News broke today – according to Collider – that GVK on set witnesses confirm seeing King Ghidorah’s skull hooked up and ‘made technological.’
This is – pardon the pun – titanic news! My imagination is reeling with the announcement and my earliest speculations of Mecha-Ghidorah potentially showing up could be proving to be true!
Soon as the initial trailer for Godzilla vs. Kong hit the internet it not only broke records but it left many fans clamoring around the rumor mills with growing obsessions over the possibility of seeing one of Godzilla’s greatest villains making its appearance in the MonsterVerse, Mechagodzilla!
Not to mention certain toy companies revealed Mechagodzilla as part of their future lineup. It’s all but certain we’ll be seeing a Mecha version of the King of the Monsters in the upcoming film. However, recent news has given way to the strong possibility that perhaps we may get a different kind of Mecha monstrosity, one from the Heisei era.
According to Collider:
“We walked on to the set, and there was a gigantic Ghidorah skull that had been wired up and made technological,” collider’s Matt Goldberg wrote. “It’s one of the cooler sets I’ve been on as it looks like they had taken the organic matter of Ghidorah and mechanized it into some new kind of mechanized creature.”
Yes! My theory was right! I knew that severed head would come into play as some kind of Mecha weapon! Goddamn it’s fun to be right! Read here for more on the subject.
This doesn’t confirm the appearance of Mecha-Ghidorah, who first appeared during the Heisei era and became an immediate fan favorite, but it does make it vastly more likely. It’s also possible the skull’s cells are powering none other than Mechagodzilla himself.
Unless we’re in for a double treat.
Two Mecha Monsters!
Now hear me out: you’ve heard me mention it before but we do have Godzilla bones still left untouched in the MonsterVerse that were introduced to us in 2014.
We know these belong to Dagon, an old Titan and member of Godzilla’s rare species. I propose a possibility that would bring both Mecha terrors into the series.
Is it possible that Ghidorah’s skull is powering the tyrannical Mecha-King Ghidorah while Dagon’s bones power the Monsterverse’s Mechagodzilla?
“Oh no, Manic! You’ve gone mad with power!” Buah ha ha ha! I have indeed. But why not? I know that’s the direction I’d take us in if it were up to me. Go big or go home.
Bottom Line We’re getting a Godzilla vs. Kong movie, my Nasties! Can you believe it?! Even if the movie is nothing more than sixty minutes of those two famous monsters beating the shit out of each other it’ll be worth watching! This is a project I never thought could possibly happen and here I am writing (yet another) article about it.
The two stars of the show are Godzilla and Kong, let’s not forget that and let speculations ruin our viewing experience. If all we get are those two big guys I’ll be thrilled. I strongly think there will be others in the movie, but Kong and Godzilla are the focus.
After all, speculating is helluva lot of fun, but they can raise expectations to unrealistic levels. So at the end of the day let’s celebrate our favorite monster and all the MonsterVerse is giving us.
Godzilla’s foundations are fortified beneath layers of deepest sorrow and tragedy.
March 1, 1954 A Date With Destiny
The neon haze of a new era was begun under the heated shadow of mushroom clouds. This marked a new achievement for man’s capacity to destroy his own kind and the atomic age was secured whether we wanted it to be or not. This date marked the first hydrogen bomb testing and – it would seem – Armageddon was right at Japan’s back door.
But this wasn’t the first time nukes touched down on their soil.
Hiroshima and Nagasaki
Previously, during WWII, a couple of bombs were dropped on two populated cities in Japan. The effects were catastrophic, although that is a puny word and pales in comparison to the trauma those unsuspecting citizens felt that day. It made history and shook the entire planet.
The homes of approximately 450, 550 people would be left in ruins due to the catastrophic effects of the bombs dropped on the unsuspecting population. When the clouds cleared, in the place where homes once stood, a wasteland had emerged where Hiroshima and Nagasaki once flourished.
The bomb had no pity. Women and children weren’t spared any more than the elderly. People melted into the sidewalk making it tough to differentiate where the people began and the cement ended.
Others who were far enough away to escape the initial blast would all-too-soon learn how cruel nature can be as they began feeling the sickly effects of radiation poisoning. Hell had been opened and there was no escape.
Now, just a few years after the a-bomb dropped on them, the same culture had hydrogen bombs being tested just a little ways off the mainland. It would seem nuclear horror inundated Japanese culture.
