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35 Years of Freddy: A Clawed Imprint On An Entire Generation

The year was 1984.  The very first commercial for the revolutionary Apple Computer premiered at the beginning of the year, foreshadowing an irreversible change in the way we live for an entire generation. While one can argue this may very well be, the most significant moment in ’84, (or hell an entire decade), most horror fans may dispute that. 35 years ago today, one of horror’s biggest icons was born from the mind of the late Wes Craven-Freddy Krueger. Robert Englund gave him a body, Craven the brain- see what I did there- and unleashed Freddy Fever unto Generation Y that shows no signs of slowing up all these years later.

Of course, there hasn’t been a relevant enough bootleg Freddy toy to catch my attention over the last 20 years. But, maybe that’s for the best, yeah?

35 Years of Freddy: A Clawed Imprint On An Entire Generation

While I can’t speak for every single child of the ’80s, Freddy Fever rose high and rampant over the course of a decade, introducing an entire generation to the horror genre due to the Springwood’s Slasher popularity. Nancy said it best, “Every kid knows who he is. He’s like Santa Claus.” 

35 Years of Freddy: A Clawed Imprint On An Entire Generation

And even celebrated much more so by the horror fandom than the generous, jolly ol’ dude. With on-screen heroes emerging in the decade like Indiana Jones, Rambo, and pretty much any Arnold Schwarzenegger film, Freddy rose to the ranks of a hero of a generation of horror movie fans by being nothing more than the ethos of pure evil- well with later added slapstick comedy which only BOOSTED all the diehard FredHeads (myself included) to put him on a higher pedestal; rounding out the Holy Horror Slasher Trinity with his buddies Michal and Jason.

I mean, you’ve really made it when MTV (when it was you know, amazing) lets you VJ and just end up doing whatever the fuck you want. That’s some star power.

*upload by Jared Bruni

 

All that being said, WHAT exactly had the youth of our generation so insanely captivated by well, a brutal child-killer? I can only speculate on watching Freddymania evolve throughout the ’80s, ’90s, to today’s hardcore fanbase that follows Freddy and Friends to the ends of the Earth via social media and horror conventions (I’m totally one of those people), and speaking with fellow FredHead buddies. And the answers are pretty quite simple: The children are the warriors of this horror franchise. They are the ones who recognize the evil while the adults stand around with their thumbs up their asses. THEY are the ones who stand together, (just look at Dream Warriors) and face their enemy head-on. So it’s only natural an adolescent would gravitate towards something they could possibly relate to. Society is often guilty of not listening to our youth and A Nightmare On Elm Street made that loud and clear folks.

Another reason and this is personally true in my case being a female, is that each of the NOES films gave us the absolute, most ass-kicking heroines that any young girl would be proud to look up to. First off, let’s just get this right out of the way- Nancy is the goddamn Queen. Even though it was quite clear that she was slowly getting edgier as the film progressed- to be fair she was working on a week’s worth of almost no sleep while Fred was trying to murder her– she really had the most logical and sturdy head out of EVERYONE in that entire film. Including her parents. Not to mention she went full Rambo on Krueger’s ass. I’m not going to sit here and try and argue how she managed to set all those booby traps, fall asleep, and capture Freddy all in twenty minutes film-time. Let’s just appreciate the fact that this girl went balls to the wall, going as far as tackling her predator to the ground WWF style in one giant FUCK YOU to his face. And then she turns her back on him and calls him “shit”.

Goddamn. GIRL FUCKING POWER.

35 Years of Freddy: A Clawed Imprint On An Entire Generation

 

Last but not least, A Nightmare On Elm Street has always been seen by me as a “comfort horror film”. A few years back, I wrote an article over on Bloody Disgusting on how horror films actually soothe my anxiety. And the NOES films are exactly that for me. Comfort in times of stress and the harsh realities of the real world. I refer to films like these in a term I coined, “FANTASTICAL HORROR”. You see, movies like Halloween and Friday the 13th (only the first, after that they became FANTASTICAL), were very much real to me. THAT SHIT COULD ACTUALLY HAPPEN. It’s very plausible an escaped lunatic could go on a killing spree or a deranged childless mother going apeshit on a group of kids. With NOES, mehhhhhhhhh, highly doubt a burnt-faced demon is gonna kill me in my dreams. Not to say one could never die in their sleep, or to take away the fact the movie really is terrifying in other aspects. BUT, it’s not realistic to me. And that’s ok! In times of real-world tragedies, shitty adult issues, and when the world seems so ugly that you want to pack up and move to Mars, Freddy and the gang are here. To take us to DreamLand. To a place that takes us out of reality and into the world of Fantastical Horror.

You know, kinda like Harry Potter but cooler. Don’t you Hogwarts fans @ me.

Happy 35th Freddy and the gang. And to all my fellow sons and daughters of 100 maniacs who keep the fandom of this movie as strong as ever. WE all his children-now and forever.

 

35 Years of Freddy: A Clawed Imprint On An Entire Generation

 

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Arrow Video Releasing 4k Restoration Steelbook of ROBOCOP

I’d buy that for a dollar!

Well, it’s definitely worth more than just a paper Washington; but I had to throw that line in here somewhere.

With only two months left in this wild decade, Arrow Video is pulling out all the stops with all-new releases, including an amazing limited edition AND steelbook version of Paul Verhoeven’s action-packed classic, RoboCop. This highly anticipated release features the director’s cut and the original theatrical release, both presented with a 4K restoration approved by Verhoeven himself.

Ahhhh. Dead or alive, it’s coming with me.

