David Cronenberg | Nightmare Nostalgia

It began with the premise of a Cheeseburger and ended up as the “Romeo and Juliet” of horror.

David Cronenberg’s bold remake of THE FLY, shows the cinematic community how a remake is done, and done well. It also took the initial love story immersed in the original 1958 film and took it a step further by throwing us on an emotional roller coaster where we all really rooted for these two, even toward the bitter end in the hopes that Brundle could be saved from his insect brain logic.

Cronenberg’s THE FLY is considered pretty unanimously as one of the greatest monster movies and body horror flicks of the 20th century; but this movie is so much more than that, and often I see the love story that literally sits at the heart of the plot, gets overlooked by the grotesque nature of the movie. Without a doubt, it’s one of the saddest, and most painful love tales one can watch unfold on-screen. Seth and Veronica’s whirlwind romance looks and feels so authentic, as the pair have incredibly believable chemistry that sucks you right into this strange world of telepods, insects, and tragedy. And leaves you in a hot mess of tears and puke- because you and I both know this movie can easily produce projectile vomit for the queasy.

One of the key points that really feels like a stab in the heart of viewers, is a half-mutated Brundlefly’s speech to Veronica on “insect politics”. Veronica is desperate to help Seth, however, Brundle knows that he is beyond her help and orders her to stay away as he feels the insect inside of him has at this point, completely taken over.

“You have to leave now, and never come back here. Have you ever heard of insect politics? Neither have I. Insects don’t have politics. They’re very brutal. No compassion, no compromise. I’m an insect who dreamt he was a man and loved it. But now the dream is over… and the insect is awake. I’m saying… I’ll hurt you if you stay.”

GUT-WRENCHING.

The biggest kick in the dick is at the very end, however. Brundle, insane with an idea to fuse him, and a now pregnant Veronica together in the telepods seem like the answer to his problem. With the help of a concerned, although douche ex-lover and co-worker of Ronnie’s, she manages to escape leaving Brundle’s DNA to be accidentally fused with the pod itself. Now we have a mutated human-fly-telepod. Good grief. Seth, reaching deep inside to his human counterpart shakily grabs a shotgun a distressed Veronica has in her hand and points it at his head, urging his love to end the madness. A hysterical Geena Davis complies and blows Goldblum’s brains out, giving us one of the most miserable endings to any horror film.

It’s a tear-jerker every time, and not something that normally happens at the end of a horror film, as most end on an emphatic cliffhanger that all is not well, producing that exciting adrenaline rush. Here, we’re left with our hearts broken for both Seth and Veronica-wishing for a better outcome, but all is gone and lost permanently.

That is, until THE FLY II came about, which also does a superb job of making us cry our eyeballs out. You know exactly what scene I’m talking about.

At the time of this article, there are no announced plans for a 40th anniversary physical media release, but I’m sure once we get closer to the date, there will be one. For now, you’ll just have to stick with an older release or stream on Amazon Prime Video.

Apart from being one of the most beautifully put-together horror movies of the 20th century, (and a remake at that!) Cronenberg’s The Fly might also be the one that induces the most nausea.

I mean, come on. Those of us with that serious gag reflex upon seeing others vomit have to pop a roll of TUMS before a viewing.

Blowing chunks of sugary Hostess donuts aside, the official theatrical release wasn’t even the worst of it. For those unaware, there was a scene so vile, so grotesque and disturbing that during an initial screening in Toronto, it made audience members queasy and a tad upset to say the very least.

In the cut scene, Brundle (Sir Jeff of Goldblum) seeks to reverse his ever-transforming state by teleporting a baboon and a cat from the two telepods into a third while keeping their molecules separate. Instead, it fuses them into a very disturbing “mistake” that he ultimately clubs to death to put Monkey-Cat out of its misery.

According to Producer Stuart Cornfield, the theater guests were disgusted to the point of projectile vomit. The movie has some pretty nasty scenes that could definitely make someone gag a little (as stated), but I suppose this really was just a bit much for some. Apparently, the general public didn’t take to kindly to Brundle experimenting on helpless animals and then bludgeoning them to death.

And it was never seen again until a special two-disc DVD edition was released from 20th Century Fox came about.

My personal take:

The scene had it been kept in, would make some folks take away any pity they may had for Seth, turning him from a helpless victim to an animal-murdering dickbag. However, I can see what they were ultimately aiming for. What I personally see through my own eyes, was an act of complete desperation. Brundle was halfway through his transformation and scrambling to find a cure as time was running short. You could see the defeat in his mangled face after the terribly gone wrong experiment on the roof, and ummm, ripping off an insect leg that had spawned from his stomach with his mouth. The whole scene is slightly painful to watch, but at least for me, not in a bad sense. There are a LOT of scenes from this film that will make you squirm. In my opinion, the scene with the dog in The Fly 2 was way worse than this.

But hey, you be the judge of that!