The Coolest Video Store Horror Movie Promos You Can Buy On eBay!

Just in case you’re new here, video store promos and displays are something I search far and wide for, hoping to add to my collection that will probably never be completed, (especially in today’s economy). But even if my sad-looking bank account won’t allow it, merely gazing at what is now a lost art, is enough to soothe my soul more so than listening to some Pure Moods from the 90s.

And let me tell yah, “Return to Innocence” and “Tubular Bells” are pretty high up there.

If ye’ old video store promos and movie displays are something that brings a little bit of joy into your soul, or collection, then forget about browsing eBay because I got you covered as I have compiled a sweet stack of some pretty attainable and AWESOME items from the original auction/buy it now site that may or may not have you reaching deep into your pockets to fulfill all your mom-and-pop video store fantasies. So let’s dive right in it!

1985 “THE STUFF” COUNTER STANDEE DISPLAY

Larry Cohen’s THE STUFF had some pretty cool merch and displays during its promotional run and this is one of them. Per the description:

“This is a rare and original standee display for the 1985 horror movie “The Stuff”. The perfect addition to any horror movie memorabilia collection. It has never been used so I did not bend the back folding part in the picture to put it together. This came directly from a video store that shut down in the 90’s.

THE STUFF (1985) Video Store VHS Promo Inflatable Beach Ball 

Another really cool promo item from THE STUFF, is this inflatable beach ball probably given exclusively to video store owners. Measuring about 12-16 inches in diameter featuring the colors known for the packaging in the film, The Stuff logo is prominently displayed on three sides of the ball. 

TALES FROM THE DARKSIDE (1990) Horror Video Store VHS Promo Paper Masks

These are probably some of my favorite items on this list, and the most affordable at $25 a pop! Both sold from eBay seller Video Sanctum, the Gargoyle and Mummy paper mask from the TALES FROM DARKSIDE MOVIE are something I’ve never personally seen and in pretty great condition for being almost 35 years old!

FRIDAY THE 13th Video Store PROMO Inflatable Pumpkin

This 1988 giant inflatable pumpkin, that stands nearly 4 feet, was a video store promo for Halloween and the release of FRIDAY THE 13TH PART VII: THE NEW BLOOD. And it’s very much so, one of my favorites here as it combines two of my favorite things: Jason and Halloween.

Friday the 13th Part VII: The New Blood Jason Lights Display

Another cool video store promo for THE NEW BLOOD was this light-up display usually hung around the counters. Bold move considering I’d be the first person trying to steal that.

1987 Vestron Video Store Evil Dead 2 VHS display

For the ultimate screwhead! This MEGA RARE EVIL DEAD 2 display is pretty damn cool, regardless of the wear on it. That’s history right there folks. $350 worth.

1986 Vestron Video Halloween Movie Celebration Poster

Oh how I love thee video store promo poster, let me count the ways: TROLL, THE NIGHT DRACULA SAVES THE WORLD, AND RE-ANIMATOR. This is an original vintage release placed in someone’s mom and pop video store, probably around 1987-1988. I’m insanely jealous of whoever ends up with this.

Reproduction of 1985 Ghoulies Inflatable Video Store Display Promo

This little bastard has been sitting on eBay, and my radar, for a while. Note, this isn’t an original GHOULIES inflatable, but rather a reproduction made by Faint of Heart Creations of the toilet display that was seen in several video stores promoting the movie in 1985. Regardless, I would love one of these to stick in my guest bathroom for when my parents come over.

THE FLY II 2 Vintage 1989 Video Store Hanging VHS Promo

In promotion with the VHS of THE FLY II, video stores had this little bugger usually hanging from the ceilings. Now you can have a little Son of Brundlefly of your very own to display your home! Screw the plants, make room for MartinFly.

1986 House Movie Promo Light up VHS Store Display 

Absolutely the coolest thing here is this 1986 light-up HOUSE video store counter display that STILL works. DING DONG, MY WALLET IS DEAD.

If one of you ends up the lucky owners of some of these beauts, please remember me in your will. Thanks in advance.