Arrow Video Releasing 4k Restoration Steelbook of ROBOCOP

 

Per Arrow films, here’s what you’ll get in these must-have collector Blu-rays:

ROBOCOP (STEELBOOK EDITION)

Arrow Video Releasing 4k Restoration Steelbook of ROBOCOP

 

ROBOCOP (LIMITED EDITION BLU-RAY)

Nightmare Nostalgia Arrow Video Robocop Blu-Ray

 

  • 4K restoration of the film from the original camera negative by MGM, transferred in 2013 and approved by director Paul Verhoeven
  • Newly commissioned artwork by Paul Shipper
  • Director’s Cut and Theatrical Cut of the film on two High Definition (1080p) Blu-ray™ discs
  • Original lossless stereo and four-channel mixes plus DTS-HD MA 5.1 surround sound option on both cuts
  • Optional English subtitles for the deaf and hard of hearing on both cuts
  • Six collector’s postcards (Limited Edition exclusive)
  • Double-sided, fold-out poster (Limited Edition exclusive)
  • Reversible sleeve featuring original and newly commissioned artwork
  • Limited edition collector’s booklet featuring new writing on the film by Omar Ahmed, Christopher Griffiths and Henry Blyth, a 1987 Fangoria interview with Rob Bottin, and archive publicity materials (some contents exclusive to Limited Edition)
  • Archive commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for the Theatrical Cut and re-edited in 2014 for the Director’s Cut)
  • New commentary by film historian Paul M. Sammon
  • New commentary by fans Christopher Griffiths, Gary Smart and Eastwood Allen
  • The Future of Law Enforcement: Creating RoboCop, a newly filmed interview with co-writer Michael Miner
  • RoboTalk, a newly filmed conversation between co-writer Ed Neumeier and filmmakers David Birke (writer of Elle) and Nick McCarthy (director of Orion Pictures’ The Prodigy)
  • Truth of Character, a newly filmed interview with star Nancy Allen on her role as Lewis
  • Casting Old Detroit, a newly filmed interview with casting director Julie Selzer on how the film’s ensemble cast was assembled
  • Connecting the Shots, a newly filmed interview with second unit director and frequent Verhoeven collaborator Mark Goldblatt
  • Composing RoboCop, a new tribute to composer Basil Poledouris featuring film music experts Jeff Bond, Lukas Kendall, Daniel Schweiger and Robert Townson
  • RoboProps, a newly filmed tour of super-fan Julien Dumont’s collection of original props and memorabilia
  • 2012 Q&A with the Filmmakers, a panel discussion featuring Verhoeven, Davison, Neumeier, Miner, Allen, star Peter Weller and animator Phil Tippett
  • RoboCop: Creating a Legend, Villains of Old Detroit and Special Effects: Then & Now, three archive featurettes from 2007 featuring interviews with cast and crew
  • Paul Verhoeven Easter Egg
  • Four deleted scenes
  • The Boardroom: Storyboard with Commentary by Phil Tippett
  • Director’s Cut Production Footage, raw dailies from the filming of the unrated gore scenes
  • Two theatrical trailers and three TV spots
  • Extensive image galleries
  • Archive commentary by director Paul Verhoeven, executive producer Jon Davison and co-writer Ed Neumeier (originally recorded for Theatrical version of the film)
  • Two Isolated Score tracks (Composer’s Original Mix and Final Theatrical Mix) in lossless stereo
  • Edited-for-television version of the film, featuring alternate dubs, takes and edits of several scenes (95 mins, SD only)
  • Split screen comparison of Theatrical and Director’s Cuts
  • RoboCop: Edited For Television, a compilation of alternate scenes from two edited-for-television versions, newly transferred in HD from recently-unearthed 35mm elements

 

Both the steelbook and limited edition version will be available through Arrow Video on November 26, 2019.

Also, be sure to check out the rest of Arrow’s November release line-up!

APPRENTICE TO MURDER [Blu-ray] (11/5)
FLOWERS IN THE ATTIC [Blu-ray] (11/12)
THE FAR COUNTRY [Blu-ray] (11/12)
HITCHHIKE TO HELL [Blu-ray] (11/19)

Google Searches Identify Each State’s Most Popular Horror Icon

Welp, it’s that time of year again where the Gods of the Interwebs invade our search history and reveal all that naughty late-night, drunk browsing for the world to see! Just kidding ( I hope). But seriously, a team of Google analysts at Frontier Bundles performs this just-for-fun horror data search every year that reveals which horror icon is the most popular across the United States of America.

The Frontier Bundles data analyst team selected 12 popular villains from classic, pre-21st-century horror movies and used Google Trends to analyze their search volume in the last 12 months. They then reported the villain with the highest search volume in each state.

In other words, don’t shoot the messenger here if you are displeased with your home town’s results. Personally speaking as a Nevadan, my black little heart of Damballa is content with Chucky being our most beloved. Check out the map and details below provided by Frontier Bundles themselves! 

 

Google Searches Identify Each State's Most Popular Horror Icon

 

Which horror villain reigns supreme in your state? Sound off below!

{Watch} Nightmare Nostalgia’s 10 Favorite Halloween Specials

Fruits of the loins from the late ’70s, ’80s or early ’90s, can probably remember that sweet, repetitive October television and all its glory with the magic of Halloween specials that only aired once a year. While yes, television still continues the trend of annual Halloween traditions with certain programs to look forward to such as The Simpsons Treehouse of Horror, The Great Pumpkin, and the beloved repetitive viewings of Hocus Pocus with, of course,  the occasional Primetime sitcom that runs its yearly Halloween episode. However, the issue I have in the modern age of the boob tube is that most of the holiday programming, that many of us looked forward to so fondly has fallen into obscurity in regards to annual airings. There is no rhyme or reason why they have become so obsolete in the world of primetime, and I’m going to be quite frank here- I’m a little pissed off about it. The era of streaming I’m sure has a bit to do with thine predicament. But nevertheless, in so many words- it kinda blows.

During my early writing years, I had compiled a similar list that has since been swallowed by time and ugly Internets. So I’m here to remedy the situation, update the fucker, and daydream of the glory days that revolved around a disco dancing vampire and Gilda Radner as a bumbling animated witch.

And OK… my own as well.

10 Nostalgic Halloween Specials You Can Watch Right Now!

 

10. The Midnight Hour (1985)

Originally premiering as a TV movie on ABC in 1985, The Midnight Hour follows four friends who unwittingly awaken one of their dead ancestors, who just happens to be a witch hellbent on bringing back the dead. With a ’50s cheerleader ghost by their side, it’s up to the group of kids to return things to normal. The Midnight Hour was briefly released on VHS in 1999 and then on DVD in 2000. However, it has long since been out of print and is among a treasured rare film to have in your possession and highly valued among collectors. So start searching your parent’s garage, or hit up your local yard sales. If you find this gem, I suggest you snatch it up! But in the meantime, here’s a pretty clear copy on YouTube.

