Tag Archives: horror

“Chucky” TV Series Full Trailer From Comic-Con Revealed!

It’s time to play… again. But this time over at SYFY in collaboration with the USA network for a series to premiere exclusively on the platforms just in time for the Halloween 2021 season!

Produced by Channel Zero‘s Nick Acosta and Child’s Play forefather Don Mancini, the show centers around a teenage artist (Zackary Arthur) who is struggling with his sexuality after coming out as well as dealing with the recent loss of his mother. As we can all can guess, this unfortunately causes some bullying for the young boy. He comes across Chucky at a local yard sale, and with him being an artist and all, buys the good guy for some parts for a sculpture- but umm, yeah the doll has other plans.

The cast of Chucky also stars Lexa Doig (Jason X) and Devon Sawa (Final Destination) as well as returning fan favorites Jennifer Tilly, Fiona Dourif, Alex Vincent, Christine Elise, and Brad Dourif, who once again voices the plastic tiny terror.

 Chucky will premiere Oct. 12 at 10 p.m. on USA and SYFY.

Gators, Maniacs, and Cannibals: Top Ten Horror Movies From 1980

I’m straying from usual go-to form of doing these lists in milestone anniversary manner as last year’s shit show threw a machete in the machine; and I’m sure as hell not going to wait ten years to write it so here we go nuggets- Let’s talk about the year of our Horror Lord, 1980.

1980 begat the decade that brought us some of the most beloved horror classics and birthed an entirely new generation of fans with the Slasher enterprise. Although, many can argue over which horror franchise exactly started the slasher fiasco. Was it Halloween, The Texas Chainsaw Massacre, or Black Christmas? Technically I’d say all are right. However, I want to say Friday the 13th, which of course debuted in 1980, did really kick off the slasher sequel phenonium the best and set the gold standard for what a good, classic 80s’ cheesy-gorefest should look like; and keep you coming back for more.

1980 was also the grand year of Jamie Lee Curtis with who clocks in with a solid three films on this list. After her massive success in her debut with Halloween, she was a definitely a hot commodity in the genre bizz. And for some reason or another, cannibals seem to be the popular go-to this year with more than handful of films at our disposal in this ONE year alone that include Cannibal Holocaust, Eaten Alive!, and Long Island Cannibal Massacre.

I don’t know man, those are all great, but it’s all about the man-eating oversized alligator for this horror girl over here that gets me excited to write this up.

So let’s plundge into those delightful, swampy waters of horror’s best from 1980!

10. Motel Hell

Motel Hell doesn’t get a lot of credit for being one of the great satirical, dark horrors of it’s kind. So let’s rectify that bullshit right now. It’s my goofy, guilty pleasure of this list and by judging from the above image, why question it?

Motel Hell is like the Scary Stories books, bridging your way into that gateway of horror with enough gore while having a chuckle at the same time. Hell, even the entry from the books “Wonderful Sausage” kind of reminds me of this movie. Which might be why I love it so much. Now, if you are familiar with “Wonderful Sausage” that’s really all you need to know, but for those who need a little context: A pair of siblings run a motel attached to a farm, and specialize in selling some of the world’s finest sausages… I’m fairly certain you get it now.

9. Terror Train

Ahh, here we go. The first of the Scream Queen Jamie Lee Curtis 1980 trilogy begins with Terror Train. The premise is simple enough and formulaic as far as teenage slasher pictures are concerned. A gang of fraternity guys and sorority gals charter a train to party yet a revenge, seeking murderer that is traumatized by past events is on board waiting to cut them down one-by-one. So what makes this one so special?

Well, it’s on a train for one. Which is pretty cool in itself as there’s really no where to go but so it really prepares the victim to either fight, or throw yourself to your death off a 100 mph moving train. I mean, that’s pretty terrifying. Also it’s Jamie Lee vs another Masked Maniac. It’s pretty cool for what it is.

8. Maniac

Before there was Buffalo Bill, we had Frank Zito. And man, he knew how to induce the skivvies all too well.

