Tag Archives: Retro horror

WTF Am I Watching: Invasion of the Blood Farmers (1972)

Suppressed deep within the crevices of my mind are hellish memories of Paris Hilton on a farm. A brief sifting through internet garbage determined that these waking nightmares were pulled from a reality series called The Simple Life, which I have no recollection of ever watching. Now, this could very well be a symptom of life’s recurring stress finally frying my brain to the point of memory loss, but after watching Invasion of the Blood Farmers, I’ve deduced that the likely alternative is this:

Paris Hilton is a druid queen fueled by blood that farmers are secretly harvesting from unsuspecting victims all over the world, and I’m having psychic visions of her terrifying reign. Totally logical, right?

invasion of the blood farmers

For this week’s installment of WTF Am I Watching, it was my pleasure to stream Ed Adlum’s low budget Invasion of the Blood Farmers on Shudder – emphasis on low budget. The production of this exploitation flick is so noticeably cheap that I half-expected the movie to end thirty minutes into the runtime with a title card describing what would’ve happened if the filmmakers didn’t run out of money. IMDb claims that the budget for Invasion of the Blood Farmers was $40,000, but if that’s true, I imagine it was paid for in pennies and IOUs.

The film takes place in rural New York, where otherworldly druids pose as farmers in order to harvest blood from civilians and resurrect their queen. You’d be hard-pressed to decipher that they’re druids throughout the first forty minutes of the movie, though, as they appear to be basic, straw hat-wearing farmer dudes with an insatiable bloodlust. Farmers drink dog blood all the time, don’t they? There’s no real difference here.

It’s not until we’re introduced to the leader of the druids, who talks like a twirly-mustached cartoon villain, when we find out exactly what the hell is going on – but even with the numerous scenes of this character standing in a singular spot and sprouting exposition like goddamn wildflowers, it’s hardly clear cut. It’s something to do with a magical key and finding a host for the blood, and the most heavily-featured druid farmer uses a cane that may or may not have some sort of mystical power… who the fuck knows. The point is that the plot of Invasion of the Blood Farmers is hardly the film’s strong suit.

invasion of the blood farmers

Fortunately for my entertainment, the nonsensical story elements only add to the charm of a film that’s brimming with fantastically low quality. There isn’t one decent performance to be found in Invasion of the Blood Farmers, and while most people would mark that as a criticism, I found this aspect of the movie to be endlessly amusing. It’s painfully obvious that the actors struggled to memorize their lines, not because I’m personally questioning the confidence of their dialogue delivery, but because they actually pause mid-sentence, NUMEROUS TIMES, and search for the words in their mind. It’s a rare feat for one of the actors to get through a line without pausing or stuttering, and it’s honest-to-god delightful.

I know it sounds like I’m bullying a film that couldn’t afford the security to protect itself from jerks like me, but these especially poor quirks are the foundation for a retro exploitation flick that I thoroughly enjoyed. I like my movies how I like my beer: dirt cheap and questionable. Invasion of the Blood Farmers proudly checks both boxes, so it’s alright in *my book.

*This book does not exist

WTF Am I Watching: Day of the Animals (1977)

If we fight over everything else in life, I think we’d still unanimously agree that the sun sucks. You likely need no more evidence of this since you can’t walk outside without the skin melting from your flesh, but you can bet your ass that I’m going to give you more anyway.

On this week’s installment of WTF Am I Watching, we’re taking a look at Day of the Animals, the not-so-classic natural horror film from director William Girdler. This choice flick plays like a cautionary tale of terrors to come, as a depleted ozone layer leaves all life on Earth exposed to ultraviolet radiation from the sun- especially those living in high altitudes. In those particular areas, scientists discover that animals are becoming highly aggressive towards humans.

Now, I’m no scientist, therefore I cannot vouch for the legitimacy of this threat. However, since worst case scenarios seem to be the norm, I’m gonna go ahead and buy into it: The sun will turn animals against you.

day of the animals

Day of the Animals takes place somewhere in Northern California as Steve Buckner (Christopher George) accompanies a dozen hikers on a days-long trip up a mountain despite the warning from local law enforcement. Unbeknownst to them, the group is being stalked through the woods by mountain lions, bears, wolves and more- each of which are inexplicably at peace with each other, even with their hyper-aggression. I would assume that carnivorous creatures at peak monstrosity would be at each other’s throats, but again, I’m no scientist.

I digress.

When the group stops to rest, they notice that the mountain has fallen silent and that the birds are exhibiting bizarre behavior. This is also the point when each individual in the group is introduced, among them Leslie Nielsen as Paul Jenson, an angry-type man with an insensitive and racist sense of humor. So a typical old white man, amirite?

That evening, Steve and the hikers come across a campsite that appears to be in use by another group, who are nowhere to be found. Worried about the campers, Steve decides that they should stick around for the night and wait for them to return. As the group sleeps, a woman is attacked by a pack of wolves while in her sleeping bag. The hikers manage to chase the wolves away before she’s killed, but she’s badly injured and needs medical assistance.

The following morning, the woman and her husband journey to a nearby ranger tower in search of help, but she’s attacked by vicious birds and knocked over a cliff to her death. Her husband manages to escape, and in doing so, finds a young girl who is presumably part of the missing group from the night before. As the film progresses, the two escape the mountain, but while searching for help, the newly widowed husband is ambushed by a mad dog AND rattlesnakes, resulting in his death. The child survives though, destined for life without parents or protectors while dealing with the constant trauma and paranoia from seeing several people she cared about be ferociously torn apart by animals. So that’s a silver lining, I suppose.

