All posts by Patti PaulterGeist

Owner, operator, and fuzzy retro feelers giver at NightmareNostalgia.com Worshipper of the all mighty Boo Berry, Patti has been writing for various notorious horror websites over the past few years. You can also currently find her ramblings over at Rue Morgue, Bloody Disgusting, and 1428 Elm.

Sylvester Stallone Confirms A Director’s Cut Of Rocky IV In The Works

SYLVESTER STALLONE CONFIRMS A DIRECTOR'S CUT OF ROCKY IV IN THE WORKS

News so exciting it makes me wanna eat snails! Fan-favorite sequel, and personally speaking mine as well, ROCKY IV has been long overdue for a knockout Director’s Cut. Now, we have confirmation from the Italian Stallion himself that it is indeed coming.

While promoting an exciting extended cut version of RAMBO: LAST BLOOD being released on Apple TV over on the Stallion’s official Instagram, an enthusiastic fan posed the question of a possible Director’s Cut of Rocky Balboa being released in the future. Stallone answered shutting down any plans of any new cuts of the 2006 comeback classic. However, he had THIS to say instead:

SYLVESTER STALLONE CONFIRMS A DIRECTOR'S CUT OF ROCKY IV IN THE WORKS

I think amazing might be the understatement of the century.

In addition to being a mighty fan-favorite of the franchise, ROCKY IV was also the most successful installment financially speaking; raking in over 300 million worldwide back in 1985 setting a record on the highest-grossing sports film of all time before 2009’s THE BLIND SIDE took the crown in that arena.

While no official date of release has been announced other than a confirmation of being in the works, I can only speculate that it will probably be ready in time for the film’s 35th anniversary this coming November. In the meantime, there’s a pretty sweet deal over on Amazon for the entire Blu-Ray set which you can check it out here!

Also, if there’s an extended version of the most glorious montage in montage history, I’m going to lose my goddamn mind.

[Creature Features] ‘JAWS’ – The Birth of the Blockbuster and Galeophobia

In the banner year of 1985, 10 years after the initial blockbuster smash release of the holiest of shark films JAWS, I had seen thine shining light they call Bruce for the first time in my tiny life.

I was three.

THREE-FUCKING-YEARS-OLD.

One could argue my Dad was a sadistic fuck in showing me what I absolutely consider, one of the top three scariest films of ALL TIME. Especially given the fact I wouldn’t even set a pair of feet on any beach for close to seven years after. True story: Having family in the Long Island area, Summer Beach days were very much a thing. However, I would make my Dad carry me across the sandy threshold to a spot I felt comfortable and far enough away from the water. The answer is yes: In my youthful way of thinking, I had concluded that JAWS was smart enough to get me even in the sand. But as long as I was on a towel and far enough away from the shore, all was ok. The answer here is also YES: It makes zero sense, I realize but hey, I was a kid so don’t judge too harsh!

Now that being said, my story is just one of thousands that were scared absolutely shitless after seeing the film, inducing GALEOPHOBIA into the minds of many. Proving without a shadow of a doubt, that JAWS is indeed, one of the scariest films of all time. We define horror as something that scares us. It’s a very versatile genre as what scares one, may not necessarily frighten another. Collectively, JAWS pretty much hit the nail on the head and caused quite a bit of both panic and interest in the beautiful monsters of the deep.

The following vintage clip from NBC NEWS uploaded by Youtube user COW MISSING showcases a little snippet of what ‘The Summer of JAWS’ looked like as far as the cultural impact the film had with its audiences.

Now on the other side of the coin, JAWS ultimately caused an almost global catastrophe for the creatures of the deep in the form of fear and panic; something humanity is very much guilty of with the most recent example given is the 2020 shortage of toilet paper. We are very much guilty of acting out in emotions first, and logic later. And these poor animals have suffered immensely for it. Mind you, I don’t place this blame on the book or film itself as that’s complete BULLSHIT. Every one of us is responsible for our own actions, thoughts, and doings. I only place blame on those who have chosen to use their own fears as an excuse to execute these wonderful animals for either sport, food, or pleasure. As a matter of fact, Peter Benchley’s 1974 novel shadows the event dubbed “The Twelve Days of Terror”, that served as inspiration for what we know as Bruce today.

