Tag Archives: Saturday Morning Cartoons

“Beetlejuice: The Animated Series” Is Still The Greatest Animated Ghost With The Most 35 Years Later

Though I know I should be wary, Still I venture someplace scary; Ghostly haunting I turn loose… Beetlejuice, Beetlejuice, Beetlejuice!!!

Before we knock around a bit of Beetlejuice cartoon history, let’s rewind our minds back a few years and remember what being a kid was like on a gorgeous Saturday morning.

Unlike my peers, I personally, was always up at a decent hour (around 7:30 a.m.). After crawling out of my Ninja Turtle sheets, I would make my way to the dimly lit kitchen and help myself to a bowl of cereal and whatever readily available juice box (preferably Hawaiian Punch or Ecto Cooler) my fridge held that morning. All placed accordingly on my TMNT (1990) movie tray in front of our mammoth of a television set. I was ready to seize the glorious Saturday with the start of some of the greatest goddamn must-see-TV. And one of many of those amazing Saturday morning animated gems was, of course, Beetlejuice: The Animated Series.

After the massive hit that no one saw coming in 1988, Tim Burton’s BEETLEJUICE left the year as one of the top ten grossing (how appropriate) movies of the year- so naturally Warner Bros wanted to capitalize on the Afterworld film graduate. A sequel WAS planned titled Beetlejuice Goes Hawaiian, oh yeah that was going to be a thing, but due to the immense smash that Tim Burton brought forth the following year with BJ star Michael Keaton in tow, BATMAN, Warner opted to shelve Beetlejuice in a grass skirt in favor of focusing on a sequel to the Dark Knight that brought in way more marketing profits for the company.

And for those dying of curiosity, here’s a cool fan-made poster by Redditor Coffin_House on what could have been.

Since WB is no fool, they still knew that had a hot commodity with BeetleGuise a less invasive to the studios’ cartoon was green-lit to be developed by the Juice maker, Tim Burton himself with pal Danny Elfman to compose a whole new theme for the toned-down Bio-Exorcist. Catering to a Saturday morning audience, Beetlejuice went from a slithering snake of a horn dog that manipulates his way into an attempted marriage with Lydia, to the pair becoming pals and the Bio-Exorcist harboring an actual moral compass, (sorry, no crotch grabbing anywhere here). I mean, hey it’s Saturday morning and every show needs a PSA and a message right? Like, lying to your parents might mean you’re going to let loose a hoard of ghostly skeletons that are ready to snitch you out.

LYDIA LIED!

Instead of Winter River, the Deetz family live in Peaceful Pines but it’s mostly set in Beetle’s home The Netherworld. The series ran around some silly adventure or problem week after week involving the duo pf Lydia and BJ. From roaming aforementioned skeletons in the closet ruining someone’s day with the hard truth or Beetlejuice’s entire skeletal system abandoning him in favor of a vacation. The show was a perfect Saturday morning mash-up of wackiness and just a hint of horror.

Lydia’s parents Charles and the eccentric Delia return in animated form as naive supporting characters that never seem to notice their daughter spends most of her free time in another dimension. Then again, in the film, she seemed to be mostly ignored by her self-absorbed parental units until the shit hit the fan- so the relationship stays a tad faithful in that aspect. 

The void felt by the absence of Barbara and Adam was filled with new characters. Beetle’s neighbors in the Netherworld furthered BJ’s awesome sense of sarcasm with most of them being both clumsy and easy to poke fun at. In which case, ole BJ took advantage of on a consistent basis and was the source for a lot of the humor in the series. Jacques, Ginger, The Monster Across the Street, Poopsie, the Mayor, and on Earth, the snooty Claire Brewster, were often the victims of Beetlejuice’s embarrassing pranks.  Even Lyds wasn’t immune to Beetle’s reign of practical jokes as his only friend was even the butt-of-the-joke at times. However, unlike Claire and the Netherworld residents, BJ’s pranks on the teenage Deetz were never meant to cause damaging feelings or humility, but rather all in fun. Which asserts the relationship between Lydia and Beetlejuice in the series. Unlike in the film, the pair was as close as friends could get and the unlikely duo’s friendship remained a constant crucial part of the show throughout the series’ short three-season span.