Elsewhere, Steve leads the group to a spot where food has been left for them, only to find that animals have raided the area and devoured all of their grub. Tensions begin to rise as Paul questions Steve’s leadership, ultimately resulting in the groups splitting up after they are attacked again. Paul takes his group up the mountain towards the ranger tower, and Steve leads the rest back down the mountain.

day of the animals

During a rainstorm, it’s revealed that Paul has lost his goddamn mind, and in an unexpected turn, believes himself to be the macho king of the mountain and attempts to rape one of the young women in his group. He’s briefly fought off by her boyfriend, but ends up driving a walking stick through his gut and murdering him. He then drags the woman away to rape her while the rest of the group watches helplessly, until a large grizzly bear intervenes. The group manages to escape and find safety, other than Paul, who, naturally, wrestles the bear until his throat is ripped out.

If you ever wanted to see a shirtless Leslie Nielsen fight a bear to the death, Day of the Animals is the movie for you.

As for Steve and the remaining four members of his group, they are attacked by a pack of especially aggressive German Shepherds (I didn’t count, but the glance-test deduced that there are at least nineteen of them). Two of the hikers are overcome by the dogs, and even Steve barely manages to escape with his life. He and the other two survivors drift downstream on a raft, eventually coming to a safe place as all the affected animals simply drop dead.

Lesson of the day:

The sun killed them, and it will kill you too. Stay indoors and monitor your goddamn pets.

Creature Feature: The Skeevie Inducing Norris-Thing

Nightmare Nostalgia Presents Creature Feature: An ongoing tip of the hat to some of horror’s greatest monsters throughout the genre that don’t seem to get the recognition they wholeheartedly deserve.

Last October, some friends, the better half, and myself witnessed the glorious spectacle of John Carpenter live in concert. Now, normally I never bother to leave my Gollum cave of gloom and somber for shows and concerts these days unless it’s totally worth sliding some pants on for. But hey, this was John fuckin’ Carpenter and his orchestra playing the theme songs to some of horror’s finest films- his films. I sure as shit wasn’t going to pass this up and just as I had expected, it was a night to never be forgotten. From Halloween, They Live, and of course today’s focal point The Thing, it was a perfect way to head into Devil’s Night last October.

#thething #johncarpenter #horrormovies

A post shared by Patti Pauley (@misshorrorghoul) on

With what is arguably (I guess) one of John Carpenter’s greatest pieces of cinematic art turning 36 this week, I couldn’t pass up the opportunity to talk a little about the goddamn Norris-Thing. In the 1982 film, we see a handful of variations of this “thing” ranging from an ordinary human, a cute husky, also a not-so-cute halfway transformed husky, to well-something ungodly such as this. Which in itself, comes in three (3) count em, forms of infested Norris all in under five minutes.

Beautiful.

Nightmare Nostalgia -The Thing 1982

The poor geologist at the heart of the chaos located at Outpost 31 had suffered a heart attack, (could you really blame the guy for his life-pumper giving out under the circumstances?) His fellow comrades rushed a dying Norris to the medical ward in an attempt to jump-start his heart and holy eight-legged-fucks was that the worst idea ever.

In the case anyone here is unfamiliar haven not seen the film (for-shame), The Thing centers around a parasitic extraterrestrial life force that likes to imitate other organisms, thus ensuring an overabundant amount of paranoia in the group as everyone suspects each other as an “infected host”.

We good? Ok, back to Norris dying on the table.

Anyway, the defibrillator is shocking away and low and behold everyone, Norris was indeed a host for this otherworldly leech as the thing begins to extract himself from the ribcage of Norris and immediately defend itself. Norris’ chest transforms into a jaw trap so powerful, even Bruce the shark would be a little envious. After chomping away at what the Thing deems as an attack on itself, (stupid alien doesn’t know what a heart attack is), it mutates even further into a Norris-Snake-Thing that again, would give Freddy-Snake a run for his money. Enter the action of Kurt Russell, our epically bearded hero to the rescue and a flame-thrower to the Norris-Thing it is.  In the midst of the fire and flames, the Norris-Thing head tears away from its presently incinerating body, grows some spider-like legs and Linda Blair crab-walks it’s happy little self across the room inducing all the skeevies and dingleberries from fellow Outposters.

A few thoughts:

As I so eloquently stated above, it always sort of bothered me how this alien parasite didn’t realize he had copied a defective heart along with the rest of Norris. I guess I would just assume the alien would automatically see through that flaw with some alien-type goggles in its DNA, but we all know when you assume, you make an ass out of “u” and me. It’s just a little thing that I always thought about during that scene, not slamming it all mind you. Just sharing what goes on with hamster wheel in my head.

What makes this scene in particular so effectively terrifying above all others, (IMHO), is the “thing” shows just what lengths it will go to survive. Sure the monster magic is insanely gorgeous. I might even say, revolutionary for its time. And sure enough, induces all the skeevies inside you to come popping out to say, “Oh hello old friend!” Especially if you have a phobia of snakes, spiders, or severed heads with insect legs altogether. The point of the matter is, like a true ’80s slasher, it comes coming. It has an agenda and will stop at nothing to reach its goal. This “thing” could literally be anywhere, anyone, or any living thing. That’s the really terrifying part, my friends.

Because it takes a village to raise a child, and apparently a huge team of artists to make movie magic like this happen, I wanted to include this clip from CineFix. Which wonderfully showcases some behind the scenes action, facts, and trivia with director John Carpenter, Norris (Charles Hallahan), and crew involving this scene in particular. Also, here’s an Amazon link because right now, there’s a hot deal on the Blu-Ray for only $7.88!! If you don’t own it yet, now is a great time to snatch this classic up.

Happy Unofficial Thing Day!