In 1916, a series of shark attacks were recorded over on the New Jersey coastline killing four people and injuring five others. Also, interestingly enough, during a Polio Epidemic. So of course, under the duress of a record-breaking heatwave and pandemic, the media then fueled an already stressed populous into panic mode. Reports and analysis also suggest that the nature of the attacks were by a lone shark. Later, a Great White was caught during a shark hunt that was found to have human remains in its stomach. Was this shark the culprit? Possibly. I mean, hard to argue if there’s a human limb hanging out inside the belly of the thing.

Anyways, the release of JAWS just helped to reignite a surging fear and interest in the mysterious beast. As time heals all things however, the humanoids have become much more sympathetic and educated about our friends of the deep. Regardless of how many horribly cheesy SY-FY shark attack movies have been churned out year after year, piggybacking off the back of the ultimate shark movie…. 45 years later and counting.

Now, I can’t simply talk about JAWS without mentioning the John Williams score. It is one of the most recognizable tones in cinematic history that Goddess forbid, you ever hear that shit playing somewhere on the beach while your legs are dangling in the water, I’ll place a hefty bet you’re gonna crap your swim shorts. Per the Film Music Society, Williams described the malicious two-tone theme as “so simple, insistent and driving, that it seems unstoppable, like the attack of the shark. The music could be loud and fast if he was attacking, soft and slow if he was lurking, but always menacing in tone.”

Goddamn right Mr. Williams. I mean, every time I have an anxiety/panic attack, that fucking theme song pops into my anxious mind as the perfect accompaniment as an indication of a roller coaster of impending doom.

[JAWS theme] John Williams with the Boston Pops Orchestra

While I myself, and many other 80s’ babies’ grew up in the JAWS VHS era, we were terrified as kids but evolved into adults with a healthy understanding of the nature of the beast with education along with a healthy dose of lovely Shark Week programming provided by the Discovery Channel. However, I’d be lying if I didn’t admit I didn’t still ’til this day go to the ocean, dip in, and the thought cross my mind, “Is today the day my leg gets bit off by Sir Great White of Shark?” All thanks to one of the most horrifying scenes of all time.

Thanks for the memories and the trauma Bruce.




Also, this is totally worth picking up! You can get your 4k Ultimate JAWS experience here through Amazon!

‘Rocky’ Documentary With Sylvester Stallone Premieres On-Demand Streaming In June

I truly can’t think of another way to start the Summer heat other than with a nice cold egg yolk smoothie and the long-awaited premiere of 40 Years of Rocky: The Birth of a Classic, narrated by Sly himself and streaming on-demand beginning June 9th, 2020.

Released by Virgil Films & Entertainment with writing and producing credits via Derek Wayne Johnson, the definitive ‘Roc Doc’ offers a heart-felt journey into the making of the original Rocky film as the Italian Stallion himself takes us back to the streets of Philly and the true underdog story of the century.

According to the official Facebook page, the doc was meant to be released back in 2016 in conjunction with the film’s actual 40th anniversary. However, due to unknown delays the project was shelved for a few years.

Official Release Per Social Media:

In 1976, a low budget movie written by an unknown actor was released, inspiring audiences around the world to go the distance. Rocky became the ultimate underdog film. Over forty years later, Sylvester Stallone recounts the making of the beloved classic through rare home movies provided by Director John G. Avildsen and Production Manager Lloyd Kaufman. Sylvester Stallone pitched the idea for “40 Years of Rocky: The Birth of a Classic” (2019) to director Derek Wayne Johnson and producer Chris May of AJ16 Entertainment after a private screening of their documentary John G. Avildsen: King of the Underdogs (2017), in which Stallone is also featured.

The film recounts the emotional depth and challenges of an, at the time, struggling actor with a golden script giving fans a real emotional grip on what this film means for not just Sly himself, but for the people that hold this movie close to their own hearts. I truly think now, more than ever, people need to hear these tales of rising from the ashes into something beautiful and positive that touches all our souls while conjuring up feel-goodness nostalgia. These films have been a part of my life as long as I can remember- growing up in an Italian-American family, it was almost like a right of passage. And now, we finally get the behind the scenes look we’ve been craving all these years.

Stuart Gordon’s DOLLS: The Film That Opened the Door to a Little Girl’s Horror World

Australian wildfires. Devastating earthquakes. Tragic plane crashes. A terrifying global pandemic. Now Stuart Gordon. The man that I think very well set in motion full blast, my exploration into (at the time) lesser-known horror films. I’m pretty confident that it’s safe to say 2020 can eat a big hairy dick.

