Category Archives: Lists

PREDATOR PRINCESSES: THE WONDROUS WOMEN OF THE ‘PREDATOR’ FRANCHISE

One of scifi/horror’s crown jewels began with the handshake to end all handshakes, and after seven highly entertaining movies and the most treacherous space villain this side of Lord Vader, the PREDATOR franchise continues to thrive 36 years later. But for nearly four decades, conversations about PREDATOR have revolved almost exclusively around Ahnold and the boys from the OG, with the occasional nugget about Danny Glover or Kevin Peter Hall and the other ginormous gents who’ve donned the Predator gear.

We thought it was time to change that. Today we’re here to talk about the five fiercest women from the PREDATOR universe.

5: ANNA (ELPIDIA CARRILLO) / PREDATOR (1987)

Few scifi/horror/action epics can match PREDATOR for machismo, but make no mistake, Anna was anything but a token character, she was a badass. We’re not allowed to forget that when Dutch and his team decimated the guerilla camp Anna didn’t hesitate to sneak up on Schwarzenegger, refused to stop doggin’ Dillon (Carl Weathers), and even packed Pancho (Richard Chaves) in the puss. Nor can we ignore that it was Anna who noticed the Predator’s blood on the leaves (insert iconic line here), helped the unit set up its (albeit failed) ambush, and even tried to grab a weapon and fight off the otherworldly warrior before Dutch kicked it out of her hands. And when the dust literally settled, we discovered that Anna had not only made it to the choppah! — but came back for Ahnold’s ass. Put some respect on Anna’s name.

4: ISABELLE (ALICE BREGA) / PREDATORS (2010)

The lone lass dropped into the game preserve in this non-stop homage to the 1987 classic that started it all, Isabelle was the personification of C.S. Lewis’ stance that integrity was doing the right thing even when no one is looking. An asset in battle and beyond, Anna offered invaluable input on topography and weather, to say nothing of her leadership and tactical skills. But Isabelle was unwilling to turn her back on a wounded Eric Forman (Topher Grace) when it would have been the easy (dare we say, smart?) thing to do. No one would’ve ever known, but she may have inspired GDT’s Elisa Esposito seven years early. Being partially paralyzed for her efforts, she paid a price for that decision, but still found a way to pull the trigger and save dollar store Dutch’s ass (Adrien Brody) when it mattered most. If you ever find yourself in a situation that needs to get unfucked with the quickness, you want Isabelle on your team.

3: LEONA CANTRELL (MARIA CONCHITA ALONSO) / PREDATOR 2 (1990)

As a nod to half of what’s on-deck, can we take a moment to appreciate tantalizing taglines? I mean, nothing can beat ’79 (and you know exactly what I’m talking about), but PREDATOR 2’s “he’s in town with a few days to kill” is for all-time. You know what else is historically relevant? Maria Conchita Alonso. Look, Leona grabbed Paxton by the package, talked NBA-level shit, and even after escorting several subway cars full of screaming Los Angelinos to safety, circled back to check on the only man ever killed by a Terminator, xenomorph, and a Predator. And don’t come at me with Cantrell getting a pass because she was preggers, Maria Conchita Alonso walked so Salma Hayek could run. For men my age…just know that Miss Alonso was finishing third no matter what.

2: ALEXA WOODS (SANAA LATHAN) / ALIEN VS. PREDATOR (2004)

Let’s keep in 100: Alexa Woods was a boss long before we even began talking about extraterrestrial evil. Woods was an environmental technician who was climbing Mount Everest when Weyland Industries summoned her to lead an expedition to a pyramid that suddenly appeared out of nowhere–2,000 feet below the Earth. Woods made it clear that the team was not ready for such an endeavor but stuck around knowing they had a better shot at survival with her leading the excursion as opposed to the silver medalist, making it perfectly understood that no one was to do any-damn-thing without her say-so.

Then all hell broke loose, and it was Woods who realized she and the others were caught in the middle of a war and needed to pick a side. When one of her cohorts realized that “the enemy of my enemy is my friend,” Woods didn’t hesitate to reply, “Let’s go find our friend.” Alexa ends up in the good graces of a Predator after throwing down on a xenomorph to save said Predator’s hide, then teams up with them and runs side-by-side into battle in some BATMAN FOREVER homage we never knew we needed.

Long story short (too late, we know): Alexa further impresses her wing-beast by putting down her chest-burster infested friend, helps them escape the pyramid before it went boom, plunges a xeno queen into a watery grave, and gets the mark of a Predator warrior in one of the coolest moments in cinematic history. The takeaway? Predators FUCK with Alexa Woods. That’s badassery on an incomprehensible level.

