Tag Archives: The Last Drive-In

Shudder Greenlights Another Season of “The Last Drive-In”

Though it seemed a foregone conclusion, ardent followers of Joe Bob Briggs, otherwise and affectionately known as the Mutant Family anxiously sat on the edge of its collective seat with just one week remaining of the Friday night double features that began on March 29.

Today, Shudder put those fears to rest with the announcement that The Last Drive-In had been renewed for a second season.

“From our first marathon and subsequent specials in 2018, through this year’s series, Shudder members have been loud and clear: we can never have too much Joe Bob,” said Shudder General Manager Craig Engler. “We have read every tweet, every email, and every Facebook comment crying out for more. Message received. Joe Bob will be back.”

The Drive-In Jedi himself weighed in on the outpouring of support and love received from that #MutantFam.

“It hasn’t even been a full year since the 24-hour Last Drive-In marathon, but since then I’ve made thousands of new friends and reconnected with thousands of old ones,” said Briggs. “The main reason I’m coming back to do another season is that this community of horror fans is greater than the sum of its parts, and it’s about something larger than horror. Don’t ask me what that thing is, but it’s a source of great joy to me.”

The initial Last Drive-In marathon streamed on Friday, July 13 of last year, and was followed by a pair of holiday events–“Dinners of Death” on Thanksgiving, and “A Very Joe Bob Christmas”–and the weekly program began a little more than three months later.

From cult films like C.H.U.D., WOLF COP and THE STUFF to classics like THE CHANGELING and HENRY: PORTRAIT OF A SERIAL KILLER and eclectic titles like A GIRL WALKS HOME ALONE AT NIGHT, The Last Drive-In double features have dominated social media, with the likes of Larry Cohen and CASTLE FREAK trending on Twitter.

A date for The Last Drive-In’s second season is yet to be determined, but will continue its double feature live stream format when the series returns.

More information to follow as it becomes available.

“Got Some Mail For Ya”: An Interview with ‘The Last Drive-In’s’ Darcy the Mail Girl

Sometimes in life the stars align and magic happens. That was the case for Diana Prince, known to the Drive-In Mutant Family as Darcy the Mail Girl.

She was part of a contingent who regularly encouraged Joe Bob Briggs to make his triumphant return to television, and when Shudder decided to make it happen, Briggs remembered Prince, offering what can only be described as the gig of a lifetime for a horror fanatic.

From the first marathon last July through a pair of holiday specials and now weekly double-features, Drive-In fans everywhere have gotten to know the new Mail Girl, who has quickly found a special place in our collective heart thanks largely to the fact that no one is a bigger Joe Bob fan that Darcy, herself. Whether the show is streaming live or not, Prince tirelessly tweets to promote The Last Drive-In and the man none of us can get enough of.

“The love that he gets makes me so happy. He still doesn’t get it, he’s just super humble. But he literally never understood how much he meant to us growing up,” Prince said, continuing, “You have no idea, man. You raised us.”

On Friday afternoon, Nightmare Nostalgia spent a few moments on the phone with Darcy to discuss her escape from Twitter jail, what the future holds for the show, a flick and guest combination she’d like to see happen that will blow your minds, and what being a part of the Joe Bob renaissance means to her.

Darcy 3NIGHTMARE NOSTALGIA: How does it feel to be out of Twitter jail? 

DARCY THE MAIL GIRL: [Laughs] It was actually really frustrating. I sent all these texts to anyone who would listen “They won’t let me tweet!” because I couldn’t tweet to anybody and all The Last Drive-In people panicked and were like “What are we gonna do?!” So Joe Bob was trying to figure out his password to let me tweet from his account, and he was like “I don’t know it. I don’t know how to do that [laughs].” It was actually really sweet how quickly they got it fixed, because so many people atted them and it got a real person’s attention and it made them look to see that I wasn’t a bot. So it was sweet and I hope that it doesn’t ever happen again [laughs].

NN: While we’re on the topic of Twitter, if you had to guess (and maybe you know), give us an estimate on the number of messages you receive from the mutants each day? And how much does that number balloon on air dates?

DMG: [Chuckles] Lord, I would have no idea how to guess that. I know the week before last Twitter sent me a message saying you’re getting a ridiculous amount of of messages, we need to compartmentalize or something, but I was like eh, just let ’em keep coming in [laughs]. It’s cool, I’m so happy everyone gets involved, but Lord I have no idea. Hundreds, hundreds, hundreds [chuckles].

