image courtesy of Legendary, ‘Godzilla: King of the Monsters’
The ground beneath you cracks at the approach of an immortal titan returned from a bygone era of raw strength and savage power. The monster’s colossal might is felt in the air like electricity passing between each mote of dust falling on your face. The heavens clamor at the sound of his battle cry and nature itself is swept up in awe at his magnificence. Godzilla has returned and there is nothing that can stop the age of the King!
We have entered a brand new era, fellow believers. An era only thought possible in dreams of childhood imaginations.
image courtesy of Legendary, ‘Godzilla: King of the Monsters’
As children, we didn’t see rubber suits or miniature sets. Back in those happier times of delicate innocence and sitting in front of the glow of our TV’s Godzilla was simply larger than life. We didn’t pay attention to bad dubbing or notice wires holding Monster Zero’s heads up. We believed in what we saw and to us, it was entirely realistic.Â
Image courtesy of Toho, ‘Godzilla vs the Astral Monster’
Those monsters came to life before our eyes and no matter how silly it could get at times (Yeah, I’m looking right at you Godzilla vs The Smog Monster) we never stopped believing… at least for a time that is.
And then the inevitable happened. Innocence came to an end and child-like whimsy had to be set on a shelf with the coming of age.
courtesy of Toho, ‘Godzilla vs Megalon’
In other words, we had to grow up.Â
Do you remember how it happened? I don’t actually. I mean there was a time when I believed in fantasy: like I made my figures come to life every time I played with them. I saw a dinosaur on TV and felt how real it looked. I watched Godzilla knowing he truly existed, if nowhere else than in my heart. He was real.Â
Image courtesy of Toho, ‘Godzilla vs MechaGodzilla’
And then as if overnight all of my Teenage Mutant Ninja Turtles figures were little plastic pieces sitting around gathering dust. I stopped playing. I quit running around outside pretending to be a giant monster destroying cities and battling other kaiju.
image courtesy of Manic Exorcism, little me in my Godzilla costume.
I no longer ran around in the weeds imagining myself to be the Predator hunting down prey.Â
I stepped out of the hazy fog of childhood and had grown up before I knew it. And that’s just nature. It’s life and how it should be. But, no matter how old I got, I never stopped believing in certain things. In fact, as I matured it dawned on me that these guys could be larger than life itself!Â
courtesy of Toho, ‘Godzilla vs King Kong’
Just because I could suddenly see the strings and knew about an actor being in a suit didn’t make the magic any less enjoyable to me. I just started dreaming bigger.
Like what if they made a Godzilla movie that could prove the enormity of these monsters we loved so much?Â
Godzilla approaches his ancient enemy, a lofty golden dragon with three vicious heads. About the heads of this rival king is a crown of blistering storms shattering the blackened skies above. If Godzilla is god then this is the devil, menacing and wrathful. He has come to our world like a fallen star and will stop at nothing until all life on the planet is under his hellish command. Or eradicated. An ancient battle between old enemies is about to take place over the fate of the world.
This is what Godzilla fans expect to see. This is what we were given.
courtesy of Legendary, ‘Godzilla: King of the Monsters’
This is a love letter to the classic Showa Era we all grew up on and dreamt of seeing someday. Thanks to Legendary we are being given the films fans deserve.Â
And that’s how it truly feels: Legendary, through the three fantastic monster movies they’ve given us via the MonsterVerse, has written a love letter to fans of the classic movies.
The scope of imagination and attention to detail given to each project has not let us down. The people behind these movies have proven to be true fans of the genre and treat the kaiju with the titanic respect they each deserve.Â
image courtesy of Legendary, ‘Godzilla: King of the Monsters’
It doesn’t matter if these are modern-day movies, these films embody exactly what we expect from kaiju cinema. One tiny example among hundreds: Kong. In Kong: Skull Island, fans are not given another remake of the classic King Kong story. We’re given a Kong who is truly a kaiju.
This Kong has more in common with Toho’s concept than it does the Empire State Building climber from the ‘30s. Even looking at the color of Kong’s fur, a reddish-brown hue, matches closely to the one seen in both King Kong vs Godzilla and King Kong Escapes.Â
image courtesy of Legendary, ‘Kong: Skull Island’
Yeah, they know what they’re doing.
