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Editorials, Retro Reviews

‘Freddy vs Jason vs Ash!’ The Macabre Comicbook Sequel to ‘Freddy vs Jason’

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Three legendary icons of horror were destined to meet in an apocalyptic bloodbath over the souls of every living thing on this planet. The stakes were high and anticipation across all three fandoms had never been hotter. It was supposed to be a worthy sequel to Freddy vs Jason and meant to further the lore of A Nightmare on Elm St, Friday the 13th, and the Evil Dead.

This is the story of Freddy vs Jason vs Ash, a comic book that slipped under the attention of many horror fans when it was released but is now considered a worthy successor to the franchises.

Prologue: In the beginning, there was Freddy vs Jason

It was to be the cinematic event of every horror fan’s lifetime. Oh Hell’s bells y’all, even nonhorror fans were excited to see it! After all, it was about damn time these two horror icons met up in an all-out visceral splatter-filled fight to the death! So, at long goddamn last, fans were actually getting the movie promised to us in the final reels of Jason Goes to Hell.

At the end of JGTH Freddy’s arm rises from – what has to be assumed to be – the very pits of Hell to drag Jason’s mask down to the heated pits of Satan’s domain. It was a major tease and horror fiends everywhere waited on pins and needles for the movie (Freddy vs Jason) to be announced.

Freddy Krueger of Elm St and Jason Voorhees of Crystal Lake were finally crossing over in what had to be the best horror movie ever made. Our imaginations ran wild. Speculations flowed and expectations were sky high. The problem is JGTH came out in August of 1993. It came and went and still no movie featuring the two most popular slasher villains of all time was released. It wouldn’t be until a decade later that the film we waited on was finally released. In the meantime, it was doubted if the project would ever happen.

However, as the years ticked by, the initial hype for the project never faded from fans’ hearts.

If you grew up in the ‘80s you know what a humongous deal this was. How often did all of us little horror fiends meet up on the playground and argue over who could beat the other, Freddy or Jason? And I mean these arguments were professionally structured and each side of the respective fandoms brought their reasons as to why their favorite slasher baddie would obviously wipe the floor with the other one’s mangled face.

As kids, we dreamed of seeing a legit Freddy vs Jason movie. Yeah, we were a weird little bunch who grew up on slasher movies and dark cartoons all the while the glowing threat of the Cold War loomed hazily over our heads every day. We grew up tough.

As aforementioned Jason Goes To Hell clearly set up the scenario for these two blood-soaked forces of evil to meet up. Truth of the matter is the plan to pit Freddy and Jason against each other was a hair up the filmmakers’ asses ever since the seventh Friday the 13th movie, New Blood. Already back then (1988) the plans were being laid to have them fight.

Due to licensing regulations, Jason could not fight Freddy just yet and so a ‘Jason vs Carrie’ style movie was made instead. 

This scrapped FVJ movie would be the first in an avalanche of scripts to wind up in the trash before the studios finally locked on to one they liked. Was it the best one out there after all the ones that passed through executives’ hands? Was it a good idea to let the film be directed by a man who never watched a single movie from either colossal franchise? Did we really need someone from Destiny’s Child to be a lead character?

Fun Fact: Jason would face off against Leatherface before he ever got the chance to fight Freddy.

Today FVJ isn’t really looked upon fondly by fans. It does have its flaws. Like a lot of them. Starting with why isn’t Kane Hodder Jason? He was promised the role and fans couldn’t wait to see him fight Freddy. So who’s bright idea was it to ruin that? Not to mention the lead characters are weak and boring as well. Plus Jason has never been afraid of water so that plot point was in fact pointless.

All we wanted was to watch Freddy and Jason tear the everliving fuck out of one another. And that’s where the movie shines. It’s also why it was a hit at the box office.

Nevertheless, upon initial release, horror fans loved Freddy vs. Jason. People screamed and laughed, and some peed themselves with excitement. It was a fun popcorn movie and immediately once the credits rolled everyone just knew there had to be a follow-up… Right? I mean the movie ends with Jason carrying the severed head of Freddy Krueger (showing us who truly won the fight) and the Dream Demon winks at the audience. This fight was far from over. In fact, we had to be witnessing the start of a brand new franchise now combining both series into a fusion of carnage and carnality. 

It wouldn’t be long before a sequel would be announced. Not only that but rumor was Ash of the beloved Evil Dead franchise would be entering the upcoming fight. This would be nothing short of epic. 

Only, as we all now know, it never exactly happened. Even Robert Englund was hyped for the project and shared a few thoughts about what the poster design should be – Ash holding both Freddy and Jason in a dual head-lock with a tagline promising to keep audiences safe from remakes forever. The project would have been a sensation. Too bad some idiot in charge of New Line didn’t like the idea of making money because the idea was poo-pooed and FVJ still hasn’t had a proper sequel. Theatrically, I stress it’s not happened theatrically. 