1: NARU (AMBER MIDTHUNDER) / PREY (2022)

Like Woods before her, Naru was the smartest person in the room. For all the fragile boys who lost their damn minds about a woman besting a Predator when PREY hit Hulu last August, don’t hurt yourself but try to keep up.

Remember that throughout the film’s first half Naru was hunting and failing–but learning from those mistakes–and as her brother Taabe (Dakota Beavers) pointed out, she saw everything and always had. Naru was an innovator. She realized that in order to capture game she needed to be able to retrieve her hatchet quicker, so she fashioned a leash which not only saved her from drowning at one point but ultimately allowed her to conquer Dane DiLiegro’s Predator. Have we mentioned that she picked up on the fact that the ultimate adversary couldn’t see clearly if her body temperature was lowered, how to escape certain death with a bear trap after her dog got its tail stuck in said contraption ONE TIME, or how the Predator’s mask controlled its arrows?

Naru never outmuscled the Predator, she outsmarted it. And when she returned to Comanche camp triumphant in hunting something that was also hunting her–when everyone thought she would fail–the glance between Naru and the little girl was EVERYTHING. Without saying a word Naru clearly communicated “you can do this.” Representation fucking matters.

The passenger manifest for women in the PREDATOR franchise is a brief one, but this is a series that gets it. The women who inhabit this universe are intelligent, intense, and not waiting around for a man to come save them. And with a quick glance at the actors bringing these amazing ladies to life you’ll notice Latina, Black, and Native American because, again, representation fucking matters.

Nightmare Nostalgia Ranks The “Halloween” Franchise Opening Credits!

One of the greatest memories of my childhood was the multitude of horror movies that were introduced to me through my Dad and Grandfather (Pop-we called him). Pop was a passionate fan of ALL Universal Horror Monsters films, and on top of watching them endlessly by his side on the nights the grandparents would babysit, I would often admire his complete Universal Monsters VHS Collection and the artwork embodied within it. However, my Dad, albeit a super Frankenstein himself, was more on the Slasher spectrum. And, by the way, is the biggest John Carpenter’s Halloween fan I know. It sounds biased, but being inside the horror community for fifteen years, I stand by that statement- and you could read more about that here.

That being said, the Halloween films were a pretty standard rotation in the ole’ VCR growing up and hell still are. And while I’ve found this to be a pretty common list among the horror website interwebs, they sure as shit aren’t my opinion and that of the greatest Halloween fan I know! So, here we go: Nightmare Nostalgia’s official ranking of all the Halloween opening credits!

I truly feel like I’m really going to make some of you mad. BUT, just remember, my opinion is not yours and we can all agree to disagree!

And no: I’m not including the Rob Zombie versions because of NO.

11. Halloween: Resurrection

With many fans, Resurrection ranks dead last in pretty much all aspects; and here on this list is no exception. Following a very generic version of John Carpenter’s classic tune paired with pitch-black backgrounds and orange credit lettering, we stroll down the halls of the Grace Sanitarium Institution where we meet a seemingly docile Laurie and a pair of nurses who narrate to the audience the very bullshit story of why she’s there. It just sucks when in comparison to ALL the others. Sorry, not sorry.

10. Halloween: The Curse of Michael Myers

In my opinion, and well that’s what this all is, Curse’s opening doesn’t fair much better than Resurrection. The only reason it’s a slot higher is that it’s a lot shorter. The messy intro here that clumsily inserts parts of the film in the damn thing merely sets the tone for the rest of it. One big mess. However, as big a mess as it is, it still isn’t the worst in the franchise by far. Resurrection still holds that title belt.

9. Halloween 5: The Revenge of Michael Myers

Ahhh, here we are. The last of the original pumpkin intros in the franchise-up until 2018 of course when they resurrected it. Personally, I rather enjoy the low-key angry tone behind this one in combination with the process of what I would call, The Wild Maniac World of Pumpkin Carving Sports here. However, compared to others before it, it falls short.

8. Halloween H20

The cool newspaper clippings and a throwback to Samuel Loomis speaking his infamous words on what Myers eternally represents is a pretty cool change and so very 90s.

7. Halloween Kills

Halloween Kills may have been a shitshow as far as a decent follow-up to its 2018 predecessor, but at least the pumpkin opening credits were on point. In fact, it’s probably the best party of the whole movie, aside from the throwbacks from the original film.

6. Halloween (2018)

One can certainly appreciate the return of the pumpkin intro via the 2018 franchise’s homecoming. And in such a unique form as the jack-o-lantern has fallen flat and laid dormant for many years, only to be blown up into its original form. Like it never missed a beat. Truly an honorable way to start the Myers madness again!