NN: Sounds like you didn’t believe Joe Bob when he first offered you the gig, so that has got to be a good story. How did you land the role of Mail Girl?

DMG: I was one of several of his die hard fans who just really wanted him to come back and we kept encouraging him even though he insisted he was done, there was no place for him anymore. We were like that’s just bullshit, you have no idea how bad we need you. And two of them, who are now the producer (Matt Manjourides) and director (Austin Jennings) said “If we can get somebody to do this will you just give it a shot?” and [Joe Bob] was like “Well, whatever.”

They took it to Shudder and Shudder was like “All right, we’ll do it” and Joe Bob said “Well, you believed in me forever, do you want to be my Mail Girl?” and I was like “Whaaa? [Laughs]” He said to me “You’d be doing me a huge favor if you would,” and I said “(Shocked sound) Okay, I’ll give it a shot” [laughs].” So, I guess that’s kind of how it worked out, just friends banding together and [Joe Bob] just being an amazing person saying “We’re all in this together. Let’s go.”

NN: For someone who’s a huge horror fan—and gets nervous on camera anyway—were you losin’ your s*** before the cameras rolled for the first time?

DMG: The first time was fucking ridiculous! I was a wreck. I actually didn’t leave on the plane the first time, I was like I’m going to mess up his show, and I know it’s going to be a pain in the ass to replace me last minute, but there’s no reason I should be doing this. I thought I was doing them a favor like “Sorry, I can’t make it.” They said “Get your fucking ass out here now [laughs].”

So I got another flight, went out and when it was time to actually go on camera I just couldn’t. They had Felissa Rose and I was like “You be the Mail Girl. You’d be amazing.” And she was just being so supportive and pushed my ass in front of the camera, but I was worried I’d have severe stage fright and not be able to speak, it was just a mess [laughs]. But once again Joe Bob was just very kind and understanding, like “You’ll get it. It’s going to be fine, don’t worry.”

And literally, I remember crying to him during the marathon “If this messes up it’s ’cause of me, because everyone’s going to love you and you’re doing everything great. The only thing people can hate is me, so I’m really sorry if you don’t get picked up because of me,” and he was like “That’s just nonsense.” His confidence made me feel a little bit better, but it was hard. It has gotten much easier, but the last few times it was really scary. You go out there and he’s just so Joe Bob-y, the set and everybody watching, and he nails everything like it’s nothing, and then I come out there like “Wha? Whaaa? [laughs] What am I supposed to say? Where’s the camera? I don’t know, can I go back to the Twitter now? [laughs]”

It’s been a challenge and interesting, but it helps me grow as a person and that’s one of the things that he’s great about, just encouraging people to believe in themselves and be more than you think you can.

NN: Your take on THE TEXAS CHAINSAW MASSACRE (1974) led to the Joe Bob reaction of all-time. It’s been since Thanksgiving, but that moment still has life doesn’t it?

DMG: Yeah, people have definitely not let me forget about that [Laughs]. I think some people were using that as why I shouldn’t be Mail Girl, like “She doesn’t even respect the first CHAIN SAW! You’re terrible! [laughs]” But I like different opinions and I know Joe Bob loves it, and that’s great, but I like the remake better. And a few people have signed up saying they feel the same so, all right [laughs].

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NN: Let’s talk cosplay. First, what’s been your favorite so far? And perhaps more importantly, when are you going to get the Drive-In Jedi into an outfit that isn’t jolly St. Nick?

DMG: [Laughs] I am trying so hard, trust me. He’s just a very stubborn little man. I’m grateful for the Santa Claus, if he hadn’t done that, it wasn’t even Christmas, come on! [laughs] But every time I say “How ’bout you wear this?” and he says “How ’bout I don’t? [chuckles] My favorite so far, I don’t know, I never feel complete because I have to travel and I don’t have all my stuff. I would love to do it in L.A. sometime where I could do really good effects makeup and stuff, so I kind of feel like it’s half cosplay [laughs].

I really liked the pilgrim version of the condom salesman because I don’t know that people would have paid as much attention to Ted Raimi’s part if I hadn’t [chuckles], so it’s kind of cool to remind them that he’s there, and that’s a thing that happened. Although I forgot my machete with that. See, that’s the problem. I forget half my pieces before I go out on camera all the time [laughs].

NN: There have been so many, but for you, what’s been the moment of The Last Drive-In so far?