 

9. Halloween Is Grinch Night (1977)

According to Suessfandom.com, Halloween Is Grinch Night is actually a prequel to the How The Grinch Stole Christmas. And how this has fallen into Halloween special obscurity is about as understandable as pubic hair.  This grinchy tale premiered on ABC in 1977, played for a few years and fell to the wayside. Halloween is Grinch Night takes place one evening when a ‘sour-sweet wind’ blows through Whoville and warns the Whos’ that the Grinch is coming down from Mt.Crumpit to celebrate the much-feared “Grinch Night.” One boy, named Euchariah, is swept away by the wind and comes face to face with the Grinch himself. Now Euchariah must stall the Grinch until the wind dies down, even if he has to face the horrors in the Paraphernalia Wagon. Yeah, you read that right. Paraphernalia Wagon.

Fantastic stuff folks.

8. Mr. Boogedy

Originally broadcast as part of Walt Disney’s Wonderful World of Color, Mr. Boogedy (and later sequel) was a staple of Disney’s rotated Halloween programming for a number of years up until the mid-’90s. This long-forgotten classic follows a novelty salesman and his family of pranksters that have moved to a town called Lucifer Falls- rad. And 0f course their new humble abode is haunted by a three-hundred-year-old ghost by the name of Mr. Boogedy, known in life as William Hanover before he sold his soul to the devil. With stars such as Richard Masur (Adult Stan inIT), a young Kristy Swanson (Buffy the Vampire Slayer), David Faustino ( Bud from Married With Children) and the legendary John Astin (Gomez Addams), I gotta give Disney a thumbs up for this one. While this one is not available fully for free on the Youtubes, you can absolutely rent this for the reasonable price of $2.99 at Amazon

 

 

 

7. The Worst Witch (1986)

The Worst Witch is a cult fan favorite among many and in my opinion, any film where Tim Curry sings is a delight and a privilege and we should be goddamn grateful this film exists. This Halloween necessity first aired on HBO and the Disney Channel in 1986 for the Halloween season and continued into around the late 90s. The bewitching tale about, duh, a witch academy (move over J.K Rawlings) centers around Mildred Hubble, the school’s “worst witch” her misadventures within, and a scheming plot that threatens the school. Because every great empowerment story needs a touch of drama, right? And with all the Halloween splendor aside, that is exactly why I adore everything about The Worst Witch. The message of self-love and acceptance behind all the dazzling of Tim Curry magnificently banging on tambourines is a lesson that should always be taught to our children.  Based on the 1974 children’s book by Jill Murphy, The Worst Witch stars Diana Rigg, a young Fairuza Balk, the fabulous Charlotte Rae, and Tim Curry as the Grand Wizard. If you got the bones to break out of your wallet, you can get a copy here from Amazon.

 

 

 

6. Witch’s Night Out (1978)

Witch’s Night Out premiered in 1978 on NBC. And AGAIN, aired on the Disney channel in the ’80s through the late ’90s. This personal favorite of mine follows this ridiculous witch ( Gilda Radner) who feels unloved and forgotten. Upon hearing the wishes of two children, Small and Tender, who want nothing more than to scare the jerkoff adults on Halloween, the witch accompanies the pair of Halloweenies and their babysitter (Bazooey) to a Halloween party. Where Miss Witch transorms them into a werewolf, a ghost and Frankenstein’s Monster. Well, the kids get their wish and scare the crap out of the town resulting in a mob them through the night. Also featuring the voice of  Catherine O’ Hara as Malicious, Witch’s Night Out is a fun take me back for kids and adults alike. Also, you gotta love that catchy intro.

 

 

5. Vincent Price: Once Upon A Midnight Scary (1979)

My only question is, why the hell wasn’t there more of these?! I mean the master of horror himself hosting his own Halloween special. It’s a national treasure really. It sort of reminds me of one of those really cheesy but awesome after school specials. But again. VINCENT PRICE. So it makes up for the rest. Originally broadcast on CBS in 1979,  Price introduces three different spooky stories based on children’s books in his own creepy yet flamboyant way that every Vincent fan knows him for: The Ghost Belonged To Me by Richard Peck (1976), The Legend of Sleepy Hollow by Washington Irving (1820), and The House With a Clock In Its Walls by John Bellairs (1973). It was released on VHS, but chances of a DVD release are slim to none. A shame really.

 

 

4. The Halloween That Almost Wasn’t (1979)

Also entitled The Night That Dracula Saved The World, this gem of a tv short aired regularly on The Disney Channel until the late 90s. Notice the trend here?! Time to write a strong-worded letter to that Robert Iger fellow.  This remarkable short centers around Dracula (Judd Hirsh) and his monsters trying to stop the Halloween witch, bitter from not getting top-billing in the monster world, from destroying Halloween forever. This is one of my all-time personal favorites because of all the great monster elements it has to offer. Along with a nice little history of Halloween, it really keeps you entertained with humorous jokes and gags. Also, clearly Adam Sandler took some Hotel Transelyvania notes from the impeccable Hirsh. Although it was released on VHS, it never made it to DVD. I believe I may start a petition for this one. Complete with a monster disco attached.

 

3. Casper’s Halloween Special

I fondly remember this little diddy being one of my favorites’ to watch during the Trick or Treat countdown towards the annual sugar coma. Also, I’m being upfront with you guys here and HAD COMPLETELY FORGOTTEN about this treasured retro gem myself until I sat and thought about what I was going to put into this list.  As a lover of Wendy the Witch- I’m a little ashamed about this, (even though she has nothing to do with this Halloween special whatsoever but hey, she is connected to the Casper fellow). However, it just goes to show how these nostalgic bits of childhood can fall into obscurity. Especially with the stresses of having to adult- and stuff.

Anyways, enough rambling.

“Casper’s Halloween Special” first debuted on All Hallow’s Eve 1979 during NBC’s Halloween hour and serves as a classic Casper tale of the friendly ghost doing what he does best- you know, being friendly and shit. Casper’s fellow dead dudes, Hairy Scary, Screech Ghost, and Winifred Witch are obviously excited about spooktacular Halloween shenanigans they have planned that involve scaring the ever-loving crap out of trick or treaters and invite Casper to partake. But, of course, he declines and decides to take the opportunity to join the living in trick or treat fun. You know, denial and stuff is strong Casper. Regardless, after hitting a few bumps in the road to candy, Casper falls upon a group of orphans who see him for who he REALLY is, and invites him to hang for the night. However, the other ghosts see all this and are hell-bent on ruining the night for them.

