One of my fondest memories from childhood was staying up late and watching the many glorious horror-themed shows late-night TV had to offer us back in the 80’s. My mom was pretty cool about that back then. I was no more than five and I still recall the greats I spent many nights watching. Twilight Zone, The Hitchhiker, Alfred Hitchcock Presents, Unsolved Mysteries – just to name a few, and their themes still ring loud and clear in the shadowy halls of my memory.
One thing these spooktacular shows all shared was a riveting opening title accompanied by a haunting score. You all know what I’m talking about. The Twilight Zone sports a pivotal theme that remains timeless to this day. And who can deny the impact Danny Elfman’s immortal theme from Tales From the Crypt had on our generation? Remarkable!
All of that is to bring us to the subject at hand revolving around one of my favorite creepy shows, Tales From the Darkside!
From horror maestro himself, George Romero came this grizzly collection featuring beloved short horror tales from the mind of Clive Barker and other renowned writers of horror, Tales From the Darkside brought scary stories to life in various comeuppance morality tales.
The opening always gave me the chills as a kid. That eery as Hell music playing over visions of lovely fields, a country farmstead, a rippling brook and a covered bridge. Sights that should convey a welcoming sense of warmth and meditation, something the dark mind of Paw Paw Romero intentionally planned just so he could pull the rug out from underneath our feet. The sights change as the title is revealed and all of a sudden the pleasant world we have been introduced to is malformed into a sinister realm of shadows and dread, just like the genuine dark world which awaits behind the placid world we live in. Darkness is always just only one bad day away.
Right before the title shows, and I mean like a second or so before, we see in the bottom left corner a car that gets swallowed up in the Darkside. It never was anything I gave much of a thought to until an ex of mine mentioned the car was a blooper. Like it was a mistake and wasn’t supposed to be caught on film. Like while the studio was filming the opening shots some random car photobombed the process.
Funny, because I never once got that impression. I told her that too and explained how I always assumed the car was meant to be there. As if whatever family was in that car had just suddenly been sucked into the void. The idea startled her, because that’s how Hell works, right? One moment you’re out enjoying a lovely drive out in the countryside and the next the Darkside consumes you, your day, and possibly you’re entire life.
A flat tire lands you stranded in the middle of the shadowy woods where you can hear a distant banjo playing.
You’re out by yourself hoping to get some sun by the lake when local rapists come zooming by with oogly eyes all over your body.
You get a puzzle box and suddenly awaken the wonders of Hell.
You have a nightmare that lures the dream demon to your helpless state of mind.
That’s what horror has always been about! The normal and everyday world being consumed by the Darkside. That little car in the opening credits epitomizes what we love about horror. I don’t know who was in that car – and that’s part of the charm, it could be anyone of us in it – but I thank them for providing such a wonderful (but underrated) visual for us.
Ok my Nasties, this has been your good pal, Manic Exorcism once again. I’ll be back later to over-analyze even more things no one in their right mind would give a second thought to. But hey, that’s what we do here.
Let us know your thoughts in the comment below? Was it a simple photobomb, or perhaps there was something more sinister afoot?
Welcome back my Nasties! Gather close and snuggle up with a corpse because we have some ghastly goodness to discuss. I’m your host, Manic Exorcism, and today I, once again, am being forced to bid farewell to some more hard-earned cash. That’s because our friends over at Shout Factory just gave us some of the best damn news ever, and frankly, I’m a bit shocked. Earlier today the team responsible for giving us some of the finest horror Blu-rays ever just announced that we will be getting a CREEPSHOW Collector’s Edition. It’s finally happening!
It’s about fucking time too! For the longest while, we had to settle for an inferior, bare-bones release of one of the most beloved horror titles of all time. CREEPSHOW is the pinnacle example of how a horror anthology should be done. Certainly, this movie wasn’t the very first horror anthology, but it’s certainly the favorite among many. It’s my personal favorite one.
The masterminds over at Arrow Video did give us a brilliant release of CREEPSHOW 2, and I’m very happy with that edition. Nevertheless, I still wanted the set to be complete (CREEPSHOW 3 can eat shit and die because it doesn’t exist to me) and hoped to see the original movie (FINALLY) get a proper Blu-ray treatment.
The movie deserves it.
The fans deserve it.