There’s been criticism towards GKOTM, but as an OG Godzilla fan, after seeing the movie I walked away with my expectations exceeded.
I expected a really good time but had no idea it would hit me in the feels as it did. It transported me back to my childhood, back to before I noticed the strings and rubber suits.Â
image courtesy of Legendary, ‘Godzilla: King of the Monsters’
The film embodies both the magic and awe that the classic Showa films inspired in me. It felt like a reward for being patient and loyal to the franchise.
I think that’s something we all could use.
Sure we grow up and have responsibilities, but it’s important to not let all that adulting stuff erase the simple joy of being a kid at heart. It’s important for parents to get down on the floor and play with their kids. It’s important to just have fun sometimes.Â
And these movies I’m talking about are pure fun.Â
image courtesy of Legendary, ‘Godzilla: King of the Monsters’
It’s important to let yourself be enchanted by things from childhood. For me that’s Godzilla.Â
Godzilla For A New Generation
image courtesy of Legendary, ‘Godzilla: King of the Monsters’
The Legendary MonsterVerse is one helluva great way to introduce our loved ones to these monsters.
Just a few weeks ago I showed Godzilla: King of the Monsters to a girlfriend (who had never seen a single Godzilla film before in her life) and she loved it! That weekend we wound up watching Kong: Skull Island and Godzilla (2014), and in that order too.Â
image courtesy of Legendary, ‘Godzilla: King of the Monsters’
A new fan was born.
Now she comes over and asks if we can watch not only KOTM again, but she wants to see all the Godzilla movies I grew up with.
Our world is changing. We’ve entered the proper age of the kaiju.
image courtesy of Legendary, ‘Godzilla: King of the Monsters’
One that has its foundations laid down by pioneers like RKO and Toho. Jurassic Park furthered it and, in its own idiot way, so did Godzilla (1998). Pacific Rim introduced Western audiences to the word kaiju. Godzilla (2014) gave us our first glimpse into a big-budget Godzilla film done right with the real Godzilla and not some radioactive iguana.Â
The rest is history you could say.
The age of monsters is in full force and there’s no sign of slowing down in sight. They come to us from the heavens above and the depths below. All we can do is stand in awe-struck wonder and enjoy the rapturous spectacle.Â
image courtesy of Legendary, ‘Godzilla: King of the Monsters’
For more love for Godzilla be sure to check out my previous article here. If you want those nostalgic feels be sure to check in with us and add us on all your social media fixes.
And be sure to keep checking in for even more GIANT MONSTER MANIA! We’re nowhere near being done.Â
image courtesy of Legendary, ‘Godzilla: King of the Monsters’
So if there are any Godzilla/kaiju topics you want to see us explore be sure to leave your suggestions in the comments below. Give us a like and a share and we’ll see you in the shadow of the titans next time,
Sometimes you just get a feeling. When the teaser trailer for TERRIFIER 2 dropped on July 24, the few glimpses we were given of Lauren LaVera as Sienna left this writer with the overwhelming sense that Art had his Laurie. Or as David Howard Thornton would put it, the Batman to his Joker.
Often times horror franchises hit the pavement sprinting but over time, they simply can’t maintain the pace and step by step begin to lose steam. Rare is the franchise that starts strong only to grow stronger, but that very well be the lane TERRIFIER finds itself in, and where LaVera enters the equation.
With a resume that includes Marvel’s IRON FIST as well as a background in martial arts and dance training, LaVera is well equipped to step into the daunting role of nemesis to the already iconic Art the Clown, but it’s her internal drive that will have fans falling in love with Sienna. The badass horror heroine TERRIFIER needs to take things to the next level.
LaVera considers the role a privilege, and demonstrated that with “endless questions” about the character for writer / director Damien Leone and even wrote a character biography to understand Sienna at a molecular level.
A firm release date is yet to be announced, but when Art disciples everywhere finally get the opportunity to lay orbs on TERRIFIER 2, LaVera assures all the blood and gore and action, but also believes the sequel “will be better in every aspect. It will be better. One hundred percent better.”
Ladies and gentlemen, remember the name Lauren LaVera.