On March 24th, 2020, the horror world received the news that legendary filmmaker Stuart Gordon passed away at the age of 72. According to a source that had spoken with someone close to the family, Gordon had been sick for some time, (from what I don’t know). The grand visionary of independent horror and theater aficionado lit up the 80s’ VHS section with such works as Re-Animator, From Beyond, and of course, the film I really want to talk about right now- DOLLS.

 

If you’re familiar at all with my internet ramblings, you already know my love of horror history watching Halloween in my diapers with my father. Around the time I was eight-years-old, I was well versed in the Slasher and Universal Monsters Genre; with A Nightmare on Elm Street 1, 3, and 4, Friday the 13th films, Halloween movies with almost a nightly visit from Stephen King’s Silver Bullet all in pretty heavy rotation in my Pioneer VHS cassette player. What can I say- creature of habit. Until one day on our Tuesday night visit to our local Mom and Pop video rental store, something had caught my eyes that changed my comforting rotation of horror flicks forever.

 

Stuart Gordon's DOLLS: The Film That Opened the Door to a Little Girl's Horror World

 

As an eight-year-old little girl, I was completely enamored with the VHS cover alone. You see, I had already had a fascination with creepy dolls. Mainstream popular films like Poltergeist and at the time, a recently released Child’s Play had only fueled that curious fetish further.

Squirlling off for a sec, again, just another grand example of how powerful good ole’ VHS box art had and continues to have with such online retailers as Shout! and Arrow preserving that beautiful legacy of horror home video art.

Anyway, I grabbed it off the shelf to show the Mother and disgusted as she was looking at it with an attempt to push me into another rental from the “kiddie” section, she gave in. Upon our return, I settled in with a nice juice-box of Hawaiian Punch, (if you remember those boxed 10-packs- fist bump to you buddy) a can of Sour Cream and Onion Pringles and rode the Full Moon journey into this crazy ride of killer yet somehow weirdly compassionate dolls, witches, and straight to the point moral warnings to humanity. Or at least in this version- be a decent human or a witch might turn your dumbass into a creepy as fuck decorative dolly porcelain.  And you know what? It’s been one of my all-time favorites since then.

Stuart Gordon's DOLLS: The Film That Opened the Door to a Little Girl's Horror World

DOLLS is sort of a dark and twisted fairy tale with just the right amount of gore and goofiness. The film starts with a shithead Dad, the even bigger shithead Stepmom, and a young girl Judy clutching her favorite toy “Teddy” getting stranded in the middle of creepy backwoods nowhere England with a severe thunderstorm approaching. In an attempt to seek shelter, the family heads out on foot to a spotted castle-like mansion that just so happens to be sitting close by- it’s like none of these guys had ever seen a horror movie in their entire life. Little Judy, lagging behind annoys the evil step-mother played by Stuart Gordon’s wife Carolyn Purdy-Gordon, snatches Teddy and tosses it in some bushes setting up one of the most glorious scenes in the film.

Big kudos to special effects supervisor and head honcho make-up artist Gabe Bartalos (TCM 2, Basket Case) for this magnificence that runs consistently throughout the film.

Moving on, the trio makes their way to the mansion, breaks in because why not, and gets met by an elderly toymaker couple at gunpoint played by Guy Rolfe and Hilary Mason; who then takes pity on them upon seeing the presence of a child in the mist. They take them through the endless hallways in the home to see the place is filled with hundreds, maybe thousands of nightmare-inducing dolls. Then we throw in two criminal punk rock hitchhikers with a bumbling but loveable man-child also seeking asylum and hot-damn we got ourselves a movie now!

The dolls themselves pretty much do the couple’s bidding. Giving people a chance to basically just not act like a dick and be respectful. It seems like these really are the only rules in this home filled with little homicidal plastic terrors. But, we wouldn’t have a movie if that were the case, so of course, some of these people cross the dickhead line and pay the ultimate price. According to the Blu-ray from Scream Factory, Stuart Gordon reveals his inspiration behind the look and story of  DOLLS involving being accidentally locked in a room full of Victorian-style porcelain horrors for a period of time.

