Tag Archives: Creepshow

HAPPY ACCIDENTS: THAT TIME BOB ROSS DEFEATED DEADITES

To the glee of horror aficionados, Shudder’s CREEPSHOW is teeming with Easter eggs, and no episode filled the basket quite like the Season 2 debut chaser, “Public Television of the Dead.”

The set-up alone was intoxicating. A play on ANTIQUES ROADSHOW featuring EVIL DEAD veteran Ted Raimi querying about a book he’d had “in [his] fruit cellar for years.” Of course, Raimi was playing himself, the book in question was the Necronomicon, and the Pittsburgh-based station (hello Romero reference) even featured a program with a puppet named–you guessed it–Henrietta. When the host of THE APPRAISER’S ROAD TRIP began reading the “wretched incantations,” all hell broke loose. But in the next studio, a gentleman who struck a striking resemblance to Bob Ross was filming, not THE JOY OF PAINTING but THE LOVE OF PAINTING. Played to placid perfection by Mark Ashworth, the character of Norm Roberts was merely Ross’ given name rearranged: Robert Norman Ross.

Fresh off a floating and brilliantly delivered “pledge to us,” Raimi’s Deadite wandered onto Roberts’ set, and the calm craftsman immediately leapt to action, confronting Raimi with a cool “I don’t know who you are, sir. But if you’re not gonna behave, I’m gonna have to ask you to leave.” Battle ensued. From a 2-inch brush to paint thinner and making a Gattling gun out of a snowblower, Norm went full MacGuyver, utilizing the tools of his trade to decimate Deadites. “We’re gonna beat the Devil out of you.” To the surprise of no one, Roberts saved the day, and his show–which was slated for cancellation–went national.

On its face, the premise of the episode seems outlandish, but it’s closer to the truth than you might think. The Roberts character was supposed to be a Vietnam veteran who fought on the front lines of the Tet Offensive in 1968, and believe it or not, Ross was a service veteran. Joining the United States Air Force in 1961, the not-yet-permed-painter was a medical records technician before being stationed in Alaska where he discovered a love for the snow and mountains that would inhabit so many of his works. Ross rose to the rank of master sergeant, but after acting as the heavy who was “the guy who makes you scrub the latrine, the guy who makes you make your bed, the guy who screams at you for being late to work,” upon discharge Ross vowed he would never raise his voice again.

Simply stated, “Public Television of the Dead” was a love letter to Ross. THE JOY OF PAINTING aired for eleven years (1983-1994) and thanks to its magical host, enjoys a cult following to this day. Bob Ross’ official YouTube channel has over 5.6 million subscribers as of October 26, and one episode alone–the Season 29 opener–boasts of 45 million views. And by the way, the color code for Van Dyke brown is #664228. If you know, you know.

Who among us doesn’t reflect on childhood afternoons watching in awe as Ross painted amazing scene after amazing scene, his words of encouragement and love a ray of sunshine acting as a soothing salve for the lashes of life. To this day, when I need a calm voice to help slow my mind so I can sleep, I pull up an episode of THE JOY OF PAINTING because Bob Ross was who we–and episode writer Rob Schrab–thought he was: a superhero.

“I think each of us, sometime in our life, has wanted to paint a picture.” For many of us, it’s because Bob Ross existed. The serene sculptor would have been 81 today, and as we celebrate the memory of someone who touched us all, we echo Ashworth’s Roberts: “good night, day. Thank you for everything.”

QUINTESSENTIAL QUINTUPLETS: WHY ‘THE FIRM’ IS HORROR’S BEST ENSEMBLE EVER

Just hear me out.

Before we begin, however, I acknowledge this method could be applied to any number of films and probably work just as well, but THE FIRM (1993) is my favorite Tom Cruise movie and after rattling around in my head for years, it’s nice to finally put these thoughts to paper.