Necroscope – In Memory of Brian Lumley And The Dark Legacy He Left Behind

The recent passing of Brian Lumley left the world an emptier place as loyal fans stand together with heavy hearts at the loss of a true visionary. A visionary, yes, and what he envisioned – and, in turn – shared with us all has become the thing of untold magnificent nightmares.

Lumely was a true master of the macabre and worthy successor of the eldritch terrors originally introduced by H.P. Lovecraft. Without a doubt, the man’s extensive legacy of written horrors shall unendingly sink their dripping fangs into the beating veins of new generations yet to come. Those who discover Lumley’s chilling works are never left the same as though a radiance cast in ebony takes hold and slowly consumes the imagination.

“Since reading Lumley’s “Necroscope” series, I know that vampires really do exist!” —H. R. Giger

Lumley’s vampires dropped the romantics and are the lecherous children of Satan, who became the first vampire upon his expulsion from Heaven at the hands of his Almighty Father. Satan, dejected, lost, and insatiable stood as lord and sovereign of all demons of the night and spread his malignancy across the cold, dark corners of space.

The saga opens with Necrosope. Harry Keogh, the Necroscope has the unique ability to speak with the dead, the Great Majority as they’re known. The dead are restless, their spirits linked to their abysmal graves and after many long and lonely centuries, they crave for a chance to speak openly with the living once more. For that reason, they revere the Necroscope and divulge vital information when needed. As Necroscope Harry also unlocks a way for the dead to speak with one another and divulge vital information they’ve been sitting on for untold years.  

So imagine it this way. Upon dying Albert Einstein hasn’t stopped thinking but has had many long years to further compound his wisdom and theories but there’s no one to share his revelations with. The Necroscope builds the bridge to brilliant minds of the past and, in turn, learns from their wisdom. But the dead whisper of a terrible evil ravaging both the living and the departed

Set during the height of the Cold War both the East and the West have their ‘gifted’ agents and will stop at nothing to bring one another down. Unbeknownst to the paranormal high command in England the Soviets have their own type of Necroscope. A ghoulish man who torments both the living and (especially I might add) the dead, he tears the fetid guts from helpless cadavers to learn their coveted secrets, and, worst of all, the dead feel every single thing he does and are helpless to stop him. This Necromancer, Boris Dragosani, a ruthless KGB enforcer catches the attention of an ancient vampire, and the vampire, that Old Thing buried beneath an old Romanian ruin is ready to sink his evil seed into the Necromancer’s rotting soul as a way to spread his violent will from beyond the grave.

This is just the first book. As the series spreads out (and personally the 2nd is my favorite) we learn more about these demonic things, the vampires, and the hierarchy they exist in. How the vampires, the Vamphyri, come from a dark dimension outside of the world we know and hold dear. They’re compassionless, nearly unkillable, and hold their homeworld in an icy grip of unrelenting terror. They have invaded our world and with them brought the fell presence of their father Satan. Ok I’m gonna say it, these things are METAL AS FUCK!

As someone who consumes a lot of vampire lore (I grew up in Eastern Europe, friends, the very lands of the Vampyre!) I found the Vamphyri to be unlike any other kind of vampire we’re accustomed to. True, the classics are there such as the blood-drinking and aversion to sunlight. They also can morph … or maybe it’s just merely them letting down their masks, to reveal hideous faces with grotesque bat and wolf features. The other thing that really stands out to me is how damn near indestructible they are.  For example, cut the hand off one and it will sprout tentacles, eyes will suddenly bulge out and line it, and dozens of gnashing mouths ( filled with rows of fangs I might add) will start attacking you. It’ s not so easy to kill one of them. They are the children of pure evil and frankly take pleasure in that. They take, fuck, and eat whomever they so desire.

The series flows from the familiar roots of gothic horrors and gradually mutates into cosmic terrors. It grows and it builds like a fungal infestation and I found myself tearing through one book after another just to devour the next chapter in the saga. Lumely had a way of always hooking me. There were times I wouldn’t stop to eat until I finished a book. I would wake up at night thinking about the characters and worry for their safety.