 

 

2. Raggedy Ann and Andy in “The Pumpkin Who Couldn’t Smile”

 

Released in the same year as the above Casper special, the stitched iconic duo got their very own CBS Halloween 30-minute block on Halloween night with “The Pumpkin Who Couldn’t Smile”. Later, the Chuck Jones written special aired on Disney (of course) in Halloween syndication alongside many of these treasure troves listed here. We begin with an intro of a deserted pumpkin stand at Halloween dusk where one lone pumpkin is need of some serious Prozac. All of his buddies have been picked by the children while the Eeyore of Jack-O-Lanterns’ remains alone and in danger of becoming pig compost the following day. Across town, the Raggadies along with their pup are severely annoyed by the next-door Halloween Scrooge Aunt Agatha; who is giving her poor nephew a hard time about the glorious holiday. So, of course, they do their due diligence in wanting to cheer the kid up with the idea of surprising him a Halloween pumpkin. Well, you might guess where this going and, SPOILER ALERT, the pumpkin smiles.

 

1. Garfield’s Halloween Adventure

And here we are. In my opinion, the Holy Grail of Halloween specials; from 1985- “Garfield’s Halloween Adventure”! From the catchy tunes that relentlessly get stuck in my head contained within this national treasure, to the aesthetic ambiance of a true ’80s Halloween experience makes it a classic that will NEVER go out of style. Fully equipped with trick or treating in an endless pursuit of candy, ghost pirates, and a creepy 110-year-old man, this 30-minute piece of Halloween Heaven sets the tone for what is to become the scariest night ever for the lasagna lover and his pal, Odie. I remember being a child watching this over and over on a recorded from TV VHS tape, that the scenes with the ghost pirates were actually a bit frightening. But that also illuminates why I watched “Garfield’s Halloween Adventure many times as a kid and returned to it on a regular basis as an adult.

 

 

Well, there you have it. Nightmare Nostalgia’s most memorable and personal favorite Halloween specials! Now gather your spawns around the computer and give them a taste of why ’70s and ’80s Halloween TV was simply spooktacular. And while you’re at it, comment below with your personal favorite! I’d love to hear from you!!

Happy Halloween!

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*And no- I didn’t forget Disney’s Halloween Treat. (Insert maniacal laughter here)

 

Freakling Bros To Retire Nosferatu This Year With “Death Of The Vampyre”

Oh, Vegas. As soon as the first leaf falls from (depending on where you live), the neighborhood tree, it marks the end of boob and butt-crack sweat and begins a few glorious months of favorable weather conditions. If you, like me, live in what we refer to Satan’s Armpit, you know exactly what I mean and how we feel about this. And as we continue a stroke of relief of 90 degree days in October, the long-standing Las Vegas-based haunt Freakling Bros. has been hard at work during those awful Summer days to prepare for the most wonderful time of the year and the October opening of the infamous, Trilogy of Terror.

 

The legacy that is Freakling started over 40 years ago with the Mollner family and their passionate love affair with Samhain. With what began as a simple, yet startling decorated haunted house to amuse trick-or-treaters on Halloween night, ballooned into three separate haunts immersive experience that returns year after year to the Vegas Valley with welcoming arms to both locals and tourists alike. Being a native to the Vegas Valley, I’ve had the privilege to visit Freakling’s haunts annually since my adolescence and it’s been a marvel to watch them grow into what they have become today.

Over the years, the haunts have interchanged to make way for fresh ideas- including the now infamous R-Rated, GATES OF HELL that pushes your anxiety to the brink of terror. And worth noting, your precious nerve endings that will receive the occasional mild electrical shock delivered by some of the sadistically enthusiastic actors. However,  Nosferatu who resides inside the fan-favorite PG Castle Vampyre that has stood on the haunt grounds of the Trilogy for years, is due to take his last flight this Halloween 2019.

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I am a little sad to see the haunt lay to rest, however, I’m also intrigued and excited to see what twisted brainchild of the Mollners’ comes to fruition in the 2020 haunt season. So if you’re in the Vegas area, or plan on visiting the city this October, make sure to pay your respects to “DEATH OF THE VAMPYRE” and bid farewell to Nosferatu, Vampyra, Drucilla, Shadow, and all the other vamp inhabitants of Castle Vampyre!

For tickets and calendar dates, visit the official FREAKLING website and follow them on TWITTER.

 

 

 

Adam Green Saved My Life

I’ve been suicidal since December. For as long as I can remember, the disconnect and loneliness of depression has crept in and out of my life, but this stretch has been different, its grip has been unrelenting for the past seven months. The story never changes, on its face I have nothing to be depressed about, no reason to no longer want to be here—I have great friends, am very active, go to the gym every day, make decent money—but it doesn’t change the fact that thoughts of ending it all are a part of my daily life. When you feel as though you’re trapped in a hopeless prison and derive no lasting happiness or fulfillment in the things you once enjoyed, the idea of it being over is enticing. Some days are better than others, but make no mistake, that monster lurks in the shadows each and every day, and the ideations have intensified to the point where thoughts of actually following through have invaded my mind. But when that happens, you have to find an outlet.

One of the worst days occurred a few weeks ago. I struggled through work, mentally isolating myself from everyone and everything important to me, and when it came time to clear out, the decision had already been made to skip the gym or eat healthy food and pick up a pizza and some Mountain Dew, even some Reese’s Peanut Butter Cups and head home to lay down and binge watch a little program I’d just discovered called Scary Sleepover.

I wondered if there were enough episodes to get through the night or if I would have to lean on go-tos like Ash vs Evil Dead or Hannibal, but I was thrilled to learn that there were two seasons to draw from, and knew I had something to distract my mind until I could go to bed.

Scary SleepoverFrom the HATCHET franchise to DIGGING UP THE MARROW to the Movie Crypt podcast, I have long been a fan of Adam Green’s work. Like me, he’s a horror freak and makes me laugh, and what’s more, it just feels like he’s one of us—a horror fan who followed his dream and made good—so we just can’t help but love a guy like that. To say nothing of the (as Tony Todd put it) “eye candy” at the ArieScope studio (circling back to Hannibal), because if there was one place I’d want to live aside from Dr. Lecter’s office, it would be Green’s studio because Mr. Todd was right, the surroundings and humor and camaraderie are a little slice of heaven.