Some may say it was in poor taste for the US to go ahead with using Japanese land for a top secret testing ground (for nukes nonetheless). After all this was a nation already suffering the hazardous effects of radiation poisoning to last three lifetimes.
Some would also argue that this was American occupied territory and they had a right (maybe by some higher power) to do it. But the powers that be approved of the plan and the US started dropping nukes and playing like some Old Testament act of God.
The surrounding waters of the Marshal Islands were strictly off limits.
A new stroke of misfortune was on the rise though, as the crew aboard the Lucky Dragon set sail, dangerously close to the apocalyptic islands. The fishing crew hoped to make good on all the tuna just begging to be caught, and with no competition this seemed like a win win all around.
Were they simply ignoring the warnings surrounding the Marshal Islands and tempting fate or were there no real warnings laid down to begin with? It’s said that the project was so top secret that not even the Japanese government knew what the US military was doing out there.
Whatever the reason, the fishermen aboard the Lucky Dragon weren’t so lucky.
To their horror a second sun appeared before their eyes and set the sky aflame with unnatural light. A deafening boom clamored overhead like a storm and with it the crew were knocked off their feet.
The bomb had gone off and their fates were sealed under the swift lambent vapors of a very cruel destiny. Already the H-bomb was claiming its first prey and the Reaper emerged out of the smoldering air as the crew quicklyfelt the sickening effects of radiation poisoning.
This tragedy – along with the traumas of Hiroshima and Nagasaki – deeply affected the nation.
Art For Exorcism
The opening sequence of Gojira strongly echoes the terrible misfortune that befell the Lucky Dragon. Incorporating a national tragedy into the film’s prologue set audiences up for the right tone of the film and prepared them for a new kind of horror movie.
This wasn’t going to be just a giant monster film. This movie dared to tackle recent – terrifying – topics that scarred an entire nation; brazenly the film makers chose to exorcise their demons through means of art rather than hide from them.
Bold, daring, and distinctly Japanese, this was going to be one helluva’n experience.
For a lot of people when they think of Godzilla they think of the silly moments given throughout the franchise. Be it Godzilla dashing across the sky being carried by his atomic breath alone, or the tail-glide kick, or characters like little Minilla or Jet Jaguar.
Ok, there have been some fun shenanigans along the way, and that’s ok. That’s part of what’s embedded Godzilla into pop culture and made him accessible to younger audiences.
But Godzilla’s introductory film is far from campy. It is dark and very bleak, and not what many viewers expect it to be. It serves as both a metaphor for nuclear weapons and a warning against them.
Origins For Destruction
Sure there can be no denying that King Kong was also influential over the film project, as it was to all giant-monster cinema that followed it. And yet Godzilla was his own monster and became a hallmark for Japanese cinema. He rose from a fresh new Hell of mankind’s own making and stood as the devastating embodiment of humanity’s unbridled ambitions.
There’s no doubt about it. Godzilla is the monster of the atomic age.
The film opens with the iconic roar we’ve all come to love. It’s a bold statement letting us know this is a film that stands apart from any that’s come before it. In other words, it’s not ‘just another big monster movie.’
For one thing, Gojia‘s been called a Japanese ghost story and for good reason. His rampage across Tokyo does feel like a supernatural force risen up against humanity. He’s a phantasm of the deathly affects left behind from nuclear weapons and rapidly begins to repay death with more death and none are spared before him.
Others have called this a force of nature. For example: a tsunami ushers in Godzilla’s approach to land and a nearby village is completely flooded in the catastrophe, leaving survivors in a sodden ruin that was once their home.
Perhaps the planet has sent him with a mission to show mankind the dire follies of their careless handling of science and the destruction wrought thereof. The disaster Godzilla causes is no less effective than that of a tornado, hurricane, earthquake, or fire. In fact, Godzilla manages to embody each of those disastrous traits as he slowly looms over the city and crushes buildings and bones with equal ease. Steal, iron, and stone are impervious against his path and prevent nothing.
Not even the army has a chance at slowing him down.
So a living force of nature, a vengeful ghost, and the atomic monster. And this is still the opening of the movie!
Once we do finally get the first glimpse of the titular kaiju we see Godzilla’s head slowly crowning over a hilltop. It’s undeniable the haunting imagery bears an uncomfortable resemblance to a mushroom cloud ascending.