NIGHTMARE NOSTALGIA:When I spoke with David Howard Thornton last April he said that he’d told TERRIFIER writer / director Damien Leone that “Art needs his Batman, the Joker needs his Batman,” a worthy adversary. Then I saw the teaser for TERRIFIER 2 and it just vibed, you were chosen for a reason. How does it feel to be the protagonist in one of the most highly anticipated horror sequels in recent years?
LAUREN LAVERA:Â It feels amazing. I actually did mention in another recent interview that when I did find out I booked the part I went out to eat with Damien and Dave and that was one of the things that Dave actually said to me. He told me that Sienna is the Batman to Art’s Joker, so I don’t think I really understood the role I was taking on until he said that to me. I was like “Whoa, that’s a pretty heavy statement,” so I think in the beginning I really truly didn’t understand but I think it’s hitting me a little bit more every day, the effect that TERRIFIER has on people and what TERRIFIER 2 is going to mean in my life and both Dave and Damien’s life. If feels great, in short, after all that, it feels great.
NN: Had you seen TERRIFIER before landing the gig?
LL:Â Actually I knew about TERRIFIER before I auditioned, I knew of it. I had some friends, because I love horror and all of my friends know that I love horror, so I had a lot of friends and acquaintances reach out to me years and months before the audition saying “you should check out this film. You’d really appreciate it, you’d really enjoy it,” and I had every intention to watch it but I just never got around to it.
So, when I found out I had that audition I didn’t have a lot of time to watch the film before my first audition and then I received the callback. I got the callback without even watching the movie so maybe I should continue not watching the movie, I don’t want to see if and then maybe make the wrong choice in my next audition. So, I continued not to watch it until I found out I booked it, and the same day I found out I booked it I watched the film for the first time, and I watched it again a couple of times after that and I really enjoyed it.
NN:Actresses had to be lining up for the role of Sienna, so how did you land the part?
LL:Â Oh, God. That’s a good question. You know what? When I had received the breakdown I actually didn’t think I would be right for Sienna. So, I sent the breakdown–and for people who don’t know what a breakdown is, it’s what the casting director sends your agent and which your agent sends you, it’s basically a description of the character–and when I read it I was like “I don’t know if I’m this person, I don’t know if I can do this.”
So, I sent it to an actor friend of mine and said “you should audition for this because you would be more likely to get booked for this,” and she was real excited about it and said “yeah, I’ll do it.” I don’t know if she actually did it, but I was surprised each time I got the callback, I was like “wow, I really didn’t think I was the right fit for this,” but I guess Damien and the guys at Fuzz On The Lens saw something that maybe I didn’t. So, I’m happy I took the chance and actually went for it. I don’t know, with every role I just give it my all and hope it sticks. So, yeah, that’s how I booked it (chuckles).
NN:When TERRIFIER landed for the masses two years ago, Art the Clown became almost instantly iconic and a little indie wasn’t so little anymore. The bar was set pretty high for the first of what Leone hopes to be a trilogy, so what can we expect from its follow-up?
LL:Â You can definitely expect more blood, more gore, definitely more action, but also more story, which is what really drew me to it. The thing with the first TERRIFIER, the reason why people love it so much is because of the insanity that happens in the first one, it’s very gory, there’s a lot of twists and turns that people either loved or hated, so that’s what I liked about it. But it was basically a setup for Art. It was really just go give you an idea, it was supposed to be an introduction to him.
What was lacking in story for the other characters, for the final girls and just for everybody else involved, the difference and what people should really look for in the second one is that it’s very much story-driven around the character of Sienna, around her little brother Jonathan (Elliott Fullam), around her mom and also around her friends, her friends play a huge part, and there’s also some other really wonderful characters that I think people will fall in love with. But you’ll still get all of the same things that people loved about the first one–you’re still going to get that gore, you’re going to get even more action, more blood–it’s just going to be the first one times a thousand plus an interesting story.
NN:In late July, Leone appeared on The Nick Taylor Horror Show podcast and shared that you were in constant contact with “endless questions” and were journaling about your part, saying that “nobody has ever cared for a character” as much as you had, perhaps even more than he did–adding that Sienna is his favorite character that he’s ever written. Tell us about that preparation process going into TERRIFIER 2.