Jordy Verrill gave his life to see this finally happen.
And by God, we’ve waited long enough!
“Romero and King have approached this movie with humor and affection, as well as an appreciation of the macabre.” – Roger Ebert, Chicago Sun-Times
That’s the charm of this movie. It’s spooky fun, something modern horror needs to be reminded of.
No matter what kind of day you’re dealing with this movie will make you feel better.
It’s also something you can watch with your kids, just in case you’re wanting to raise them to be proper horror fanatics. It has everything! The dead rising from the grave, Joe Hill getting the shit slapped out of his face, Leslie Nielsen being a dickhead to Ted Danson, and a drunk Adrienne Barbeau – this movie is fun for the whole family!
I’m curious to see what kind of Special Features we’re going to get with this one too. I’m really hoping it mirrors the UK DVD edition that came out a while ago. Regardless this is the Collector’s Edition and given Shout Factory’s past record I know we can expect some great things.
Preorders are limited right now, and they boast:
EXCLUSIVE LIMITED-EDITION OFFER FOR SHOUTFACTORY.COM – ONLY 1,500 AVAILABLE – INCLUDES:
A rolled 28.5” x 16.5” lithograph of the new slipcase art by Laz Marquez
A rolled 18” x 24” poster of an alternative art illustration by Laz Marquez
Welcome back my little nasties! Just can’t get enough of the dearly departed, now could you? Well, that’s perfectly alright with me. I love the dead too, don’t you know? Oh and what a maggoty treat have I in store for you this time around!
Today we’ll be delving even further into the dripping depths of this rancid crypt of living death. The worm dieth not here as we expound upon the very threshold of Hell’s widening maul. The lights are dim and Death is restless as we take a look back at two extraordinary horror masters and the connection between both of their nightmarish visions. The original infection that began in the mind of George Romero spread across the globe to mutate in the fetid imagination of Lucio Fulci, and zombie mania became unstoppable thanks to both men’s fiendish contributions.
In The Beginning, There was NIGHT
The late George Romero managed to do something few creative minds in the field of horror ever have the good fortune to accomplish. He invented a new monster, a monster that tore away taboos and desecrated the sanctity of the restful grave. Without explanation, the dead rose from the cold soil and stalked friends, lovers, and family without prejudice. We, the unfortunate living, were prey for a fresh new nightmare, a nightmare that took the globe by storm and essentially gave way to an entire sub-genre. That same sub-genre persists to this day with no sign of hesitation in sight.
It should be noted that Paw Paw Romero was well aware that zombies had already appeared in cinema. However, those zombies were worlds apart from what we now know them as. Growing up, Romero saw movies involving Haitian zombies, men or women, unfortunately, who have fallen victim to some very dark voodoo magic. They were will-less slaves lumbering about with wide-eyed abandon to serve their master’s beck and call.
Did Romero intend to reinvent these helpless creatures? Aw hell no, and he would be the first to correct us should we argue any differently. George Romero did not set out to create a zombie movie, but rather he wanted to create a whole new kind of monster – ghouls! Being the learned man that he was, Paw Paw Romero was quite aware that ghouls in folklore were known to haunt mist-shrouded graveyards and feed their sensational gluttony among the dead. It was his genius to bend the rules (just a little bit) to his own liking and make the ghouls of his movie be the actual dead freshly risen from the graves and set about with an insatiable craving for warm human flesh.
With that idea in mind Night of the Living Dead was made and a new genre was begotten. Romero’s ghouls were an instant hit as audiences screamed their lungs out and watched under a veil of tears as the victims on screen desperately fought a hopeless battle for their very lives, with increasing fever to just survive the dire night of merciless carnage.
Audiences embraced Romero’s monsters, but with one condition. By and large, people accepted them as zombies and not as ghouls. Ask most people today and even still they’ll say it’s a zombie movie. I’ve never really heard Romero had any qualms with that either. His vision was a success and he did accomplish creating a new type of nightmare to scare us shitless.
With the insistence of fellow horror genius – Dario Argento (Suspiria,Deep Red) – Romero was invited to Italy where he would sit down and lay the groundwork for what many (even still to this day) consider the greatest horror movie of all time – Dawnof the Dead. For many fans, Dawn of the Dead became their favorite scary movie, and for good reason. The movie includes a little bit of everything for anyone.
