Category Archives: Editorials

WHY FATHER’S DAY IS ABOUT AN UNCLE I NEVER HAD

I don’t remember my father ever saying I love you. What I do recall were summers in Iowa. Struggling with the weight of hay bales to feed the horses and being told that I should be stronger for my age. Watching him punch one of those Belgians in the head because they weren’t cooperating with what he wanted them to do. The morning we left one year, I had made him a gift but when the time came to part, he was too tired to get up, muttered “that’s nice, thanks. See you next time” and rolled over to go to back to sleep.

I also remember the drinking and verbal abuse. A fragile man so angry at his own shortcomings that he felt it necessary to intimidate his wife and children. I was 12 the last time I was in the same room with him. I made it clear the day would come when I was his size — and even more clear how much I was looking forward to that day.

I didn’t go to his funeral but am grateful to my father for one thing: showing me that who I wanted to be was the opposite of who he was.

Come to think of it, I’m grateful for two things.

I dove into horror at a very young age because I needed to escape into a world where I felt seen. Long before those dreaded summers in Iowa, were bi-weekly weekend visits when my father still lived in the same city as my mother. I’d endure remarks about my strength or speed, questions about why I wasn’t like my cousins, or anger about me spending most of the weekend in my room away from him. I only wanted to finish my work in the yard so I could head to the video store and pick up as many FRIDAY THE 13TH movies as my meager weekend allowance allowed.

I eventually explored non-FRIDAY avenues. Along the way I discovered SILVER BULLET (1985) and had an awakening. I had no idea who Gary Busey was, but ever since “another lovely night at sister Nan’s”, Uncle Red has been scorched into my memory.

Yes, he was an alcoholic and yes, he made decisions that were more about being the cool uncle than a responsible adult because who the hell buys their nephew a bag of fireworks to shoot off alone, in the middle of the night, when there is an active killer in town?

That’s kind of a huge red flag that I’m not allowed to ignore, but here’s my point: Uncle Red tried.

It was Uncle Red who said there was more to Marty than him not being able to walk. Uncle Red was the one who reminded Marty that no shithead can stop the good guys. Uncle Red was the one who walked into the sheriff’s office and shared a story about “this blue” and Reverend Werewolf. Uncle Red marched into a gun store with a concocted story about the Lone Ranger and asked for a silver bullet. And Uncle Red bought and paid for a romantic trip for two to New York so that he could clear his sister and brother-in-law out and be in the house to protect his niece and nephew during the full moon.

Uncle Red may not have always made the safest decisions, but he tried. He was there when it mattered. He believed in Marty and Jane when no one else would. And he fought for them.

Hell, Uncle Red built the Silver Bullet for Marty, not because it was the safest option–because it most certainly was not–but so that Marty had something he felt good about and was proud of. “I built that for you because I love you. Right from my heart.”

After Marty took said Silver Bullet–less a wheelchair than a three-wheeled motorcycle–out for a test run, Uncle Red warned Marty not to tell his mother how fast it was, to which his nephew responded, “ya know, I don’t get you.”

Uncle Red simply said “I know you don’t.”

But I did. And I do.

And I’m positive there are many of you reading these words for whom it resonates, as well.

While it was easy to see why Uncle Red’s sister was apprehensive about his influence on her son, it was just as easy to see that Uncle Red wanted Marty and Jane to be confident and happy, and never missed an opportunity to let them know that they could be more than he ever was.

This Father’s Day, I’m not an alcoholic or capable of building anything for which one may or may not need a pilot’s license — but like Uncle Red, I show up for the people I love — the polar opposite of my father.

And I did win a subscription to Popular Mechanics.

30 Years of Prehistoric Nostalgia: Welcome To Jurassic Park

Clears throat, and in my best Sophia Petrillo voice: Picture it… June 1993. Prince announces that he is changing his name to an unpronounceable symbol. Ken Griffey Jr. slugs his 100th career home run in Seattle and one of the biggest blockbuster films of not just the 90s, but an entire generation is about to stomp its way into a legacy comparable to few other films in the 20th century.

Yes, sir, that movie is JURASSIC PARK.

Released nationwide theatrically on June 11th, 1993, Jurassic Park was THEE movie to see for us kids as we began our Summer. Fresh out of the sixth grade, and on my birthday that weekend, two friends, myself, and my younger brother headed to our local brick-and-mortar theater (that was literally made of bricks on the outside and in as you’ll see below), for a Saturday afternoon showing of Dino-Power with a planned visit to our favorite comic book store next door after to discuss the movie and grab the latest issue of X-Men. A seemingly normal afternoon at the movies, or so we thought. This was anything but. This was something otherworldly. Something special, And a movie that will leave a lasting impression on us for the rest of our lives.