LL:Â I spent a lot of time for this, and also in general with my acting coach Bryan Fox, and he’s incredible. I was constantly reaching out to Damien and constantly reaching out to (Fox) with endless questions. I like to read scripts that I book hundreds of times, because I’m a huge fan of Anthony Hopkins and that’s what he does. He reads his scripts like 500 times or something like that, and I didn’t read (chuckles) as much as that but I read it over and over and over again to see if I could pick up little things. It’s all about subtext, so reading between the lines–what is my character really saying with each line–what is the underlying meaning. I also write biographies for my characters, so I’ll make the smallest decisions of what’s my character’s favorite color to broader concepts like what’s their sexual orientation or something like that. It’s just a a deep dive into what I believe Sienna should be.
I also asked Damien make a playlist for me. One of my favorite actors is Mahershala Ali, he’s incredible, and I heard in an interview with him once that he makes a playlist for all of the characters that he takes on because what that person listens to gives you a better idea of what kind of person they are. So, Damien made a whole playlist that I still listen to to this day because I absolutely love it, of songs that Sienna would listen to and it really gave me a better idea of who she was. If she listens to this kind of music she probably is a romantic, she’s probably a this, she’s probably a that, so there was a lot that I put into it including music choice to broader concepts. It was a lot (laughs).
NN: Can you give us a taste of the kind of music Leone thinks that Sienna would listen to?
LL:Â It’s funny because I’ve said this before, but I think Sienna is a lot like Damien. I mean, he wrote her, but even reading the scripts and hanging out with Damien I see a lot of similarities. One of the bands he put in the playlist a lot was Fleetwood Mac, that’s Damien’s favorite band which I love because I’m a huge Stevie Nicks fan, so when I saw that I was like “wow, that’s really great.” Also, a lot of eighties music. A lot of Fleetwood Mac, a lot of Madonna too which I loved, but also some nineties music like Gin Blossoms and Rage Against the Machine, really great music. It gives you an idea of Sienna’s more dreamy-esque fantasy, she’s very into fantasy and stuff like that, but she also has an edge to her. It’s a lot of variety between eighties synth music to hard rock.
NN:In that same Q&A, Leone also commented on a night during filming that was dingy and cold and that he was a bit down but looked over at you covered in blood, wearing a skimpy Halloween costume, suffering more than anyone, but you just smiled. Would it be fair to say that you don’t just see this film as an opportunity but a privilege?
LL:Â Oh, absolutely. Absolutely. In all fairness I do think that every job is a privilege, I’m very grateful with every job that I had, but there was something very special about this film. There was something very special about the camaraderie that we all developed on set, with me and Damien as well, we keep in contact frequently talking about the character, talking about the entire process. We’ve all developed a great love for each other, a great respect for each other. Sometimes I would just take a step back and look at everybody on set, see how tired they all looked and how hard they were working and I was just thrilled thinking we’re all making something very special together. It was very easy for me to smile at times because I was just in awe with the people that I was working with.
NN:You also have background in martial arts and dance, so how helpful were those skill sets in what had to have been a grueling and physically demanding shoot?
LL:Â It was immensely helpful because through my martial arts I’ve made a lot of friends who are also martial artists and who are also stunt performers, so because of that I train with my friends who are martial artists and stunt performers. We train on mats, we train on how to fall, we train on how to take a hit, and this was a very action-heavy role to take on. Sienna gets beat up a lot and she beats up a lot, as well. If I hadn’t known how to properly fall, how to properly take a hit I could have seriously been hurt or I could have seriously hurt somebody. That experience was absolutely beneficial in the long run with this type of role.
NN:What makes David Howard Thornton so special in that clown costume?
LL:Â (Laughs) What he really brings to the character, his whole experience, he’s a comedian first and foremost. One thing that I truly believe is that it’s much easier for comedians to venture into more dramatic roles that dramatic actors to venture into comedic roles, because comedic roles in my opinion are much harder to take on. There’s a nuance, there’s a formula to it, and I think because he’s this hilarious guy with this wonderful personality he’s able to give Art this sadistic but also a you-can’t-help-but-love-him type of personality because of the type of person that (Thornton) is. Really, his whole essence is what makes Art so special.
