Tag Archives: Hannibal Lecter

(Review) “Hannibal Lecter: A Life” Takes us on a Journey on the Makings of a Maniac Genius

When a fictional body that started as a side character in a novel becomes a full-blown horror icon known throughout the world and prompts its own autobiography to be written, you know we’ve got something special here. And so it is with the good doctor that author Brian Rafterty has gone to great lengths and leaving no “quid pro quos” on the process of how famed author Thomas Harris brought Hannibal Lecter to life and all the juicy details that lie in between, taking him from the book to the big screen, spilling the delightful tea along the way in “HANNIBAL LECTER: A LIFE”.

So let’s flip through this book a bit:

We begin with the true birth of a monster, dating back to 1935 with real-life killings and interviews with murderers that later inspired Thomas Harris’ idea for a cannibalistic character—something completely opposite of his “shy demeanor” and a relative noting, “the most non-violent person he’d ever known.” and the book that started it all with “RED DRAGON” and Harris’ painstaking effort into writing this character that the author notes, “wore him out”.

The book became an instant hit, and “RED DRAGON’ hit Hollywood in the form of MANHUNTER, where the world got to see Lecter for the first time in the flesh, played by Brian Cox. While the studios were basically breaking down the door for the rights, the journey wasn’t anything but easy…

Of course, it was 1991’s THE SILENCE OF THE LAMBS and Anthony Hopkins’ portrayal of the maniac psychiatrist that really solidified Lecter’s name in the stars of pop culture icons, bringing down a hammer (in the most polite way possible) of psychological fear into movie goers. Raftery really goes the distance, taking us through each film’s journey and providing everything you could possibly want to know about LAMBS, including never-before-seen correspondence between Thomas Harris and director Jonathan Demme. As well as every film thereafter, including the severely underrated HANNIBAL series, which was pulled off the air way too soon, in my humble opinion.

“HANNIBAL LECTER: A LIFE” also includes the true-life inspirations for Clarice Starling and discussions with former FBI profiler John Douglas; entries of which are both incredibly fascinating and informative, pulling in the true-crime enthusiast that resides in so many of us. Speaking of which, alongside the jeopardy knowledge of history that is soaked into these pages, the book builds an argument that credits Thomas Harris and his iconic creation of Hannibal Lecter with modern society’s fascination with serial killers.

The book has a little something for everyone: horror fans, true crime aficionados, cinephiles, and aspiring authors. However, if you’re not a fan of modern climate political deep dives, which is something I think a lot of us are trying to escape from, skip the prologue entirely and just dive into the rest. Other than that, it’s a must-read for all the aforementioned and learn a few things about this legendary character that I never thought about, or believed I needed to know- but pass me a glass of Chianti because I’m sure happy I do now.

I’m ready for Lecter trivia night, folks.

I rate it 4 out of 5 Benjamin Raspail heads.

“HANNIBAL LECTER: A LIFE” releases to the masses on February 10th, 2026, and is available for pre-order on AMAZON right now.

When George Romero Locked Eyes With Hannibal Lecter in “Silence of the Lambs”

It’s been five years since the father of the dead’s passing into the afterlife and we are still mourning one of the greatest legends not only in the horror game a true innovator in the horror genre, George Romero. His countless contributions to the world of film including giving a classic look and stance to the modern zombie that has been ferociously imitated by many filmmakers etched his name into this world as forever a legacy.

However, while Romero’s contributions to the cinema world may be most remembered for his Dead movies, he often ventured outside the zombie apocalypse. Movies like Monkey ShinesCreepshow, and Tales From the Darkside: The Movie also have their own card in Romero’s bulging Rolodex. And in case you didn’t know, George Romero played an FBI agent in Jonathan Demme’s Silence of the Lambs.