From the moment Kane Hodder walked through the door with a goofy “Hiii!” in the first episode, I was transported to a place where my mind was calm and that feeling of hopelessness dissipated. Though momentary, for those who live with overwhelming thoughts as I do, that temporary reprieve is all we can ever ask for. Adam Green gave it to me that night.

As the episodes wore on (Season 1 in particular), however, I couldn’t help but start to draw parallels to my own life. Not making horror films or commiserating with celebrities obviously, but in the friendships that Green shared with so many.

When Kane fell asleep in the initial episode, Green tossed some unsavory comments his way to see if he’d truly nodded off, and when he directed a sped up “FREDDY VS. JASON” at the horror icon, doing the Dew nearly became a spit take. It was the kind of thing my buddy Tyler would do to fuck with me if he thought I’d drifted on him.

Danielle Harris revealed that E.T. terrified her to this day, and when she opened her eyes and saw Spielberg’s alien facing her from the next cushion over she leapt up screaming and exclaimed “Dick!” Thoughts of my friend Elle and her hilarious reactions to being scared danced through my head.

Later Sid Haig grumpily came through the door and declared “Ya know what? My pajamas are gonna be better than yours” and maintained half-smirked eye contact that kinda sorta felt like “Did I stutter, bitch?” It was exactly that playful shit-talk that my friend Erik unleashes whether we’re together or just texting. And when he blurted “Pizza and pajamas. What’s betterrr?” I knew my initial take was spot on, because Erik too can dance between intimidating and idiotic at the drop of a hat.

HaigThen it was the ridiculously cute ramblings of Laura Ortiz and her constant stream of “Hey Adams” that led to questions like “Why are stars?” Though the gag was that she wouldn’t stop talking and let Green go to sleep, you couldn’t help but smile each time it happened, which of course was the point. Ortiz and my friend Jay have effortless adorability in common.

When Zach Galligan dropped by and Green asked him if he could just talk about what “Phoebe (Cates) smells like that would be awesome,” the size of my smile nearly shattered my face because Ms. Cates being the top of the mountain has been a running inside joke between my friend Chad and I for years. And yes, “Moving in Stereo” is stuck in my head as I type this.

Brea Grant plainly stating “I grew up as a girl” before cracking up at the realization of what she’d said couldn’t help but remind me of Alyssa, who says goofy shit like that all the time. Sometimes it’s deliberate, other times not, but she always laughs it off, and it’s never anything short of endearing.

And when Bill Moseley talked about his children having sleepovers and Green wondered if he’d ever scared any of them off, Otis just replied that while he didn’t think so “I’ve never seen the same kid twice, let’s put it that way.” Me and one of my oldest friends, Dan can be having a serious conversation that quickly has us cackling, and that matter of fact exchange and the laughter it created felt very familiar to me.

The sleepovers conjured memories of an all-night, horror marathon drinking game some friends and I shared a few months back. It was just a stack of movies and laughs and beer until the sun came up, and it was as much fun as I’ve had in a long time.

OrtizIt all culminated in the first episode of Season 2, though, when Tony Todd shared the story of his brother Donald, who had passed a few weeks prior to that shoot.

Todd’s powerful voice softened and tears escaped his eyes as he shared memories of his sibling, who had been institutionalized when Todd was just four years old. The larger than life actor described the image that adorned the funeral form.

“On the cover was this horribly misshapen, man-monster with these spindly legs, accordion arms, big forehead, huge jaw—and I thought to myself ‘Oh my God, some of these monsters that I get offered to play, that’s him, that’s it.’” Todd spoke of legacy and that he was working for his unseen muse, and that his brother no longer had to struggle to walk or deal with pain, that he’d been freed of that burden, and it was more than Adam Green could take.

The host broke down and asked the crew to stop rolling. When the episode came to a close, it faded to black with a single message, “For Donald.”

When you feel like your life isn’t worth living, that you are that misshapen figure, and that you are inconsequential, empathy from others makes you emotional, and that exchange, Green’s reaction, and the lasting image of the episode’s dedication had me pressing pause and purging emotions that had been building up for far too long.

Creatures are as much as part of the horror genre as slashers and buckets of blood, and I am nothing if not a creature of habit. Comfort food doesn’t have to be pizza and Mountain Dew, it can be a series of web shorts or a film or an album that takes you to a better place. For the past few weeks, whenever I need respite, I pull up Scary Sleepover and it helps me get through the day, to get to sleep, to carry on.

But it has less to do with Green or the guests as much as what it reminds me of: the friendships that I share with people who make me smile, who help me through the tough times, who truly care about me.

And what Green said about Ortiz applies to one and all, “my life would suck without [them] in it,” because they are a reason for me to stay, and it was a reminder that I needed very badly.

I’ve made it through the past few weeks and I’m here today, and Adam Green’s Scary Sleepover has been a big reason why. I’ve never met him, he wouldn’t know me if he saw me, but the reality is that he’s saved my life more than once, and I can never thank him enough.

Hodder

New Ride and Cafe Details Emerge From Upcoming Mega Attraction Jurassic World: The Ride at Universal Hollywood

A few days ago, I took my faithful every-10-years-or-so trip to Universal Studios, Hollywood to bask in the glory of my inner passion for cinema and film culture. I was 12 the first go-around and I’ll never forget the true Kodak moments (seriously, there are photos of it somewhere lost in my hoarder piles of ticket stubs) of meeting Dracula, the long-gone Beetlejuice show, and seeing JAWS along with the once upon time animatronic of King Kong on the Studio Tour for the first time.

Good times fellas. Good times inhaling that banana breath.

New Ride and Cafe Details Emerge From Upcoming Mega Attraction Jurassic World: The Ride at Universal Hollywood

Image Via Pinterest

The second time around was in 2008 on my honeymoon with my husband. It was during Christmas Time and the park was decked out in Whoville and Grinchmas attire. It was also the first time I had feasted my eye peelers on the Jurassic Park ride! Of course, it was too cold and late in the day so we couldn’t get on it and this third time around- which was just a week ago- again I’m foiled into experiencing any dino drama. As the Jurassic Park turned World ride has yet to open to the public with still only an opening date of, “this summer.” Progress seems to be booming and nearly done, but my son here in the slideshow shows how I feel too about not being able to experience this wondrous attraction. A bit of a pout session is validated as again- I don’t get to go often.