Even the design of Godzilla’s skin was based on the radiation burns victims of the bomb came back with. So rather than being a green lizard covered in scales, Godzilla is a coal-black body of radiation scarring.
This is some pretty heavy stuff for a kaiju film and is nothing short of a true horror story.
After giving the film yet another re-watch I was struck by how easily this movie can stand alongside the classic horror heavyweights like Dracula and Frankenstein. But there’s something more to Godzilla that those other guys didn’t have – originality. More akin to his predecessor Kong, Godzilla didn’t have a graphic novel to inspire his lore. Gojira, like King Kong, is a work of imagination on the film makers behalf.
Audiences will sit through some uncomfortable moments. Like a recently orphaned little girl looking down upon her dead mother’s body. It leaves you with a cold sense of silent revelation. A revelation that even if humanity stumbles upon a means to rid Tokyo of Godzilla the lingering after affects of his titanic carnage will never be remedied for so many, many lives.
Everyone seems to pick up on another emotion-fueled scene as well. I’m speaking of the mother sitting in the shadow of all the destruction while encouraging her little ones that soon they’ll be with daddy again. It’s a fierce moment featuring a doomed mother who’s come to realize there’s no chance for her or her children. The only thing she has left to offer is the meager comfort that at least their family will be reunited again after death.
There’s a reason why we all focus on that scene. It pulls at the heart and brings to light just how dire everyone’s situation really is. And the film masters these sobering moments and tricks us into thinking we’re not watching a monster movie. It elevates what should be a B movie to A-list quality.
The tone and story lines of the ensuing films would lighten up significantly and Godzilla would evolve from his initial role of being mankind’s ultimate destruction to humanity’s conquering protector.
And that’s how I like my Godzilla most, as the protector. Nevertheless I admit there’s something imperially satisfying about seeing Godzilla wreck havoc across unsuspecting cities. At the end of the day, fans have a multilayered monster to adore which isn’t bad for a man in a rubber suit.
Speaking of which, actor Haruo Nakajima, the man who brought Godzilla to life (from inside the suit), said he based his movements on what he saw from bear behavior. It does give Godzilla a more natural feel, something organic and feral.
That beautiful man’s performance is what has kept Godzilla the ultimate King of the Monsters all these many decades later. Nakajima played the roll from 1954 all the way into 1972 and laid the unshakable foundations that none have strayed from as they fill his giant-monster shoes in later roles. His spirit lingers on and is felt even in 2016’s Shin Godzilla.
This master of monster art is responsible for bringing fans some of the most iconic battles seen throughout the entire franchise. His Godzilla was first to stand against the likes of King Kong, Rodan, Gigan, and his archenemy King Ghidorah! He introduced us to the gigantic world of larger-than-life fantasy! He suffered inside that hot, sweaty, bulky suit to bring us a beautiful film series to believe in and be enchanted by.
Lost in Translation
Unfortunately, many Western audiences associate the first Godzilla movie with Godzilla, King of the Monsters (1956) which was – to be fair – technically the first Godzilla movie released in the US. However it suffers from a ton of re-editing.
The two films may share the initial concept story but they honestly couldn’t be further apart from each other. In terms of tone, atmosphere, and pacing Gojira wins hands down.
I’m not saying GKOTM (1956) is a bad movie but it does lack the very things that made Gojira a masterpiece. By purposely cutting out the political message and removing significant scenes of tragedy the American re-edit lacks the heart and soul of Gojira.
Because of this, the Americanized version feels more like a typical ‘50s nuclear monster movie akin to Them. And that’s not a bad thing…I love those kinds of movies. But compared to Gojira you see how malnourished the Western edit is.
So even if you’ve seen Godzilla, King of the Monsters (1956), and not Gojira you’re missing out. Gojira is a cinematic achievement just as much as the original King Kong was.
Thanks to the Criterion Collection a very nice edition of Gojira has been made available to fans. Be sure to check it out here. There’s never been a better time to catch up on our favorite kaiju’s apocalyptic roots.
Sixty-six years later and still going strong, Godzilla’s adamant sovereignty is proven just as indestructible as himself! And given the success of his reintroduction to newer audiences – largely thanks to Legendary – his fame has hit an all-time high thus assuring his place in history… as if there was any doubt.
This has been Part 1 of a 3-part look into the three Godzillas. Next time we’re going to dare take a look at that, yes that, Godzilla movie that came out in 1998.