If you’re reading this, I assume you know THE FIRM, but here’s a brief synopsis in case: Mitch McDeere (Cruise), an eager young attorney fresh off graduation from Harvard, chooses a small law firm out of Memphis, Tennessee from a seemingly endless line of suitors only to discover that when something seems too good to be true…

Oh, and a quick thought on the ranking breakdown: roles in THE FIRM was weighed more heavily than their contributions to the horror genre. If you wonder why Cruise is absent despite INTERVIEW WITH THE VAMPIRE (1994) and LEGEND (1985), or why Holly Hunter was excluded with titles like THE BURNING (1981) and COPYCAT (1995) under her belt and knowing good and damn well that Tammy Hemphill is THE FIRM’s undeniable MVP — well, hopefully you’ll understand more after reading the article. QUICK CLUE: with this writer, a certain sci-fi television series will always win a coin flip).

Now, shall we join Bendini, Lambert & Locke for a little barbeque?

5 — JERRY HARDIN as ROYCE McKNIGHT

The least sinister or shady (insert whichever adjective you prefer that begins with the letter “S” here) amongst the firm’s hierarchy, the reality is that “any lawyer worth that offer” should’ve had Mitch sniffing things out when Hardin said he’d bribed a clerk in the Harvard law office so he could add 20 percent to MiDeere’s tender. Alas, that’s not what we’re here for. Hardin appeared in 11 episodes of THE X-FILES as the mysterious Deep Throat, who provided Agent Mulder (David Duchovny) cryptic information in the early stages of a show that, if you’re of a certain age, was without question appointment viewing.

4 — TOBIN BELL as THE NORDIC MAN

Asking “why are you asking questions about dead lawyers” whilst brandishing a silencer and wagging a finger like a disapproving Dikembe Mutombo would send a shiver down the spine of the most stoic among us, but let’s get down to brass tacks. Look, the Nordic Man’s albino ass was absolutely terrifying, but as discussed in the open — it’s about the heft of character from THE FIRM — so as a trigger man, Tobin lands (rather appropriately) in the clean-up spot. Bell is certainly the heaviest-hitter on this list as the anchor for one of horror’s goliaths. Beginning with the OG in 2004, Bell has starred in the dual role of Jigsaw / John Kramer in eight of the SAW franchise’s nine films to date and is reportedly tied to the tenth installment due this October. Because, if you’ll recall, “if it’s Halloween, it must be SAW”.

3 — HAL HOLBROOK as OLIVER LAMBERT

At first glance, Holbrook cut quite a father figure, one that held sway with McDeere, but it didn’t take long for Mitch to learn that Lambert was behind the wheel of a deep, dark motor vee-hick-uhl chase that resulted in crash and burn for four lawyers–none of them over the age of 45–in less than ten years. Holbrook was nominated for an Oscar (INTO THE WILD, 2007) and his trophy case required Emmy and Tony Awards be dusted, but we’re going to focus on a pair of performances where you wouldn’t have expected him to be the bad guy: Father Malone in John Carpenter’s THE FOG (1980) and Henry Northrup in George A. Romero’s CREEPSHOW (1982). Holbrook just had a gentle way about him, and much like his role in THE FIRM, so why would you even consider this dude was up to no good? Well, some menacing mariners and Fluffified Adrienne Barbeau would like a word.

2 — GARY BUSEY as EDDIE LOMAX

As our fearless leader Patti Pauley often points out, Gary Busey wrestled a godddamn werewolf. Do me a favor and read that out loud again, Maybe three times. But before I forget, Busey played a seedy private detective who had done time with Mitch’s brother Ray (it was so hard to leave David Strathairn off this list because DOLORES CLAIBORNE, 1995). Busey only got two scenes, but made the most of them, and brought Mitch and Tammy (Hunter) together, which if we’re honest, was why Mitch’s “more of a way through” succeeded in the first place. That said, back to wrestling a werewolf. Busey’s Uncle Red keeps us coming back to SILVER BULLET (1985). The one-liners — “I feel like a virgin on prom night” — never get old and though he took a bit of convincing, Red never lost faith in his niece and nephew when he easily could have just buried himself in a bottle of booze — which as I believe you do recall — Uncle Red was very good at. And if we could get back to wrasslin’ for the briefest of moments? It took a lot for me to rank anyone above Busey. I just needed to say that.