Also, can we appreciate how movie theaters looked back in the day? Magnificent. I miss this place deeply.

That moment of shock on Alan Grant’s face spoke universally to all of us watching this movie for the first time. Steven Spielberg created an entire world for us, one we could only dream about or see pictures of in books. This was King Kong for our generation. It was so visually breathtaking that it was all we could think about all Summer. It was the type of movie that one could watch over and over again and still never get bored with it. For 90s kids, it was love at first sight, and it got us completely transfixed. It made us obsess about dinosaurs if we weren’t already while creating memories like the one I’m speaking on now that we still remember pretty vividly 30 years ago.

I mean, I could also never forget having to take my little brother out of the theater as he was in absolute HYSTERICS over the goat being eaten. I missed about five glorious minutes of one of the best scenes of that film for the first time, and I never let him forget that. To this very day, when I’m in a particular mood, and he’s being an asshole, I just remind him of that little incident and that he owes me at the very least a Kidney should I ever need a spare.

Anyway, Jurassic Park is one of those movies that continuously does well even in re-releases, and that all boils down to both the longevity of this massive achievement in filmmaking and of course, nostalgia folks. Jurassic Park had no goddamn business being as good as it was. Still, with the underlying tale-as-old-as-time Frankenstein message of men playing God, on top of the overly amazing special and practical effects that brought dinosaurs to life on the big screen, the story itself was one that both kids and adults could relate to and understand. With great movies, comes great responsibility. And over the years, fans and studios have done well with keeping the legacy of this movie in a respective light without dimming its original magic. We’ve had five subsequent movies, since Jurassic Park and sure they’re all great in their own way, they’ll never match the wonder and awe of the original; as with any first film of course.

Even though Jurassic Park didn’t need promotional tie-ins to help rake in the Blockbuster bucks, there was no short supply of clothing, food, and toys to usher in the Jurassic era of the 90s. In fact, everyone was looking to cash in on the Dino-Hype, including McDonald’s which just a year prior was scolded by parents for the Batman Returns Happy Meals as apparently the film was too violent to be associated with the wholesome obesity-driven agenda that is the Fast Food Giant. McD’s wasn’t going to let this monster of a promotion opportunity go extinct on them, so they compromised with an extra-value meal aimed at “adults” that included collector cups in lieu of Happy Meals to avoid the pearl-clutchers in their ears.

Also me after eating one of those dino-sized meals…

Toy company Kenner produced a line of action figures, vehicles, and of course Dino figs including a couple of “Dino-Screamers” like the Velociraptor that shrieked at your little brother for making you miss some integral parts of the movie because he was being a crybaby.

Yes, I’m still bitter. Also, yes, these things ruled.

Dankin also got in on the toy phenomenon by producing a line of HIGHLY sought-after Jurassic plush toys that was so popular, the company couldn’t seem to keep up with the demand. These things were beautifully made and MASSIVE to boot. Just take a look at this gorgeous one provided by JurassicToys. Net!

Also, we can never forget that SEGA gave us one of the coolest openings to a video game ever with JURASSIC PARK: THE VIDEO GAME. This almost has a Spaceballs-type theme to it, doesn’t it?

Limited Run Games is looking to cash in on the anniversary and your nostalgia with the Jurassic Park 30th Anniversary Retro Collection. The announcement was made back in April with the image below, which features Jurassic Park games from the NES, SNES, and Game Boy. No one has heard a peep since then on when these will be released, but I would imagine at the time of this post, it would be extremely soon.

To say Jurassic Park is a modern day classic is as cliché as it gets, but sometimes that trope needs to just be said. One could even argue it’s the best film of the decade for both nostalgic and filmmaking quality of reason, what with breaking boundaries and all. To say cinema wouldn’t be as computer-literate now without the film is a tad naive, but Jurassic Park certainly sped up the process. As Ian Malcom says,”Life, uh, finds a way.” With some CG mixed with practical effects, everyone in the industry wanted a piece of that creativity, and thus really thrust the computer science of effects forward. This is what was revolutionary for them, the visionaries. Us, the audience, however, saw something altogether more exciting: another world that that would live in our hearts forever and pass along to the generations after us.

Happy Jurassic June nuggets!