Coming out of one of the most vicious decades of prolific crimes against women (Ted Bundy, Ed Kemper), MANIAC flies on those fears in a very grotesque yet satisfyingly manner. With Joe Spinall writing and starring in the title role as a madman serial killer who does unspeakable things to his women victims, most notably taking their scalps and parading it on some of his mannequin heads with his buddy, horror icon Tom Savani behind the special effects, Maniac is a tried and true entry not just for this decade; but for the entire genre alone as a stand-alone WTF-fest that will forever haunt us.

7. Cannibal Holocaust

Not for the faint of heart, Cannibal Holocaust ranks right up there as one of the most fucked up films of all time. People had no idea that what they were looking at was real or just fake. The power of found footage-style horror movies all began here folks. And it came in with a BANG.

Love it or hate it, the message is clear. It is undoubtedly, one of the most highly gruesome and shocking films of the twentieth century. But the catch is, it’s well written too with a purpose. If you can get past all the gore, rape, and death (and if you’ve never went down this film’s rabbit hole, I can’t stress this enough to proceed with caution as it could trigger some anxiety in some), especially the animal killing scenes as they killed REAL ANIMALS on the set. Which I want to also stress, do NOT condone and have never watched the film since learning it. However, it does have it place in the ranks for being a breakthrough movie in its own by placing the point on the viewers themselves. Hey if you haven’t seen it and you’re curious, watch at your own risk.

6. Alligator

Sometimes all we want in a horror film is giant, oversized homicidal animal wreaking havoc. Films like JAWS and King Kong have shown us the way and now enter a cult favorite: ALLIGATOR. While it may not be seen on an OSCAR level as the former mentioned, ( and I goddamn could care less) it packs a punch, erm, chomp as one of the great horror films of the decade that is severely under-appreciated.

A tale as old as time: The star here, Ramon the alligator, is bought for a little girl by her mother as a new pet. But the fuckhead father doesn’t want it around so poor Ramon is flushed down the toilet as a baby and this just breaks my heart. He survives in the sewers by eating dead rats leftover by a lab who were experimented on with growth hormones by some dickwad scientists. And hey, you guessed it: he gets good and goddamn HUGE and people start disappearing. And you know what I say? Screw ’em. Poor Ramon could have had a great life and this little guy gets flushed down a toilet no less and then mutates into a freak reptile. Bad humans. CHOMP, CHOMP.

5. Prom Night

The Scream Queen Jamie Lee Curtis is disco-dancing her way into the top five spot with the classic teen slasher, Prom Night. Much like in Terror Train above, the antagonist is fueled by revenge with the death of a girl bullied by her classmates. The kids responsible are now dancing the Bungalow at the Senior Prom by being picked off one by one. Also worth noting the late, great Leslie Neilson plays the High School Principal and throws a bit of mystery in the mix of this “who dunnit” mystery slasher epic.

The film is exactly what it’s supposed to be but so much more fun that it should be. Sort of like Sleepaway Camp– you just gotta love it and if you don’t, I don’t want to know you.

4. The Changeling

I might get some blowback for putting this one high above others. But eh, it’s my list so I’ll have my moment. The Changeling starring the forever fantastic George C. Scott is by far, one of the most beautifully done haunted house films done in the genre and I’ll proudly die on this hill,

Scott may have been the reason this movie is so good, and that’s ok. He plays a widowed man suffering from the loss of his family. He moves into a new home that is obviously got some spooky shit going on it; like the ghost of a boy who died in the home. He enlists the assistance of his realtor (Trish Van Devere, Scott’s real-life wife), and things go WOO-SAW from there. It’s tension driven and a real nail-biter. Again, probably one of the best haunted house movies ever done but hey, that’s just the humble opinion of a horror-retro fan blogger.

3. The Fog

And now we’ve come to the end of our JLC holy trinity with John Carpenter’s The Fog. Beyond the Halloween star’s presence, the film plays host to mega horror stars like Adrianne Barbeau, Hal Holbrook, Janet Leigh, and the man, the myth, the mustache, Tom Atkins. And to boot, is the most atmospheric, visionally appeasing piece done by Carpenter even ’till today along with its colorful cast.