I’m Manic Exorcism and if you need to satisfy any further Godzilla goodness be sure to check out my previous articles both here and here. Don’t forget to give us a like and let us know your thoughts in the comment section below.
You can follow my shenanigans over on either Instagram or Facebook @thetruemanicexorcism
Horror fans are always asked what initially got them into the genre, and each one of us has a different answer. For some, it was Jaws, or Gremlins, or maybe Freddy. We all have that one quid essential monster that served as a gateway to the incredible world of beasties. For me, it was none other than the King of the Monsters himself, Godzilla.
Godzilla may have entered our world in 1954 but he didn’t crash into my life until 1983-84. I was just a toddler and upon seeing the radioactive behemoth my imagination was awakened!
Oh, hells yeah! The time has finally come for me to talk about Godzilla, the Monster of Monsters! I’m lucky enough to remember – all be it briefly – all the way back to some of my earliest days on this planet. I’m like 3 or something and my little Manic nose is glued to the TV screen while TOHO’s giants are tearing one another to pieces over the fate of the Earth. The earliest films I remember ever watching are firstly Godzilla vs Mothra and then soon afterward King Kong vs Godzilla. Interestingly, I was going over this with my mom and she confirmed that Godzilla vs Mothra was one of the very first movies I ever watched and began mimicking.
I’ve always loved Godzilla – as if you couldn’t tell by now. I mean just look! Look at little me romping around in my very own homemade Godzilla costume!
My Granny spent God knows how many hours at the sewing machine to make this dream come true and my Mom had one Hell of a time trying to get me out of it. Once I had that on I no longer existed. A perfectly harmonies symbiotic relationship between myself and Godzilla was formed while I had that on, the two of us became one, and woe to all who stood in our way.
Sadly I outgrew that little costume but neither my love nor passion for the King of the Monsters could be diminished. This particular fandom though was not met without its fair share of challenges. One of the chief being the sheer scarcity of these movies back then!
Things weren’t like they are today. There were no streaming services. We had three channels. Three! If you were a kaiju fan while growing up in the mythical ‘80s you were lucky AF if your local horror host aired one of Godzilla’s movies during their Saturday late-night specials. TV guides were bought primarily so kids could bug the crap out of their parents on whether or not any Godzilla or King Kong movies would be on that upcoming week. Sometimes you’d luck out and there would be a giant monster movie! It felt like some kind of reward for all our patience.
Thanks to TV special airings I was able to get Godzilla vs King Kong , Godzilla vs Megalon, and Godzilla vs Monster Zero recorded on tape to watch as many times as my psychotic little heart could handle!
And it wasn’t like you could just go to K-Mart and find copies on video. So fans could only rely on the movies they were lucky enough to record off TV. Although, I do remember one Christmas morning very vividly. So there I was greedily tearing away wrapping paper from all the goodies Santa brought me when I came across an obvious shoe box.
I remember being disappointed already before even removing the colorful wrapping paper and just sitting it to the side. What little boy wants a pair of bleeping shoes on Christmas? But my mom – being the psychotic mastermind she is – insisted I open it. Reluctantly I did, but what was awaiting me was not a boring old pair of sneakers, but 4, oh hell yeah, 4 Godzilla movies. I still own them. Among them being Godzilla vs MechaGodzilla and Godzilla vs Gigan! These videotapes were treasures to a fan like me!
This lack of movies also meant if you found a copy at your local video rental you were about to have a really good weekend. It was almost like a sacred quest and no less ambitious than any adventure Indiana Jones ever went on. We were kinda like paleontologists digging through movie shelves trying to discover just a single copy of a movie we (oh dear God, please oh please) had not already seen.
I remember my cousin and me storming through one video store to the next just trying to get a copy of one of these monstrous relics. And then one Friday it finally happened! The stars came into alignment, God was merciful, or maybe Cthulhu was having a good dream, but, whatever the reason, there it was! A mother-loving Godzilla movie we had never seen yet – Godzilla vs the Smog Monster!!!
I think we watched that movie every single chance we had. Like soon as it ended we would rewind it just to hit play again. I remember we even tried to get a video camera out and film ourselves making fun of the movie by adding our own little quips and inputs to ‘enhance’ the dialogue and greatly entertain ourselves. Yup, we had the idea for MST3K before Tom Servo or Crow ever sat front row to do what we loved them for.