DMG: A bunch of [Joe Bob’s] speeches, I think this is the most ultimate thing that could ever happen and then something else happens [chuckles] and it’s like no, this. He’s had some really great speeches, but the one that sticks out the most, just because I didn’t know what was going to happen after, was when he was saying goodbye at the very end of [the original] The Last Drive-In where he was like “Thanks for having me back.” We worked so hard just to have this one moment of his just saying goodbye to people if nothing else happened, and then he was and it was like “Oh, no! [sad chuckle] Don’t say goodbye like that,” he walks away and left his hat and literally we were all crying. It was like, no [chuckles], we have to figure something else out for you, sir. That was probably the moment for me, and I’m so glad it wasn’t the end, but in the moment [chuckles].

NN: You’ve got to have a behind the scenes story.

DMG: There’s definitely a lot of behind the scenes craziness [laughs]. The first thing that pops into my head is Felissa Rose, the first day I met her she was so encouraging and she just has so much personality, she was trying to coach me up to be comfortable in front of the camera. We were having a blast, until I had to go on camera [laughs], but behind the scenes it was all jokes. “Oh, we’re going to be twins and blah, blah, blah,” and I was like “Oh, this is fun [chuckles].” So that was cute.

And then last week, everyone trying to blow up the blow-up doll really quick was very funny, have some good behind the scenes footage of that where we were like “We’ve gotta get the doll blown up! Hurry! [laughs]” And a lot of my costumes, it was like a group effort trying to put on my PHANTASM balls [chuckles], “I can’t get them to stay, man!’ We were trying glue and to staple them [chuckles]. Yeah, I cause drama, I think [chuckles].

NN: Yeah, the blow-up doll was fantastic. I didn’t see that coming and then you walked out with it and I was like “Oh, boy. Here we go!”

DMG: We film on a set where, I can’t remember his name, but some CNN guy or whatever, but it’s his place and sometimes they’re doing stuff at the same time and everybody from his camp was trying to come and be like [whispers] “That’s the room with the blow-up doll” and trying to see what was going on [laughs]. Like “Don’t mind us, this is work [laughs].”

NN: What movie are you really pushing for to be featured?

DMG: Oh, Lord. I have a whole frickin’ list of like please, please, please, but number one easy, is HALLOWEEN III (1982). It’s just sitting right there and it would be amazing, and I definitely want to debate [Joe Bob] because he’s so wrong in his hatred for it [laughs]. Plus, what if we had Tom Atkins on? That would be just fucking iconic. So I would love to share that, so easy, but he’s stubborn so we’ll see [chuckles].

But FRIDAY IV (1984) needs to happen. He did the whole marathon but [Briggs] had to leave that one out and he’s never done it before, and that’s one of my favorite movies ever. So, we have to figure out a way to do FRIDAY THE 13TH PART IV.

NN: That’d be a hell of a double feature, a couple of huge franchise films like that, but I agree HALLOWEEN III is fantastic. And I hadn’t even thought about the idea of maybe Tom Atkins being a guest, that would be unbelievable. 

DMG: Right?! It would be amazing, and we can so do it. Ugh, get your shit together, Joe Bob [laughs].

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NN: Give us a HOGZILLA (2014) update.

DMG: [Laughs] HOGZILLA was never actually released. SYFY was talking to them about buying it, but they didn’t show enough of the hog so they bowed out and then they just said “Oh well, fuck it [chuckles].” There’s two people I know that have copies. One is the cinematographer or something but it’s on QuickTime or some weird thing, but our biggest lead so far is the director (Diane Jacques), who has it, and she’s just very difficult to keep in communication with.

She’s like “Oh yeah, we’ll figure it out,” so I think she wants to maybe release it if she can show it on The Last Drive-In if I can get everyone to agree to that. And if I can’t, I have to convince her to just “Let me have it, man! [chuckles]” We just have to show it somehow, but it’s kind of all in her hands, she’s like the sole HOGZILLA owner at this point. We’ll get it, though. I’ll get somethin’, man, even if I have to QuickTime it together [chuckles].”

NN: What can you tell us about VENGEANCE (2019), the FRIDAY THE 13TH fan film you’ve been working on?

DMG: It’s just a really amazing project from a bunch of really die hard FRIDAY THE 13TH fans that they’ve been trying to put together for a long time. I first shot a little bit for the trailer like a year ago, then they did a Kickstarter, and now it’s finally filming and coming together.