Yep. Big bag of FUCK NO for me.

Dolls, usually overlooked by such films in Gordon’s Rolodex like From Beyond and Re-Animator, has gained a monumental cult of popularity over the past ten years thanks to the multiple horror internet outlets dedicated to this sort of thing. To me personally, the story of what is actually a pretty damn abused girl by the hands of her asshole father and his new wife partnered with her pure innocence and love of toys remains extra special and a cautionary tale at its finest. It also opened up a whole new world of 80s’ horror shortly after as I began to expand my genre curiosities based on VHS box art alone.

Thanks for the memories and the movies Stu. Rest in peace toy soldier.

dolls gif

 

Much More Than A Nightmare: “Dream Warriors” and the Mental Illness Stigma

Real talk: My horror blogging journey began about seven years ago, quite by accident. Was it fate? I think so. It was also around the time shortly before my internet rambling escapades that I was officially diagnosed with  Generalized Anxiety/ Panic Disorder along with Depression. Not that I didn’t know I had it all my life anyway. In any regard, through an opportunity presented by a dear friend who suffers as well, I gave it a shot and turns out I have a little knack for it. For the past several years, I’ve written on this subject a few times for different, popular outlets. And now, in a very stern Neil voice, it’s long overdue that I hit the lights here on this very dear to my heart subject here at NN in a very anxiety-induced state as I’m writing this.

How goddamn appropriate!

Much More Than A Nightmare:

It began in my teens with a horrific bout of Anorexia/ Bulimia. Which was on and off again until my late twenties with a suicide attempt in-between. *I’m recovered now with support from my family and using my own inner strength. However, after this, and a long conclusion to some other traumatic events, it manifested itself into a giant monster that made me worse off than I ever was. I was in and out of the hospital. I would hyperventilate to the point of paralysis. And of course, every doctor I saw wanted to shove zombie antidepressants down my throat. Not that I don’t have a thing against zombies, but you get the idea.

Alas, none of this was the answer. Now mind you, I realize they work for some people. Everyone is unique. But I am not “some people”, as I also have a hypersensitivity to a good portion of medications. That being the case, I have to rely on simply breathing through it all. This sounds easy- but sometimes it can be hell when you’re having an attack. And for those who don’t understand why I, and possibly others, who choose to get through this naturally, I’m making an example of one my favorite films that doesn’t shy away from some real mental illness issues that kids and adults alike face with a lot of misunderstanding.

Let’s take a “nice stroll” through Westin Hills Dream Warriors.

Much More Than A Nightmare:

Much like Freddy’s Revenge held a ton of sexual metaphors, Dream Warriors repeats the pattern with struggling within our own brains- mental illness. Dream Warriors does a really magnificent job, even if unintentional, of bringing some very real issues about mental health to light that might make someone mull over any previous conceptions about it. Mental illness does not discriminate- as we see in the film all walks of life are affected. Various types of disorders are addressed ranging from self-harm, PTSD, depression, anxiety, and of course, suicide.

At the time of the film’s release, there hadn’t been too many on-screen interpretations of mental illness that painted the disorder in any type of positive light. Well, none that I had seen anyway. Everything I had seen prior or even after, depicts sufferers as crazies in an asylum. Something dirty and to be feared. Dream Warriors gave us very real characters for people who suffer from similar ailments we could associate with. They came across as real kids. Normal kids. Smart as hell kids. With some problems that doctors still to this day can’t seem to figure out entirely. Or for that matter, care to really dive into and just like to throw the dice, prescribing an antidepressant that may or may not make you feel better, or worse even. As science can’t be argued, we are each unique and hold different DNA than the person standing next to us. What works for one, does not for another. And no two anxiety disorders seem to act the same. Everyone seems to have individual symptoms that vary from one patient to another. It would be nice if one magic cure exists for all. But it unfairly isn’t so. And just as art imitates life, the Dream Warriors’ fears and concerns about the one thing they have in common, Freddy, are swept under the rug as “crazy talk”. But here- let’s roll the dice on this non-approved drug Hypnocil and see what happens!