[VIDEO] Blockbuster Who? The Magic of the Mom-and-Pop Video Shop

I have to credit my discovery of many different horror films to my local Mom and Pop Video Store growing up, Action Video. Under a mile away, it was close enough for me to hop on my bike and undergo one of my favorite journeys to take on a weekend afternoon or anytime during the Summer. It was located in a shopping mall that included a Smiths’, Osco Drugs, Naugles, Pizza Hut, and of course, a McDonald’s. Usually, before a trip to Action Video, we’d pop into Osco for the latest issue of MAD magazine and Fangoria and some snacks for later’s horror marathon festivities. Then a trip to one of the fast food chains located within to get some carbs in for the adrenaline rush to come later; a personal pan Pizza Hut pizza or ye’ old faithful Hamburger Happy Meal from the clown was my regular go-to. And then, off to Action Video for the finale to discover what new and glorious atrocities await to be feasted upon thine eyes.

The VHS cover art alone was all the advertisement we would need to be sold on a horror flick, as we would be standing there gawking at the enticing and illustrious covers of films I had never seen. Hell, if Return of the Living Dead or The Blob didn’t have the cover art they did, it may have very well been a long time before I would have seen those masterpieces. Take for instance here, Dead Pit, with its gimmicky light-up cover case (you’ll catch that in the video down below). I mean, the cover alone is cool as hell, but that extra flair from the art screaming “PICK ME UP AND RENT ME YA’ WALNUT” added that extra incentive to take it home with you.

Blockbuster, as popular as it was, didn’t have this kind of cool shit gracing their shelves, people. As a matter of fact, it was so bland with their mediocre white clamshell casings. Hell, you’d be hard-pressed to find ONE rental copy of, let’s say, MOTEL HELL or CHEERLEADER CAMP. That, in itself, is a travesty. One that a local Mom and Pop Video Shop never seemed to bear onto their consumers. At the very least, when you rented with a smaller venue, you would get a way cooler clamshell that looked like it contained something sinister inside. Oh and hey, with those places usually having those adult-only curtains in the back of the store, sometimes there really was, heh.

The last living relic of Action Video remains in my hands. Grabbed this when bitch-ass Blockbuster put them out of business back in 1997. THE EXORCIST III in rare mom-and-pop video form is a beautiful thing over 25 years later.

Unfortunately, time and many moves through my life took my bright orange Action Video punch hole rental card that I had hung on to long after they closed. I’ve looked far and wide for another one in the wild, but continuously come up empty-handed. So if anyone reading this is local to Las Vegas and happens to have one sitting in a dusty box somewhere, I will gladly take it off your hands and display it like the nostalgic treasure I deem it to be is.

Like Action Video, many of these mom-and-pop stores fell to the corporate giants of Blockbuster and Hollywood Video, unable to compete. I personally, never went to one until there was no other choice as I was rather bitter that they put my favorite rental place out of business. The place where I struck up conversations about horror films with other fans and Nick, the son’s owner behind the counter who would always shoot me some wild recommendations like Basket Case; of which I totally rented upon his imaginative description of Belial. When I finally made my way into Cock-Buster, I found the horror section to be rather dull. It was too bright in there, kids running around unattended… The magic was just, gone for me. And the clerks with their Gap-inspired uniforms didn’t seem to be as knowledgeable as Nick from Action Video. So here I was, biting my lip and bitterly renting Blair Witch from these corporate clowns until Karma finally made its way back to them when Netflix came into the circle.

The City of Irving published a video back in 1988 highlighting all the wonderful things a Mom and Pop shack has to offer, much of what I’ve stated here and uploaded it to YouTube. Probably one of the most wholesome things you’ll see on the internet today, folks.

Maybe I’m being too harsh on Blockbuster, ( I don’t really think I am) but aesthetically and nostalgically speaking, you just can’t compete with the powerful entity that is the small video store.

A clusterfuck of films that beg you to dig in and really do your due diligence in searching for the right film.

While the memory remains solid for myself, we luckily have people on YouTube who prior to the video website ever being a twinkle in Google’s eye, had the good sense to video record trips to their local video store so that we may bask in its glorious nostalgia. People here like HugeMovieFanatics who uploaded this home footage from December 1992 doing what we all did-wander around aimlessly looking at all the mystical things a small venue like that had to offer.

Bless these guys. Bless the Mom and Pop Video Shop. And Fuck the Blockbuster. I hope you read that in the Iron Shiek’s voice.