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Tainted Candy: The Most Unnerving Scene In “Halloween II”

I’ve said it a million times. HALLOWEEN II is by far, in my humble opinion anyway, the scariest of the franchise and is rightfully so for many reasons. HALLOWEEN II goes harder in just about every aspect, from the angrier music as a metaphor for a more pissed-off Myers, to the minute details scattered around the film. One in particular, shoved in by John Carpenter that is brief in nature, but perhaps the most fucked up moment in the whole movie.

And it had nothing to do with Michael Myers.

While Laurie Strode is being tended to her wounds by a drunken Dr. Mixter inside Haddonfield Memorial, a car pulls up to the front of the entrance with a frantic mother gently easing her son dressed as a pirate, out of the car and the kid is gushing blood from his mouth as we can see something shiny stuck up in there good. ‘m going to be completely honest because when I saw this as a kid, I thought it was a fuckin’ ice cube. Maybe it was the low definition on my crappy TV, but I went for YEARS thinking this kid had an ice cube stuck in his mouth. Did it make sense? Not a bit. Did I ever question it? Hell no. All I understood was that shit looked like it hurt and when I finally found out it was an actual razor blade from a piece of candy, it was like an emphatic moment of HOLY SHIT for me, and it just made that movie so much scarier.

We only see the mom and son duo two more times-once checking in and being told to wait as the frustrated mom is putting pressure on her kid’s jaw, and then again upon discharge outside the hospital where Gary French (yes, the kid actually has a name) and mom Leigh, (hey, so does the mom!) attempt to have a conversation, but the kid’s words are muddled from the injury and although Gary lives to see another Halloween, he’s obviously scarred for life.

Watching (and realizing) what I was seeing within that scene as a child, and now a parent myself, just makes it that much more chilling knowing these things have absolutely happened. The genius of John Carpenter sticking this out-of-pocket, non-essential plot point in HALLOWEEN II, comes on the heels of mass hysteria of stories of crazed people tainting candy for trick-or-treaters with poison and, of course, razor blades. The first documented incidents go back to the 1950s, where a California dentist laced over 400 pieces of candy with laxatives, sickening over 30 kids. As if kids aren’t scared enough of the dentist! Another incident came in the 1960s where a mother in New York handed out bags of treats containing arsenic-laced ant traps, metal mesh scrubbing pads and dog biscuits. In the 70s, a boy was killed by ingesting a pixie stick laced with cyanide by his own father, who used the legend of poisoned treated on Halloween to attempt to thwart the suspicion away from him. In Minneapolis, in 2000, James J. Smith, 49, was charged with felony adulteration after four teenagers told police they received chocolate bars that were later found to contain needles. As recent as 2022, a child in New York found a razor blade inside a candy bar she got while trick-or-treating. Bringing this John Carpenter’s horrifying scene here, full circle.

PSAs began in the early 70s, warning children and parents about Halloween dangers in the form of educational videos, and after the infamous Tylenol murders of 1982, one year after the release of HALLOWEEN II, the fears of product tampering reached an all-time high, especially around Halloween, and in 1985, another national PSA video was made containing fifteen-minutes beginning with glorious Ben Cooper masks dancing across the screen to some serious disco music. It tackles such pressing issues as the importance of safe pumpkin carving, costume dos and don’ts, and the all-important candy inspection before digging into your sugar haul for the night. 

Seriously, this thing rocks. Sure, it’s slightly dated, but the message still applies.

Many people shrug off the Halloween candy story as just that, a scary story. And while it’s true, most cases of reports seem to be unfounded and the biggest threat of a kid’s Halloween bucket is a sugar-induced stomachache, urban legends notoriously become reality in the minds of crazed folks where the myth turned into a real-life danger for unknowing innocents. Knowing that John Carpenter really didn’t want to do a sequel to his immortal classic and had a vision of his Halloween films exploring the horror holiday’s urban legends and cautionary tales of lore, this scene in itself, doesn’t seem so, out-of-pocket after all. Speaking plainly now, it truly is the most unnerving part of the entire film as the reality lines blur from Terminator Myers hunting down Laurie in a hospital, into something we know has, can, and may happen again somewhere; and that’s what makes it so terrifying.