Sound familiar? Talk about feeling like the walls are coming down on you… and then you’re halfway devoured by a giant snake.

giphy (5)

Anyways, I can’t completely nail Neil Gordon to the wall for that- even if it did put Joey in a goddamn coma. Good intentions were there and were used in the hope to understand the tormented teens. After all, he does redeem himself later in a gutter match with Bone Daddy Freddy. Which brings us full circle to the grandmaster of fears and anxiety himself.

tumblr_n90vqbbRB51rp0vkjo1_500

Freddy is the manifestation of depression and everything the Warriors’ are afraid of. Much like anxiety and panic, he works off each of their greatest fears driving them to the breaking point; and in some instances, certain death. That theme would continue throughout the franchise but in the second and arguably greatest sequel, would remain the most relevant and alarmingly accurate. For instance, Taryn is a recovering addict. her fears are the drugs that once conquered her life. She secretly loves them but is determined to stay clean. Krueger plays on this of course and drives it home. Freddy is that little shithead voice in the back of our minds that alarms our senses driving us into panic mode. Kind of like Will going all out Wizard Master on Freddy, stepping out of his chair and using all of his mental powers to blast that bullshit into dust,  he is that voice we all know: “You are not enough.”

However, the ultimate metaphor in this installment is that support is needed. The Dream Warriors realized this, and so did Freddy. Which is why when they all entered the dream state together, he made a point to separate them. Fighting the monster of depression and anxiety alone can be quite an uphill battle. And sadly, statistics show that never ends up well for the sufferer.  No matter how tough one might think they are, a good support system is your ultimate weapon against the beast.

I hear the bullshit term all the time about older horror films about how the content doesn’t hold up decades later. In A Nightmare On Elm Street 3, the movie remains maybe even more relevant now than ever before. As we’re hearing of suicide hitting children even before they reach double-digits.

Look. Listen. Be supportive. And if you’re someone who is in dire need of that, I’m opening the lines of communication, free of judgment, for you to contact me. Everyone needs someone. Even an understanding ear can make all the difference. In the meantime…

Rock on Warriors.

Nostalgic Toys, Wrestling Legends, and Iconic 80s’ Faces Invade Las Vegas Toy Con!

So you’re telling me- an entire weekend con, (not just one night) featuring the best of 80s’ toys, wrestling legends, Garbage Pail Kids artists, and for the love of the best damn cinematic American patriot Apollo Creed, Carl Weathers, all together at once in my hometown?

This GIF is a big mood, guys.

Nostalgic Toys, Wrestling Legends, and Iconic 80s' Faces Invade Las Vegas Toy Con!

Because you know, it’s clearly not like I dedicate a part of my life to this or anything.

Anyways, YES- the 12th annual Vegas Toycon is back and better than ever with an entire weekend full of childhood fuzzies that will take you through a time warp of wonderful childhood memories including a slew of celebrity guests that are sure to make even the manliest of men shed a tear of nostalgic joy.

Held at the Las Vegas Cannery, March 13-15th, 2020, Toycon is breaking out the red carpet for such guests as Carl Weathers (The Mandalorian, Predator, Rocky Films Saga), Ryan Hurst (The Walking Dead, Sons of Anarchy), Jimmy Vee (R2D2-Star Wars), Dominic Pace (The Mandalorian), along with Optimus Prime and Megatron themselves Peter Cullen and Frank Welker!

Appearing alongside these screen gems are a couple of WWE legends prepared to sign autographs with photo ops as well! The attendance roster includes Scott Hall (Razor Ramon), Kevin Nash (Diesel), Sting, Jon Moxley, and Fred Ottman (Tugboat, Typhoon)!

So much machismo.

Nostalgic Toys, Wrestling Legends, and Iconic 80s' Faces Invade Las Vegas Toy Con!

 

If that’s enough to rattle your inner 80s’ kid, the cast from Steven Spielberg’s E.T. and a select slew of the Netflix giant Stranger Things will be on hand as well and if that’s not enough for you- then I honestly should just stop right now and kind of give up. Let’s get real- Dee Wallace is an absolute treasure beyond her E.T. fandom, i.e Cujo, The HowlingCritters and more.

Ok, that’s the fangirl talking. Let’s move along.

Nostalgic Toys, Wrestling Legends, and Iconic 80s' Faces Invade Las Vegas Toy Con!

 

And for all the Garbage Pail Kids fans out there, (everyone am I right?!):

Nostalgic Toys, Wrestling Legends, and Iconic 80s' Faces Invade Las Vegas Toy Con!