NN:You touched on how funny Thornton is (as well as the character), but there’s also a switch that he can flip where it’s very menacing and unnerving, that stare with his eyes is absolutely terrifying. After all your prep, what went through your mind when you finally set up for your first scene and just before Leone yelled “action” and you’re staring at Art the Clown?
LL:Â Definitely terror. It was not hard for me to feel afraid of Art the Clown. Dave is a different story, I could never be afraid of Dave, but as soon as he gets into character, as soon as he manipulates his body, as soon as he manipulates his face it’s much easier to be afraid of him. I’ve said it before and I’ll say it again, I’m terrified of clowns to begin with and the character that Damien created with the prosthetics that he made are truly horrifying. I felt everything. Every time I look afraid I’m truly afraid because it’s actually very scary to witness in real life. A lot of it was done with dark lighting and I felt like I was alone because of how the stage was set up, so it was definitely very scary.
NN:Speaking of Dave, we reached out to Mr. Thornton and he said that maybe we should ask you about the ghosts at Fright Factory and the house you stayed at upstate during filming.Â
LL:Â (Laughs) That’s funny. I have a very interesting relationship with my belief in ghosts because I really feel in my life that I have encountered supernatural entities. However, I’m the type of person that refuses to believe that they exist. I constantly tell that to myself because I don’t think I’d be able to sleep at night if I would give in to the things that I believe that I saw.
At the Fright Factory, yes, he told me some things but I’m the type of person who tries to stay oblivious to it, I’m like “no, that didn’t happen” just because I’m terrified of it, I”m very much a scaredy cat. (Thornton) said he saw things moving, there was a mechanical doll that went off by itself in the Fright Factory which I cannot deal with because dolls scare the hell out of me. Especially porcelain dolls, and that was a very creepy porcelain doll. I was like “okay Dave, whatever you say. I just won’t go in that room.”
And the same at the house we stayed at upstate, a priest died there and apparently he wasn’t the best person, so there was some creaking. I actually stayed in his room, so I personally could not deal with it and just tried not to listen to whatever ghost stories people told me. I was just the type of person that said “okay, whatever. I can’t listen to it,” so yeah (chuckles), that’s my take on it.
NN:Horror fans are a passionate bunch, are you ready for the fervor to come once the film drops?
LL:Â I cannot wait. I’ve already had my fair dosage of horror fans because there were a lot of horror fans who were on the set of TERRIFIER 2 because they donated to get the film made, they’re wonderful people. They got to hang out with us, and I still talk to them because they’re amazing. As well as online, I’ve already had people reach out to me with just so much love and so much support. I’m floored by the horror community because they’re like you said very passionate, but really wonderful people because they just want fun and want good entertainment and I really truly believe that we’re going to deliver that. I’m excited to meet every single fan.
NN: We know that you can’t give much away, but what can you share that will leave TERRIFIER fans champing at the bit until the big unveiling?
LL:Â (Laughs) Wow, that’s a tough question. I’m not even quite sure what I can share. What I can say is that it definitely will be bigger and better in every aspect. There will be more story and I think, again that was what was lacking in the first one and that some people were complaining about. Damien is the type of person that reads every comment and tries to listen to all of his fans. He knows that he can’t please everyone, obviously, but he puts everything into consideration. (Leone) often says “they’re either trolling or they have something of substance to say,” and he really takes all of that into consideration. He’s listened to everybody’s thoughts on the first one and how he can improve the second one. I truly believe that the second one will be better in every aspect. It will be better. One hundred percent better.
Horror fans are always asked what initially got them into the genre, and each one of us has a different answer. For some, it was Jaws, or Gremlins, or maybe Freddy. We all have that one quid essential monster that served as a gateway to the incredible world of beasties. For me, it was none other than the King of the Monsters himself, Godzilla.
Godzilla may have entered our world in 1954 but he didn’t crash into my life until 1983-84. I was just a toddler and upon seeing the radioactive behemoth my imagination was awakened!
Oh, hells yeah! The time has finally come for me to talk about Godzilla, the Monster of Monsters! I’m lucky enough to remember – all be it briefly – all the way back to some of my earliest days on this planet. I’m like 3 or something and my little Manic nose is glued to the TV screen while TOHO’s giants are tearing one another to pieces over the fate of the Earth. The earliest films I remember ever watching are firstly Godzilla vs Mothra and then soon afterward King Kong vs Godzilla. Interestingly, I was going over this with my mom and she confirmed that Godzilla vs Mothra was one of the very first movies I ever watched and began mimicking.
