When it Comes to Friday Final Girls, Sometimes You’ve Got to Let it Cooke for a While

Sometimes I’m a little slow.

Example. It was not an uncommon occurrence in my collegiate days to wander around the local Walmart  in a zombie-like state at two in the morning. I’d wrap things up at the library, head over to snag some food, and have a well-deserved gander at the DVDs. One night, I was about to head out when I happened by a stand of sunglasses with “FOSTER GRANT” written in giant letters along its cardboard sides. I just chuckled to myself and made for the registers without even stopping.

You see, at that point I’d considered Midnight Run one of my favorite films of all-time for roughly twenty years, but apparently that was the time my brain needed to catch up to Robert De Niro’s “Agent Foster Grant” line.

Yes, Yaphet Kotto. You make yourself perfectly understood.

Which brings me to another cherished flick – Jason Lives.

Over the course of an exquisite (and recent) three-week stretch, I went from vomiting, to having a tooth pulled, and finally to influenza. You know how we all wish we had the time to just get into bed and never crawl out? How glorious we find that fantasy? Yeah, believe me when I say there are ways you don’t want to live that particular dream.

Anyway, I can be a little slow.

After numerous viewings of Friday the 13th’s sixth chapter while laid up, something finally dawned on me.

Those of you vaguely familiar with me know that I am, in fact, a Friday freak, and believe at a fundamental level that Amy Steel from Part 2 is one of the greatest final girls in horror history, and that I hold every other Crystal Lake heroine, to my thinking, to her unattainable standard.

But there was a hitch in my giddy-up. A flaw in my mindset that I was unaware existed. For thirty-freaking-years.

Jason-Lives-Friday-the-13th-Part-VI-19-1024x576I never truly considered Jennifer Cooke’s performance as Megan from Jason Lives as on par with Steel, or Adrienne King (Friday the 13th), or Lar Park Lincoln (The New Blood), simply because she never ended up squaring off with Mr. Voorhees, or his vengeful mother, one-on-one.

Sure, Jason (C.J. Graham) busted out of a cabin and wrapped the vice grips around her grape for a moment or two, but was quickly distracted by Tommy Jarvis’ (Thom Mathews) siren song.

Because of that one moment of abandonment, I disregarded everything that sat right in front of me, screening after screening, since 1986.

And it’s a laundry list of obvious.

After Megan’s father, Sheriff Garris (David Kagen) had Tommy locked up for suspicion of Jason’s murders, it was Megan who concocted the plan to trick her dad’s right-hand man so that Jarvis could be “unironed.” Then, she hopped in the car and refused to be left behind when Tommy told her that she couldn’t participate in such a dangerous endeavor. What’s more, when they arrived at the camp, Megan immediately ran to see if her friends and the kids were safe. Yes, she had a bit of meltdown calling for her father well within earshot of said little ones shortly thereafter, but when you lay eyes on a room painted with your friend’s blood, only to see another’s cranium bounce out of a patrol car like a forgotten soccer ball, you might have a moment, yourself.

But the resume didn’t cease to be impressive at that point. When Tommy floated to the surface after his underwater scuffle with Jason, Megan wasted zero time leaping into the lake to grab him (and got a far higher score on her dock dive than Kevin Bacon received from the Czech judge six years earlier). In fact, while Tommy may have fettered Voorhees to the lake floor, it was Megan who put the boat motor to good use to “finish the job” and free herself from the clutches of the Crystal Lake marauder.

And though it was painfully clear that she was not CPR certified, Megan gave Tommy just enough nudges to revive him on the beach.

So yeah, Megan may not have been a traditional final girl, but she was independent, confident and strong, determined to go after what she wanted, and while not fearless, certainly wasn’t hesitant to do what needed doing to save those she cared about. Cooke’s Ms. Garris is the Friday franchise’s John McLain – a hero who possessed the ability to think on her feet — whilst in the right place at the wrong time.

All the ingredients required to rival Ms. Steel. Just had to let them marinate for a while.

Alright, three decades.

(Slides shades on)

Like I said, I can be a little slow.

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John Carpenter’s Elvis Biopic Starring Kurt Russell; Yeah, That Happened

It’s one of those things that if you didn’t know, you’re mind just got friggin’ blown like a scene from Scanners.

I was one of those people, and I’m seriously pissed off that nobody bothered to tell me that this national treasure existed. FOR SHAME on you, while I hang my own head in humility.

Anway, upon learning about this hidden-from-me-gem, I immediately ordered a copy (and you should too) from Amazon, and gave it a view over this past weekend. I was not disappointed folks.