 

Beyond the overwhelming appearances, and honestly, there are so many more but I could be here all day, are tons of family-friendly activities. Funko Pop giveaways and scavenger hunts, custom toy contests, original artwork, cosplay, and tons of awesome toy and comic vendors!

Tickets are available here directly through the TOYCON website. Check the website thoroughly for days and photo-op times of celebrity appearances and kids 12 and under are free!

I will be there covering the event for Nightmare Nostalgia so if you see a tiny girl in an Apollo Creed shirt covered in tattoos, run up to me with the password phrase “I WANT YOU CHUMP!“, and I MIGHT just have a little gift for you! Happy hunting and see you at Toycon folks!

 

 

Let’s Be Thankful Stephen Gammell Illustrated a Thanksgiving Poems Book

Scary Stories To Tell in the Dark made him a household name to kids in the ’80s, and public enemy number one to the Karens’ of School Public Libraries all over America.  Gammell’s illustrations captivate, excite, and leave us uneasy with his unique interpretations of art imitating life. If one is familiar with his work, he’s pretty easy to spot in other literary and exhibit endeavors; and the “Thanksgiving Poems” book is no exception as that accustomed awe-inspiring creep factor captures the very essence of Autumn and Thanksgiving through visual imagery.

Let's Be Thankful Stephen Gammell Illustrated a Thanksgiving Poems Book

First published in September of 1985, the “Thanksgiving Poems” book collected and sorted by Myra Cohn Livingston is a collection of 16 poems and songs from various storytellers’ including musical excerpts from the Osage and Navajo nations. Ranging from contemporary, comical, to a little preachy, (there are some King James verses in this thing). The book is a short 32-pages and the poems discuss trees, turkeys, families, and food; giving thanks, what happens when families congregate during thanksgiving, and the history of thanksgiving can all be found in this little diddy.

However, Gammell is the clear winner here as he blows out a vessel of watercolor hues of orange, white, and blue with powerful illustrations accompanying each entry. I could go on, but hey, a picture is worth 1000 words so here you go!

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Fantastic. For those interested in adding this unique piece of work to your library, you can get it from Amazon here!

I truly hope anyone reading this has a wonderful and Happy Thanksgiving! Whether you choose to celebrate or not, whether you’re with family or alone,  I don’t know you, but you are a wonderful human and deserve all the wonderful things this beautiful life has to offer. Thanks for being on this nostalgic trip with me for the past year and a half!

35 Years of Freddy: A Clawed Imprint On An Entire Generation

The year was 1984.  The very first commercial for the revolutionary Apple Computer premiered at the beginning of the year, foreshadowing an irreversible change in the way we live for an entire generation. While one can argue this may very well be, the most significant moment in ’84, (or hell an entire decade), most horror fans may dispute that. 35 years ago today, one of horror’s biggest icons was born from the mind of the late Wes Craven-Freddy Krueger. Robert Englund gave him a body, Craven the brain- see what I did there- and unleashed Freddy Fever unto Generation Y that shows no signs of slowing up all these years later.

Of course, there hasn’t been a relevant enough bootleg Freddy toy to catch my attention over the last 20 years. But, maybe that’s for the best, yeah?

35 Years of Freddy: A Clawed Imprint On An Entire Generation

While I can’t speak for every single child of the ’80s, Freddy Fever rose high and rampant over the course of a decade, introducing an entire generation to the horror genre due to the Springwood’s Slasher popularity. Nancy said it best, “Every kid knows who he is. He’s like Santa Claus.” 

35 Years of Freddy: A Clawed Imprint On An Entire Generation

And even celebrated much more so by the horror fandom than the generous, jolly ol’ dude. With on-screen heroes emerging in the decade like Indiana Jones, Rambo, and pretty much any Arnold Schwarzenegger film, Freddy rose to the ranks of a hero of a generation of horror movie fans by being nothing more than the ethos of pure evil- well with later added slapstick comedy which only BOOSTED all the diehard FredHeads (myself included) to put him on a higher pedestal; rounding out the Holy Horror Slasher Trinity with his buddies Michal and Jason.

I mean, you’ve really made it when MTV (when it was you know, amazing) lets you VJ and just end up doing whatever the fuck you want. That’s some star power.

