Category Archives: Editorials

WHAT MADE THE LAST DRIVE-IN SPECIAL IN ONE WORD

Genuine excitement is a rare commodity these days. And by these days, I’m not simply referring to our daily dose of chaos because it stretches back further than any of us care to think about. No, for the purposes of this piece, let’s wind the clocks back to the summer of 2018.

Seventeen years after Joe Bob Briggs was ousted from TNT’s MonsterVision, a gift was bestowed upon Briggs disciples who’d never stopped missing the drive-in totals: Joe Bob was returning for a 24-hour horror extravaganza intended to be the Grapevine drive-in critic’s farewell to movie hosting. And the fervor felt by legions of Mutants was nothing short of electric.

“This is special, Joe Bob.” The T.V. cowboy (you heard that, didn’t you?) has since referred to Felissa Rose’s remarks from that initial marathon on numerous occasions. And for good reason. She was right.

Eight years on, what is most special can be whittled down to a single word: sustained.

To pull a Joe Bob, what is sustained? Something that is maintained at length without interrupting or weakening. And that, folks, is what made The Last Drive-In so special: that our excitement, from the anticipation of that first dusk-to-dawn marathon to the final regularly scheduled double feature, has been sustained.

Whether it was each week, each month, or each special, our giddiness never waned. We woke excited on Joe Bob Fridays, stocked up on snacks and libations after work in preparation, and shared that excitement on social media as we watched the “Joe Bob Begins” countdown tick toward blood, breasts, and beasts. And we have bookended server glitches to prove it.

The Last Drive-In gave us the most overqualified Mail Girl the drive-in has ever seen. It raised money for mental health, battered women, and more. It made “spry as fuck” part of our lexicon. And birthed an appreciation for Walpurgisnacht that borders on national holiday. It offered respite from the horrors of daily life and provided a community for those who didn’t feel seen. And so much more.

Our excitement and anticipation remained the same from that first night through the final night–last night.

And it will carry on to whatever’s next.

In the wake of Joe Bob’s somber social media post, he followed it up with a short video to answer our worried questions and emphatically stated “we ain’t done.”

So, whatever’s next, be it Shudder specials, another streaming service, or somewhere in between, we will be there because as I said following that first 13-movie marathon that we’d originally thought was the end–the drive-in, and our love for Joe Bob, will never die.

Every Horror Movie Referenced In “SCREAM” 1996

It was December 20th, 1996, and a couple of friends and I carpooled to our local movie theater. You know, the kind of theater you don’t see these days anymore, with the brick wall lining on the interior and movie titles proudly displayed on a marquee. Excitement was abound in our group as we were headed for a double feature of two highly anticipated movies of the holiday season: Beavis and Butthead Do America, and Wes Craven’s SCREAM, as they were simultaneously released on the same day. So we figured a little brainless comedy paired with a new horror movie was the best way to kick off our Christmas break.

As a matter of fact, this is the exact theater, thanks to cinematreasures.org for posting these pics that are making me ooze nostalgia from every orifice in my body.

After almost puking from laughing with Beavis and Butthead, it was horror’s turn as we shuffled into the theater room next door for SCREAM; and it was an experience much different than the aforementioned. One that only a horror fan would understand. It was goddamn glorious.

Spanning over 30 years, Wes Craven’s Scream has slashed its way into the hearts of horror fans, becoming a beloved franchise entry into the Kingdom of Horror Legends. Spawning now four sequels, with SCREAM 7 being released this week, I figured what better time to go back to the original that was heavily influenced by the prior 20 years of phenomenal horror films, of which many are referenced in Scream itself.

Obviously, I had to go back and rewatch the original so as not to miss any references here, but it’s possible I did anyway- and if so, make sure to comment down below what my dumb-ass didn’t catch the first few 100 times.

HALLOWEEN

It goes without saying that John Carpenter’s Halloween is pretty much the gold standard for slasher films, and here is no exception, as not only is the movie used as a set-up for one of horror hero Randy’s rants, but mentioned several times throughout the film as well.

A NIGHTMARE ON ELM STREET

Is that the one where the guy had knives for fingers? I liked that movie. It was scary– Ghostface
Yeah, the first one was, but the rest sucked. – Casey

I would have felt bad for Casey had she not made that statement. Did she not ever see Dream Warriors or The Dream Master? Pfft…

CARRIE

“Corn syrup. Same thing they used for pig’s blood in Carrie.”- Billy

I appreciate that kind of attention to detail when planning the crime scene.

PSYCHO

We all go a little crazy sometimesAnthony Perkins, Psycho.” – Billy

And umm, yeah he certainly did.

WHEN A STRANGER CALLS

1996’s SCREAM did a fantastic recreation of the 1979 horror, where the movie’s babysitter is tormented by a mysterious caller until she discovers the calls are coming from inside the house. In all fairness, it’s also an old urban legend, but one that never loses its edge.

FRIDAY THE 13TH

“Name the killer in Friday the 13th?” -Ghostface

I’d say that was a dirty trick, but for anyone who knows better, it really isn’t. Sorry, Casey.

THE EXORCIST

“I was home watching television. The Exorcist was on. It got me thinking of you.” – Billy

Now if that ain’t a red flag that your boyfriend ain’t right in the head, I don’t know what is.

