seen BOTH Quitters Anonymous and The Lonesome Death of Jordy Verrill! Holy ol’ Jesus! What are ya’ll waiting for? We’re talking about meteor shit here for goodness sake! And just because Shudder loves us so very much, we can now watch BOTH because not only is Cat’s Eye on there now, but they’ve also included CREEPSHOW! I could die happy. Old school Stephen King favorites are only a click away.
So why wait? You know you’re just dying to see these nostalgic nightmares. Sleepaway Camp, Pieces, C.H.U.D, Prom Night 2: Hello Mary Lou, Night of the Creeps, Street Trash and The Gate are all here. We have the original Wicker Man, The Prowler, and not to mention Madman! Madman is here, people! When’s the last time you watched Don’t Go in the Woods? Or how about The Mutilator? And you know it’s vacation season, so what better time to rewatch Tourist Trap?
Asian horror films are here along with some amazing horror documentaries such as Crystal Lake Memories. For only $4:99 a month, it’s a steal!
Rare horror movies
International horror movies
Classic horror movies
Modern and original scares too
They’ve got it all.
Do you miss watching Tales From the Darkside? Get ready to sit back and treat yourself to some creepy fun way into the late hours of the night. They have plenty of good horror shows here too.
This is the stuff we thrive off of here at Nightmare Nostalgia. So head on over and see what all the fuss is about. Everyone else is celebrating warmer weather and the chance to get out, but you know we horror fans love to sit in front of the eerie glow of a TV and watch some bone-chilling terror. Shudder is dishing out the best horror this side of Blockbuster’s sad demise.
Welcome back my lovely ghouls and grizzlies, you just couldn’t stay away, could you? I’m touched. And what great timing on your behalf. I’ve just freshly returned from the long trek back from Pasadena. What compelled me to brave seven hours on the road? What led my nocturnal steps so far south where the sun shines hot and bright? Monsterpalooza of course!
That’s right. My annual sojourn to be with my fellow monsters, freaks, beasts, and family has once more come and (so sadly) gone, and from it, I am loaded down with so many more fond memories. Each year the convention offers us, visitors, a rich diabolical alchemy of old-time fuzzy feelings that hit all the right spots as we relive our favorite horrors from times past. The convention also provides plenty of encouragement as we stand witness to the future plans for our beloved genre and are reminded that horror is thriving. Monsterpalooza masterfully balances the nostalgic tug with the modern progression of horror.
In short, and in case you’ve never had the pleasure of attending yet, Monsterpalooza has something for everyone.
The Featured Guests
As with any convention you can expect to meet a favorite celebrity or two. Although many fans have complained about the cost of autographs I still argue the worth of the experience alone. For example, I’ve now had the chance to meet Kane Hodder (Friday the 13th 7-X, Hatchet 1-3, Deathhouse) a few times now, and each time is a blast. You’ll not meet a better man anywhere. He’s very much all about the fans and is all-too-happy to take the time to talk to each one of them.
Funny enough this year I got Kane to sing for me. I almost told him that Bruce Campbell (Evil Dead, Maniac Cop, Army of Darkness, Ash vs Evil Dead) called him an asshole last I met up with the Chin, but I felt it might be better kept for a future conversation.
Now among all the celebs I met this year, I have to say one of the highlights was meeting with Judith O’Dea, Barbara from Night of the Living Dead. What a glamorous lady. A true star, and so very personal and warm.
As far as the stars all go though I’ve never once had a bad experience with any of them, and this marks the 5th year I’ve attended Monsterpalooza. But that goes for any star I’ve met at all the conventions I’ve now attended. So is it worth standing in line and handing over your hard-earned cash just to say hi and get a signature? Yes, because they will treat your time with respect.
To my shame, I don’t attend these as much as I probably should. I’m usually in line to meet someone or busy with my friends and haunting my favorite vendors ( and saying goodbye to my money). I just miss the panels. That being said though, I did hit the tale-end of the Full Moonpanel and heard their upcoming announcements. Of course, most know about the imminent Puppet Master reboot. They said the film will have a theatric run, so if you’re a fan be sure to follow them for updates. Full Moon also announced that – and with Stuart Gordon’s blessings – they will be rebooting Castle Freak in the near future.
The Monsterpalooza Museum
This is a must for everyone who attends. This museum features the best talents that our genre has to offer. You’ll see the painstaking work of some insanely gifted artists who brought our favorite movie moments to life in full-size replication straight out of the scariest movies out there! In this house of wax, you’ll stand eye to eye with creatures all-too lifelike. The museum alone is worth the price of admission.
Something To Look Out For
A new Halloween themed movie will be released on home video this coming September. I’m very excited to get my hands on this one. It’s a creature feature that prides itself with some beautiful practical effects and sports the talents of Doug Jones (The Shape of Water, Hellboy, Pan’s Labyrinth) once more.
I only have one complaint about this year’s convention. They overbooked weekend ticket sells, I was one of the unfortunate souls, and Saturday became a big ugly hassle for many, many visitors. And I mean ugly, like dead hooker rotting in the bottom of a dumpster bin’s maggot bed ugly. I would urge the great minds behind Monsterpalooza to be better organized in the years to come. This convention proves to grow bigger each year, and they need to plan more accordingly to suit the demands. They need to figure out a better way to handle the lines. For example, prepaid ticket holders should get in quicker rather than being stuck waiting outside half-an-hour after the convention opens it doors.
Pretty simple. And best to not overbook next time. The last thing we want is for people to have a miserable time and spend most of the con standing in line. There are already a lot of those to put up with.
But let’s end on a positive note. Let’s hear it for the vendors! These guys are out there all weekend, they’ve shelled out $500 for a table and they are selling us some of the finest horror merch we’ll ever get our hands on. So take it from me, if you’re planning for a horror con be sure to save some money. You will see things you will want to buy.
Obscure and rare movies (VHS, DVD, Blu-ray) are one of my favorite obsessions. If you want nostalgia for those little movies or Halloween specials you’ve not seen in a long time, this is your stop. This year I bought a DVD that’s just a bunch of extras from Freddy’s Dead that were never released on either DVD or Blu-Ray. It even comes with some old promos for Call Freddy! Awww memories.
I also picked up some brilliant artwork! Soon there will be no wall in my study, only masterpieces of the macabre. I couldn’t be happier.
I’d like to send a personal shout out to a great store, Time Tunnel Toys. These two have never failed to impress me over the years. They are regulars at Monsterpalooza and the nicest couple you’ll have the pleasure of meeting. Time Tunnel Toys is what Nightmare Nostalgia lives off of: those happy blasts from the past and warm memories of Saturday Mornings. TTT thrives on all of that and gives us a way to relive those happy days.
Finally, this year I had the pleasure of picking up a Gates of Hell comic from Eibon Press. I do not exaggerate when I say I now have a new obsession. These comics have won my dark heart over and I cannot get enough of them. Luckily, we have the option to order online, but I really enjoyed meeting the madman behind the macabre. I love seeing horror fans giving fellow fans what they want. That’s what Eibon is in the business of doing. How to explain these comics, hmmm? Ok, think the raw violence of Crossed with the gritty art style of early Spawn. I’m not making it up, it’s that amazing!
Monsterpalooza is my favorite con to attend and very much worth a visit for any horror fan. It’s the event of the year for many of us. It’s certainly one I am always happy to go to but sorry to have to leave. To me, it’s like returning home in a way. I have friends there who are just family. With that said: Frank, thanks for a great weekend! Our paths can’t cross again soon enough. Love ya, buddy.
This has been yours truly, Manic Exorcism. I’ll be catching you again next time, lovelies.