*upload by Jared Bruni

 

All that being said, WHAT exactly had the youth of our generation so insanely captivated by well, a brutal child-killer? I can only speculate on watching Freddymania evolve throughout the ’80s, ’90s, to today’s hardcore fanbase that follows Freddy and Friends to the ends of the Earth via social media and horror conventions (I’m totally one of those people), and speaking with fellow FredHead buddies. And the answers are pretty quite simple: The children are the warriors of this horror franchise. They are the ones who recognize the evil while the adults stand around with their thumbs up their asses. THEY are the ones who stand together, (just look at Dream Warriors) and face their enemy head-on. So it’s only natural an adolescent would gravitate towards something they could possibly relate to. Society is often guilty of not listening to our youth and A Nightmare On Elm Street made that loud and clear folks.

Another reason and this is personally true in my case being a female, is that each of the NOES films gave us the absolute, most ass-kicking heroines that any young girl would be proud to look up to. First off, let’s just get this right out of the way- Nancy is the goddamn Queen. Even though it was quite clear that she was slowly getting edgier as the film progressed- to be fair she was working on a week’s worth of almost no sleep while Fred was trying to murder her– she really had the most logical and sturdy head out of EVERYONE in that entire film. Including her parents. Not to mention she went full Rambo on Krueger’s ass. I’m not going to sit here and try and argue how she managed to set all those booby traps, fall asleep, and capture Freddy all in twenty minutes film-time. Let’s just appreciate the fact that this girl went balls to the wall, going as far as tackling her predator to the ground WWF style in one giant FUCK YOU to his face. And then she turns her back on him and calls him “shit”.

Goddamn. GIRL FUCKING POWER.

35 Years of Freddy: A Clawed Imprint On An Entire Generation

 

Last but not least, A Nightmare On Elm Street has always been seen by me as a “comfort horror film”. A few years back, I wrote an article over on Bloody Disgusting on how horror films actually soothe my anxiety. And the NOES films are exactly that for me. Comfort in times of stress and the harsh realities of the real world. I refer to films like these in a term I coined, “FANTASTICAL HORROR”. You see, movies like Halloween and Friday the 13th (only the first, after that they became FANTASTICAL), were very much real to me. THAT SHIT COULD ACTUALLY HAPPEN. It’s very plausible an escaped lunatic could go on a killing spree or a deranged childless mother going apeshit on a group of kids. With NOES, mehhhhhhhhh, highly doubt a burnt-faced demon is gonna kill me in my dreams. Not to say one could never die in their sleep, or to take away the fact the movie really is terrifying in other aspects. BUT, it’s not realistic to me. And that’s ok! In times of real-world tragedies, shitty adult issues, and when the world seems so ugly that you want to pack up and move to Mars, Freddy and the gang are here. To take us to DreamLand. To a place that takes us out of reality and into the world of Fantastical Horror.

You know, kinda like Harry Potter but cooler. Don’t you Hogwarts fans @ me.

Happy 35th Freddy and the gang. And to all my fellow sons and daughters of 100 maniacs who keep the fandom of this movie as strong as ever. WE all his children-now and forever.

 

35 Years of Freddy: A Clawed Imprint On An Entire Generation

 

Arrow Video Releasing 4k Restoration Steelbook of ROBOCOP

I’d buy that for a dollar!

Well, it’s definitely worth more than just a paper Washington; but I had to throw that line in here somewhere.

With only two months left in this wild decade, Arrow Video is pulling out all the stops with all-new releases, including an amazing limited edition AND steelbook version of Paul Verhoeven’s action-packed classic, RoboCop. This highly anticipated release features the director’s cut and the original theatrical release, both presented with a 4K restoration approved by Verhoeven himself.

Ahhhh. Dead or alive, it’s coming with me.

Arrow Video Releasing 4k Restoration Steelbook of ROBOCOP

 

Per Arrow films, here’s what you’ll get in these must-have collector Blu-rays:

ROBOCOP (STEELBOOK EDITION)

Arrow Video Releasing 4k Restoration Steelbook of ROBOCOP

 

ROBOCOP (LIMITED EDITION BLU-RAY)

Nightmare Nostalgia Arrow Video Robocop Blu-Ray

 