It’s different because they’re bringing in people who sincerely love it, all the kills are homages to other famous kills from the series, like the sleeping bag kill and mine is [short pause] an iconic one. I guess I shouldn’t say [laughs], but you’ll recognize it for sure. And it’s an actual sequel to PART VI (1986), the people involved loved that so much that they’re just continuing that story. (JASON LIVES director) Tom McLoughlin is a consultant I guess you could say, and then we have C.J. Graham and we have Steve Dash’s last appearance, Amy Steel’s coming in and it’s just like wow, what an amazing little thing to be a part of.

And everybody is giving up their fees to donate to a leukemia charity because one of our actresses (Chalet Brannan) was battling with that but she’s good now, so all the money that we don’t have to spend on production is going to that cause. We’ve got $15,000 raised so far, so it’s just a really neat little thing. They built this whole Camp Blood, very detailed set and it’s amazing to just be up there and shoot and walk around in Jason’s territory [laughs].

NN: Any new twists or expanded role in the works for you as we get more and more of The Last Drive-In?

DMG: [Laughs] [Joe Bob] is definitely trying, like with SOCIETY (1989), “Hey, you have knowledge in this. We’re gonna need you to come talk about it.” Like, “Okay [laughs].” He’s changing more and more as he gets to know me more. The first marathon was kind of like a written out character who was just being annoyed by Joe Bob and shit, and I was just like this is not at all what’s happening with me here.

So [Briggs] is like “Just be you,” so now I don’t have anything written, it’s just like “Darcy talks [chuckles]” and he brings me out. So that’s interesting and cool and he wants to do that more and more, and we’ll see how that goes [laughs]. ‘Cause I’m always like “I’m good, you’re nailing it. You can talk to yourself. [laughs].”

But some of the movies, I definitely love being able to represent. Like we have one for the finale, it’s one that I want to say, it’s one I’ve been pushing for forever and I can’t believe we get to do it, so I think he wants me to be out there because I just love it so much to talk about it, so yay! [chuckles] I’m excited for that one.

NN: And you can’t tell us what it is.

DMG: I can’t! But God I want to so baaad! But that last week, I will just shout it “You guys have to watch this! [chuckles]”

NN: First, we had the hilarious Mail Girl v. Male Girl showdown from the original marathon, and now Felissa Rose is the show’s go-to mangled dick expert. How much more can we expect to see or hear from the SLEEPAWAY CAMP (1983) star?

DMG: As many dicks as we can bring out, we’ll bring her [chuckles]. Any way we can bring in Felissa it’s always gonna be a party [chuckles]. And I’m always pushing [Joe Bob] to pick movies that have dicks anyway for equality, so it’s like we need dicks, and we need to talk about dicks [chuckles].

NN: We’re about to embark on Week 3 of a nine-week run of double features, but many are wondering, are there any marathons lined up for later this year?

DMG: We are hoping to. I know that we all love the marathons, it’s not Shudder’s favorite [chuckles], but we love doing them. They’re actually renegotiating everything now and figuring that out so none of us know for sure what’s going to happen after [the nine-week double feature run], but I’m hoping and Joe Bob’s hoping that we can do holiday marathons. We have Friday the 13th coming up, I want to do a proper Christmas [laughs], and I hope we get to. It’s just the vibe of a marathon is so frantic, hectic, and it’s such a party atmosphere. The weekly shows, people know that they can watch it later in the week or whatever. It’s cool, it’s still fun, but the marathons are such a different little monster [chuckles].

NN: You don’t have a lot of down time, but have you had that moment where it hit you and you realize what you’re involved with?

DMG: The second I walked on set the first time, I did. I was like “Holy fucking hell, this is Joe Bob and he’s back and I’m part of this somehow. That’s fuckin’ weird! [chuckles]” I’m so happy for [Briggs] to be back, and any way I can support him and the people who put this on, I’m so happy to be able to.

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It’s Time to Show Some Love to Darcy the Mail Girl

After Shudder raised the curtain on the first of The Last Drive-In, Friday night double-feature extravaganzas this past Friday, we are now twenty-three films into the return of Joe Bob. In other words, we mutants are invested in the Briggs renaissance, but for all the love we bestow upon the drive-in Jedi, it’s probably about time we offer some love to Darcy the Mail Girl.

This recognition is long overdue, but necessitated in a way because of a rather upsetting tweet that I noticed this morning. Granted, I’ve not seen any such tweets myself, but that someone else has noticed a few left me feeling compelled to address the matter.