5. Halloween Ends

For many fans, it seems, Halloween Ends falls way down in the ranks as far as a decent film in the franchise. I definitely have my own opinions on what worked and what didn’t. But overall, it’s certainly not a bad movie. As a huge fan of Halloween III, I can totally appreciate the homage to Season of the Witch here and the idea of Myers passing the torch. Although they’ve tried to do this many times in slasher films, it feels like the studios can’t grow the balls to actually go through with it. I would be OK with Corey continuing the legacy. But now, and it will happen again, we’ll just get another goddamn reboot in 10 years. Oh well, at least the opening rules.

4. Halloween (1978)

Alright. This is the one that MIGHT trigger some pissed-off feelings from fellow fans with regard to ranking. But, I feel like some of the follow-ups were just a smidge more intriguing to my senses. It’s classic, simple, and a perfect start to the Haddonfield journey, whereas the original film was simplistic yet effectively terrifying.

3. Halloween III: Season of the Witch

Love the movie or hate it (and yes it’s still an argument), you are very wrong if you deny the magnificence of thy Magic Pumpkin paired with a sinister synthesizer. The onset of the 80s’ included the launch of a new wave and MTV and this was a perfect representation of what early 80s horror films looked and sounded like. It’s just a staple of an era that many have since used as inspiration- including Stranger Things.

2. Halloween 4: The Return of Michael Myers

The return of Myers meant a ditch off the recurring pumpkin intro this time around with a spine-chilling sequence of a sunset on a farm instead. The ambiance of a sinister Autumn setting with the low-tone score, the winds blowing, and Halloween decorations swaying in the breeze always struck the skeevies chord with me. That Michael is still out there. Waiting- and coming soon.

1. Halloween II (1981)

There is just no way in Haddonfield Hell that anyone can convince me otherwise that the sequel to the original isn’t the greatest goddamn gift we’ve ever been given in this franchise. Well, as far as appeasing intros are concerned, anyway. Opening with the events of the last film spilling over to start the continuing journey of cat and mouse between Myers and Laurie, we roll into a perplexed Loomis staggering outside the Doyle home to the spot where Michael had dropped, and only a pool of blood remains. Garnering attention from (finally) a nosy neighbor who has ignored all the blood-curdling screams, and apparently is just NOW paying attention to what’s been going on right next door, annoyingly asks if this is a joke and that “He’s been trick or treated to death tonight.” This leads into one of the greatest lines of this fuckin’ franchise from Loomis himself- “You don’t know what death is!” Who then scurries off around the corner in a wild state.

And then-the glorious, more angry pumpkin intro this time around. The score is more aggressive, much like in the rest of the film, coinciding with an angrier Myers. The pumpkin cracks down the middle to reveal a skull. The symbol that death is coming and isn’t stopping for anyone.

So good.

What’s YOUR favorite Halloween opening sequence? Discuss below in the comments!

Ten of the Greatest Jump Scares in Horror Movie History

It’s one of the oldest horror movie tropes played in the genre-the jump scare. Some film snobs think it’s cheap, tacky, and just plain overused. I can agree to some extent that it can be used as a lazy way to scare the viewer without putting a lot of effort behind it, however, when done properly, it can elevate the movie to an entirely different level of heightened emotions that leaves us remembering that movie for pretty much the rest of our damn lives. As someone who lives with a debilitating anxiety disorder, the PTSD after a well-executed jump scare is one that I welcome, since I’m just an anxiety cucumber anyway.

You know, mostly made of water and anxiety. Actual photo of me in the wild.

Anyway, the jump scare is a fine art that shouldn’t be used lightly or in a cheap manner that attempts to compensate for poor storytelling in a shit-horror movie. It all comes down to proper timing and set-up for it to actually be a memorable that we, as the viewer, will take home with us thinking about it for days on end. Audio, for example, plays a big part in pulling off a successful startle. An auditory stimulus can be processed faster than a visual one. You can close your eyes or look away from a nasty image, but you sure as shit can’t close off your ears. Sound plays a crucial role in both parts of a scene that end with a jump scare—in both the buildup and the climax. Without sound, establishing an atmosphere of dread or apprehension is crucial for fulfillment, and can make the execution a little more difficult, but the pay-off is unremarkable and, truly, some of the best ones are silent. As stated, for someone like me who dreads the unknown, this is the way to really mess with us.

If you’re like me and jump out of your seat and start air-swimming away like a zany-cartoon character, I see you. And we’re going to honor those moments in horror movies where the jump scare goes from a bargain-basement scare tactic, to a fine art that acknowledges what a filmmaker can do with something simple as a noise or a sudden reveal. Remember-These are just my personal opinions and what has scared the crap out of me.

