Monster Blood is back baby and just in time because Holy Horrorland it’s HOT! Cousins Tyler and Kim Malek, founders of Salt and Straw have teamed up with Scholastic for a monster summer in a collaboration effort infusing tasty treats and, well, the holy grail of sweaty Summer days- ice cream available for a limited time at the shop!
Now through July 1st, 2021, Salt & Straw’s Rad Readers menu will be available in the company’s brick and mortar stores as well as for online order nationwide.
With the launching of R.L. Stine’s Slappyworld series and the newly released “Monster Blood Is Back” earlier this year, the delightful treats shop has concocted a blend of salted Mango ice cream with streaks of citrus-y, shiny green goo with chunks of deep red strawberry bark.
Sounds about on par with what I would expect a Goosebumps flavored ice cream to go with!
In addition to the nostalgic nature of Goosebumps, Salt and Straw has also unleashed these limited flavors in conjunction with other famed Scholastic books to their menu:
Geronimo Stilton & The Frosted Frozen Feast (Author: Geronimo Stilton) Smile: Words & Pictures (Author: Raina Telgemeier) Amulet: Fruit of the Gadoba Tree (Author: Kazu Kibuishi) Twins: A Matching Pear w/ Twinnamon Swirl (Author: Varian Johnson & Shannon Wright)
Without trying to sound too cliché, every so often an artist comes around that defines a generation with his/her deep, and meaningful contributions to society in the artistic form. Dark artist Andy Sciazko seems to be that “dark” horse in the running with his compelling illustrations that have graced numerous publications that scream both nostalgia and speak to your soul on a deeper level than feel-good fuzzies. Personally speaking, he first made waves with me when I discovered his art through a new book release in conjunction with author Jake Tri entitled Nightmare Soup back in 2016; and this Scary Stories-esque collection of tales with art rivaling that of Stephen Gammell, sent my nostalgic heart into a whirlwind. The stories were on par. The art, incredible. So yeah, I was hooked and have been following ever since.
Sciazko’s new art book, “The Calibration of Old Wounds”, is a fifty page ode to letting go and the impact felt by the very powerful force of nostalgia. In combination with his love for the morbid and horror, the pages are filled with the kind of art that makes you really reflect on how humanity perceives these feelings. The poetry entailed within, grabs you by the balls; unearthing your full-attention with a craving to decipher every word strung along in the sentence.
It’s a really wild, and humbling ride throughout the artist’s perspective that I think a lot of us in the horror genre, can really relate to. This collection, along with his other art book, “We’ve Always Been Here/This Was Never Yours” ode to Witchcraft, are two pieces that I will forever cherish in my gothic reserves.
Image via: Patti Pauley
In promoting the new book, Reflectingonacoda.com was released last month, filled with hidden content for those who signed up early and fans of Sciazco’s work. The ciphers you’ll find on each page that need to be decoded will lead you down a rabbit hole. A select few have solved it to the very end (I’m not one of them).
Like with many things that fascinate us, I had to ask a few questions about this artistic process to the creator himself.
NN: What or who inspired you to put this collection together?
AS: Years ago I decided to compile a bunch of old writing/poetry to coincide with illustrations into a book, which I titled “A Lyric Booklet.” I loved the little extras (additional album art, hidden tracks, lyric inspiration) you would find in most vinyls or CD inserts booklets. While compiling, I noticed that most of my writing dissected films, books, and the stories they were portraying thematically. Deciding to run with that idea, it eventually became the foundation for my subsequent releases “We’ve Always Been Here//This Was Never Yours,” “I Have Seen the Dark and I Long For its Ache,” and my latest “The Calibration of Old Wounds.” Each book breaks down a collection of films with similar themes and imagery. For instance, if you look closely at WABH//TWNY you’ll find that all the films I picked have a strong female lead character.
NN: What message or conversation are you trying to tell/ start with your audience?