Freddy vs Jason vs Ash – comics do what Hollywood can’t

The sequel idea didn’t die and was carried over to the medium of comic books where the three juggernauts of horror got a chance to meet at long last in a little-known series called Freddy vs Jason vs Ash. Rolls right off the tongue. 

Right away I want to praise the artwork. The artist (Jason Craig) truly brings this story to life, charging it with beautiful spectacles of gore and outrageous violence, not to mention bringing to life each character who is honestly larger than life due to the actors who’ve lived the role for decades now, which lends a definite cinematic feel to what would be an otherwise very static story.

The Plot

The story opens five years after the grizzly events of FVJ. Times have now changed and the disquieted residents of the Crystal Lake region would gladly like to move on and think beyond the horrible secrets of Camp Blood and the sorted history revolving around it. 

Shall the blood-speckled horrors of the Past no longer hold sway over its traumatized citizens? They’d sure like to think so, but, as has been stated before, people like to forget that he’s out there lurking under the lake…

In what feels like a certain act of defiance – probably some definite denial too – they’ve happily renamed the whole region Forest Green to avoid any bad association linked to the moniker Crystal Lake. Nevertheless, my Ghoulies, a name change does not an exorcism make and demons, no matter how deeply buried they may be, do not vacate a residence so easily.

Too much blood has been spilled on these unhallowed grounds. Enough to drown two generations beneath its crimson tide, and the land is cursed by the sins of the wicked. Evil does not rest idly by. 

But denial is a powerful persuasion and recently the surviving members of this disturbed little community have reason to be excited. A brand-spankin’ new S-mart’s been given the green light to open its doors of consumerism right there in the heart of it all. And right around Christmas time too so shoppers can be sure to smart extra smart (shop S-mart) this coming holiday season! I mean what could possibly go wrong? 

And who better to get these primitive yokels in line than Mr. Groovy himself! That’s right fiends and ghouls, Ash Williams has come all the way from Michigan to be up in Jason’s ghastly neck of the woods to lend a firm hand (the only one he’s got left) in training the new employees and getting the store into shape. It won’t take long before heads start rolling.

Meanwhile, to tie up loose ends, Laurie, the final girl of FVJ, just can’t help herself and goes back to the forbidden grounds of Camp Blood to make double sure both Freddy and Jason are dead. Tagging along is her boyfriend Will, who also survived the bloody outcome of FVJ and serves as the voice of – very much needed – reason here. After all, if you survive an encounter with only one of these slasher kings why in the fucking of all fucking hells would you lack the common sense God gave a goose and take your sorry ass back to their haunted territory? Most of the time the survivors of these films only want to get on with their lives. But no, Laurie thinks she has some special plot armor and won’t be affected by the nasty stabby bits of a slasher’s blade. 

I really don’t know what the Hell this idiot was thinking but upon reentering Jason’s dark domain the Demon of the Lake appears and Will gets a bad case of being slaughtered. Laurie soon comes to greatly regret her big dumb decision when she realizes Jason isn’t friendly! No, not at all and he doesn’t give a fuck who you are. To him, we’re all just a bunch of meat sacks that he gladly spills all over the place. It’s not long before Jason makes quick work of Laurie and her warm blood flows thickly into the wintery snow. Funnily enough, it feels like the storytellers had some real contempt for her character and couldn’t wait to kill her off at the first chance they got. So they did so right at the very beginning of the story! It shows this story isn’t messing around and we’re all just part of the ride. 

In keeping with how FVJ concluded, Freddy’s nothing more than a severed head and sits alongside Pamela’s beloved cranium at the cabin’s shrine. Still, bereft of body as he now is, Freddy proves to be no less dangerous nor any less treacherous in his maniacal scheming.

He has full access to Jason’s mind and provokes him every chance he can, showing himself to be Mommy Dearest’s new lover and, by proxy, Jason’s step-daddy. Yeah, it gets really weird. This is all played out inside of Jason’s messed up mind by the way and he sees his mom naked in bed with Freddy…like I said it’s weird. 

The Dream Demon has big goals for this hulking mass of violence and intends to send Jason out and obtain a hidden copy of the Necronomicon planted somewhere around Crystal Lake. It’s from here that the story centers primarily on the importance of getting hold of that accursed tome of necromancy. 