  • 4K restoration of the film from the original camera negative by MGM, transferred in 2013 and approved by director Paul Verhoeven
  • Newly commissioned artwork by Paul Shipper
  • Director’s Cut and Theatrical Cut of the film on two High Definition (1080p) Blu-ray™ discs
  • Original lossless stereo and four-channel mixes plus DTS-HD MA 5.1 surround sound option on both cuts
  • Optional English subtitles for the deaf and hard of hearing on both cuts
  • Six collector’s postcards (Limited Edition exclusive)
  • Double-sided, fold-out poster (Limited Edition exclusive)
  • Reversible sleeve featuring original and newly commissioned artwork
  • Limited edition collector’s booklet featuring new writing on the film by Omar Ahmed, Christopher Griffiths and Henry Blyth, a 1987 Fangoria interview with Rob Bottin, and archive publicity materials (some contents exclusive to Limited Edition)
  • Archive commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for the Theatrical Cut and re-edited in 2014 for the Director’s Cut)
  • New commentary by film historian Paul M. Sammon
  • New commentary by fans Christopher Griffiths, Gary Smart and Eastwood Allen
  • The Future of Law Enforcement: Creating RoboCop, a newly filmed interview with co-writer Michael Miner
  • RoboTalk, a newly filmed conversation between co-writer Ed Neumeier and filmmakers David Birke (writer of Elle) and Nick McCarthy (director of Orion Pictures’ The Prodigy)
  • Truth of Character, a newly filmed interview with star Nancy Allen on her role as Lewis
  • Casting Old Detroit, a newly filmed interview with casting director Julie Selzer on how the film’s ensemble cast was assembled
  • Connecting the Shots, a newly filmed interview with second unit director and frequent Verhoeven collaborator Mark Goldblatt
  • Composing RoboCop, a new tribute to composer Basil Poledouris featuring film music experts Jeff Bond, Lukas Kendall, Daniel Schweiger and Robert Townson
  • RoboProps, a newly filmed tour of super-fan Julien Dumont’s collection of original props and memorabilia
  • 2012 Q&A with the Filmmakers, a panel discussion featuring Verhoeven, Davison, Neumeier, Miner, Allen, star Peter Weller and animator Phil Tippett
  • RoboCop: Creating a Legend, Villains of Old Detroit and Special Effects: Then & Now, three archive featurettes from 2007 featuring interviews with cast and crew
  • Paul Verhoeven Easter Egg
  • Four deleted scenes
  • The Boardroom: Storyboard with Commentary by Phil Tippett
  • Director’s Cut Production Footage, raw dailies from the filming of the unrated gore scenes
  • Two theatrical trailers and three TV spots
  • Extensive image galleries
  • Archive commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for Theatrical version of the film)
  • Two Isolated Score tracks (Composer’s Original Mix and Final Theatrical Mix) in lossless stereo
  • Edited-for-television version of the film, featuring alternate dubs, takes and edits of several scenes (95 mins, SD only)
  • Split screen comparison of Theatrical and Director’s Cuts
  • RoboCop: Edited For Television, a compilation of alternate scenes from two edited-for-television versions, newly transferred in HD from recently-unearthed 35mm elements

 

Both the steelbook and limited edition version will be available through Arrow Video on November 26, 2019.

Also, be sure to check out the rest of Arrow’s November release line-up!

APPRENTICE TO MURDER [Blu-ray] (11/5)
FLOWERS IN THE ATTIC [Blu-ray] (11/12)
THE FAR COUNTRY [Blu-ray] (11/12)
HITCHHIKE TO HELL [Blu-ray] (11/19)

Google Searches Identify Each State’s Most Popular Horror Icon

Welp, it’s that time of year again where the Gods of the Interwebs invade our search history and reveal all that naughty late-night, drunk browsing for the world to see! Just kidding ( I hope). But seriously, a team of Google analysts at Frontier Bundles performs this just-for-fun horror data search every year that reveals which horror icon is the most popular across the United States of America.

The Frontier Bundles data analyst team selected 12 popular villains from classic, pre-21st-century horror movies and used Google Trends to analyze their search volume in the last 12 months. They then reported the villain with the highest search volume in each state.

In other words, don’t shoot the messenger here if you are displeased with your home town’s results. Personally speaking as a Nevadan, my black little heart of Damballa is content with Chucky being our most beloved. Check out the map and details below provided by Frontier Bundles themselves! 

 

Google Searches Identify Each State's Most Popular Horror Icon

 

Which horror villain reigns supreme in your state? Sound off below!