AS: While at the end of the day everyone will have their own interpretation of the book, I’m hoping the illustrations and entries create an immersive experience for the reader. Like with my previous releases, I never flat out state which films I’m referencing, but I’m sure to include Director/Writer’s names on the “Thank You” page of each book as hints. Narrowing down on the films will give new light to the artwork titles and entries for anyone that is interested.
NN: This collection strikes me as a deep and thought provoking battle with several mental illnesses. Maybe I’m looking into it too deep, and this is what my subconscious sees, but is there any truth to that?
AS: There is definitely some truth to that! With “The Calibration of Old Wounds,” I wanted to explore the idea of time as both an over abundant and fleeting resource. Why are certain events in our lives nostalgic to us? Did we somehow know living in the moment of the event that it would have such a nostalgic impact? And because all memory becomes muddled and worn, are we even recalling the events correctly? One of the films i dissect is Charlie Kaufman’s Synecdoche, New York which is riddled with references and allusions to mental illness and delusion.
NN: Some of the art seems to be on par with throwing back to a few classic nostalgic horror films- care to share any Easter eggs in there?
AS: Absolutely! In addition to drawing inspiration from the films I’m dissecting, imagery from a few other favorites definitely trickled in. There arevibes of “Don’t Look Now” (1973) and “The Changeling” (1980) in some of my illustrations.
“The Calibration of Old Wounds” drops in Andy Sciazko’s dark art shop at AndySciazko.com on June 21st, 2021.
The Decade of alien parasites, killer cyborgs, and, oh yes, the Predator
It was the ‘80s, the magical decade of mother fucking HEAVY METAL culture. Iron Maiden, AC/DC, and Ronnie James Dio captivated our airwaves and MTV was in its infancy and proving to be nothing but pure A1 classic kick-ass amazement. Spike studs lined leather jackets and chains hung off jeans. Of course, us kids were running around in MOTU underwear and that was just as badass. It was a glorious time to be alive.
And that Heavy Metal attitude penetrated all aspects of culture, but no medium was more impacted by this heavy cord-shredding phenomenal attitude (adjustment) than cinema. Hell, even My Little Pony movies were saturated with some heavy rock n roll. It wasn’t music for us. It was literally a way of life. One that remains with us over here at Nightmare Nostalgia.
So it was no surprise when that same Metal attitude began popping up in our movies. And us hardcore kids knew that if the movie was rated R it meant absolute quality.
So you could say there must have been something in the air, or it could have been all that cocaine executives sucked up their noses back then, but we could count on some imperially spectacular films! The time of hardcore inspiration was on and we rode it like it was a metal crunching dragon! We were lucky enough to grow up with Aliens, Terminator, and Robocop. They hit the theater big and they hit the audience hard like a fist punching through a wall.
It was like a quick kick of roaring diesel to the mind that revved us up and made us kids a bunch of screaming monsters out on the playground. “Did you see Terminator? He cut his eye out in front of the mirror!” and so the schoolyards were filled with us describing each one of these movies to each other. I think we may have gotten a little spoiled and just expected every single ball blazing movie to be a mad rush of fury, fights, and ferocious suspense.
But then among these high-octane sci-fi/horror fusions came a lethal creature from another world who sought to slay the most dangerous killers on planet Earth – that means us, my nasties. And I’m talking about none other than the Predator. If one single film could jump on top of your desk and kick your teeth in while expecting you to be grateful for it it’s this movie.
If you like Aliens and Terminator you’re gonna love this guy!
It wasn’t enough that the film sported Arnold Schwarzenegger, who alone amassed an onslaught of loyal fans thanks to his movies (Conan, Terminator 1 & 2, Total Recall), and whose name was a seal of pure excellence over any project he was involved in, but this time around Arnold was leading a secret team of the meanest, baddest, and toughest hombres imaginable deep into the humid labyrinths of the South American jungle to slaughter some sumbitch guerrilla forces.