A California coastal town prepares to commemorate its centenary when a host of supernatural shit starts to happen. Inanimate objects spring to life. We stumble upon a dark secret about the town’s founding. Then a mysterious iridescent fog descends upon the village, and more people start to die. It’s a real wild ride once it gets going and a fun one at that towards the end.

2. Friday the 13th

And for those wondering, Jason’s birthday is June 13th, 1946. Although it’s common knowledge now, I gloat in the fact I’ve known forever because Jason is my birthday twin, (don’t get it twisted though- I was born 40 years later). As a woman, I gotta hit that one home. Anyways, the first Friday the 13th began in 1980 and had a sequel every goddamn year in the decade- with each and every one charming us into a Voorhees hypnosis clamoring for more until the steam finally let out in the early 90s’ with that really weird Jason Goes To Hell flick. Yeah I know, some of you really probably love it and that’s totally ok. But it’s also fair to say the films lost their way and it was time for zombie Jason to take a breather.

As the Jason saga unfolded throughout the 80s’, the first movie in the beloved series is a stand-alone masterpiece. The only entry in the films to NOT have Jason as the maniac, but instead his mother. Sorry if I just spoiled it for any of you who haven’t seen it but at this point in the game, I don’t even know what to say to those that haven’t except WHAT IN THE FUCK and just click the link below to remedy that please. Sheesh.

1.The Shining

And to the surprise of no one, Stephen King’s The Shining adapted by Stanley Kubrick is of course going to be number one! And why not? It’s just about the perfect damn, film to just about everyone- well except Stephen King but goddammit it’s good enough for me.

Inspired by his stay at the Stanley Hotel, King wrote one of the scariest stories of his career about a severely haunted inn at the heart of the Colorado Rockies. Rocked by numerous ghouls and poltergeists, Jack (Nicholson) and family are selected to tend to the Overlook in the downtime winter months. This doesn’t bode well with Jack’s highly intuitive son, as he senses danger before they even get there. From creepy hacked up twin girls hanging out in hallways to blood-soaked elevators, The Shining is an experience and a rite of passage for every horror fan. You just haven’t peaked until it hits you in your eyeballs and gives you multiple panic attacks.

As always, sound off below and let me hear your favorite from this list or tell me what a loser I am and add your own! Pick your poison!

WTF Am I Watching: Black Devil Doll From Hell (1984)

Dearest Reader,

Welcome to the inaugural article of my WTF Am I Watching series. Throughout this extended (barring my sudden death at 27 years old like some sort of coked out rockstar) collection of articles, I’ll be viewing bizarre horror films that most people have never even heard of and describing them to you in great detail. This week’s flick is Black Devil Doll From Hell, a mid-eighties blaxploitation horror film from writer/director Chester Turner.

black devil doll from hell

Black Devil Doll From Hell begins with a nearly four-minute opening credit sequence in which several names appear against a fuzzy black background while a sampled beat of sinister funk (is that a genre?) plays on a repeated loop three or four times in full. In layman’s terms, it was long as fuck.

Once the credits finally wrap up, the viewer is met with a foreboding warning in regard to the terror they’re about to experience:

We all have our personal horror stories to tell. May yours never be as devastating as Miss Helen Black’s.”

If I may backtrack for a moment… I watched Black Devil Doll From Hell on Shudder, and since I neglected to read the plot information, I had no idea exactly what I was getting myself into. Foolishly, I expected something more along the lines of Child’s Play, but, um, that’s not exactly the sort of devastation Helen Black would be faced with.

This was Turner’s directorial debut, and it shows from the very moment we see something other than words on the screen. I didn’t do my research on the particular subject, but the film appears to be shot on a standard 80’s home video recorder. The picture looks like something you’d find on a VHS tape in the dusty cabinet under your grandparent’s bulky box television. The opening scene is set in a church, and you’d be hard-pressed to believe that any of the characters are played by real actors. I 100% think that Turner filmed an actual church congregation, save for Shirley L. Jones, the lead actress, with a home video recorder, and turned it into the first scene of a movie. Some of the pew-sitting church members even glance directly into the camera! It’s quite charming.