It’s also here that a lot of fans roll their eyes – myself included – because the storytellers try to force the narrative that Jason is a Deadite and I hate that idea. Adam Markus tried dredging it up a few years ago and it still made no sense. During the Paramount era it was never once hinted that Jason could possibly be a Deadite. He was a kid who drowned in the lake and became a restless spirit of wrath and violence. He never exhibited any qualities of a Deadite. For one, Deadites can speak and love berating their victims with devilish taunts and jeers. They also have an over-the-top sense of humor. Something Jason lacks on both accounts. It wasn’t until New Line acquired the rights to the franchise that this notion was shoe-horned into the lore as if someone needed a reason to say ‘Oh that’s why Jason is what he is!’ No, Jason is just Jason. Freddy would be more suited to being called a Deadite given how many of their qualities he personally exhibits. But, again, Freddy is just Freddy. Sometimes there doesn’t need to be any reason beyond that. It’s way more interesting to let the Deadites, Freddy, and Jason be their own separate demonic monsters. Three separate forces of Evil all at war with each other. That’s way more engaging. 

So here the narrative says Pamela got hold of a copy of the Necronomicon (somehow) to resurrect Jason from the Lake and thus making him a Deadite. Keep in mind how, had this movie been made, we would’ve been 12 movies deep already into Jason’s lore thus making this the absolute first time this idea was pushed on fans. It doesn’t fit with any of the lore previously solidified. Now I could buy into an idea that oh let’s just say, some occultists arrive at Crystal Lake with a copy of the Necronomicon to indulge in some dastardly occulty stuff. It being a virtual hot spot for mass murders and restless spirits after all. Maybe Freddy could have used his influence over dreams to get people to bring the Necronomicon out that far and Jason killing them off before they could hand over the book to him. That would be a really good reason for Freddy and Jason to start fighting all over again. Ah well. 

Regardless, this is how the storytellers chose to get Necronomicon into the plot. Jason’s mom used it to resurrect him and now Freddy wants the book to resurrect himself and become both a terror of the dreamlands as well as the waking world. You can imagine what kind of catastrophe that would prove to be should he get hold of that ancient grimoire. 

Highlights of the story

1- We get a genuine Christmas horror story that crosses over Evil Dead, Nightmare on Elm St, and Friday the 13th! Hell could you imagine if this had been made into a movie? It would’ve been an annual must-watch among all three fandoms. A very sad missed opportunity here. At least we get it in comic book form though. 

carol this, assholes!

2- The violence is off the scale here. Jason is in true form, my Nasties. Right away he kills the heroes of the last movie and then quickly ventures out to the cheery festivities being enjoyed by the locals. It’s not long before Jason impales a caroler and then cuts off the heads of the rest of her caroling crew.

My favorite moments happen when Jason walks boldly into S-mart and opens up a slaughter aisle.

I mean fucking Hell he takes a buggy (shopping cart to the rest of y’all) and uses it to completely mince some guy through the cart’s grid! It’s like a hot cheese grate splashing through warmed butter! Without a doubt, this has to be my favorite Jason kill of all time right here. Just take a look.

I mean just look at this crazy shit!

Absolutely beautiful. Jason removes people’s upper bodies from their hips and goes splashy slashy everywhere he steps. Jason is a full-on bulldozer of graphic destruction. The censor’s board would have hated this. 

3- Classic Ash, baby! He is the man with the chin and the shit-eating grin. He pulls out all his classics here too. The witty charm, the goofball antics, and a revved-up chainsaw.

We’ve wanted to see what would happen if he ever got to fight either Freddy or Jason. At last, we get not just him fighting one of them but both! And, this story delivers. He fights both in their own respected fields of expertise too. For example, Jason throws Ash through a few walls inside S-mart. At some point, Jason loses a hand and takes a page out of Ash’s playbook, and shoves a machete into the meaty wet stump. That’s pretty awesome.

 

Ash also fights Freddy in a dream where Ash’s hand suddenly regrows itself and Ash gets to enjoy the moment only for a brief instant before razor-pointed claws grow from his regrown fingers. Ash has no choice but to cut the hand off again, spilling his blood on the dirty floor. Echoing events from Army of Darkness, dozens of bloody little Freddies pop out of the blood puddles and soon form together to grow into a full-sized Freddy Krueger. 

4. The fights are off the charts. This is a genuine monster mash slugfest. It doesn’t waste time rehashing what we’ve already seen from the FVJ movie either. No, this time around there’s a slew of new tricks.

For example, Freddy, being in perfect form here, uses necromancy to resurrect Jason’s old victims of the past to attack him.

You can tell the storytellers were having fun here as cameos from past films make their appearance to drag Jason straight to Hell. It’s a surge of nostalgia and frankly it’s appreciated.