Darcy (Diana Prince) handled the message that brought it to her attention with class, but let’s face it, it’s Twitter, so I’m sure she’s had more than her fair share of hate tweets and DMs since assuming the role of Mail Girl. However, as a lifelong Joe Bob disciple and avid fan of her role on The Last Drive-In, I wanted to review just a handful of ways that she kicks all the (as Joe Bob would say) heinie.

To begin, every job is more difficult that it appears. We have no real idea of the responsibilities Briggs and Shudder have bestowed upon Darcy, but rest assured, it’s far more than just sitting at a table next to the trailer and scrolling through social media and having the occasional conversation with Joe Bob.

That said, let’s stick with what we know.

Never has Briggs had a more knowledgeable Mail Girl. It’s been obvious from the beginning that Prince has a passion for and vast understanding of the genre we all know and love. While every Mail Girl has been tasked with tongue-in-cheek eye rolls directed toward our beloved horror host, I would venture to say that few if any have had the type of chemistry and rapport with him than we’ve seen from Darcy through the initial Friday the 13th marathon, or subsequent holiday all-nighters, nor the first double-feature.

We’re not allowed to forget Darcy’s delightful composure whilst conducting her “Stump Joe Bob” segments from last July. Even when Briggs wondered aloud if it would be impossible to answer one of her queries correctly, she shot back “Not if you know your horror,” which left Joe Bob looking to the crew and offering a dismayed “When did we start hiring intellectual Mail Girls?” And it’s impossible to forget how Darcy befuddled the host of hosts and mutants everywhere (to say nothing of the incredible GIF it created) when she admitted that she preferred the CHAIN SAW remake to the original on Thanksgiving.

Mail Girl v. Male GirlAs per usual, Prince chuckled but held her ground, all the more impressive because she’s made it quite clear that appearing on camera is still something that rattles her nerves because such endeavors rest outside of her comfort zone.

Her banter with Briggs is never lacking for humor or enthusiasm, and it’s clear that she is thrilled and honored to have been chosen for the gig by Joe Bob himself. And oh-by-the-way, that’s a little nugget of truth that should never be overlooked.

Never mind the fact that Prince tirelessly promotes the show on social media and at horror events throughout California (and the country), as well as while the shows are streaming. How many mutants have actually stayed up for the duration of each marathon? Because Darcy has. She tweets all night long, but more than that, she interacts with the fans. Not only does she retweet observations and funny takes from the Mutant Fam, she responds to as many messages as she can. And if we take a moment to truly consider what that means, it deserves our respect because we’re talking thousands of messages coming in, not only every minute the show is streaming, but the next day. And the day after that. Three days later. It never stops. She doesn’t complain, she doesn’t say she needs a break, she just keeps on. Happily, enthusiastically, with a smile on her face. Every day.

And we haven’t even touched on her cosplay, which Joe Bob has mentioned loving numerous times. Prince is playing a character, yes, but the cosplay just adds an element to the part that makes The Last Drive-In that much richer. Which character will she choose? What spin will she come up with to represent a film or character? Again, take a moment to consider the amount of time that level of preparation and creativity requires.

Then remember the way you smiled at the Fouke Monstress and the Ted Raimi condom vest, or her hilarious “got some mail for ya” interaction that gave us Mail Girl v. Male Girl from SLEEPAWAY CAMP, which if we’re honest about it, is one of the moments of the show thus far.

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And for The Last Drive-In’s recurring communal theme, it was Darcy who shared a bunch of @thestichkeeper’s crocheted figures lovingly constructed from flicks featured on the program, and offered a Michael Berryman figure to auction off to help raise money for Florida’s Seacrest Wolf Preserve, a place near and dear to Berryman’s heart which had suffered extensive damage during Hurricane Michael.

For as invested as we are in Joe Bob and The Last Drive-In, so too is Prince. As she mentioned in her Twitter response, she’s just a fellow mutant who has been blessed to be a part of the magic, and her heart is in it, every second of every day. And that deserves our appreciation, because for as much fun as it is, it’s also far more work than any of us realize.

Darcy’s knowledge and banter, unrivaled cosplay and inclusiveness, and devotion to Briggs, the show, and the fans are a far bigger part of this than we often give credit for.

So if you notice a negative remark directed toward her on social media, don’t get into an argument because that’s silly and not worth your time, but do offer this simple response and leave it at that: The Last Drive-In is better because of Diana Prince. She is our Mail Girl, and we are damn lucky to have her.

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