Tainted Candy: The Most Unnerving Scene In “Halloween II”

I’ve said it a million times. HALLOWEEN II is by far, in my humble opinion anyway, the scariest of the franchise and is rightfully so for many reasons. HALLOWEEN II goes harder in just about every aspect, from the angrier music as a metaphor for a more pissed-off Myers, to the minute details scattered around the film. One in particular, shoved in by John Carpenter that is brief in nature, but perhaps the most fucked up moment in the whole movie.

And it had nothing to do with Michael Myers.

While Laurie Strode is being tended to her wounds by a drunken Dr. Mixter inside Haddonfield Memorial, a car pulls up to the front of the entrance with a frantic mother gently easing her son dressed as a pirate, out of the car and the kid is gushing blood from his mouth as we can see something shiny stuck up in there good. ‘m going to be completely honest because when I saw this as a kid, I thought it was a fuckin’ ice cube. Maybe it was the low definition on my crappy TV, but I went for YEARS thinking this kid had an ice cube stuck in his mouth. Did it make sense? Not a bit. Did I ever question it? Hell no. All I understood was that shit looked like it hurt and when I finally found out it was an actual razor blade from a piece of candy, it was like an emphatic moment of HOLY SHIT for me, and it just made that movie so much scarier.

We only see the mom and son duo two more times-once checking in and being told to wait as the frustrated mom is putting pressure on her kid’s jaw, and then again upon discharge outside the hospital where Gary French (yes, the kid actually has a name) and mom Leigh, (hey, so does the mom!) attempt to have a conversation, but the kid’s words are muddled from the injury and although Gary lives to see another Halloween, he’s obviously scarred for life.

Watching (and realizing) what I was seeing within that scene as a child, and now a parent myself, just makes it that much more chilling knowing these things have absolutely happened. The genius of John Carpenter sticking this out-of-pocket, non-essential plot point in HALLOWEEN II, comes on the heels of mass hysteria of stories of crazed people tainting candy for trick-or-treaters with poison and, of course, razor blades. The first documented incidents go back to the 1950s, where a California dentist laced over 400 pieces of candy with laxatives, sickening over 30 kids. As if kids aren’t scared enough of the dentist! Another incident came in the 1960s where a mother in New York handed out bags of treats containing arsenic-laced ant traps, metal mesh scrubbing pads and dog biscuits. In the 70s, a boy was killed by ingesting a pixie stick laced with cyanide by his own father, who used the legend of poisoned treated on Halloween to attempt to thwart the suspicion away from him. In Minneapolis, in 2000, James J. Smith, 49, was charged with felony adulteration after four teenagers told police they received chocolate bars that were later found to contain needles. As recent as 2022, a child in New York found a razor blade inside a candy bar she got while trick-or-treating. Bringing this John Carpenter’s horrifying scene here, full circle.

PSAs began in the early 70s, warning children and parents about Halloween dangers in the form of educational videos, and after the infamous Tylenol murders of 1982, one year after the release of HALLOWEEN II, the fears of product tampering reached an all-time high, especially around Halloween, and in 1985, another national PSA video was made containing fifteen-minutes beginning with glorious Ben Cooper masks dancing across the screen to some serious disco music. It tackles such pressing issues as the importance of safe pumpkin carving, costume dos and don’ts, and the all-important candy inspection before digging into your sugar haul for the night. 

Seriously, this thing rocks. Sure, it’s slightly dated, but the message still applies.

Many people shrug off the Halloween candy story as just that, a scary story. And while it’s true, most cases of reports seem to be unfounded and the biggest threat of a kid’s Halloween bucket is a sugar-induced stomachache, urban legends notoriously become reality in the minds of crazed folks where the myth turned into a real-life danger for unknowing innocents. Knowing that John Carpenter really didn’t want to do a sequel to his immortal classic and had a vision of his Halloween films exploring the horror holiday’s urban legends and cautionary tales of lore, this scene in itself, doesn’t seem so, out-of-pocket after all. Speaking plainly now, it truly is the most unnerving part of the entire film as the reality lines blur from Terminator Myers hunting down Laurie in a hospital, into something we know has, can, and may happen again somewhere; and that’s what makes it so terrifying.

So, is this scene the most messed up in the movie? I’ll let Dr. Loomis answer that one…

HAPPY ACCIDENTS: THAT TIME BOB ROSS DEFEATED DEADITES

To the glee of horror aficionados, Shudder’s CREEPSHOW is teeming with Easter eggs, and no episode filled the basket quite like the Season 2 debut chaser, “Public Television of the Dead.”