New Ride and Cafe Details Emerge From Upcoming Mega Attraction Jurassic World: The Ride at Universal HollywoodNew Ride and Cafe Details Emerge From Upcoming Mega Attraction Jurassic World: The Ride at Universal Hollywood

Please note I’m VERY EXCITED about playing with Raptors in the future.

 

Anyway enough of my ramblings and onto why you’re here. Upon my visit, Universal Studios Entertainment sent me a bit of an update today on the highly anticipated ride on a couple of cool attraction features, the awesome new retail store, along with the new cafe and Isla-Nu-Bar that is going to add to the ambiance in nature of a true JP/JW fan experience.

Per Universal Studios:

Universal City, CA, June 17, 2019 – Costa Rican-inspired cuisine and flavorful Tiki cocktails served at Jurassic Café and all-new tropical Isla Nu-bar add to the dynamic guest experience as part of Universal Studios Hollywood’s new mega attraction opening this summer, “Jurassic World—The Ride,” based on the JURASSIC WORLD blockbuster films.

            Along with an array of souvenir collectible, limited edition and one-of-a-kind dimensional dinosaur sculptures from the Jurassic Outfitters store, guests can savor a piece of this exciting thrill ride even after they’ve gone home.

Borrowing its name from the fictitious Central American island in the JURASSIC WORLD movies, the stand-alone, open-air Isla Nu-bar, complete with a thatched roof, serves up tropical-themed Tiki cocktails in three collectible cups:  Etched Tiki, Bamboo-styled Tiki and Tiki God.

Whether blended or made-to-order with fresh juices, every aromatic blended drink is adorned with a pineapple leaf and edible orchid flower.  Flavorable beverages include Tropical Margarita, Piña Colada and Painkiller, along with island cocktails such as Tiki Tai, Bird of Paradise, Ti Peach, Rum Runner and Mai Tai.

New Ride and Cafe Details Emerge From Upcoming Mega Attraction Jurassic World: The Ride at Universal Hollywood

With Universal Studios Hollywood’s Executive Chef Marie Grimm at the helm, the new Jurassic Café caters to a selection of Costa Rican-themed cuisine, inspired by the location of the JURASSIC WORLD movies.  Mouth-watering menu items include Sweet Corn Cakes with Slow Roasted Mojo Pork or Spicy Mojo Jackfruit, Citrus Glazed Chicken, Fresh Roasted Red Snapper and Isla Burger. Tempting starters include savory Chorizo and Potato Empanadas, Crispy Lettuce Leaf Roll with Shrimp, Tropical Fruit Salad and Pomegranate Guacamole with plantain chips.  All entrees will be accompanied by fresh green papaya salad and Costa Rica’s national dish, Gallo Pinto – traditional rice and beans.

New Ride and Cafe Details Emerge From Upcoming Mega Attraction Jurassic World: The Ride at Universal Hollywood

The Jurassic Outfitters store will feature a variety of collectible merchandise to commemorate the ride’s opening, including a selection of exclusive items. From limited edition t-shirts and hats to drinkware, pins, amber stones, and jewelry, Jurassic Outfitters will offer keepsake merchandise for every member of the family.

The shop will also carry a variety of custom-made, high-end collectible dinosaur sculptures and maquettes. These incredibly crafted statement pieces replicate the Tyrannosaurus rex, Velociraptor, Dilophosaurus, Styracosaurus, Pachycephalosaurus and Triceratops and range in price up to $1,000.

In addition to experiencing the exhilaration of the new thrill ride, guests will have the opportunity to become immortalized in one of the ride’s momentous scenes as they plunge down its treacherous 84-foot waterfall with the introduction of slo-mo video capture offered exclusively at “Jurassic World—The Ride.”  The iconic moment will be available for purchase and received digitally for riders to share via their social media platforms so they assure their friends that they indeed survived the vicious dinosaurs. Keepsake digital images will also be available for purchase.

“Jurassic World—The Ride” features an original storyline that will take guests on a breathtaking excursion through the theme park as depicted in Universal Pictures and Amblin Entertainment’s film, JURASSIC WORLD.  It will soar to new heights with the addition of iconic dinosaurs from the movie, including the colossal Indominus rex and the magnificent aquatic Mosasaurus in her natural habitat.  The ride also features the stars of the JURASSIC WORLD films – Chris Pratt, Bryce Dallas Howard and BD Wong who reprise their roles as Owen Grady, Claire Dearing and Dr. Henry Wu.

The mega-attraction captures the essence of the blockbuster movies and comes to life in collaboration with the award-winning and inspired minds at Universal Creative, the Academy Award®-winning special-effects visionaries at Industrial Light & Magic, a division of Lucasfilm, Ltd., Universal Pictures and acclaimed filmmakers Steven Spielberg, Colin Trevorrow and Frank Marshall.

When “Jurassic World—The Ride” opens this summer, guests will be welcomed to a dramatically reimagined space reflective of the hit films.  A fresh entry statement, stonework landscaping, and a contemporary redesign of the iconic JURASSIC WORLD gates, illuminated with billowing flames, will create the framework for the all-new aesthetics.

 

And now I have to break my 10-year tradition because I literally can’t wait that long to see this. I just want to give Blue a hug and drink a Tiki cocktail.

With so much to see and do at Universal Studios Hollywood, the new California Neighbor Pass invites guests to experience 175 days of fun for $149 when purchased online. Visit www.UniversalStudiosHollywood.com for more details. Blackout dates and restrictions apply.

More information is available at www.UniversalStudiosHollywood.com. Like Universal Studios Hollywood on Facebook and follow @UniStudios on Instagram and Twitter.

 

*All images used belong to Universal Studios Hollywood and Nightmare Nostalgia unless otherwise noted. 

Why John Shepherd is the Best Tommy Jarvis

“Let’s think beyond the legend, put it in real terms.”

Only twice since Ginny Field (Amy Steel) applied her child psychology training in FRIDAY THE 13TH PART 2 (1981) has the Crystal Lake saga embraced those words: with Derek Mears in the 2009 reboot, and through John Shepherd’s performance as Tommy Jarvis in A NEW BEGINNING (1985).