So, is this scene the most messed up in the movie? I’ll let Dr. Loomis answer that one…

The VHS/BETA Home Video History Of “John Carpenter’s HALLOWEEN”

2023 marks 45 years since John Carpenter made a little movie about a homicidal maniac stalking babysitters, and the phenomena of HALLOWEEN hasn’t wavered once since that initial release. If anything, the fandom has only gotten stronger, more fierce, and completely loyal to one of the first masked slashers on the horror scene.

I was pretty damn young when I first saw HALLOWEEN; like, way younger than what should have been allowed at the time- I believe I was around 4 or 5 when I first started catching tidbits of it here and there during one of my Dad’s viewings on TV. It wasn’t until I was about seven when I pressed the play button myself and watched it in its entirety all on my own. I’ll never forget the recorded VHS that held an unholy trilogy of horror on it: a translucent shade of blue VHS tape in a brown clamshell with recordings of Frankenstein (1931), The Exorcist, and Halloween. And thus my love for the franchise was born from an early age, so much so, I, like many others, can utter the whole fuckin’ thing word for word without ever skipping a beat.

Up until the late 90s, I didn’t even own a legit VHS copy. I had merely relied on old faithful blue there along with anytime it was showing on TV- my favorites were when Joe Bob Briggs and MonsterVision would run it, or when the USA Network had a Friday Fright Night.

Also, this is my goddamn favorite promo ever for HALLOWEEN ever; and it’s a double feature!

JOHN CARPENTER’S HALLOWEEN has been released on home video in a myriad of ways over the last 40 years, probably giving this horror film in particular a record for how many different variations of this classic exist to watch at home. In my mind, I never like to live much past the 21st century, so we’re going to forgo the 2,000 releases HALLOWEEN has seen since the DVD coming of age and stick to the nostalgic basics of glorious VHS cover art, where it all began as it had quite the shelf-life on this format. And what the fuck, we gotta throw in BETA with a dash of Laserdisc because they never get their due.

1979 (VHS)

The most coveted VHS of HALLOWEEN is the first-printing, 1979 Meda Home Entertainment Full Screen release that followed one year after the film’s debut. The signature retro orange and simplistic nature of this one, in particular, has been known to sell for thousands to interested buyers in the modern day. It’s pretty much every VHS collector’s holy grail. Mine included.

1979 (BETA)

The BETAMAX was first introduced in 1975 and was basically the 4K version of a VHS with higher resolution and overall better quality viewing. They ran a pretty penny, so you really wouldn’t see this in your average household. But of course, even in 1979 we all knew HALLOWEEN was something special and had to be seen on the beautiful BETA in full screen, so a cassette was made to coincide the release of the VHS. I’ve never owned a BETAMAX myself, but my ritzy friend had one growing up and yep, she had this. I can confirm the visual experience was mounds better, and I was forever jealous I never had a BETA Cassette Player. A second BETA was released in 1985 before the format completely fizzled out and BETA was no more as VHS ultimately won the home video wars.

1981 (VHS)

The second release occurred in 1981 as a promo deal upon the release of HALLOWEEN II. There was another release in 1984 and 1987, but it pretty much had the same box art with nothing really added. In today’s age, there would be hell to pay for that!

1985 (Laserdisc)

1985 brought on the massive Laserdisc format of the immortal classic and ran consumers about $40, which would amount to about $112 in 2023- insane, right? Presented the film in pan & scan, believe it or not, this was the first of a few, Laserdisc releases for Halloween with a really cool Japanese release in 1986, and a Criterion Collection debut in 1994. In 1996, the UK sourced a LD from a new 35mm Panavision print minted from the original negative. Pretty neat, huh?!