The set-up alone was intoxicating. A play on ANTIQUES ROADSHOW featuring EVIL DEAD veteran Ted Raimi querying about a book he’d had “in [his] fruit cellar for years.” Of course, Raimi was playing himself, the book in question was the Necronomicon, and the Pittsburgh-based station (hello Romero reference) even featured a program with a puppet named–you guessed it–Henrietta. When the host of THE APPRAISER’S ROAD TRIP began reading the “wretched incantations,” all hell broke loose. But in the next studio, a gentleman who struck a striking resemblance to Bob Ross was filming, not THE JOY OF PAINTING but THE LOVE OF PAINTING. Played to placid perfection by Mark Ashworth, the character of Norm Roberts was merely Ross’ given name rearranged: Robert Norman Ross.

Fresh off a floating and brilliantly delivered “pledge to us,” Raimi’s Deadite wandered onto Roberts’ set, and the calm craftsman immediately leapt to action, confronting Raimi with a cool “I don’t know who you are, sir. But if you’re not gonna behave, I’m gonna have to ask you to leave.” Battle ensued. From a 2-inch brush to paint thinner and making a Gattling gun out of a snowblower, Norm went full MacGuyver, utilizing the tools of his trade to decimate Deadites. “We’re gonna beat the Devil out of you.” To the surprise of no one, Roberts saved the day, and his show–which was slated for cancellation–went national.

On its face, the premise of the episode seems outlandish, but it’s closer to the truth than you might think. The Roberts character was supposed to be a Vietnam veteran who fought on the front lines of the Tet Offensive in 1968, and believe it or not, Ross was a service veteran. Joining the United States Air Force in 1961, the not-yet-permed-painter was a medical records technician before being stationed in Alaska where he discovered a love for the snow and mountains that would inhabit so many of his works. Ross rose to the rank of master sergeant, but after acting as the heavy who was “the guy who makes you scrub the latrine, the guy who makes you make your bed, the guy who screams at you for being late to work,” upon discharge Ross vowed he would never raise his voice again.

Simply stated, “Public Television of the Dead” was a love letter to Ross. THE JOY OF PAINTING aired for eleven years (1983-1994) and thanks to its magical host, enjoys a cult following to this day. Bob Ross’ official YouTube channel has over 5.6 million subscribers as of October 26, and one episode alone–the Season 29 opener–boasts of 45 million views. And by the way, the color code for Van Dyke brown is #664228. If you know, you know.

Who among us doesn’t reflect on childhood afternoons watching in awe as Ross painted amazing scene after amazing scene, his words of encouragement and love a ray of sunshine acting as a soothing salve for the lashes of life. To this day, when I need a calm voice to help slow my mind so I can sleep, I pull up an episode of THE JOY OF PAINTING because Bob Ross was who we–and episode writer Rob Schrab–thought he was: a superhero.

“I think each of us, sometime in our life, has wanted to paint a picture.” For many of us, it’s because Bob Ross existed. The serene sculptor would have been 81 today, and as we celebrate the memory of someone who touched us all, we echo Ashworth’s Roberts: “good night, day. Thank you for everything.”

The VHS/BETA Home Video History Of “John Carpenter’s HALLOWEEN”

2023 marks 45 years since John Carpenter made a little movie about a homicidal maniac stalking babysitters, and the phenomena of HALLOWEEN hasn’t wavered once since that initial release. If anything, the fandom has only gotten stronger, more fierce, and completely loyal to one of the first masked slashers on the horror scene.

I was pretty damn young when I first saw HALLOWEEN; like, way younger than what should have been allowed at the time- I believe I was around 4 or 5 when I first started catching tidbits of it here and there during one of my Dad’s viewings on TV. It wasn’t until I was about seven when I pressed the play button myself and watched it in its entirety all on my own. I’ll never forget the recorded VHS that held an unholy trilogy of horror on it: a translucent shade of blue VHS tape in a brown clamshell with recordings of Frankenstein (1931), The Exorcist, and Halloween. And thus my love for the franchise was born from an early age, so much so, I, like many others, can utter the whole fuckin’ thing word for word without ever skipping a beat.

Up until the late 90s, I didn’t even own a legit VHS copy. I had merely relied on old faithful blue there along with anytime it was showing on TV- my favorites were when Joe Bob Briggs and MonsterVision would run it, or when the USA Network had a Friday Fright Night.

Also, this is my goddamn favorite promo ever for HALLOWEEN ever; and it’s a double feature!

