Owner, operator, and fuzzy retro feelers giver at NightmareNostalgia.com.
Worshipper of our Lord and savior Boo Berry, Patti is a seasoned pro having written for the top horror websites and magazines over the past few years until she decided to go balls to the wall and make her own focusing on pure feel-good nostalgia. Mom to two humans and three furballs.
Breaking news coming to light today after months of speculation and rumors, as it’s been brought to the surface that A24 is digging their farmhands deeper into the slasher legacy with a TEXAS CHAINSAW MASSACRE SERIES.
STRANGE DARLING filmmaker and THE LONG WALK screenwriter JT Mollner is spearheading a TV series based on the iconic Tobe Hooper property, with Glen Powell and Dan Cohen executive producing. along with Spooky Pictures’ Roy Lee (Weapons) and Steven Schneider (Paranormal Activity), Stuart Manashil (His House), Image Nation’s Ben Ross (Late Night with the Devil), and Exurbia Films’ Kim Henkel, co-creator of The Texas Chain Saw Massacre.
Per Deadline, Mollner said, “I’ve said publicly that I’m not interested in remaking perfect films, and the original Texas Chainsaw Massacre is a perfect film. Tobe Hooper and Kim Henkel created something bold, transgressive, and truly seminal that holds up even today as the gold standard for horror. When the opportunity for a long-form exploration into this world arose, I saw it as a fresh way in, as well as a way to honor the existing folklore. I can’t imagine better partners for this approach than A24. This is truly an honor.”
A movie is also in early development with the same producing team and ImageNation, however, Mollner isn’t attached to that project. The movie isn’t packaged yet, and it’s not clear if it’s headed to Netflix as previously reported.
Looks like A24 is becoming the new legacy slasher home, with CRYSTAL LAKE premiering later in 2026 and the Sawyer TCM series following sometime next year.
In February 1989, video shop owners were targeted with the promise of immense Poltergeist profits with the final installment of the trilogy ready to be consumed by movie aficionados looking for their perfect Friday night scare at the local video rental outlet. With today being the 30th anniversary, a monumental milestone for tragically Heather O’Rourke‘s final film, I figured let’s rewind back to the film’s initial era and take a look at the exclusive VHS promo given to multiple video store chains to get this film in their shops!
Taken straight from a VHS copy belonging to the curator (unadjusted tracking and all) of Poltergeistiii.com, it truly is a beautiful vintage piece of history that, unfortunately, makes me a little sad at the same time. Of course, all horror fans are aware of the untimely death of the genre’s favorite young demon attraction, Heather O’ Rourke, before the film was ultimately finished. So anytime I see the film or promos regarding it, that’s always in the back of my mind. After the passing of O’Rourke, the director, cast, and crew didn’t even want to continue, and the film was almost scrapped altogether. But, the powers that be pounded too much money in the project, and insisted the film be finished, so here we are. While many consider the rounded out trifecta the weakest installment of the trilogy, I, for one, appreciate the film for what it is, (and come on, it’s a fun popcorn flick) and have all the respect in the world for Heather’s final on-screen appearance.
Anyways, I’m rambling. On to why you’re even here beloved VHS heads!
The seven-minute retailer promo offers some really cool facts, behind-the-scenes shots (not seen in other featurettes), interviews with the cast and crew, and of course details on the monster magic used to perform in the film! Including the infamous garage puddle scene! The retail price for the video was advertised to shop owners as $89.95 a piece (and now you know what contributed to those pesky overdue fees), and purchases included a rad as hell 6-foot tall standee of Reverend Kane, an original theatrical poster to display, and a custom-made mobile counter display of the film to grab the attention of rental goers! What I wouldn’t give to own one of those retro rental artifacts!
Check out this national piece of VHS treasures below and give Poltergeist IIIÂ a revisit today!
It began with the premise of a Cheeseburger and ended up as the “Romeo and Juliet” of horror.
David Cronenberg’s bold remake ofTHE FLY, shows the cinematic community how a remake is done, and done well. It also took the initial love story immersed in the original 1958 film and took it a step further by throwing us on an emotional roller coaster where we all really rooted for these two, even toward the bitter end in the hopes that Brundle could be saved from his insect brain logic.
Cronenberg’s THE FLY is considered pretty unanimously as one of the greatest monster movies and body horror flicks of the 20th century; but this movie is so much more than that, and often I see the love story that literally sits at the heart of the plot, gets overlooked by the grotesque nature of the movie. Without a doubt, it’s one of the saddest, and most painful love tales one can watch unfold on-screen. Seth and Veronica’s whirlwind romance looks and feels so authentic, as the pair have incredibly believable chemistry that sucks you right into this strange world of telepods, insects, and tragedy. And leaves you in a hot mess of tears and puke- because you and I both know this movie can easily produce projectile vomit for the queasy.
One of the key points that really feels like a stab in the heart of viewers, is a half-mutated Brundlefly’s speech to Veronica on “insect politics”. Veronica is desperate to help Seth, however, Brundle knows that he is beyond her help and orders her to stay away as he feels the insect inside of him has at this point, completely taken over.
“You have to leave now, and never come back here. Have you ever heard of insect politics? Neither have I. Insects don’t have politics. They’re very brutal. No compassion, no compromise. I’m an insect who dreamt he was a man and loved it. But now the dream is over… and the insect is awake. I’m saying… I’ll hurt you if you stay.”Â
GUT-WRENCHING.
The biggest kick in the dick is at the very end, however. Brundle, insane with an idea to fuse him, and a now pregnant Veronica together in the telepods seem like the answer to his problem. With the help of a concerned, although douche ex-lover and co-worker of Ronnie’s, she manages to escape leaving Brundle’s DNA to be accidentally fused with the pod itself. Now we have a mutated human-fly-telepod. Good grief. Seth, reaching deep inside to his human counterpart shakily grabs a shotgun a distressed Veronica has in her hand and points it at his head, urging his love to end the madness. A hysterical Geena Davis complies and blows Goldblum’s brains out, giving us one of the most miserable endings to any horror film.
It’s a tear-jerker every time, and not something that normally happens at the end of a horror film, as most end on an emphatic cliffhanger that all is not well, producing that exciting adrenaline rush. Here, we’re left with our hearts broken for both Seth and Veronica-wishing for a better outcome, but all is gone and lost permanently.
That is, until THE FLY II came about, which also does a superb job of making us cry our eyeballs out. You know exactly what scene I’m talking about.