Final Thoughts:

Overall, it’s a great monster mashup featuring all three beloved properties and it harkens back to the chilling crossover events Universal Pictures was known for the moment Frankenstein first met the Wolfman and the harrowing tale of the graveyard smash was born. Whatever your thoughts about the whole ‘vs’ movie craze may be it’s hard to deny what a wasted opportunity this project was. Freddy vs Jason should have been the foundation of what could’ve become the ultimate slasher evolution! Imagine a series of movies where horror films crossed over into one another and led characters into a fight for their lives against iconic slasher icons. Just imagine Chucky or Pinhead entering the conflict. 

the Hellpriest nearly made a cameo at the end of Freddy vs Jason

Maybe it would’ve sucked, but we’ll never know. What followed was the horrid and inevitable remake apocalypse. Every one of us had to watch our favorite horror icons get rehashed, reimagined, and rebooted in inferior ways by filmmakers who didn’t know the first goddamn thing about the beloved franchises they were entrusted with. I know which of the two styles of films I would’ve rather watched. 

Others felt the same way too if things like Terrordrome, an independent fighting game, are any indication. The game is free to play and features a wide roster of horror slashers to tickle the funny bone of any fan. Ash, Jason, Pinhead, Ghostface, Freddy, the Tall Man are just a few the game offers. Even professionals got in on the action as Mortal Kombat offered fans a chance to play as either Leatherface or Jason and hack it out in bloody magnificence. 

Fans wanted more of this kind of thing, bottom line, and at least comic books let us explore the possibility of what could’ve happened. Freddy vs. Jason vs. Ash finishes its story with an all-out battle atop a frozen Crystal Lake where Freddy is now fully empowered by the hellish secrets of the Necronomicon. Ash finds himself locked in the most dangerous battle of his life against Jason as Team Ash desperately tries to chant the incantation to send Freddy into another dimension altogether. 

Ash finds strength in his trusty boomstick and fires a face full of hot lead right into Jason’s mouth shattering his iconic mask and giving Jason a brand new ghoulish look that, honestly, I’m shocked NECA hasn’t capitalized on yet. 

Jason is then sunk to the bottom of the frozen lake in a way that’s closely reminiscent of how Jason Lives ends…that is if Jason was hit by a car and the weight of said car carried his rotting ass down to the dark and chilling depths. It’s still similar. 

The incantation is said aloud and Freddy is hurled into a nether realm of demons.

Jason is gone and Freddy is trapped in the Deadite dimension. Ash is victorious and all is well. The comic sold well too. So well that the inevitable sequel happened! It’s not over, bitch! Freddy isn’t dead and Jason cannot die! 

The sequel of Freddy vs. Jason vs. Ash is kinda where the story shines brightest. I mean in this story survivors of both ANOES and FT13th appear. Tommy Jarvis and Ash do not get along either. Freddy’s daughter makes her come back here as well. It’s nice to see even more lore from both franchises get explored in this story. 

To be certain this is a direct continuation of Freddy vs Jason vs Ash, and, honestly, serves more like the second half of a two-part story than it does as a sequel. The stakes are now even higher and the surviving members of our favorite slasher franchises must team together to stand against ultimate evil,

It does get super fucking weird though with Freddy making out with his daughter in one scene. She’s totally into it btw and proves to be just as fucked up as her ol’ dad. Jason gets magicked up and grows some very unsettling long luscious hair. I … I really don’t know what the fuck they were thinking with that.

Oh, and Freddy becomes President of the United States with a whole army of Deadites at his command. You can’t make this shit up. 

And they went all out here. Already we’ve mentioned Tommy Jarvis but also making her return is Tina Shepherd from Part VII: New Blood, who was always one of my favorite final girls. Not to mention someone was a big NOES 3 fan because holy shit the Dream Warriors are back to fight Freddy’s evil Deadite army!

You might think I’m done, but you’d be mistaken because Nancy from ANOES 1, 2, New Nightmare, is back in spirit form to put a stop to Freddy for good.

That’s not to mention Freddy’s freakin’ mom, the nun herself, shows up to kick her son’s evil ass too.

Overall it’s one helluva fun story. This time they incorporated Army of Darkness into the monster mix and a war of ghosts and demons outside the White House brings the story to a satisfying WTF close.

You don’t need to read the sequel but then again yes you do. You want this crazy shit. It’s like the last slice of pizza you know you shouldn’t eat but you won’t be happy until you do. So you eat it and hate yourself later for it. In like manner you don’t need the sequel – I mean the first run ends itself satisfyingly with everything wrapped up – but I like to see these two as two halves of the same story.

So ultimately I feel this honestly is a must-read for any horror fan of the ‘80s and ‘90s. It was made by fans for fans. It features our favorite heroes and villains of the slasher era, combines them all brilliantly together, and pits them against evils so great only together can they work to bring back sanity to their crumbling little world. It’s not for anyone seeking highbrow horror though. This is Freddy and Jason with Ash, so you know what you’re in for. And the story doesn’t disappoint. It’s a perfect thing to dive into as you prepare for the fast-approaching Halloween season. 

Problem is the books are out of print and just a single issue can cost up to hundreds of dollars. I don’t know how I lucked out to get the full run when I did but if you find any issues in a used comic bend at your local comic store I highly advise picking them up. 