One newly added character, Barry MeNot, stood out as the only CGI character among the classically animated counterparts and was something a lot of us didn’t see too much of in this cartoon era. He was the TV (Neitherworld Television) personality who appears in various “commercials” that sometimes pop up to emphasize a particular plot point in the show. He sold the hell out of those Scream Puffs to me.

BEETLEJUICE: THE ANIMATED SERIES first premiered on ABC Saturday mornings on September 9th, 1989 running right behind SLIMER! AND THE REAL GHOSTBUSTERS for a ghostly hour of fun on the weekend and later moved to FOX Kids weekday afternoon lineup as one of the FIRST animated shows to be added. And after 35 years since its debut, this little piece of netherworldly nostalgia has remained in our beloved hearts ever since.

The animated series is almost impossible to be able to find on streaming these days, unless you want to buy episodes from Amazon Prime and that’s just a damn shame. However, if you download the  FreeVee app, there’s a channel called Cartoon Rewind that occasionally runs marathons of the show. Unfortunately, it’s not an On Demand thing so you’ll quite literally have to live like it’s 1989 and just wait for it like in the caveman days!

It’s more than worth it.

Saturday Morning Slams! Hulk Hogan’s Rock ‘N’ Wrestling!

Well, lemme tell you something Mean Gene: It’s been a hot minute since we covered any Saturday Morning slammin’ 80s cartoons and I can’t think of anything quite more that speaks to the decade than the shameless animated commercial geared towards kids. Yep, let’s dive into Hulk Hogan’s Rock ‘N’ Wrestling!

The Dic Animation series premiered originally on CBS in 1985 and only lasted for two seasons, but even a short-lived cartoon of such a popular subject left its imprint on 80s kids. Wrestling in the mid-80s was peak entertainment for pretty much anyone and everyone with Vince McMahon bringing the sport mainstream with soap-opera dramatics and a superhero archetype for the kids to worship- Hulk Hogan. Love him, or hate him, he made the sport a rite of passage for every man, woman, and child during that time and you just have to respect that. I’m not even sure Wrestling would be as mainstream today if it wasn’t for Thunderlips, I mean Hogan. At night, we had Saturday Night’s Main Event, and in the morning, we had Rock ‘n’ Wrestling. 

Image via Mercari

Of course, we can’t have a superhero without a bad guy and the man for the job was Roddy Piper– the man, the mouth, the legend. Each episode took the basic formula that wrestling had of good guys vs bad guys and would feature Hogan leading the good guys against a group of rogue wrestlers led by Piper. Like with other cartoons at the time, we usually had a happy ending and with the good vs bad trope, each episode put both groups into wacky situations that would always result in the goodies coming out on top.

As a young Piper fan, this kind of pissed me off. Yes. I was the little sociopath who really loved seeing Hot Rod get wild and slam coconuts into the skull of Superfly, (and if you know anything about Snuka’s murder charges- that sweet coconut music slaps even harder). But, this was the formula and so it shall be that Piper didn’t get on that goodie-two-shoes train until a bit later. But never wavering with his smartass remarks. I respected that. Don’t get me wrong, as a young girl, I loved the shit out of Wendi Richter because, well as a girl I felt represented. Of course, I didn’t find out until years later how the company did her dirty as she seemed to disappear from the ring almost as fast as she entered it. Which is a damn shame, but I’m happy she was at least immortalized in this crazy cartoon alongside the greats.

Anyways, the show would also feature live-action segments with the wrestlers and songs from their WWF album. “Land of 1000 Dances” which I totally loved at the time and still sing very loudly, “Hogan’s such a yoyo” to anyone that would hear it.

Although we got to see our heroes in the show in these weird live segments, they themselves didn’t provide the voices of their animated counterparts and professional voice actors were brought in. Most notably, Brad Garrett voiced Hogan.

