All posts by Patti PaulterGeist

Owner, operator, and fuzzy retro feelers giver at NightmareNostalgia.com. Worshipper of our Lord and savior Boo Berry, Patti is a seasoned pro having written for the top horror websites and magazines over the past few years until she decided to go balls to the wall and make her own focusing on pure feel-good nostalgia. Mom to two humans and three furballs.

(WATCH) Revisiting The Horror Hall Of Fame Awards III- 1992

It’s been 30 sad years since the Horror Hall of Fame Awards aired for the third and final time and I need some closure. While The Horror Hall Of Fame III wasn’t exactly on par with the previous two award shows years before, presumably because 1992 was sort of a weaker year for the genre, I respect the fact it happened goddammit and I wish the tradition had continued for years to come.

Brought to you by Butterfinger, Speed Stick, and a grainy VHS recording (but also grateful to have it) of the 1992 ceremony, let’s revisit the 1992 Horror Hall Of Fame!

In a world where national treasures of the horror genre like Child’s Play 3 and The Addams Family can’t get an ounce of respect from the cinematic awards world, we had the Horror Hall of Fame with Robert Englund hosting along with a hilariously gory illusion act from the late Vegas staple, The Amazing Johnathan in between inductee segments following with pesky Gremlins annoying the audience.

It goes without saying that the annual event held at Universal Studios, Hollywood was a complete cheese-fest. But, for someone like me, it was the most delicious piece of cheese to this ten-year-old. It wholeheartedly felt like an award show catered to young horror fans such as myself year after year, and the third chapter of the horror event was no exception. Although this ceremony in particular felt a little less jazzy than the two prior, maybe it was the absence of the co-hosting Crypt Keeper this year, it’s still a fun watch. Especially that Monster Mash dance with Bobby “Boris” Pickett and Beetlejuice that exemplified what the Universal Studios park once was back in the early nineties. Seriously, I have a fantastic recording of that daily Universal Studios Beetlejuice show on a Polaroid VHS somewhere. I really need to dig that bad boy up.

Anyway, the awards show opens up with a ceremonial tribute to Frankenstein’s mate and the James Whale film that was just as great, if not better than its predecessor. Followed by fellow inductees Alien, Texas Chainsaw Massacre, and Night of the Living Dead. For the third and what would be the final time, we got another fun segment of Scare Tactics from master of effects Steve Johnson with Linnea Quigley serving as his guinea pig showing how to make up some monster teeth, and gap wounds for Halloween.

The inductees and awards for this year were as follows:

  • Film- Bride of Frankenstein
  • Film- Alien
  • Film- Texas Chainsaw Massacre
  • Film- Night of the Living Dead
  • Publisher- Famous Monsters of Filmland
  • Publisher- EC Comics
  • Production Company- Universal Studios —- I mean, why not give it to themselves, right?

Nominees for best horror film were Gremlins 2: The New Batch, The Lawnmower Man, Freddy’s Dead: The Final Nightmare, Child’s Play 3, Alien 3, Pet Sematary 2, and The Addams Family who took home the win for Horror Film of the Year.

In what had sadly turned out to be the final year of The Horror Hall of Fame, even though host Robert Englund said they would be back for the Horror Hall of Fame 4, it brought with it a bit of a sadness to young horror fans such as myself who had become accustomed to this, albeit short, an annual celebration of the best in the genre when we realized it wasn’t making a return as 1993 came and went. As we come to the end of Horror Hall of Fame memory lane, let’s grab some Butterfinger BBs and an Ecto-Cooler, and watch this partial home-recorded version aired in 1992 thanks to YouTube uploader Doug Tilley! Of course, it’s missing some segments mentioned above but hey, it’s better than nothing folks!

Enjoy nuggets!

Horror Movies Dominated The Oscars Special Effects Award In 1987

Welp, it’s Oscars season folks and you and I both know, for the most part, deserving horror films worthy of such an honor get the almighty snub. Albeit, the snooty Academy has thrown us horror fans a bone via recent years with at least acknowledging that the genre is more than blood and guts, there’s still no excuse to snub a perfectly deserving film to appease what Hollywood deems as true art. Given their stance on the subject, it’s even rarer when a horror movie sequel gets that kind of recognition. But, as a matter of fact, that did indeed happen 35 years ago at the 1987 Academy Awards when the horror genre, two of them a sequel and one a remake, were all competing for the Best Visual Effects Oscar!

The Nominees

Poltergeist II: The Other Side

Although the visually terrifying film didn’t take home the win, it’s a bit of a breath of fresh air to know it was even considered, as this sequel to the Hooper/ Spielberg classic is gorgeously shot and beautifully terrorizes you in all the right places- mostly thanks to Julian Beck and his portrayal of the malevolent reverend, Henry Kane.