Realistically no one has that kind of money to order these online. Fans also don’t all have the convenience of a good comic shop or the luck of finding a full run at one. Happily, though there are audiobooks on YouTube that cover the whole story from beginning to end. It’s the easiest way to enjoy this nearly-forgotten story. 

This story came out at a time when horror was bloody good fun, and it reflects a lot of great nostalgia we could all use a bit of. Whatever way you find to experience it I do recommend you indulge in the antics and carnage waiting herein.

Manic out!

Editorials

A Horror Retrospective – Ghostface And His Generational Influence

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Effective horror lingers with its audience long after the credits roll. The images (or messages) take root deeply inside our psyche and not only leave lasting impressions to fuel our nightmares but make common everyday things something dreadful. That’s a sign of great horror and only the masters of the genre can manage it. 

Scream 3 (2000) Directed by Wes Craven Shown: Ghostface

They turn the mundane into malevolence, and, to the peril of their audiences, suddenly the shelter of the everyday norm is stripped away and our world of comforting shelter is no more. Some examples include: Psycho violated the private safety of a common shower making it no longer a safe and intimate place. After Jaws premiered family outings to the beach were something turned suddenly macabre. No one wanted to step into the water.

Jason scared people away from camping out and Freddy met us in our nightmares to slaughter us like pigs. Ah Hell, Stephen King made cornfields scary and Clive Barker turned a music box into a doorway to Hell.  

In like manner, Ghostface made answering the phone dangerous. To emphasize the malicious effect this slasher had on society after Scream’s blockbuster success the rate of people getting caller ID increased astronomically. All of a sudden people had a reason to fear who was on the other line. After all how well do you know that other person?

The chance that a stalker – or serial killer – was waiting on the other end was always a great possibility. Something Scream exploited brilliantly. 

Not being the first horror movie to make crank calls something to fear (Black Christmas, When A Stranger Calls) it certainly gave the concept its own grisly twist and introduced Ghostface as a new horror icon whose spectral visage has now haunted generations of horror fans. 

Part of the character’s violent success is the unique fact that – unlike his big brothers Jason, Michael, or Freddy – anyone can be behind that ghostly mask. There is no repeating Ghostface murderer from movie to movie. The only thing shared between each of them is the iconic mask.  

With each succeeding film, new serial killers don the mask and cloak and busy themselves by both revering the established standards of the past while carving a new grisly legacy of blood in the flesh of new victims. Bottom line no one knows what sick maniac hides behind the ghost’s face … but it’s probably someone you’re closest to. Just saying. So the victims of the franchise are always on edge and never know who they can trust. 

Scream 3 (2000) Directed by Wes Craven Shown: Ghostface

That’s the scariest side of Ghostface: who is he or she? The clever script of the first film had us all on the edge of our seats trying to figure out who in the Hell was guilty? Was the lead girl pulling the strings behind the whole thing or was she an innocent trapped in a violent game? That’s the hook, that bloody mystery and classic slasher motif of ‘who done it’ the subgenre was originally built on.

Bottom line is we all know who Jason, Freddy, Chucky, and Leatherface all are. We don’t know who’s behind Ghostface, at least not until the final reveal in the third act of each movie. 

Final Thoughts

Admittedly Ghostface is not as readily adored as much as his older brothers of the slasher genre. Possibly because the Scream franchise went on to inadvertently inspire a long list of copycat films and parodies that made it tough for some horror fans to take the franchise seriously. And that’s too bad because this really is a fun series with plenty of scares and kills to keep people coming back. 

One phenomenal achievement Scream can claim is reviving the horror genre when it was clearly on life support and rapidly losing the battle. Long gone were the days of the ‘60s when Hammer ruled the box office or the ‘70s that gave us groundbreaking terror like The Exorcist, The Hills Have Eyes and Texas Chainsaw Massacre. And the entire decade of the ‘80s was ruled by horror. We grew up on the teats of the Beast and just expected each year to produce a brand new Jason movie or Freddy film. It was the decade of slashers, zombies, and splatter! 

Then… nothing. Like bones left out to bleach under a desolate sun, horror seemed to have outlasted its usefulness and many fans left the genre completely. Then came Wes Craven’s little meta-horror film (that manically embraced what it was) sparked a hellish flame among audiences and they came out in droves just to see what all the fuss was about.

Holy shit! Scream (1996) didn’t disappoint either. 

You could call it sensational. I call it a ‘90s phenomenon. Scream became a hit and people – as aforementioned – were scared of ringing phones. Everyone was a suspect (in the movie) and the simple formula of mystery and murder pumped new life into the genre and horror was back on its feet. The Beast was awakened with a new scent of blood on its maul and was taking no prisoners.  