THE HOWLING

“What’s that werewolf movie with E.T.’s mom in it?”– Random Video Store Customer

Even though Randy gave the wrong title, it’s still a fun little Easter egg.

PROM NIGHT

“If they’d watch ‘Prom Night,’ they’d save time!” – Randy

Seriously, always listen to the horror movie nerd in a real-life murder scenario, OK?

Added Jamie Lee Splendor; THE FOG/ TERROR TRAIN

“‘The Fog,’ ‘Terror Train,’ ‘Prom Night’… How come Jamie Lee Curtis is in all of these movies?”– Sydney

Because, like Randy answers, “She’s the Scream Queen.” The end.

THE TEXAS CHAINSAW MASSACRE

“What’s Leatherface doing here?” – Randy

Once again, Randy wasn’t too far off on this one.

I SPIT ON YOUR GRAVE

“Cute. What movie is this from, ‘I Spit on Your Garage’?” – Tatum

You wish, Tatum. Unfortunately, you won’t get revenge like in the referenced film.

THE TOWN THAT DREADED SUNDOWN

“Look at this place. It’s the town that dreaded sundown.” -Sydney

I really love that reference more than almost anything on this list. Perfect placement.

THE BAD SEED

I’m afraid I’ll turn out just like her—the Bad Seed or something.” – Sydney

A fear we all have as teenagers, Syd.

THE SILENCE OF THE LAMBS

It’s like Jodie Foster in ‘Silence of the Lambs’ when she keeps having flashbacks of her dead father.”– Billy

Ironically, a sociopath manipulating his female counterpart is something Billy and Hannibal have in common.

CANDYMAN

Oh, you mean after you branded him the Candyman? No, his heart’s broken.” -Stu

Good. Fuck you, Billy.

FRANKENSTEIN

One of the oldest horror films in the genre, and respectively, the one that paved the way for so many on this list, Frankenstein can be seen playing at Randy’s video rental workplace in the background.

Welp, I think that about covers it. And in case you need a refresher on how to survive a horror movie, listen to wise Randy here. No one else did and all this bullshit could have been avoided had they done so. We salute you, Randy.

Celebrating 40 Years of One of Horror’s Most Tragic Love Stories: “The Fly”

It began with the premise of a Cheeseburger and ended up as the “Romeo and Juliet” of horror.

David Cronenberg’s bold remake of THE FLY, shows the cinematic community how a remake is done, and done well. It also took the initial love story immersed in the original 1958 film and took it a step further by throwing us on an emotional roller coaster where we all really rooted for these two, even toward the bitter end in the hopes that Brundle could be saved from his insect brain logic.

Cronenberg’s THE FLY is considered pretty unanimously as one of the greatest monster movies and body horror flicks of the 20th century; but this movie is so much more than that, and often I see the love story that literally sits at the heart of the plot, gets overlooked by the grotesque nature of the movie. Without a doubt, it’s one of the saddest, and most painful love tales one can watch unfold on-screen. Seth and Veronica’s whirlwind romance looks and feels so authentic, as the pair have incredibly believable chemistry that sucks you right into this strange world of telepods, insects, and tragedy. And leaves you in a hot mess of tears and puke- because you and I both know this movie can easily produce projectile vomit for the queasy.

One of the key points that really feels like a stab in the heart of viewers, is a half-mutated Brundlefly’s speech to Veronica on “insect politics”. Veronica is desperate to help Seth, however, Brundle knows that he is beyond her help and orders her to stay away as he feels the insect inside of him has at this point, completely taken over.

“You have to leave now, and never come back here. Have you ever heard of insect politics? Neither have I. Insects don’t have politics. They’re very brutal. No compassion, no compromise. I’m an insect who dreamt he was a man and loved it. But now the dream is over… and the insect is awake. I’m saying… I’ll hurt you if you stay.” 

GUT-WRENCHING.

The biggest kick in the dick is at the very end, however. Brundle, insane with an idea to fuse him, and a now pregnant Veronica together in the telepods seem like the answer to his problem. With the help of a concerned, although douche ex-lover and co-worker of Ronnie’s, she manages to escape leaving Brundle’s DNA to be accidentally fused with the pod itself. Now we have a mutated human-fly-telepod. Good grief. Seth, reaching deep inside to his human counterpart shakily grabs a shotgun a distressed Veronica has in her hand and points it at his head, urging his love to end the madness. A hysterical Geena Davis complies and blows Goldblum’s brains out, giving us one of the most miserable endings to any horror film.

It’s a tear-jerker every time, and not something that normally happens at the end of a horror film, as most end on an emphatic cliffhanger that all is not well, producing that exciting adrenaline rush. Here, we’re left with our hearts broken for both Seth and Veronica-wishing for a better outcome, but all is gone and lost permanently.

That is, until THE FLY II came about, which also does a superb job of making us cry our eyeballs out. You know exactly what scene I’m talking about.

At the time of this article, there are no announced plans for a 40th anniversary physical media release, but I’m sure once we get closer to the date, there will be one. For now, you’ll just have to stick with an older release or stream on Amazon Prime Video.