As stated, the series didn’t last beyond two short seasons and that was simply because the cartoon couldn’t keep up with the real-life events of the wrestling world. Most noticeably, Andre, the Giant turned heel shortly after the cartoon started airing, so in the animated series, it just didn’t make much sense. The plan was indeed to keep the cartoon in line with current stories in real-time wrestling but animating at the time, was a slower process and just couldn’t play catch-up.

After its short run on CBS Saturday mornings, the series still continued with reruns on alternate networks. I mostly remember watching it on the USA network around 87-88 in my area, just before one of their late-morning Saturday programs of matches. It was a pretty great cartoon for what it’s worth even with all the flaws, and it serves its purpose of grabbing our attention in a sea of Saturday morning cartoons while also making Hulkamaniacs into those who hadn’t yet caught the wrestling train to 24-inch Python-ville.

So let’s raise our glasses of vitamin D milk to Hulk Hogan’s Rock ‘N’ Wrestling, this badass Rocky-inspired intro, and the poor lady that got trampled towards the end of this intro that never even bothered editing out.

Fantastic, man.

The Powerful Art of He-Man and the Masters of the Universe!

It is without a doubt He-Man dominated the toy market of yesteryear. Making his way to our local toy shelves he took his rightful place as the reigning king of figurines and promptly slaughtered the competition. Not even the galactic juggernaut toy line of Star Wars could withstand the power of Grayskull and Eternia’s mighty champions.

He-Man and Masters of the Universe did not have a movie’s storyline to follow and upon initial creation-stages, the classic cartoon wasn’t even a thought at the time. What He-Man did have was his immense look and all the charm each figure brought with them.

That and the breathtaking artwork eruptoing across each package!

These were toys, true, but these were also thrilling works of art. A thing unseen back in the day and it set MOTU apart from its competitors. There was time and passion put into these. Muscles, savagery, feminine beauty (in Teela’s case), and undeniable evil as seen in Skeletor’s demonic visage. The divide between good and evil was clearly revealed in each figure and it didn’t take rocket science to figure out who was who.

Likewise, each figure was a puzzle piece and when all brought together uncovered a fantastical picture of a far-off universe where the never-ending conflict between good and evil raged imperially on the distant planet of Eternia.

The artwork on the display packaging helped fill in the world where swords and sorcery akin to the barbarian world of Conan met technical superiority – such as monstrous tanks and hovering battle crafts – of sci-fi grandeur! It was a brilliant fusion of genres. And power, pure and unstoppable power.

I daresay anyone of us gazing upon Castle Gray Skull was immediately pulled into the vortex of its wondrous world of secrets and sorcery. What exactly was Gray Skull? None of us had a clue. Truth was we weren’t sure if it was meant for good or evil. There’s always been a grim neutrality about the castle and that makes it more wondrous. Plus it looked METAL as all Hell and that made us want it so much more!

First, you’d see the toy but then there’s that Frazetta-inspired artwork on each packaging and it just demanded your attention. It filled the imagination. They didn’t have to put that much detail into packaging, you know, the thing we were going to tear into and throw in the trash. Looking back I now wish I had all the cards and boxes to proudly display and gloat over. Back then we didn’t know better.

Attitude Perspective

Of course, I have to mention the cartoon for a moment.

Originally it wasn’t even in the mind of the creative team behind the toy line. But it was believed that something had to help kids piece together Eternia and the battles for Castle Grayskull. So a daily cartoon was made up out of thin air and pitched. Again, MOTU was an instant hit among kids!

The show was appropriately campy. I guess the laughs and silliness was needed for us stupid kids. For example, Skeletor is a treacherous villain but he’s not too scary, or else kids would’ve had nightmares. And no parent wants to put up with that shit. So he was a bad guy but also kinda a dope. But hey, he’s a lovable dope.

That sort of attitude wasn’t expressed on the package art – or the original comics for that matter. Originally the Masters of the Universe was much more mature in tone and a lot darker. Eternia was expressed as someplace bordering on Hell. A place of dark wonder and sensational battles.

However, rather than being in conflict with each other that darker tone happily balances out the show’s campiness. The two work in harmony. A yin-yang coequality that resonates in fans to this very day. Some look back at the camp and are filled with nostalgic glee. Others look at the inspired art and feel a thrill for dark sorcery and battles in Eternia. The toys fit perfectly into both interpretations thus creating a nice harmony for fans. And both are masterpieces when it comes to art.