I’ve always loved Godzilla – as if you couldn’t tell by now. I mean just look! Look at little me romping around in my very own homemade Godzilla costume!
image courtesy of Manic Exorcism, ‘Godzilla: Destroyer of Worlds” circa 1984
My Granny spent God knows how many hours at the sewing machine to make this dream come true and my Mom had one Hell of a time trying to get me out of it. Once I had that on I no longer existed. A perfectly harmonies symbiotic relationship between myself and Godzilla was formed while I had that on, the two of us became one, and woe to all who stood in our way.
Sadly I outgrew that little costume but neither my love nor passion for the King of the Monsters could be diminished. This particular fandom though was not met without its fair share of challenges. One of the chief being the sheer scarcity of these movies back then!
Image courtesy of Toho, ‘Godzilla vs Mothra’
Things weren’t like they are today. There were no streaming services. We had three channels. Three! If you were a kaiju fan while growing up in the mythical ‘80s you were lucky AF if your local horror host aired one of Godzilla’s movies during their Saturday late-night specials. TV guides were bought primarily so kids could bug the crap out of their parents on whether or not any Godzilla or King Kong movies would be on that upcoming week. Sometimes you’d luck out and there would be a giant monster movie! It felt like some kind of reward for all our patience.
Thanks to TV special airings I was able to get Godzilla vs King Kong , Godzilla vs Megalon, and Godzilla vs Monster Zero recorded on tape to watch as many times as my psychotic little heart could handle!
Image courtesy of Toho, ‘Godzilla vs Monster Zero’
And it wasn’t like you could just go to K-Mart and find copies on video. So fans could only rely on the movies they were lucky enough to record off TV. Although, I do remember one Christmas morning very vividly. So there I was greedily tearing away wrapping paper from all the goodies Santa brought me when I came across an obvious shoe box.
I remember being disappointed already before even removing the colorful wrapping paper and just sitting it to the side. What little boy wants a pair of bleeping shoes on Christmas? But my mom – being the psychotic mastermind she is – insisted I open it. Reluctantly I did, but what was awaiting me was not a boring old pair of sneakers, but 4, oh hell yeah, 4 Godzilla movies. I still own them. Among them being Godzilla vs MechaGodzilla and Godzilla vs Gigan! These videotapes were treasures to a fan like me!
image courtesy of Manic Exorcism, circa 1989
This lack of movies also meant if you found a copy at your local video rental you were about to have a really good weekend. It was almost like a sacred quest and no less ambitious than any adventure Indiana Jones ever went on. We were kinda like paleontologists digging through movie shelves trying to discover just a single copy of a movie we (oh dear God, please oh please) had not already seen.
I remember my cousin and me storming through one video store to the next just trying to get a copy of one of these monstrous relics. And then one Friday it finally happened! The stars came into alignment, God was merciful, or maybe Cthulhu was having a good dream, but, whatever the reason, there it was! A mother-loving Godzilla movie we had never seen yet – Godzilla vs the Smog Monster!!!
Image courtesy of Toho, ‘Godzilla vs the Smog Monster’
I think we watched that movie every single chance we had. Like soon as it ended we would rewind it just to hit play again. I remember we even tried to get a video camera out and film ourselves making fun of the movie by adding our own little quips and inputs to ‘enhance’ the dialogue and greatly entertain ourselves. Yup, we had the idea for MST3K before Tom Servo or Crow ever sat front row to do what we loved them for.
Another challenge was, well, just being a fan for the sake of being a fan. Being a Godzilla fan was almost like an underground thing.
There weren’t many people back then who loved the big guy like the few of us did. As result, there just wasn’t a market for it so collecting Godzilla stuff was nearly impossible.
Today all you have to do is go to Target and you’ll find lots of amazing Godzilla stuff – mostly thanks to NECA. It’s a very different world from the one I grew up in and that’s a great thing!
Image courtesy of Toho
People my age can now easily find copies of these incredible movies to show their own kids and there are so many toys to now collect. We may have grown up but we have every right to play Godzilla with our little ones and spread that love to the next generation. Isn’t it amazing how that turned out?