I feel like at this point in the game, this little bit of horror trivia is most likely common knowledge, but I never like to assume anything. So in any regard, Romero’s uncredited walk-on role in the movie that forever tainted fava beans and Chianti is our fun horror movie fact of the day. The appearance comes after the infamous quid-pro-quo between Clarice and Lecter that dives into Starling’s psyche and traumatizing childhood memories of slaughtered lambs, thus the title of the story. Hannibal’s cleverly concocted conversational skills lead Starling to use up all her one-on-one time with the good doctor, only having to be escorted away by fellow FBI agents, one being, of course, George Romero. His cameo comes in at exactly 6:27 in the video seen below walking alongside that insufferable bastard Dr. Chilton.

The Office, Horror Digs Deeper than John Krasinski

So John Kransinki’s A Quiet Place raked in over $50 million in its initial weekend, further solidifying the horror revolution that we’ve enjoyed for more than two years. Kransinski was so effective as a father doing all he could to protect his children and pregnant wife, that it occurred to me that Jim Halpert was not the only alumnus of The Office to make a dent in the world of horror.

Here are just a few who’ve also made a lasting impression.

RAINN WILSON

“Question.” No one was as painfully and rudely inappropriate as Dwight K. Schrute, nor could any inhabitant of the Dunder Mifflin branch irritate Michael Scott quite like our favorite beet farmer. Well, maybe Andy. That said, the fact that the Assistant to the Regional Manager’s queries never came to an end, it was altogether fitting that what made Wilson’s appearance in House of 1000 Corpses so memorable (and ultimately sealed his doom), was that his curiosity could not be quenched.

KATHY BATES

She rode in as Jo Bennett,  a no-nonsense southern belle, which wasn’t exactly in keeping with the shenanigans of Scranton, but American Horror Story aside, we’ll never have the capability to see Bates and not think about Annie Wilkes. Don’t get us wrong, Bates’ brilliance allows her to fully embody any role she chooses, but her turn as Paul Sheldon’s biggest fan was, well, a sledgehammer.

LESLIE DAVID BAKER

Let’s face it, Stanley’s monotone aggression and disdainful glances were part of his charm, but every day cannot be pretzel day. At first glance, about the best we could do was note that Baker appeared in an episode of Key & Peele. As we all know, Jordan Peele’s Get Out provided us with the most important horror film since George A. Romero’s Night of the Living Dead (1968), but this isn’t six degrees of Kevin Bacon, so instead, let’s turn to Dwight’s display with the CPR mannequins, because no one was more terrified of that Lecter moment than Stanley.

CRAIG ROBINSON

Big man admitted that he’d be upset if he didn’t at least get a bite of the Milky Way in This is the End, but no one who’s seen Tragedy Girls can say that they A) didn’t absolutely adore the Brianna Hildebrand and Alexandra Shipp-helmed hit, or B) elicit a squeal upon seeing Robinson on-screen pumping iron and rallying the community.

JENNA FISCHER

Pam’s relationship with Jim felt so real that it has become the goal of everyone who desires to live the dream. The foundation of that love was achieved whilst Fischer sat at her desk taking calls and conspiring with Halpert to mess with Dwight, so it’s rather perfect that Fischer rocked a phone headset as a bunch of creepy crawlers entered the equation in Slither. And don’t call her Pammie.

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TIMOTHY OLYPHANT

Brief though his appearance as Danny Cordray was, Olyphant is part of The Office universe, and as such, we can look past David, the heroic cop in Romero’s The Crazies (2011), and instead revel in his crazy stance that Ewoks blew in Scream 2.

IDRIS ELBA

Charles Miner couldn’t determine what would motivate The Office’s workforce, but for our purposes here, let’s look past his appearance as Roland in Stephen King’s The Dark Tower, and instead take pride in the fact that Elba appeared in the Prom Night (2008) remake, as well 28 Weeks Later. And if we could go back to Fischer for a moment, “how do you confuse 28 Days with 28 Days Later?”

https://www.youtube.com/watch?v=OSUgvbgHaV4

STEVE CARELL

In case you’d forgotten.