This team of ultra badasses showed the world what manliness was all about. The majority of these guys were built just like tanks and they tore through that jungle with the most orgasmic firepower this side of DOOM and proved right away they are not with whom you want to fuck! There’s no man on earth who could outsmart, outmaneuver, or outgun Dutch (Arnold Schwarzenegger) and his team. The first part of the movie is a heavy metal ballad of heavy artillery and bullets shredding down guerrilla headquarters and no good bastards.
It’s beautiful, but only because it sets up how indestructible these men are right before introducing the one thing that can make them run for their lives and cower down in the mud like children.
This is a genius way to introduce your movie monster and speaks volumes to why people still love this creature. He alone slaughters, skins, and devastates the strongest men on the planet and he does so alone. Oh! And he does it for sport!
Need I go on about the ultimate coolness of this beast from the stars?
Using the trees as his advantage point, the Predator stalks Dutch and his team, systematically kills them one by one, and comes in silently to take away their dead comrades right from under their noses.
His weapons include gauntlet blades, a shoulder cannon, and stealth technology that makes him practically invisible to the naked eye. He also has signature infrared vision making it nearly impossible to hide from him. He really is made to be the perfect killer.
At its core, the film is a slasher horror film set in the sweltering heart of the jungle, which, if we’re being honest, jungles are fucking scary places on their own. So this is a one of a kind type of slasher movie and, as my nasties all know, I love slashers! I’ve even named a pet shark Slasher.
The look of death – designing the Predator
One major thing that stands out for any monster movie is how the creature looks, and, once again, Stan Winston brought life to another timeless creation.
Early Predator Design
However, it’s well-known by now that action star Jon Claude Van Dam was slated to play the part of the Predator. Some set pics are around showing off what he would have looked like too and… the original look had more in common with a big lobster bug than the monster we know today.
Goddamn, I’m so happy someone on set looked at this thing and saw how stupid it looked. Someone just knew it was going to get laughed at and more money was poured into the budget to build a proper-looking intergalactic killing horror.
Kevin Peter Hall (1955-1991) slipped on the monster suit and a whole new movie came to life.
Stan Winston (Aliens, Terminator, Jurassic Park) says he was on a flight and working out some of the designs for the Predator when James Cameron (Terminator 1,2, Aliens, Avatar) looked over to see his sketches. It was then that Cameron made the comment, “Know what I’ve always been interested in? Something with mandibles.” And so Winston quickly drew some mandibles over the creature’s mouth and they could not stop staring at it. Stan Winston knew he just discovered his newest movie monster. The Predator took on brand new life.
And outside of the violence, I would say the main thing fans remember from the film is the Predator’s iconic look. Some didn’t even know that his true face was hidden under a very cool-looking mask. A mask that gets taken off in the final act as the last struggle comes down between the Predator and Dutch in a fistfight to the death.
And I mean the Predator wipes the floor of the jungle with Dutch’s pretty face.
It’s a nail-biter and packs a kick-you-in-the-nuts kind of intensity all the way to the nuclear blast of an ending.
Predator is possibly more famous today than ever. What with the release of the new game, Predator: Hunting Grounds, on PS4, Steam, and Xbox, a renewed interest in the old and classic Dark Horse comics, and, one of my personal favorites, NECA’s ongoing toy releases.
Today I own at least a dozen different kinds of Predator figures thanks to them. NECA gives fans a new way to admire the classic monster by getting him into our hands where we can examine the details in his armor and features. Nothing short of pure art, folks,
It remains one of the absolute best kind of creature feature flicks in film history today. One that is a must-watch and still holds up in 2021. Yes, it’s one of those voyages down the nostalgia river where metal, monsters, and mayhem thrive on from yesteryear.
It most certainly deserves a fresh re-watch.
Duu et. Duu et naow!!!
Images are thanks to Fox Studios, the Stan Winston school of special effects, Black Sabbath, and NECA
![[Interview] Dark Artist and Poet Andy Sciazko Talks New Book](https://nightmarenostalgia.com/wp-content/uploads/2021/06/the-calibration-of-old-wounds.jpg?w=672&h=372&crop=1)