There are today horror podcasts who readily admit they would not be into the genre if it weren’t for the black magic of Scream’s howling success. It stabbed deeply into the cultural psyche and left an oozing mark. 

I look around my writing space here and see all the Scream Factory and Severin Blu-Rays I own; a pantheon of horror icons line my shelves thanks to the brilliant work of NECA’s beautiful renditions of Jason, Pennywise, Chucky, and many, many others. I’ve spent hours playing the Friday the 13th game on PS4 and the list of my collection (and obsession) can go on and on. So I’m left wondering if any of these things I love would have been possible without the success of Scream. 

Our younger readers might think this to be over-exaggeration but those of us who know simply know. Horror was almost lost because no one wanted to invest in the genre. Scream changed a lot of corporate minds and suddenly there was money to be made in well-written and smart horror movies.

That’s not to say there weren’t any good scares or genre flicks happening at the time. There were movies like Cape Fear and Silence of the Lambs that both came out in 1991 and scared the shit out of people. But these movies were placed under the moniker of Thriller. There was an obvious attempt being made by studios to do everything in their power to not let their sophisticated movies be called a ‘horror film’ as if the term would taint their project.

Among the rise of thrillers also came the romantic gothic remakes of classic monsters with titles like Bram Stoker’s Dracula (1993) and Mary Shelley’s Frankenstein (1994). Both movies were elaborate projects sporting big-name actors, stunning set pieces, and performances of a lifetime. Wolf (1994) also joined the fray and reworked the classic werewolf story into a more modern setting. But these movies were not being called horror movies but were gothic romances instead. Hell, I still loved them.

 But Scream made being a horror fan something to be admired. All of a sudden all of us horror geeks were like part of a clandestine order, holders of dark knowledge and be sought. It was a game-changer and wasn’t afraid to be called a horror movie. It wore the title proudly. Both it and The Blair Witch Project (1999) helped re-evaluate the genre in the minds of many, many people.

As of writing this article the franchise’s fifth movie is in theaters now – and enjoying good reviews. So Ghostface is back and, after seeing the movie, I say make a big deal of it. Watch all four previous films – or at least the original trilogy – and lead into seeing Ghostface up on the big screen again.

This is certainly the most violent of the whole franchise (no complaints from me, I love that kinda stuff) and really got me excited about the Ghostface killer all over again. If you’ve not seen the series yet you owe it to yourself – as a horror fan – to go watch the first movie at least. See the movie that made future movies like Hereditary possible at all.

Editorials

‘Friday the 13th’ The Shocks and Scares That Make This Saga Legendary!

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Oh, Hells yeah! Here we are, my Nasties! Time to risk our skins and venture deeply into the fog of Camp Blood as we explore some of the best scares, screams, and shocking moments (not to mention some of those good ol’ fashion what the fuck times) that are littered across the franchise’s blood-soaked legacy. 

It’s no secret that the slasher genre is my absolute favorite subgenre in the pantheon of horror. And my absolute favorite slasher series is Friday the 13th! It’s the series I’m always turning back to and can watch a hundred more times without it getting dull. 

Fans of the franchise know what we want too. Blood, guts, (tiddies), and lots of gore. So today we want to dance on the graves of those buried in the soggy depths of Crystal Lake as we celebrate those moments that made us shit our bloomers and left an impression on us all. 

Today we’re looking at not only the movies but also taking the game(s) into consideration. So sleep with one eye open, my Nasties, as we camp out at Jason’s lake. 

WARNING: there will be spoilers. 

Encountering Jason for the first time in the game – NES game

Just for shits and giggles, I’m not going to talk about the video game experience without mentioning the cult-classic NES game. What may seem silly and (probably rightly so) ridiculous today, but back then, back when we were far more innocent as a society, the NES Friday the 13th game did actually scare some kids. 

Back in the 8-bit era and with nothing else to compare to it, that first encounter with Jason was truly shocking. If not possibly the very first jump scare many of us ‘80s brats got to experience, I’d say this stands out as the all-time best NES scare moment. You play as a dumbass camp counselor desperately trying to save both your idiot friends – who can’t defend themselves – and a bunch of stupid kids all lined up and waiting to be slaughtered.

All the while Jason is out there and ready to charge in out of the blue making you jump to the moon and stain your undies.  

There’s no worse feeling like the absolute helplessness of trying to fight Jason and having no clue how to defeat him. Good luck out there, gamers.

Encountering Jason again all these years later. 

Now we’re adults and our games grew up with us. Gun Media and Illfonic brought fans and gamers an extraordinary chance to explore the movies (and the horror) like never before as locations, characters, and kills from the franchise were all poured into this passion project. Tom Savini came up with new ways to kill us. Harry Manfredini brought his terrorizing score to the game giving it a genuine feel akin to the movies. And Kane fucking Hodder put the mask back on and proved why he’s our favorite Jason as he brought the video game killer to thrilling life. 

