Tag Archives: Pablo

Missing the Jim and Pam of Horror

“For a really long time, that’s all I had. I just had little moments with a girl who saw me as a friend. And a lot of people told me I was crazy to wait this long for a date with a girl who I worked with, but I think even then I knew that, I was waiting for my wife.”

The parallels between the goals relationship of Jim Halpert (John Krasinski) and Pam Beesly (Jenna Fischer) from The Office and Ash vs Evil Dead’s Kelly Maxwell (Dana DeLorenzo) and Pablo Simon Bolivar (Ray Santiago) are staggering.

Both had their fair share of flirtation and near misses, laughs, jealousies, and tender moments, and it even took both couples three years to realize that they were perfect for one another. As DeLorenzo told me in an interview before Season 2, “Just make out already!”

The will they / won’t they approach is not a new strategy in television, but damned if they don’t have audiences pining for hook-ups when done correctly. And if we’re honest, what we miss most about the band of merry misfits from both Scranton, Pennsylvania and Elks Grove, Michigan are not Michael Scott (Steve Carell) or Ash Williams (Bruce Campbell), but watching and waiting as relationships we rooted for came to fruition.

Santiago played the role of hopeless romantic (aka Halpert) from the very moment we heard him refer to Kelly in AVED’s pilot episode. “She haunts my dreams. Just kidding. She does, though.” Much like Pam, however, Kelly saw Pablito as a confidant, saying “You’re like a brother, so sweet. How could I ever look at you that way?”

ash-vs-evil-dead-season-3-pablo-ash-kelly-second-coming-finale-2So it went over three seasons and thirty episodes, but glimmers of hope sprang up throughout the journey. Both Kelly and Pablo got a little jelly in bookend seasons, when Heather (Samara Weaving) showed near the conclusion of its initial campaign, and with the emergence of Dalton (Lindsay Ferris) for the Ghostbeaters’ swan song. It’s a sensation that can only be generated when one feels a profound connection to another, whether acted upon or not. But make no mistake, both Kelly and Pablo (much like Jim and Pam) felt their relationship unique, that they belonged to one another, and others were only temporary obstacles delaying the inevitable. Albeit, such sentiments were a bit more overt from the men.

For years we witnessed the pair compliment one another. Kelly made Pablo stronger, and he was the only person who could wear down her hardened exterior to reveal the vulnerability housed within. They supported one another from (kinda sorta) afar, not unlike our favorite pair from Dunder Mifflin, but when the chips were down, they never came out swingin’ as when they felt someone, or something, was messin’ with their person.

CXUKWhen she felt that Ruby (Lucy Lawless) wasn’t being upfront with Ash’s right-hand man, Kelly offered pep talk after pep talk to instill Pablo with confidence and the belief that he was, in fact, her powerful vagina, the El Brujo Especial. And for as lovable and hesitant as Pablo appeared throughout most of the series, those times he stepped up without a second thought, were to protect Maxwell.

Think back to a scene at the Elks Grove Police Department in Season 2 when Chet (Ted Raimi) wondered aloud if Baal (Joel Tobeck) hadn’t actually commandeered Kelly’s body, to which Pablo immediately turned to walk toward Williams’ lifelong pal and said “Hey Ash, I think you need to tell your friend to shut the fuck up!”

While Jim and Pam dealt with other suitors and the jealousies that came with them,  they never endured life-threatening situations, but the nature of the Evil Dead universe — that loved ones die — was what kept the two apart for so long, and ultimately what brought them together.

The enemy for Halpert and Beesly was Pam’s indecisiveness and inability to realize she deserved happiness and to take a chance on something that was only five feet from her her desk. What finally pushed Pablo and Kelly over the finish line was not the idea of losing their person to another, but of losing them entirely. So why the fuck not?

KissWe waited roughly 26 episodes to finally see that kiss DeLorenzo had ranted about the season before when she was unsure that Pablo would emerge from a vision, and was so overwhelmed with emotion she pulled him in to express her true feelings. Pablo hummed when their lips locked, because even a patient man is human. Lest we forget, Kelly blamed Ruby for nearly losing her man and growled “Fuck with my Pablo, fuck with me. And I am done bein’ fucked with, Ruby.”

And when Kelly returned from the rift, Pablito believing her to be dead, tearfully hovered over her body and shared “Descansa en paz, mi amor (Rest in peace, my love).” When Kelly jolted awake, thinking she had to fight her way out of another jam, Pablo grabbed her to ensure that she was safe, and offered a tender kiss to calm her fears. The two locked eyes with a smile, and in that moment, we knew there was no going back. It was official. Though Ash and Brandy (Arielle Carver-O’Neill) laid the final bricks of a joke the show had been building for three years, “Filthy and not fine.”

Kelly and Pablo made us laugh, they made us cry, they made us yearn for two people who didn’t even exist to get together, because truth be told, there simply aren’t many horror couples that stand out, and damn it, we wanted this one. They began as friends, knowing and trusting one another completely. They cared for one another, they supported one another, and they challenged the other to be the best versions of themselves. In the end, that’s what true partners do.