1989 (VHS)

1989 brought on one final pressing of Halloween before MEDIA fully went bankrupt, riding the coattails of HALLOWEEN 5 before its theatrical release. Interestingly enough, there was an accidental pressing of the television version that was originally shown on television in 1981 with the extra added scenes. It was pulled from the market shortly after its initial release, corrected, and thrown back into the market, making it a highly sought after collector’s item!

1995 (VHS)

In 1995, Blockbuster which had become the king of VHS home movie rentals, purchased the distribution rights to Halloween and released it as part of their Blockbuster Presents October showcase. This is also the VHS that most people own because in pure Blockbuster fashion, they printed a SHIT TON of these bad boys for purchase. Less is never more with Blockbuster as they always 200 copies of one new movie taking up two walls in their store.

Also, let’s look at that TV promo for it because it’s pretty damn glorious.

1997 (VHS)

In 1997, Halloween distribution changed hands once again, but this time for the last time to Anchor Bay and with that saw yet, another VHS release. But, this is also the first time the film was hawked to home video with a Widescreen version, as the movie has only ever been seen at home in full screen.

1998 (VHS)

In 1998, to mark the film’s holy twentieth anniversary and the release of HALLOWEEN H2O, Anchor Bay put out this gorgeous orange double cassette collector’s VHS edition that also came with this keychain that I still proudly keep on me this very day. This clamshell edition, to me, is the absolute best as far as VHS releases go, and the only one I own personally. The 10.31.78 Edition, as it was called, was limited to only 40,000 copies. The first tape is the widescreen presentation of the film, and the second tape contains all its special features as in television scenes (as well as the slightly censored opening kill of Judith), Halloween Unmasked 1998, the film’s theatrical trailer, and a couple of TV spots, radio spots, and a beautiful photo still gallery. My only regret is not sending in that dollar for the poster.

2001 (Final VHS)

2001 was the final year a Halloween VHS would ever be released and with this, Anchor Bay pimped out the extended edition, which was basically the film’s theatrical cut with the television scenes spliced in. Which has now, become the fan favorite way to watch it.

Soon after, the VHS format completely fizzled out to make way for the advanced DVD technology. However, I have to say, old faithful 40 year VHS’ I own still hold up and play well while you so much as slightly hold a DVD wrong, the thing doesn’t want to play right. Which is why the resurgence of the VHS in the past years has become a splendor to behold to know the cassette tape has found its way back into mainstream households. And most importantly, 45 years later, HALLOWEEN, and its many VHS format releases.

Which one is your favorite?!

Interview: Dwight Little Looks Back on 35 Years of “HALLOWEEN 4: The RETURN OF MICHAEL MYERS”

A few weeks ago, I had the pleasure of interviewing HALLOWEEN 4 director and Samhain aficionado, Dwight Little on all things horror, the new film NATTY KNOCKS, and duh, of course, HALLOWEEN 4: THE RETURN OF MICHAEL MYERS; and in case you’re new here, is one of my own personal Kryptonite films. Put that sucker on, and I’m pretty much dead to the world. With the 35th anniversary of the 1988 movie looming over us, I used this opportunity to gain a deeper insight of the film I rented over and over again at my local Mom-and-Pop video store and that has become not only a fan favorite over the years but a beautiful throwback to the nostalgia of Halloween in the 80s.

Which begged Dwight Little to ask me himself,

Why do YOU think people love this movie so much, right, now?

To which I gave the obvious answer of-

“Mr. Little, HALLOWEEN 4 is thee perfect seasonal Halloween film. It holds so many memories and nostalgia for us children of the 80s and embodies the look and feel of the holiday with an added bonus of Michael Myers slowly walking around chasing folks.”

Tell me I’m wrong…

DL:

Those streets of Haddonfield, all the dead leaves, the old drug store, and the shallow fields, the movie on top of it being Michael Myers, just has that nice atmosphere of what it was like to go trick or treating.

NN: And that opening is a banger as well!