Another challenge was, well, just being a fan for the sake of being a fan. Being a Godzilla fan was almost like an underground thing.
There weren’t many people back then who loved the big guy like the few of us did. As result, there just wasn’t a market for it so collecting Godzilla stuff was nearly impossible.
Today all you have to do is go to Target and you’ll find lots of amazing Godzilla stuff – mostly thanks to NECA. It’s a very different world from the one I grew up in and that’s a great thing!
People my age can now easily find copies of these incredible movies to show their own kids and there are so many toys to now collect. We may have grown up but we have every right to play Godzilla with our little ones and spread that love to the next generation. Isn’t it amazing how that turned out?
It’s a good time to be a Godzilla fan. What with the new movies being released by Legendary that gives us a faithful upgrade to the Showa Era monsters we grew up with.
The Criterion Collection just recently released the entire Showa Era Godzilla collection on Blu-ray meaning all those movies that we might have missed out on seeing are now available!
And I can’t believe that I now own a bona fide Godzilla figure from the very movie that got me into this whole giant monster craze, Godzilla vs Mothra. The details of the figure are uncanny. It’s like it was taken straight out of the classic film. I now own 6 different NECA Godzilla figures alone! It’s a new sickness that I’m convinced my loved ones will initiate a well-planned intervention for me soon.
So here we are. Nearly 40 years later and still I’m a fan of the King of the Monsters, a title he has rightfully earned over the years. The greatness of Godzilla isn’t simply found in one movie, or even in a series of movies. It is how one single idea about identifying the nuclear age in the body of a new cinematic monster has gone above and beyond TOHO’s wildest dreams.
Godzilla is a cultural phenomenon and unites people from all walks of life. He’s such a big deal in Japan that there’s a place for him at the Museum of Japanese History.
So he might not have been the first giant monster to awe audiences but ever since his appearance in ’54 he’s taken the world by storm. He’s inspired a massive franchise that is still ongoing to this day.
The latest TOHO installment was Shin Godzilla back in 2016 and returned Godzilla back to his destructive roots. He’s seen as a plague of sorts upon a world of carelessness towards nature.
This time around Godzilla appears in three evolutionary stages. The third and primary stage gives him this sickly macabre look some fans call ‘Zombie Godzilla.’ It’s a dark commentary on Japan’s politics during times of crisis and is a special effects masterpiece. A must-watch for hardcore fans!
Currently, on Netflix, there is a three-part Godzilla anime for fans to enjoy. Though there have been other animated representations of Godzilla this is in fact the first anime he’s ever had.
I already mentioned how Legendary has given the Godzilla universe a very respectful and epic American update to the King of the Monsters. There are currently 3 movies in this new MonsterVerse: Godzilla (2014), Kong: Skull Island (2017), and Godzilla: King of the Monsters (2019).
As someone who’s been watching Godzilla movies since before I had a fully formed vocabulary I can say I genuinely love what Legendary is doing with these big guys. We’re all waiting for the next installment, Godzilla vs Kong which was slated to show this year but with COVID19 we’ll have to wait and see what happens.
Godzilla has been the representation of nuclear terror, an unstoppable force risen against all humanity, a monster without pity or compassion. He has also stood tall as a symbol of hope as he withstood the odds and protected the Earth from extraterrestrial invaders bent on destroying the planet.
Over the years he’s been our reckoning and our protection, a destroyer and a savior, two sides of the same coin. He’s starred in over 30 movies and shows no signs of slowing down.
In some cases, he is a nuclear-enhanced dinosaur. Sometimes he’s a mystery risen from the sea. And he’s even been a surviving titan come back from a prehistoric time to face the newly awakened challenges threatening our world today. He even has a star on the Hollywood Walk of Fame.
Ok I know, I know! I gotta stop already or this could go on forever. People familiar with my writing know how much I love Hellraiser and Dracula, but had it not been for Godzilla I have to wonder if I would have as much admiration for Pinhead or the vampiric Count? Godzilla was my gateway monster and has remained a trusted constant in my life.
Godzilla is timeless.
So hey if you crave all those warm retro feels and want more Godzilla goodness stay tuned and follow us here where nightmares and nostalgia are explored.
Have a favorite Godzilla or kaiju memory and would like to share with us? Let us know down in the comments below.