The magical nature of their on-screen relationship was not lost on Santiago, who took to Instagram after the series finale to say “…my love for [DeLorenzo] and everything you brought to the table will never die. Always a semi in my pants for #Kelly Maxwell!”

Though we won’t be lucky enough to see where Kelly and Pablo progressed from their own version of popping in to interrupt an interview with “OK…it’s a date,” we’d seen enough to know that Pam’s words rang true.

“When you’re a kid, you assume your parents are soulmates. My kids are going to be right about that.”

Stand-up

Memories Won’t Fade even as Ash vs Evil Dead Says Goodbye

After nearly forty years, we’re sad to say goodbye to a franchise that has given us three films and thirty television episodes. That heartbreak has less to do with Ash Williams, and everything to do with our memories of watching The King ham it up.

Those memories are different for everyone. It could be where you were when you first laid eyes on The Evil Dead, or the people with whom you watched Army of Darkness, or or perhaps the way the splatstick of Ash vs Evil Dead helped you put your troubles on the back burner, if only for 30 minutes. It goes without saying that memories are a very personal thing, but make no mistake, the reason Bruce Campbell and the Evil Dead universe resonate so deeply with fans comes down to individual circumstance.

For me, it was the routine of waking on Sunday mornings after a night of shenanigans and grabbing my phone to pull up the latest chapter of AVED. It’s been my way for three years now, and I’d be lying if I said I weren’t going to miss the hell out of it. To be honest, though, I must admit that it’s been the interactions I’ve blessed to experience with cast members that endeared me most to Ash vs Evil Dead. Hell, I almost set Ted Raimi up on a blind date, but I’ll get to that.

I’m not even going to discuss the interview I scored with the King two days before the Season 2 finale (though it took two years to land, and I was never so nervous in my life), because in a matter of seconds before our discussion came to a close, Campbell provided a gift that can never be repaid.

CampbellSince entering the arena of horror writing, one relationship has towered above all others, and that is my friendship with the owner and operator of Nightmare Nostalgia, Patti Pauley. Many times she’d mentioned that Bruce Campbell was her son’s hero, and I always told her that should I get the opportunity to speak with the man who was Ash, I’d see about getting a personal message for her boy. So when the time came, I asked Campbell if he’d be good enough to share a few words, and he didn’t disappoint.

While the message itself was vintage Bruce — short and not-so sweet — her delight when I told her that he’d agreed to say something had me grinning from ear-to-ear. However, it wasn’t until later that night that I realized that she’d not only shared that message with her son when he got home from school, but on Facebook as well. I watched as her child gasped and faux-fainted when he discovered that a message from Bruce Campbell existed that was for his ears only. Thinking about it now makes me giddy beyond belief, because it’s a moment that doesn’t belong to the masses, but the three of us, to be cherished forever.

Like the conversation I had with Dana DeLorenzo in my kitchen.

It wasn’t that she’d no doubt done innumerable interviews with other outlets, or that she found it funny that I’d been involved with the “Thanks for talkin’” conference call months earlier, but my discovery that she was every bit as charming and hilarious off screen as she was fierce as Kelly Maxwell on. DeLorenzo shared that she couldn’t wrap her head around the fact that she was doing a Q&A with a popular horror outlet in the same room where she’d played with Barbies as a child, before offering exquisite teaser after exquisite teaser.

DeLorenzoI won’t lie, it was a fantastic discussion, but while the thought never crossed my mind that I was “in” with her (and still don’t), it led to a shot in the dark that I’m glad I took. About a week into Women in Horror Month 2017, it dawned on me that securing a true horror heroine to wrap the month would be fantastic, and the first person who came to mind was Ms. DeLorenzo. So I messaged her to ask if she’d be interested in penning a piece for HorrorGeekLife about her experiences in the genre, with zero expectation. To my surprise, she agreed, and shared a beautifully poignant and inclusive piece that left HGL’s editor in tears. Till my last breath, I will never believe that she said yes, but if you ever want to know how incredible Dana DeLorenzo is, look no further than that act of generosity.

Which brings us to her partner in crime, the powerful vagina himself, Ray Santiago.

With a telephone conversation during or prior to each season, Santiago is the only Ghostbeater whom I’ve had the pleasure of speaking with more than once. After Baal sliced and diced Jefe’s right-hand man near the end of Season 2, I chatted with Santiago and wasn’t entirely convinced that we’d seen the last of Pablo, and felt compelled to say that if it was the end, I spoke for Evil Dead fans everywhere in thanking him for the franchise’s finest character not named Ash, and a job well done.

AvD-Pablo2

To my shock, Santiago was touched by the sentiment, stammering through “Dude, you literally just made me…that makes my day.” The thought of that exchange still makes me smile, to say nothing of the shit-eating smirk that appeared on my mug after Kelly and Pablo finally locked lips during the current season which led to my tweet “Can we just agree that Kelly and Pablo are the Jim & Pam of horror?” Santiago responded with a message that was short, but much sweeter than Campbell’s – “Love you for saying this!”