Tackling a role that had already been fulfilled by other actors—particularly well-known actors—can prove a difficult endeavor, and Tommy Jarvis was no different. For John Shepherd in the fifth installment of the Friday franchise, that fact is and was compounded by a series of issues, not the least of which was timing.

To begin, Corey Feldman was not only the original, but easily the biggest name to have ever portrayed the character. Though THE FINAL CHAPTER opened in April of 1984, less than two months later Feldman would appear in the massively successful GREMLINS, which was closely followed by THE GOONIES, another blockbuster the following year. STAND BY ME hit theatres the year after that, by which time Feldman had become a household name and as a result, towers as the epitome of Tommy Jarvis in the eyes of many fans.

Jarvis glasses

What’s more, a large portion of those fans regard THE FINAL CHAPTER as the finest of Friday films, whereas A NEW BEGINNING is widely viewed as nothing more than the bridge between Part IV and JASON LIVES, another beloved franchise installment that saw Thom Mathews pick up the Tommy torch, and who already enjoyed cult status for his part in RETURN OF THE LIVING DEAD (1985).

While one would be hard-pressed to claim that continuity has been a series strong suit, that Mathews’ Jarvis no longer appeared to carry any of the burdens of the trauma he’d endured as a child (or even shortly before the events of Part VI) is a point rarely contended. The fact that JASON LIVES moved at breakneck speed while also embracing the absurdity and humor inherent in the franchise not only endeared it to Friday followers, but made the latter point an easy one to forgive or forget—to say nothing of the fact that Jason wasn’t really even Jason in A NEW BEGINNING. In short, when it comes to the Jarvis trilogy, Shepherd suffered the misfortune of being bookended by a pair of actors seared into the minds of Friday fans as the Alpha and Omega because they happened to helm two of the franchise’s most popular entries.

Key factors all, and components that have relegated Shepherd’s Jarvis to Crystal Lake purgatory. However, it would be a mistake to overlook what Tommy 2.0 brought to the table.

One aspect of Shepherd’s performance that made it so spectacular was that it fittingly followed in the footsteps of Jason from the standpoint that every tortured nuance was offered with nary a word. Writers Martin Kitrosser, David Cohen and Danny Steinmann fashioned A NEW BEGINNING’s screenplay in such a way that the elements of Post-Traumatic Stress Disorder were not only on full display, but peppered throughout as though boxes to be checked off. It was in what Shepherd did with those opportunities, however, that left it feeling like anything but a laundry list put to film.

Jarvis mirrorWhat’s more, how many performances have the Crystal Lake saga really given us? For as beloved as Betsy Palmer is, her Pamela Voorhees was over the top—for effect to be sure—but over the top, nonetheless. So we’re talking Amy Steel from Part 2 (1981) , Lar Park-Lincoln from THE NEW BLOOD (1988), and Shepherd’s Jarvis from A NEW BEGINNING. So why not celebrate it?

Our first glimpse at Shepherd as Tommy found him waking in an Unger Institute of Mental Health transport van, sweaty and wide-eyed after waking from a nightmare where Jason rose once more. Unable to shake the ghastly events that led to the death of his mother and near murder of his sister at the hands of the Crystal Lake marauder, it was a re-introduction that could have easily fallen into camp, but Shepherd played it with purpose, an effect he wouldn’t relinquish for the duration of the film’s 92-minute runtime.

We bore witness to a character drowning in the symptoms of PTSD. Shepherd’s Jarvis avoided contact and interaction with others whenever possible, and suffered unwanted and intrusive memories of Jason of both the auditory and visual variety. Recurring nightmares made sleep nearly impossible and he was easily startled by nearly everything that crossed his path. Those instances of alarm led to angry outbursts of aggressive behavior because subconscious though they were, whatever figure plagued Jarvis in the moment wasn’t Voorhees, so it served as an outlet for frustration, a punching bag that could be beaten.

True to character, though, Shepherd never ventured too far and instead stayed the course, his fright morphed to resentment and finally to anger, played in such a way that outward reaction was an involuntary response. When Tommy body-slammed Eddie (John Robert Dixon) at breakfast, he was almost immediately pinned to the wall by the head of Pinehurst, Matt (Richard Young), where Shepherd brilliantly conveyed the briefest moment of recognition. As Jarvis snapped back to reality, he glanced at Matt and closed his eyes in remorse, his chest heaving as he collected himself. Later, after he went Chuck Norris on Junior (Ron Sloan) at the trailer park, Tommy was again roused back to the present by Pam (Melanie Kinnaman) and fled at the sad, desperate realization that in those moments, he was unable to control himself.

Jarvis breakfastAnd finally, when Jarvis once more found himself standing face-to-face with “Jason,” Shepherd’s Jarvis was frozen, unable to move until threatened with his own demise. Stabbing his nemesis in the leg, he made his way to the barn loft where he lost consciousness. When he came to and laid eyes on Pam and Reggie (Shavar Ross) in imminent peril, Jarvis, as though having an out of body experience, leapt to action to protect a young woman and child in danger. Thoughts of Shepherd tearfully gazing at the photograph of his mother and sister earlier in the film flood through the audience’s collective mind as they watched Tommy, in a way, save the family he had lost, sending “Jason” / Roy (Dick Wieand) plummeting to his death.

Shepherd’s Jarvis was lost and tormented, and even when his actions were heroic, they emerged reluctantly and never escaped the fractured framework of a younger self who had seen things that could not be unseen.

With the simple decision to follow the path laid by Ginny three films prior, John Shepherd’s turn as Tommy provided FRIDAY THE 13TH more than its finest achievement of the Jarvis trilogy, but the single greatest performance the franchise has ever known.

For a series short on performance, that Shepherd thought beyond the legend and put it in real terms deserves respect, and 34 years on, it’s about time he gets it.

Jarvis window

What Keeps Us Coming Back for More Joe Bob

How often do we hear Joe Bob toss a word out then immediately repeat that word and look to the crew to ask, “What does (insert word here) mean?” It’s all part of his storytelling, because he wants to be sure the audience is on the same page before he escorts them further down whatever magical rabbit hole he’s concocted for that segment.

The word I want to use is “sustainable.”