It’s a good time to be a Godzilla fan. What with the new movies being released by Legendary that gives us a faithful upgrade to the Showa Era monsters we grew up with.
image courtesy of Legendary, ‘Godzilla: King of the Monsters’
The Criterion Collection just recently released the entire Showa Era Godzilla collection on Blu-ray meaning all those movies that we might have missed out on seeing are now available!
And I can’t believe that I now own a bona fide Godzilla figure from the very movie that got me into this whole giant monster craze, Godzilla vs Mothra. The details of the figure are uncanny. It’s like it was taken straight out of the classic film. I now own 6 different NECA Godzilla figures alone! It’s a new sickness that I’m convinced my loved ones will initiate a well-planned intervention for me soon.
So here we are. Nearly 40 years later and still I’m a fan of the King of the Monsters, a title he has rightfully earned over the years. The greatness of Godzilla isn’t simply found in one movie, or even in a series of movies. It is how one single idea about identifying the nuclear age in the body of a new cinematic monster has gone above and beyond TOHO’s wildest dreams.
image courtesy of Toho, ‘Gojira’
Godzilla is a cultural phenomenon and unites people from all walks of life. He’s such a big deal in Japan that there’s a place for him at the Museum of Japanese History.
So he might not have been the first giant monster to awe audiences but ever since his appearance in ’54 he’s taken the world by storm. He’s inspired a massive franchise that is still ongoing to this day.
The latest TOHO installment was Shin Godzilla back in 2016 and returned Godzilla back to his destructive roots. He’s seen as a plague of sorts upon a world of carelessness towards nature.
Image courtesy of Toho, ‘Shin Godzilla’
This time around Godzilla appears in three evolutionary stages. The third and primary stage gives him this sickly macabre look some fans call ‘Zombie Godzilla.’ It’s a dark commentary on Japan’s politics during times of crisis and is a special effects masterpiece. A must-watch for hardcore fans!
Currently, on Netflix, there is a three-part Godzilla anime for fans to enjoy. Though there have been other animated representations of Godzilla this is in fact the first anime he’s ever had.
I already mentioned how Legendary has given the Godzilla universe a very respectful and epic American update to the King of the Monsters. There are currently 3 movies in this new MonsterVerse: Godzilla (2014), Kong: Skull Island (2017), and Godzilla: King of the Monsters (2019).
Image courtesy of Toho and Legendary, ‘Godzilla: King of the Monsters’ and ‘Godzilla vs King Ghidorah’
As someone who’s been watching Godzilla movies since before I had a fully formed vocabulary I can say I genuinely love what Legendary is doing with these big guys. We’re all waiting for the next installment, Godzilla vs Kong which was slated to show this year but with COVID19 we’ll have to wait and see what happens.
Godzilla has been the representation of nuclear terror, an unstoppable force risen against all humanity, a monster without pity or compassion. He has also stood tall as a symbol of hope as he withstood the odds and protected the Earth from extraterrestrial invaders bent on destroying the planet.
Over the years he’s been our reckoning and our protection, a destroyer and a savior, two sides of the same coin. He’s starred in over 30 movies and shows no signs of slowing down.
image courtesy of Playmates Toys, ‘Godzilla vs Kong’
In some cases, he is a nuclear-enhanced dinosaur. Sometimes he’s a mystery risen from the sea. And he’s even been a surviving titan come back from a prehistoric time to face the newly awakened challenges threatening our world today. He even has a star on the Hollywood Walk of Fame.
Ok I know, I know! I gotta stop already or this could go on forever. People familiar with my writing know how much I love Hellraiser and Dracula, but had it not been for Godzilla I have to wonder if I would have as much admiration for Pinhead or the vampiric Count? Godzilla was my gateway monster and has remained a trusted constant in my life.
Godzilla is timeless.
image courtesy of Toho, ‘Godzilla vs the Astral Monster,’ victory dance
So hey if you crave all those warm retro feels and want more Godzilla goodness stay tuned and follow us here where nightmares and nostalgia are explored.
Have a favorite Godzilla or kaiju memory and would like to share with us? Let us know down in the comments below.