What we learn from this opening church scene and the walk home that follows, however, is that Helen Black is as devout as Christians come. She follows the ten commandments to the letter, tries to bring sinners to the lord, and shuns any negative influence. She’s a virgin, and as she confesses to a friend over the phone, she intends to remain that way until she is married. At the time it was spoken, I really thought the bit about her virginity was just a throwaway line. I had no idea that the entire plot of this insane film was hinging on her sex life.

Not long after convincing her phone friend to attend church with her next Sunday, Ms. Helen Black visits some sort of thrift shop, where she becomes instantly fascinated by the antique doll of a black man. She asks the owner of the store for a price, and the owner is surprisingly straight-up with her about the doll’s supernatural abilities. In a bit of terribly acted exposition, the owner explains that the doll possesses the power to grant the deepest desires of the heart, and that every time someone purchases it, the doll eventually finds its way back to her shop.

Ms. Black laughs, sets the doll down, and begins to walk away while shaking her head at the silly story she’d just been told. However, when she reaches the doorway, she decides to buy the doll regardless of its supernatural power because either (A) she really doesn’t believe fables other than the bible, or (B) she DOES believe the story, and since she’s not the virgin Mary, God isn’t providing the D that her heart most desires.

black devil doll from hell

That’s right, it’s quickly revealed after she purchases the doll that, despite what she’s preached throughout the thirty minutes of the movie so far, what she wants more than anything in the world is to get laid. Ms. Black keeps her innocent charade up while speaking with the doll upon returning home. She sets the doll on the toilet, begins to undress for a shower, and declares that the doll’s eyes are the only ones who will see her naked until she’s married.

While Helen bathes, the doll opens its eyes and looks around the bathroom, observing that his new owner is in the shower. He exhales an unexplained white mist, causing the shower curtain to slowly open by itself. Under the doll’s influence, Ms. Black experiences visions of herself and the doll having dirty, nipple-lickin’ sex, and she begins to touch herself without realizing exactly what she’s doing. When she eventually catches herself, she laments the dirty thoughts and pulls the shower curtain closed without so much as a thought as to why it opened by itself. Because that happens.

That night, Helen wakes from disturbing sex dreams to find the doll watching her. She removes the doll from the room, but it’s watching her yet again when she awakens the following morning. Inexplicably confused by the doll seeming to possess a supernatural power in which she’d already been warned about, Ms. Black ties the doll up inside of a closeted box before leaving the house for a few hours. To her surprise, the doll is still tied up when she returns home, so she decides to shower in peace.

As I mentioned before, I really expected Black Devil Doll From Hell to be something similar to Child’s Play. I was fully prepared to see a doll cussing, killing, and placing its soul in the bodies of small white children. What I didn’t plan on, however, was for this ridiculously cheap-looking puppet to attack Helen Black, knock her unconscious long enough to tie her to a bed, and rape her against her will while calling her “bitch” about a hundred times and degrading her very existence.

Also unplanned was the fact that Black Devil Doll From Hell becomes what is essentially softcore pornography. The doll has a tongue, and it uses it in more ways than one. Most unexpected, though, is that Ms. Black not only enjoyed her sexual experience, but complimented the doll’s sexual prowess and begged it not to stop. Talk about good girls gone wild.

black devil doll from hell

After the moderately graphic seven minutes of doll on human sex (!!!), the doll vanishes, having fulfilled Helen’s deepest desire. Throughout the rest of the film, though, she grows increasingly lustful, but the missing doll has the only wood she craves. It’s wild, y’all.

Black Devil Doll From Hell is the type of horror movie that’s so bad, you’ll never be able to unsee it. Every aspect of the film is horribly executed, from the direction, editing and performances, to the in-your-face misogyny. I can’t at all recommend it, but I hope like hell that you watch it anyway.