Fresh off the massive genre hit with fans Halloween, Carpenter aimed his directorial skills toward the smaller screen with 1979’s made for TV biopic Elvis. Starring in his first of many Carpenter films, Kurt Russell takes on the daunting task of portraying the man, the myth, the lip-curl himself, along with Russell’s real-life father Bing Russell playing Elvis’ father Vernon in the film as well. Which would totally account for the believability factor as far as paternal ownership in the movie. Shelly Winters (Roseanne, The Poisedian Adventure) tackles the important role of Mama Gladys- if you’re an Elvis fan, you know how much this man loved his mama. Also starring Halloween alumni Charles Cyphers, Pat Hingle, and Russell’s ex-wife Season Hubley as Priscilla Presley, Elvis is a wonderful Carpenter family affair on-screen that respectfully pays tribute to the trials and tribulations of rock legend without diving into his death.

Made only two years after the King’s passing, the 150-minute biopic focuses on the star’s childhood, the rise and peak of his fame, and the important relationships in this legend’s life that affected an empathetic man so greatly. According to reports, there are two other versions of the film that aired in the UK beginning with Elvis’ hair being cut before his entrance into the US army, and then the death of his mother. With a great deal of the story being told before these two incidents appear in the film, I’m certainly glad that wasn’t the final cut! We cannot be deprived of that wonderful Shelley Winters, now can we?

Apart from the obvious, and at times not so great lip-synching, Russell’s Elvis persona is by far, my favorite I’ve ever seen. You’re also talking to a born and raised Vegas girl here, and I’ve seen COUNTLESS impersonators in my lifetime; more than I even care to. But, Russell really does pull it off embodying the very spirit of the King right down to his signature movements and hell, he really does look like him too! So that’s a pretty great bonus. With portraying a personality as large as Elvis, it’s so easy to go overboard (haha) with it. However, with Russell, it seems natural. Which speaks volumes about his acting chops. Fun fact: Kurt Russell actually appeared in an Elvis film, It Happened at the World’s Fair in 1963, where a mini Russell kicked the King of Rock and Roll in the shins. Russell also dubbed the voice of Elvis seen in Forrest Gump in ’94 and played an Elvis impersonator in 3000 Miles to Graceland. So I suppose it’s fair to say Russell has had his fair share of defining Elvis moments in cinema.  However, Carpenter’s Elvis should, and I think is, his crowning achievement in his lip-curling legacy towards the once Graceland resident.

Originally airing as part of an ABC Sunday night special movie in 1979, Elvis went on to receive nominations from the Golden Globes including Best Motion Picture Made For Television and an Emmy for Outstanding Lead Actor (Russell). Didn’t win, but well deserved in any regard.

 

If you’re an Elvis fan or a lover of made for TV glory, I highly recommend picking this diddy up and adding it to your collection.

Click the image to pick it up over on Amazon!

Check Out the 1979 Audio Audience Reactions From Carpenter’s “Halloween”!

I truly envy those who were lucky enough to experience a time at the movies where emotions ran high and raw; especially during a horror film, like John Carpenter’s immortal classic, Halloween.

During the glorious ’70s, horror grabbed audiences by the balls by pushing the boundaries of gore, foul language, and nudity to the point of people vomiting, fainting, and or being so disgusted to the point of walking out. With the release of The Exorcist at the end of 1973, that movie managed to do all of these for paid movie-goers. I guess nobody was really prepared to see a 12-year-old profusely stab herself in the crotch with a crucifix. (For braver viewers, that seemed to be the deal-breaker). Perhaps with the exception of last year’s controversial mother!, we rarely see that sort of impact on audiences today.

Kind of sucks, doesn’t it? We’re so desensitized these days.

Image result for desensitized gif

 

Maybe not as extreme as Freidkin’s adaptation of William Peter Blatty’s literary masterpiece, but Halloween had one hell of an impact on audiences as well. One-half of my life givers, Robert Butrico of Queens, NY, remembers seeing John Carpenter’s groundbreaking slasher during its first initial run.

“I was there with a bunch of friends, we were really excited about this movie. We heard it was so scary! And you know what? It really was when we first saw it. We had never seen anything like it. There were a few girls who ran out of the theater screaming. That was actually pretty funny.”

And according to the presented audio below provided by YouTuber  Kyle J. Wood’s DarkCastle2012, my father said that’s pretty close to how he remembers his experience as well. And goddamn I am so envious of all this. It’s one thing to be annoyed by loud and obnoxious movie-goers at the theater, and quite another to experience a joined passion of emotions during a film. From the sounds of it below, this crowd is having a damn good time! I especially love the, “He gonna get up again!,” and the random guy in the back shouting, “One more time!

Per the YouTube description:

This is ACTUAL AUDIENCE AUDIO with matching video scenes added (a bit “out of sync” sorry) that I tape recorded inside a Hollywood Boulevard movie theater in 1979—one year after the film’s initial release.

 

For fuck’s sake, can we get a time machine already?!