Just because I’ve written for a couple of newspapers doesn’t mean I don’t have occasion to geek out from time-to-time.

Like the summer of ’16, for instance.

When I found out that Mr. Raimi had joined the cast for Season 2 (long before any of us realized that he’d reprise his role as Henrietta, or that Chet housed a monumental secret for three decades), I made it a goal to score the genre legend. Having delighted in his responses and ridiculous, infectious laugh for half an hour, the moment arrived for me to tell him that a colleague of mine at iHorror, Waylon Jordan, wanted me to inform Raimi that he loved Ted in a “totally non-weird way.”

Once again, Raimi cackled, and sans hesitation, shot back “Well, you tell him back that I love him in a completely weird way. Like, I’m just in love with him, and I would very much like his phone number.”

RaimiMy “alright” was met with more laughter and “Tell him if he’s ever available for dates, I’m a great date. And I promise not to be too grabby on the first one.” I cannot begin to describe my elation at sending that clip to a friend.

But that’s what it’s all about.

Look, if you’re still reading this, then you love the Evil Dead universe and probably have similar experiences that you hold dear. And that’s the reason none of us are ready to say goodbye and that this franchise has life almost forty years after it began.

Yes, the films are fantastic fun, but it’s not just about watching and re-watching those movies or the series, but of the times you spent with family and friends as you took it all in, or interactions you’ve had with Campbell or Raimi or DeLorenzo or Santiago at conventions or chance encounters on the street.

More than a scene or a kill or a one-liner, those are the moments that stay with you. We’ll always have three seasons of Ash vs Evil Dead (and, of course, the features), but I will carry the memories that I’ve collected over three years and thirty episodes for the rest of my life.

So I will savor Ash vs Evil Dead’s conclusion with a smile on my face, and maybe even shed a tear or ten.

For irreplaceable memories, both on screen and off, I offer a heartfelt thank you to the cast and crew of the best show on television.

To the Ghostbeaters.

Ghostbeaters 2

The Only Word Worthy of Kelly Maxwell

WARNING: If you have not seen “Tales from the Rift,” turn back now. There are spoilers afoot.

Twenty-six episodes. More than two-and-a-half seasons of Ash vs Evil Dead have brought me to the realization that I still lack the vocabulary to capably describe Dana DeLorenzo as Kelly Maxwell.

Thoughts of Ambrose Redmoon’s declaration that “courage is not the absence of fear, but rather the judgment that something else is more important than fear” danced through my head, but soon faded because that too, was an insufficient concept.

Do I go with brave or tough, intelligent or loyal? Perhaps referring to her as a leader, vigorous or formidable?

How could a single word encapsulate one of the strongest women in horror history, when so many adjectives apply?

It was a challenge, to be sure, but inspired by Friday the 13th’s finest final girl (Amy Steel), I came to the conclusion that I had to “think beyond the legend,” and “put it in real terms.”

Dana DeLorenzo’s Kelly was uncompromising.

From our “El Jefe” introduction to her epic showdown with Ruby (Lucy Lawless) in Sunday’s “Tales from the Rift,” we watched a young woman grow from grieving daughter to unyielding warrior, and never give an inch.

What set Kelly apart was that she was anything but one dimensional. A badass to be sure, but one who never veered from the deepest vestiges of who she was – loving and loyal to her boys Pablo (Ray Santiago) and Ash (Bruce Campbell) – and always willing to do what needed to be done. Maxwell was the personification of Redmoon’s maxim, tossing fear aside because her new family and the fate of the world were more important than the uncertainty of her own survival.

DeLorenzo stood face-to-face with evil, the cabin, militiamen, cops, demon spawn and finally Ruby, and never blinked. And though Maxwell’s own sense of revenge was the catalyst to forging her own path, that swelled over time.

While ridding the world of Deadites, Kelly took the time to comfort Linda Emery (Michell Hurd), offer tough, motherly words that Brandy (Arielle Carver-O’Neill) needed to hear, and inspire Pablito to believe that he was, in fact, the powerful vagina he was destined to become.

And in the end, with Ruby at the height of her ruthless power, it was Kelly who bore the weight of protector on her shoulders, and her shoulders alone. With no guarantee that she’d endure the day, Maxwell decided to take the battle to Ruby for Pablo. And Ash. And Brandy. And her parents. Because to Kelly’s thinking, no one, not her loved ones or anyone else’s, should have to suffer the pain of loss ever again. And if she could stop it, then she would not hesitate to embrace the opportunity, while sparing those she cherished the danger of putting their own lives on the line.

That was Kelly Maxwell’s identity. An uncompromising fighter and friend, who never altered who or what she stood for, or how she lived her life — for anything or anyone — not anguish, adversity, or evil. She lived, loved and laughed, with an eye forever on the prize of end game; the focused leader to Ash’s reluctant, fly-by-the-seat-of-his-pants Chosen One.

She went out on her terms, doing everything within her considerable capability to save those who had her heart, while the Evil Dead fandom watched through teary eyes as an uncompromised, almost imperceptible smile turned her lips before she breathed her last.

It was a good death.