There’s nothing like encountering Jason for the first time. He can just appear anywhere! As a camper, you can find yourself in a cabin and he’ll be outside the window watching you. Or he’ll catch you wandering the dark woods and stalk you until you run out of stamina. You can try to fight but you have very little chance of surviving him. Especially your first time around. 

I’m sad the game is now stalled and all future DLC is dead on the water thanks to the ongoing lawsuit, but there’s still enough here to keep me coming back to it. So, yes, I strongly recommend playing it.  

Ari Lehman in Part I

The first WTF moment that really, really got us. This scene still scares unsuspecting audiences. That’s how goddamn effective it is. Far as we knew the movie was over. The villain was slain and our lead heroine (Adrianne King) was safely sleeping in a canoe out on the lake. No one could reach her and as she awakens Manfredini’s calming score lets us know all is well and she’s safe. Roll the credits. 

Well fuck you straight to Hell, asshole! The music suddenly kicks us in the nards and flips the world upside down! Out of nowhere the boy who drowned, Jason himself, rises out of the lake, no, that sounds graceful. Jason breaks through the mirrored tranquility of the lake like the wrath of God, without pity and void of all mercy, grabs hold of Alice and pulls her down to his murky Hell. More people screamed over this scene alone than any other. 

And it turned a small time horror flick into a timeless legend. Horror fans clamored for more and would not be satisfied until they got just that- more Jason!

The Window Scene of Part II

Mirroring the jump scare of Part I, Part II makes it seem like everything was fine. Our Final Girl (Amy Steel) is safe, she’s escaped Tater-Sack Jason and all is well. 

Now bear in mind this movie has given us a whole lot of Jason to love. We’re first given a glimpse into his world, into the rickety shack he lives in out in the woods, but, more importantly, we are shown his insatiable taste for carnage! 

Jason is really mean natured too. Think being in a wheel chair gives you a free pass? Like Hell it does. Jason can’t wait to slam a machete in your stupid face and send you rolling down a flight a stairs. Bon voyage!

And the guy was just about to get laid too. Jason also kills poor ol’ Crazy Ralph this time around. And if you thought Alice (from the first movie) was safe, well think again. Jason kills the girl in the safety of her own home.

And at last, my nasties, this cinematic roller coaster of carnage begins clicking to an end. Unclench your knuckles, take a deep breath, and relax. But that’s when they get us! Jason crashes through the darkened window and snatches our Final Girl right before our eyes proving no one is safe at Camp Blood. 

Not a single soul!

Part II doesn’t get a lot of love but it did establish a lot of the lore and laws by which the franchise would follow and further secure its place as a legendary horror icon. It introduces the indestructibility of Jason and how fucked anyone is once Jason locks eyes on them. 

That ending in Part III

These endings were on steroids and had a boner for punishing their audiences just as much as their heroes. Well piss and shit, this one went all the way, and frankly it had to, if it wanted to not be overshadowed by its previous film endeavors. 

 Once again mirroring the first film our Final Girl (Dana Kimmel) is safely in a canoe out on the lake. Night has passed, she wakes up to a fresh new day. The terror has passed and good proves triumphant over evil, but we all know better. You ain’t getting us this time, Jason. Someone is going to pop up behind her and scare us to death …. oh holy shit what the Hell?

While we’re all looking behind her the real threat is right in front of her. In the upper room’s window!

She takes one look up at the house and there on the top floor is an unmasked Jason staring at her with murderous glee. There’s almost a childlike joy in his eyes when he realizes there’s still some fresh meat left over for him to cut up into meaty red kibbles and bits.

Actually we don’t know if he’s been there the whole time just waiting for her to look up and see him. If he has, well, jeez that’s eerie. Or was he there just by coincidence? Whatever the case this scene creeps me out.

I have a thing about windows any way…or maybe this is what started it all. But I’m really paranoid about looking out the window (at night time) and seeing some gruesome face staring back at me. So here it is, the one scene that scared a little boy Manic out of his skin. Bravo!

Part V Vic kills candy boy

Part V deserves way more respect than it gets. I love this movie and mainly because of two characters, Ethel Hubbard (Carol Locatell) and her dimwitted son Junior (Ron Sloan). They don’t have a single thing to do with this scene but I gotta sing their praises. I love those two and still waiting on NECA to make me a figure of them both.

Anyhow the scene I’m talking about is the one murder that kick starts the rest of the movie’s killing spree. And Jason isn’t the even the killer here. Vic (Mark Venturini), a muscled up and mentally disturbed young man, is out chopping wood (because it’s healthy to let a mental patient work with a hatchet) when poor dopey Joey (Dominick Brascia) walks over with chocolate smeared around his mouth like sloppy lipstick around a hooker’s lips. Joey offers Vic a candy bar, overstays his welcome, and only leaves once he’s pushed every single button Vic can stand. 