JOHN CARPENTER’S HALLOWEEN has been released on home video in a myriad of ways over the last 40 years, probably giving this horror film in particular a record for how many different variations of this classic exist to watch at home. In my mind, I never like to live much past the 21st century, so we’re going to forgo the 2,000 releases HALLOWEEN has seen since the DVD coming of age and stick to the nostalgic basics of glorious VHS cover art, where it all began as it had quite the shelf-life on this format. And what the fuck, we gotta throw in BETA with a dash of Laserdisc because they never get their due.

1979 (VHS)

The most coveted VHS of HALLOWEEN is the first-printing, 1979 Meda Home Entertainment Full Screen release that followed one year after the film’s debut. The signature retro orange and simplistic nature of this one, in particular, has been known to sell for thousands to interested buyers in the modern day. It’s pretty much every VHS collector’s holy grail. Mine included.

1979 (BETA)

The BETAMAX was first introduced in 1975 and was basically the 4K version of a VHS with higher resolution and overall better quality viewing. They ran a pretty penny, so you really wouldn’t see this in your average household. But of course, even in 1979 we all knew HALLOWEEN was something special and had to be seen on the beautiful BETA in full screen, so a cassette was made to coincide the release of the VHS. I’ve never owned a BETAMAX myself, but my ritzy friend had one growing up and yep, she had this. I can confirm the visual experience was mounds better, and I was forever jealous I never had a BETA Cassette Player. A second BETA was released in 1985 before the format completely fizzled out and BETA was no more as VHS ultimately won the home video wars.

1981 (VHS)

The second release occurred in 1981 as a promo deal upon the release of HALLOWEEN II. There was another release in 1984 and 1987, but it pretty much had the same box art with nothing really added. In today’s age, there would be hell to pay for that!

1985 (Laserdisc)

1985 brought on the massive Laserdisc format of the immortal classic and ran consumers about $40, which would amount to about $112 in 2023- insane, right? Presented the film in pan & scan, believe it or not, this was the first of a few, Laserdisc releases for Halloween with a really cool Japanese release in 1986, and a Criterion Collection debut in 1994. In 1996, the UK sourced a LD from a new 35mm Panavision print minted from the original negative. Pretty neat, huh?!

1989 (VHS)

1989 brought on one final pressing of Halloween before MEDIA fully went bankrupt, riding the coattails of HALLOWEEN 5 before its theatrical release. Interestingly enough, there was an accidental pressing of the television version that was originally shown on television in 1981 with the extra added scenes. It was pulled from the market shortly after its initial release, corrected, and thrown back into the market, making it a highly sought after collector’s item!

1995 (VHS)

In 1995, Blockbuster which had become the king of VHS home movie rentals, purchased the distribution rights to Halloween and released it as part of their Blockbuster Presents October showcase. This is also the VHS that most people own because in pure Blockbuster fashion, they printed a SHIT TON of these bad boys for purchase. Less is never more with Blockbuster as they always 200 copies of one new movie taking up two walls in their store.

Also, let’s look at that TV promo for it because it’s pretty damn glorious.

1997 (VHS)

In 1997, Halloween distribution changed hands once again, but this time for the last time to Anchor Bay and with that saw yet, another VHS release. But, this is also the first time the film was hawked to home video with a Widescreen version, as the movie has only ever been seen at home in full screen.

1998 (VHS)

In 1998, to mark the film’s holy twentieth anniversary and the release of HALLOWEEN H2O, Anchor Bay put out this gorgeous orange double cassette collector’s VHS edition that also came with this keychain that I still proudly keep on me this very day. This clamshell edition, to me, is the absolute best as far as VHS releases go, and the only one I own personally. The 10.31.78 Edition, as it was called, was limited to only 40,000 copies. The first tape is the widescreen presentation of the film, and the second tape contains all its special features as in television scenes (as well as the slightly censored opening kill of Judith), Halloween Unmasked 1998, the film’s theatrical trailer, and a couple of TV spots, radio spots, and a beautiful photo still gallery. My only regret is not sending in that dollar for the poster.

2001 (Final VHS)

2001 was the final year a Halloween VHS would ever be released and with this, Anchor Bay pimped out the extended edition, which was basically the film’s theatrical cut with the television scenes spliced in. Which has now, become the fan favorite way to watch it.

Soon after, the VHS format completely fizzled out to make way for the advanced DVD technology. However, I have to say, old faithful 40 year VHS’ I own still hold up and play well while you so much as slightly hold a DVD wrong, the thing doesn’t want to play right. Which is why the resurgence of the VHS in the past years has become a splendor to behold to know the cassette tape has found its way back into mainstream households. And most importantly, 45 years later, HALLOWEEN, and its many VHS format releases.

Which one is your favorite?!