What does “sustainable” mean, anyway? It’s about upholding a rate or level, right? So, how does that word pertain to The Last Drive-In? It’s not about Shudder renewing for a second season or further marathons, because I think we can all agree they’d be fools to walk away from the gold rush of subscriptions they’ve sold because of the presence of Joe Bob Briggs. They have a very small crew that isn’t handsomely rewarded for its efforts, and they’ve already paid for the rights to broadcast whatever films Joe Bob chooses every week, so, I ask again—how does “sustainable” enter the equation?

Think about the anticipation and excitement that surrounded the long-awaited return of the Drive-In Jedi for the initial Last Drive-In marathon this past July and the holiday specials that followed. Mutants who had waited nearly two decades for so much as a morsel of drive-in totals were frothing at the mouth and it made sense because it had been so damn long. It’s no different than the fanfare that accompanied the teaser trailers and subsequent release of Blumhouse’s HALLOWEEN (2018) last October and the enthusiasm the horror community is now experiencing for IT: CHAPTER TWO. It’s easy to harbor that type of glee in the short term, even though short can mean a month or two months, and sometimes even a year. But inevitably the film drops, folks attend in droves and it’s all anyone can talk about for a week or two, sometimes more, but without fail it fades and we move on to the next thing. Time is funny that way, it always wins because that type of enthusiasm cannot be sustained for long periods of, well, time.

BeerTherein lies the answer to how the word “sustainable” pertains to The Last Drive-In. The first marathon came and went, but it didn’t peak, there was no Joe Bob fatigue. It carried into the “Dinners of Death” Thanksgiving event but didn’t plateau there either because the anticipation for “A Very Joe Bob Christmas” was even higher than the marathon that preceded it, and dare I say the original, as well.

Which brings us to The Last Drive-In’s Friday night double features that began on March 29. After 21 films and well over 40 hours, the fans still hadn’t gotten enough Joe Bob, and what’s more, their hunger had only grown more ravenous. The Last Drive-In, Mr. Briggs and Darcy the Mail Girl are the television equivalent of an industrial-sized tub of The Stuff. We’ve grown helplessly addicted, desperate for our next fix, like a collective dog that just can’t wait to get at Danny Aiello’s throat.

What other horror program can compare? Very few if any are old enough to remember the original run of The Twilight Zone, so it’s possible that show generated the same visceral response from its audience, but with the lack of social media to connect every single viewer to the festivities, that’s doubtful. Hannibal is universally adored, but only lasted three seasons and clearly wasn’t must-see because the ratings dictated its end (damn you, DVR), and The X-Files enjoyed a spectacular run for a few seasons before it too lost momentum. For a show to completely dominate the public consciousness year after year is rare, and Game of Thrones embodied that for nearly a decade until we’ve all recently seen (depending on your perspective) the unfortunate end to that story.

But not The Last Drive-In. Now, before anyone goes off about the fact that The Twilight Zone and Hannibal and The X-Files aired for years when Shudder’s extravaganza hasn’t even existed for 365 days, I’d ask that one not forget part of it is the mystery of what films will be presented, what guest might pop up, or what Felissa Rose has to say about the male anatomy–but more importantly, that word–“sustainable.”

Stuff

The buzz for Joe Bob and The Last Drive-In has not only failed to level off, it’s intensified, and the reason for that is that this crop of Briggs disciples has been blessed with social media. While that may seem obvious, take a moment to truly think about what that means. The number of people who would watch regardless may not be affected by Twitter or Facebook, but how many tune in because of social media? Because they can keep up with Darcy (@kinkyhorror) on Twitter or interact with fellow fans who are engaged in real time discussions? The days of viewing MonsterVision on TNT in what often times equated to solitary confinement are long dead. Whether one is having a party or quietly watching alone at home, we are all-in together. The pictures, the videos, the GIFs, the art, the clever observations are all captured minute-by-minute, film-by-film, night-by-night, and can be kept on phones and computers and pads to relive and share from Saturday to the following Friday when it all begins again.

It’s an event. Every week.

As Briggs said in the press release that announced the renewal of The Last Drive-In for a second season, “it’s about something larger than horror. Don’t ask me what that thing is, but it’s a source of great joy to me.” So, you see, the fans may come for Joe Bob, but they stay for each other. It’s that shared experience—the commentary, the new friendships, the laughs, the memories we know will last a lifetime—which make The Last Drive-In “sustainable.”

Perhaps things will change if Shudder renews beyond Season 2, but I doubt that very seriously. Sure, we’ve seen it before, but have we seen it with an insatiable army of Mutant minions armed with interweb devices counting the seconds to 9 o’clock every Friday night? I think not.

Speaker

Shudder Greenlights Another Season of “The Last Drive-In”

Though it seemed a foregone conclusion, ardent followers of Joe Bob Briggs, otherwise and affectionately known as the Mutant Family anxiously sat on the edge of its collective seat with just one week remaining of the Friday night double features that began on March 29.

Today, Shudder put those fears to rest with the announcement that The Last Drive-In had been renewed for a second season.

“From our first marathon and subsequent specials in 2018, through this year’s series, Shudder members have been loud and clear: we can never have too much Joe Bob,” said Shudder General Manager Craig Engler. “We have read every tweet, every email, and every Facebook comment crying out for more. Message received. Joe Bob will be back.”

The Drive-In Jedi himself weighed in on the outpouring of support and love received from that #MutantFam.

“It hasn’t even been a full year since the 24-hour Last Drive-In marathon, but since then I’ve made thousands of new friends and reconnected with thousands of old ones,” said Briggs. “The main reason I’m coming back to do another season is that this community of horror fans is greater than the sum of its parts, and it’s about something larger than horror. Don’t ask me what that thing is, but it’s a source of great joy to me.”

The initial Last Drive-In marathon streamed on Friday, July 13 of last year, and was followed by a pair of holiday events–“Dinners of Death” on Thanksgiving, and “A Very Joe Bob Christmas”–and the weekly program began a little more than three months later.

From cult films like C.H.U.D., WOLF COP and THE STUFF to classics like THE CHANGELING and HENRY: PORTRAIT OF A SERIAL KILLER and eclectic titles like A GIRL WALKS HOME ALONE AT NIGHT, The Last Drive-In double features have dominated social media, with the likes of Larry Cohen and CASTLE FREAK trending on Twitter.

A date for The Last Drive-In’s second season is yet to be determined, but will continue its double feature live stream format when the series returns.

More information to follow as it becomes available.