That being said, I want to start off with an honorary mention that is NOT a horror movie, but a recent series that literally had me throwing a chair because of this startle.

The Haunting of Hill House

I’m usually pretty damn good at predicting when a cinematic rush of adrenaline will happen, but this REALLY caught me off guard and fucked my whole night up. That being said, shout out to Mike Flanagan for killing me dead on my couch for this one.

10. Lake Mungo

Imagine going out into the night and seeing a figure coming towards you out of the darkness, and you learn that it’s your own bloated corpse staring right at you. This startled the ever-loving shit out of me, and I’m willing to bet I’m not alone here.

9. Hell House LLC

A perfect example of something so simple as a head-turn being effective and making you want to straight jump out of a window. This scene just elevated that whole movie and was worth the watch just for this alone.

8. JAWS

The oldest on this list and one that still haunts me is Ben Gardener’s severed head discovered by Hooper. Paired with John Williams score, it’s just classic. I can also appreciate that this same audio was used in JAWS 2 in the infamous unrated helicopter attack scene.

7. Friday the 13th

The music set this scene up for perfection and had us thinking it was all over upon a first-time viewing. A tried and true classic that’s been both copied and parodied countless times because of its perfect execution.

6. The Thing (1982)

One of the best things about this scene is when the blood reacts, it’s someone MacReady was not expecting, so he’s barely paying attention. It just comes out of nowhere for the audience, too. Fantastic work by Carpenter here, conditioning us into thinking nothing is going to happen and then BOOM.

5. Sinister

The lawnmower scene got me REAL good, and it is pure magic my friends. The foreboding atmosphere that surrounds the set-up to this is one of horror’s finest pieces of cinematic art.

4. Insidious

The appearance of what we all like to refer to as “Derpy Darth Maul” behind the head of Patrick Wilson has become one of the most infamous horror movie shots of modern times and with good reason. This scared the bejeezus out of nearly everyone who saw it for the first time. Now, it’s just hilarious to me, but that first go-around… OOOF.

3. Signs

I will forever champion this scene as one of the greatest, most tension-building set-ups of all time. The range of emotions you feel alongside Joaquin Phoenix as you stare in disbelief of what is unfolding right in front of you is an emotion I never forgot and sticks with me every time I see this.

2. Se7en

Listen. I nearly melted into my seat when I saw this in the movie theater as a teenager and is a prime example of how a jump scare can be done brilliantly. Of course, for added effect, none of the actors in this scene knew Vincent (Sloth) was going to move, so those reactions are genuine and ripple down towards us the viewer because that shit was terrifying. Also, I just love how they draw their weapons like he’s a zombie or something like that.

1. The Exorcist III

To absolutely no one’s surprise, the nurse and hospital hallway scene from The Exorcist III is the Mona Lisa of all horror movie jump scares. I saw this in the theater when I was eight-years-old, folks. My dad took me to see this along with my uncle and cousin, not giving two shits that he was supposed to be taking me to see Three Men and a Little Lady, I mean that’s what he told my mom anyway. While I was too young to understand a lot of what was going on, I understood one thing quite perfectly- that William Peter Blatty could successfully make me squirt lemonade in my pants.

Nothing has ever, and possibly will ever, top the tension-driven slow-build of the climatic fate of Nurse Keating. The silence of nothing but the rustling of papers and doors closing per a normal night shift desk job, with the security guards milling in and out of the scene, times it up so well. We are lulled into almost boredom until it happens, and it then knocks us right out of our chairs. But perhaps one of the biggest payoffs, is the fake-out jump scare that happens right before the big reveal, tricking us viewers into thinking the danger is gone. PERFECTION.

Tip of the Hat Mention: Silver Bullet

Growing up in a horror household, there wasn’t a lot that scared me as a kid, being as how I was watching things like Halloween and Jaws in my diapers. However, and I still can’t explain why, Stephen King’s Silver Bullet scared the ever-loving piss outta me. And particularly speaking, this scene in general where Joe Haller is poking around in Reverend Lowe’s garage. The music really helped set this one up and I KNEW something was coming. In the end it scared the crap out of me anyway and gave me nightmares for 2 weeks straight. That being said, Silver Bullet became one of my comfort movies after the trauma subsided and went to sleep with it almost everynight a few years later when I was a little older. Some kids go to bed with some Disney shit on the TV, I went to bed with Gary Busey wrasslin’ a werewolf.

Comment below with some of your favorite jump scare stories and scenes!