Masterful!

He-Man and Masters of the Universe could adorn the walls of any prestigious gallery around the world or be slapped on the cover of heavy metal albums! I mean this was stuff you expected to see on DIO tapes. This was great stuff. It didn’t look sloppy or rushed. There was power displayed in each and every one.

We were too young and innocent to fully grasp what a phenomenon this all was. I know I took it for granted and just came to expect to always have He-Man in my future. And, crazy enough, here I am in my 40’s and I just bought a Viking He-Man and Skeletor, so I guess, in a way, he has been.

Did any of us know we were living through pop-culture history? Of course not. I don’t know if that term even existed back then. We were too busy playing in our living rooms or outside in sandboxes, living and reliving new and bigger adventures (thanks to our toys). We couldn’t have realized people would later covetously look back on our childhoods longing for the magic we all shared in.

For many of us He-Man was all we had and that, at least, gave us something to look forward to. This was something wonderful and we were lucky enough to experience it all firsthand. We all reached up and touched a little bit of magic and it lit our imaginations and really never left us.

Before kids started playing with wands and imagining the wizarding world of Harry Potter we were holding plastic swords aloft in the air and commanding the powers of the universe!

I recently walked through Target and I saw He-Man and the Masters of the Universe on the shelves. I also saw retro Transformers toys and some great Teenage Mutant Ninja Turtle stuff from NECA. There were G.I. Joes and I even saw Ghostbusters! “What year is this?” I had a moment, a good moment, where I realized I’m honestly not alone.

This stuff not only inspired me but it had to have stayed with all of us. The good old days can’t be relived I guess but they never left us. Not really. A lot of us have kids (well not me personally) and get to now introduce them to the toylines we ourselves grew up with. With the holidays upon us, it might be a good time to go look around the toy aisles. Give Santa a helping hand.

So who knew the Power of Grayskull would follow us this far?

The Power of Grayskull

Art never dies. Not when there’s passion behind it. Today MOTU has been explored across several animated shows, a live-action movie (hey, rise above the hate), and, oh yes, the toy lines. Four Horsemen rolled out their brilliant Classics line that charged new energy (dare I say Power) and searing details into each figure that echoed the original look of the toys we all grew up loving.

Not to mention the Origins line that’s a glorified return of the MOTU toys we all played with. But there’s also the Revelations and New Eternia stuff. I think it’s clear that He-Man isn’t going anywhere. Fans find ways to breathe fresh life into the property.

There are the comic book runs that extend the legacy of Eternia. There’s even a great crossover with Thundercats (I know right???), a thing I always thought should happen. Glad I wasn’t alone because that’s one Healluva cool story! Maybe I’ll do a review on that one. You guys let me know.

And other artists have come out to lend their talents to strengthen the legacy further. One artist of note is none other than Boris Vallejo, legendary fantasy artist. And it’s little wonder considering how Frank Frazetta’s original Conan work initially inspired the look and feel for He-Man. It began in fantasy and continues by it today.

Afterthoughts

I was just speaking with someone this week about MOTU and he said that it’s possible all his collecting could have begun way back then when, as a kid, he had to get everything He-Man related. And that’s it. That could be the gateway for all of us collectors. For some, it was an introduction to high adventures, magic, heroism, morals, and the responsibility of power. MOTU led way to many things we would adapt as adults later in life. A toy line!

In closing, it would be sinful if I didn’t share a small memory.

I fondly remember one figure in particular just because it was given to me by my Great-Grandma Phillips. She (no doubt) had no clue what these things were but she knew her little Manic loved He-Man so she got me an amazing BATTLE DAMAGE Skeletor. Whoa! I never saw a figure that took battle damage before! I loved it. Now looking back I love it so much more because of my great-grandmother’s associated memory attached to it. I think that’s the only thing I got from her, at least it’s the one thing that stands out to me. She wasn’t long for this world and any time I saw that little toy she came to mind.

Manic out!