Vic puts that hatchet to use and severs the better part of Joey’s spine with it. It shocked people because it’s totally unexpected and so mean. But, let’s face it, Joey had it coming.

I’m Mrs. Voorhees – discovering who the killer’s been this whole time

Breaking all the rules right from the start by the time Betsy Palmer’s kindly character of Pamela Voorhees shows up for the final act (Friday the 13th Part I) the unknowing audience makes the assumption that all is going to be ok. Like the fairy godmother archetype of childhood folklore, Mrs. Voorhees carries a warm-hearted motherly presence with her and who can’t be enchanted by that lovely smile of hers? She shines, but, as we’re about to learn, for all the wrong reasons. 

This is a woman who met with tragedy when her only child drowned in the lake. “They were out making love while that poor boy drowned’ she recounts emotionally, condemning the carelessness of the camp counselors. And Mrs. Voorhees deals with her grief by slaughtering all who arrogantly dare to desecrate the last breathing grounds of her dearly departed Jason. 

That smile becomes a sneer as our Final Girl realizes this kindly woman is the one leaving bodies around camp. The final show down begins in fury as Mrs. Voorhees lunges at Alice and it had audiences shrieking with delight. 

“Kill her, mommy” Jason urges from beyond his watery grave. And Mommy is all too happy to oblige. 

Her role was so shocking and out of character that Sieskel and Ebert gave out the woman’s home address and implored their viewers to call and write her their many grievances. I don’t care how much you might hate a movie that’s just not cool, guys.

Freddy vs Jason tease in JGTH

Undeniably most fans would rather tickle their dicks with a porcupine quill than sit through this torture again. And according to Crystal Lake Memories, most of the actors aren’t that thrilled with this, well I guess you can call it a movie. In a failed attempt to look clever, JGTH introduces Jason’s never-before mentioned sister, has Jason talk in one scene, misspells the Voorhees name, and turns Jason into a demon worm that slides up a pussy. Or maybe it was her ass? Oh, who cares? It’s clearly an immature work made by college kids. 

Today it’s hip to like this movie and act like it’s some misunderstood masterpiece, but that can’t erase how terribly New Line treated their first Jason film after acquiring the rights from Paramount. As a ‘90s era slasher movie, ok I’ll admit it’s fun. Stupid fun, but still fun. But as the 9th entry in an already well-established horror franchise, it sticks out like a turd stubbornly hanging out of a dog’s ass.

However, love it or hate it, fans can at least all agree that final shot was awesome, at least at the time of its release. Seeing Freddy’s glove reaching out of Hell to drag down Jason’s mask left fans with a coveted glimpse into Freddy vs. Jason.  

Really there’s no reason why this couldn’t have just been Freddy vs. Jason rather than Jason Goes To Hell. Or they could have made a movie about Jason actually being in Hell. Kinda like the title implies.

Tommy Loses Control Part IV

Friday the 13th Part IV has some fan-fucking-tastic kills. But undeniably the best one was saved for last and it’s Jason’s own.

The moment stands out for a few reasons. For starters it’s a deliberately drawn out death. And it works. They meant to kill Jason and kill him good! So Jason gets brutalized and is left with no chance of surviving.

The other thing that stands out is who ends up slaughtering Jason – a little kid. Now it’s nothing short of brilliance that the film makers introduce Tommy Jarvis as some normal kid. Not a super hero and without any extraordinary gifts. Just a kid who makes cool monster masks and plays video games. Not to mention he was like all us guys back then and couldn’t wait to see some boobies.

As kids we wanted to be Tommy’s pal. And Cory Feldman was a really likable kid actor. He just had this innocent look about him, something angelic.

So when Tommy shaves his head in a clever attempt to connect with Jason and then lays the business end of a machete into the pretty side of Jason’s face it’s not all that shocking. Tommy’s just trying to protect his older sister… right?

But it’s when Tommy picks the machete back up and turns Jason’s body into a Cannibal Corpse album cover that the creepy factor rises. The manic look in the kid’s eyes, the ferocity in his face, and the wet sounds every time he pummels Jason all add up to a very disturbing experience.

Naturally we loved every minute of it.

The movie ends on a freeze frame of lil Tommy with that same crazed look in his eyes, hinting that the series may have lost one killer by creating a brand new one. Kids are creepy little shits anyhow and this movie drives that point home.

Yeah there’s no soul behind that stare.

This has already gone on way too long and it means a lot that you’ve stuck around for this long, my Nasties. There are still so many moments that shocked us and scared us silly, and this is just a small list of some of our all-time favorites from the series. Each one proves why Friday the 13th is a horror sovereign. We’d love to know which ones are yours so don’t be shy.

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