Night Gave Way to DAWN Something Darker Still
Relentless, cruel and still good-natured, this was Romero’s answer to his original vision of dread. The movie would be in color this time around meaning all the blood would be quite noticeable. It would also feature the ingenious work of special FX legend, Tom Savini who has spent a lifetime exploring ways to show us death in the most visually violent ways as possible.
Romero welcomed us all to the Apocalypse!
From the very opening scene, Romero impresses upon the audience a world that has lost all control. We are introduced to the Apocalypse from a news broadcasting room livid with very real human reactions. The movie wastes no time and drops the viewer into this world where you now must follow a band of characters who are ill-prepared to deal with the world’s ending at the hands of the zombie plague.
This isn’t something anyone can prepare for, and it certainly proved to be something no audience at the time was prepared to handle. Savini’s gruesome work splashed across the big screen like foul art, a thing no one wanted to see but nobody could look away. It was a violent array of popping headshots, flesh-eating, and ghoulish fun.
Romero struck gold and genre fans couldn’t get enough of the simple formula he used.
This formula is repeated even still. If you’re a fan of The Walking Dead or Resident Evil you have George Romero and his Dawn of the Dead to thank for that. Once again, the man reinvented himself and the monster he brought to life.
The Italian Echo of Living Death
When Dawn of the Dead was released overseas, in Italy the movie was simply titled Zombi. The film had a definite impact on one particular viewer – Lucio Fulci.
It’s been said that the screenplay for (what would become) Zombi 2 was written before Romero’s classic DotD was released. What is fact though is Lucio’s movie served as the unofficial sequel to Dawn, or Zombi, and hence the name Zombi 2.
Fulci’s contribution is brilliant. This is not some half-assed movie either, something quickly cooked upped to cash in on an internationally acclaimed hit. This movie has heart, a swollen, blackened heart beating with putrescent awe and terrible beauty.
A few years ago Shriek Show was kind enough to releases an incredible 25th-anniversary edition of Lucio’s cult classic. This is the edition you’ll want to pick up if you’ve not seen the movie, love zombies, and have even the smallest bit of interest right now. To be honest this is my all-time favorite zombie film. Yup, even though I love Paw Paw Romero, Zombi 2 is my favorite out of all the great many zombie flicks to choose from. When asked why I always refer to one simple reason – this movie has everything I’d expect out of a zombie film. Lots of gore is a given, as well as actual visuals of the dead themselves rising from their graves. And these are rotting zombies too, so foul you can almost smell their ripe decay. Not to mention we get some pretty ladies running for their lives and heroes who don’t really stand a chance. This movie is chilling of its own accord and the slow pace build up is powerfully executed.
The one scene that stands out most to me – and if you know this movie you’ll probably already be guessing which one, but you’d be surprised to find you’re wrong – is what I call the’ zombie picnic’ scene (not the shark scene, although it’s also amazing). It’s just a scene featuring some zombies seated around a freshly dead victim. Her body is in oozing pieces. Blood is pooling everywhere and the living dead help themselves to the meaty morsels of her organs and muscles. Like I said it’s a great (and chilling) scene. One that takes a moment, hits pause on the action and just focuses on why we are afraid of zombies. We fear them because they feed off of us. Your spouse, your children, your best friend, should they die, will come back with a need to feed off of you. Or you, should you go first, will ultimately eat your own loved ones. That is the terror of zombies, that inescapable march to the grave, and not even the grave is safe anymore thanks to them. Weirdly it’s sometimes overlooked in so many other zombie movies.
The Series (?)
Now, wait, if we take this seriously, that would make Dawn of the Dead, Zombi 1. Sooo would that mean Night of the Living Dead is Zombi the Prequel? It’s kinda fun to let that be true. To imagine these movies are all connected. (And Disney tries to act like Marvel was first to do a shared universe)
There were follow up movies after Zombi 2 made its mark. We might get into those at a later time, but that’s going to be it for now. I hope you enjoyed our little visit with these flesh eating monstrosities. As always be sure to keep checking in to get all those warm thrills or eerie chills, all right here at Nightmare Nostalgia! I’m Manic Exorcism, and I bid you all farewell for now. Go while you still can, dearies. Hehehe.