Alongside the Boss Film Corporation of effects team,(Richard Edlund
John Bruno, Garry Waller, and Bill Neil) the Swiss magician of horror imagery H.R. Giger was the key designer for ‘The Great Beast’ version of Kane, and it most certainly stands out as an unholy bundle of nightmares from the film alongside the slithery worm that protrudes from Steven’s projectile vomit from the movie. Although it’s been noted in interviews that Giger was for the most, displeased with the end result of the monster creations, it just goes to show that even Giger’s less than impressive standards according to him, are still some of the best horror visual and practical effects that we’ve seen in the wonderful decade of ’80s monster magic. And hey, the Academy board thought so as well, so that’s something I guess.

Early design of The Great Beast by H.R. Giger

Little Shop of Horrors

Nominees Lyle ConwayBran FerrenMartin Gutteridge had some stiff competition up against not one, BUT TWO H.R. Giger-inspired designs in the effects department. However, the Audrey II mechanical puppet in itself is a monumental accomplishment more than worthy of being in said company and if anyone was gonna take that sort of threat on, it was going to be master muppet-men Jim Henson and Frank Oz.

The movie utilized multiple animatronic versions of Audrey II, ranging from a tiny bud to the enormous version for the climax. Though not an official Creature Shop production, many of the same designers and technicians worked with Oz on the film. As Jim Henson stated in a 1987 interview, he didn’t have a hand in the puppetry for Little Shop, but “I was very close to some of the people in that production.” These included Jim’s own children Heather Henson, in a bit part as a dental patient, and Brian Henson, who served as a principal puppeteer on Audrey II.

If anything Audrey II should have won an Oscar just for those one-liners.

AND THE WINNER IS…

ALIENS!

When someone like Stan Winston is involved in a H.R. Giger design, we may as well just hand that Oscar on a silver platter. Along with effects specialists John Richardson and Suzanne M. Benson, the trio took home the naked-man gold for their marvelous efforts on Ridley Scott’s Aliens.

Aliens featured extensive use of miniatures and puppeteering, redefining the whole aspect of special effects. Queen Mama Alien was incredibly complex, requiring anywhere between 12 to 14 different operators in order to get the puppet to function properly. It’s been stated by the crew in numerous reports that James Cameron’s ability to shoot the Queen without capturing all of the wire riggings that were present, is a testament to his directorial capabilities.

The alien facehugger samples, which the marines find suspended in glass tubes early in the film, were also brought to life through puppetry. Interesting to note, A Spydor vehicle, which was part of the He-Man toy line, was purchased and used as a model to serve as a visual example of how the facehuggers should walk.

So, can we get an Oscar nod for the Masters of the Universe toyline?

For the most part, I hate the Oscars. But every season when it comes snaking it’s Hollywood ass around the corner, I like to remember that in one point in time, the horror genre absolutly destroyed the special effects category.

Gibson TV Launches New Horror Heavy Metal Series “Metal and Monsters”!

Since the dawn of the 80s and long, wavy manly hair brushing up against their Les Paul, heavy metal and horror movies have had a beautiful matrimony of an alliance that is hard to ignore. The likes of Gibson TV recognizes this and we are thrilled to present its first show dedicated to the worlds of heavy metal and monster culture in the new series “Metal and Monsters.”

Hosted by Matt “Count D” Montgomery – bassist for King Freak himself, Rob Zombie, the legendary maestro of the bass shares his passion for music and film with metal and monster fans worldwide. The show, worth noting, is filmed on location in downtown Los Angeles in the historic 2,000 seats Los Angeles Theatre.

In the first episode of “Metal and Monsters,” Count D takes us to Elm Street as he reunites Don Dokken and Robert Englund to celebrate the 35th Anniversary of the film “A Nightmare on Elm Street 3: Dream Warriors. Featuring never before seen photos from the “Dream Warriors” video shoot, Robert and Don share stories of musical influences to behind-the-scenes tales of one of the most successful horror franchises in film history.

Throughout the 60 minute episode, viewers are also treated to different segments that explore the worlds of horror and heavy metal! In a segment titled “Tunes from The Crypt,” Count D revisits Metallica’s 1991 groundbreaking release “The Black Album” and gives fans a chance to win some exclusive prizes! The show also takes viewers on a field trip to the offices of Super7 in San Francisco to talk with founder Brian Flynn and the Super7 team to learn more about their projects with Motörhead, Iron Maiden, and Megadeth in a segment titled “Terror Trek.”

Check out the first episode here below and rock on nostalgic nuggets!