1 — WILFORD BRIMLEY as BILL DEVASHER

Even if Brimley had only been provided the opportunity to appear in the scene featured in the GIF above, he would have nailed the role of the firm’s frightening head of security. Not-so veiled threats and that glance before asking a question that required no answer. Don’t, for a single, solitary moment, allow yourself to believe that a dude who once peddled oatmeal (and battled diabeetus) couldn’t scare the ever-loving shit out of you. When it comes to Wil’s horror pedigree, we needn’t look further than Outpost 31. As Blair in John Carpenter’s THE THING (1982), Brimley again made the most of few words: “how long were you alone with that dog?”, “that thing wanted to be us!” and “I said watch Clark and watch him close.” The good doctor not only believed in the voodoo bullshit–but to bring the Quaker Oats full circle–knew sabotaging his own crew was the right thing to do. Brimley ripped the spotlight away from superstars like Cruise and Kurt Russell in both roles and stands atop the medal podium for his efforts.

HONORABLE MENTION — PAUL SORVINO as TOMMIE MOROLTO (with apologies to Ed Harris’ dance routine from CREEPSHOW)

“Avery, who’s in Chicago?” I’ll tell you who — a legend who gave us “we’re under attack by a popular dessert!”(THE STUFF, 1985) and knock-you-on-your-ass roles like Rotti Largo in REPO! THE GENETIC OPERA (2008). There was zero chance — ZERO — this scene didn’t make the cut.

Agree? Disagree? Have another non-horror movie in mind with a stellar spooky cast? Hell, shoot us ideas on topics you’d like to see tackled in this Quintessential Quintuplets series. Sound off in the comments and we’ll see you next week!

PREVIOUS QUINTUPLETS

MICHAEL MYERS (RIP George P. Wilbur)

CARPENTER CHARACTERS

Shout Factory Just Made My Day – ‘CREEPSHOW Collector’s Edition’ to be Released!

Welcome back my Nasties! Gather close and snuggle up with a corpse because we have some ghastly goodness to discuss. I’m your host, Manic Exorcism, and today I, once again, am being forced to bid farewell to some more hard-earned cash. That’s because our friends over at Shout Factory just gave us some of the best damn news ever, and frankly, I’m a bit shocked. Earlier today the team responsible for giving us some of the finest horror Blu-rays ever just announced that we will be getting a CREEPSHOW Collector’s Edition. It’s finally happening!

It’s about fucking time too! For the longest while, we had to settle for an inferior, bare-bones release of one of the most beloved horror titles of all time. CREEPSHOW is the pinnacle example of how a horror anthology should be done. Certainly, this movie wasn’t the very first horror anthology, but it’s certainly the favorite among many. It’s my personal favorite one.

 

amazon
image via Amazon

 

The masterminds over at Arrow Video did give us a brilliant release of CREEPSHOW 2, and I’m very happy with that edition. Nevertheless, I still wanted the set to be complete (CREEPSHOW 3 can eat shit and die because it doesn’t exist to me) and hoped to see the original movie (FINALLY) get a proper Blu-ray treatment.

The movie deserves it.

The fans deserve it.

Jordy Verrill gave his life to see this finally happen.

And by God, we’ve waited long enough!

“Romero and King have approached this movie with humor and affection, as well as an appreciation of the macabre.” – Roger Ebert, Chicago Sun-Times

That’s the charm of this movie. It’s spooky fun, something modern horror needs to be reminded of.

No matter what kind of day you’re dealing with this movie will make you feel better.

Hollywood Reporter
image via Hollywood Reporter

It’s also something you can watch with your kids, just in case you’re wanting to raise them to be proper horror fanatics. It has everything! The dead rising from the grave,  Joe Hill getting the shit slapped out of his face, Leslie Nielsen being a dickhead to Ted Danson, and a drunk Adrienne Barbeau – this movie is fun for the whole family!

I’m curious to see what kind of Special Features we’re going to get with this one too. I’m really hoping it mirrors the UK DVD edition that came out a while ago. Regardless this is the Collector’s Edition and given Shout Factory’s past record I know we can expect some great things.

Preorders are limited right now, and they boast:

EXCLUSIVE LIMITED-EDITION OFFER FOR SHOUTFACTORY.COM – ONLY 1,500 AVAILABLE – INCLUDES:

A rolled 28.5” x 16.5” lithograph of the new slipcase art by Laz Marquez
A rolled 18” x 24” poster of an alternative art illustration by Laz Marquez
– Shoutfactory.com

 

Creepshow [Collector's Edition]