DL: You know we put a LOT of energy into that, and I had asked the writer on set, ya know, how much do we actually KNOW about the origins of Halloween? I looked up some references on it and found out there’s some old Scottish agricultural tradition where the fields have gone bare and everyone has to do their last harvest to get ready for the Winter. And so there’s all this iconic imagery of scarecrows and pumpkin men, and looking back into the roots of it all, is how we came up with that title sequence that seems so beloved. I just didn’t want to do the pumpkin [intro sequence again] and wanted to try something else.

NN: With RETURN turning 35 this year, tell me some of your fondest memories of being on set, or something that sticks out to you looking back on making the film.

DL:Well, I was such a goofy fan of Donald Pleasence. Growing up, ya know, this was the guy from THE GREAT ESCAPE, and he was a James Bond villain so in my eyes he was English Royality. So, to be able to work with Donald as a young director, it was such a thrill, To be honest, I was intimidated for about the first two hours on the first day of filming with him on set, but we fell into such an easy actor/director relationship and he never made me feel like he didn’t want to be “directed” and so I was able to really dig in with him and not be scared away by his star status and that was something I really enjoyed.”

“I also loved both the girls, Danielle Harries and Ellie Cornell. They found a chemistry on their own, I didn’t even have to do much, and Ellie is just naturally took care of Danielle, and seemed bonded right from the beginning, which gave a real heart to the movie.”

NN: Yeah, it’s a tragedy what they did to her in Part 5. To me personally, I think she’s the greatest final girl of the franchise!

DL: Well, I didn’t have anything to do with 5 and to be quite honest I haven’t even seen all of 5. I think it’s a shame and I think they should have kept her alive in the end. Ellie’s takedown of Myers, is one of the most ferocious Final Girl things ever. The way she drives the truck and the way handles herself is fierce. She was really terrific and such a believable actress. She never tried to overdo it, and she’s sexy without even trying to be.

NN: Yep. She feels really relatable to a lot of us female horror fans.

DL: Yeah, she’s not just a hottie. She’s a lot more than that.

NN: In the community, there has been rumors, that there’s a scene that was filmed that explains how Loomis and Myers survived that fire at the end of HALLOWEEN II. Is that true?

DL: “No that is not true, but here what is true. Alan McElroy, the writer, and I decided we needed to do all the heavy lifting explaining what happened in one elevator ride. So what happened was you see the attendants come into the mental facility and then the guard takes them down the hall and tells them the whole story on the elevator ride. By the time the doors open at the end of that elevator ride, basically we’ve done all the explaining we needed to do there. And then when you see Michael on the gurney, and the camera comes down, you can see that his hand is covered in burn scars and has been in a coma for ten years, face still wrapped… and that felt like we helped the audience make that turn from 2 to 4. By the time they put Michael in the ambulance, you’re not even questioning it.

“HALLOWEEN 4 was a great experience for me and holds a lot of great memories.”

HALLOWEEN 4: THE RETURN OF MICHAEL MYERS has given us 35 years of sweet Halloween nostalgia, a goofy Myers mask blooper, and a final girl that comes correct in her stance against Myers. Upon the news of Miramax picking up the rights to Halloween in plans to make it a series, like the upcoming Friday the 13th: Crystal Lake show, I sincerely propose that this fan-favorite attempt to pick up from the events of after 4 and make an adult Jamie the killer in a clown costume. Myers can be dead and laid to rest for a while, I think. I would be at peace with that. Hell, maybe even make an episode where we finally get some justice for Ted Hollister! I would like to see it go that route OR pursue John Carpenter’s original plans and explore different Halloween urban legends throughout the series.

Either way, we’ll always have Halloween 4 and me, personally, the fact that Dwight Little did tell me I probably know more about that movie than he does. I know it’s Halloween and all, but Christmas came a little early for me this year.

Grab your Nightmare Makeup Kit, if you know a guy named Wade, tell him to fuck off and rewatch Return for its 35th anniversary this year.

Kathleen Kinmont is calling you, now.