One moment that really stands out to me is when a fetus calls out for help from a nearby cemetery and the whole fucking graveyard opens up as a legion of zombies march to protect the unborn child and his mother. Another one is when Harry raises a macabre troop of rotting Tartars, their bloodlust not satiated even after all these centuries in the grave, and they slaughter everyone in his way.

When it comes to vampire stories Brian Lumely certainly left his mark on the world. Necroscope’s been my absolute favorite vampire saga and I can’t imagine anyone coming close to the brilliance and imagination he possessed. I had the honor of meeting the man almost ten years ago. Got my copy signed that day and got to meet one of the few people who’ve sincerely inspired me to write. It’s with a heavy heart I write this but how could I not? The man will be missed but his legacy lives on.

Necrscope is only one of the many great contributions he made to the field of horror and bizarre tales. Lumley must also be praised for his extensive contribution to the Cthulhu Mythos, many of which I own. Some could argue few have worked more extensively in the eldritch world Lovecraft invented than Brian Lumley. If there’s anyone who has please let me know because I’ll be adding their work to my library soon. Fans also celebrate the incredible Titus Crow saga – that’s a whole article all on its own if we were to get into that.

Not to mention many fans hail Khai of Khem to be Lumley’s best work yet. Again, this is only the surface of his many darkly imaginative works.

What would these books be though without the awesome cover art? If you’re noticing a trend it’s because each of these covers were done by Lumley’s friend, the one and only Bob Eggleton. Both of these men brought us some amazing nightmares.

In closing, well what more can I say? He was a great man and one of the few heroes I was blessed to meet. I’m saddened his pen is now set aside and the typewriter that spelled vampiric horror for decades now sits in gray silence. Thank you for all the amazing stories, stories I got lost in. You took me on an adventure that started in my teens while I lived overseas and I’ve crossed the world with a copy of Lord of the Rings and a Necroscope book in my backpack. Who knew I would actually stand in your presence? Little ol’ me from St. Petersburg, Russia! What a world. Goodbye, kind sir, and again thank you.

Manic out

‘MASTERS OF THE UNIVERSE: REVOLUTION’ spoiler-free review

Many people have been asking for my opinion about Kevin Smith’s latest work on the He-Man franchise for Netflix. As a huge fan of He-Man, I am always excited to see new content related to my favorite fandom. I recently pre-ordered an Orko figure by Mondo and even took an extra job temporarily to feed my collector’s itch and expand my MOTU collection. He-Man was the first hero I ever knew and I’ve always been fascinated by the champions and evildoers’ conflicts across Eternia. As I looked back at my work, I realized (kinda shocked by) how much time I’ve dedicated to this subject alone. Fair to say I might be a little obsessed, to be honest.

A few years ago, when the trailers for Kevin Smith’s Masters of the Universe started appearing, I was excited to return to Eternia and enjoy new adventures. The show promised beautiful animation and had some great voice talents like Mark Hamil (The Joker, Batman Animated, and Arkham games series) and Tony Todd (Candyman, Hatchet, Venom in Sony Spider-Man 2). However, that enthusiasm quickly faded like a fart in the wind once the show actually streamed. I’m not one of the fans who hated it to the point of wanting Kevin Smith’s head on a silver platter, and I don’t think the show was as bad as festering hemorrhoid like many let on about. Frankly, I found the two MOTU Revelation shows to be sinfully boring. The biggest issue was the show’s blatant disregard for the established lore created by the talented and imaginative minds behind the legendarium.

So when MOTU Revolution was announced it was met by a very barren field with maybe an occasional cricket chirp. Maybe a yawn could be heard too. You follow? No one out there (but maybe a handful of folks) gave a single shit about anything more Smith’s team had to bring to Eternia. He already drove everyone off and, frankly, it would take nothing short of a miracle to bring back that offended fan base. Myself included. I was the target audience for a new MOTU series but not even I could dig deep enough to find one good fuck to give about Revolution.

I was completely surprised once Revolution finally streamed. I couldn’t stop watching it and found myself invested, excited, and even entranced by what I was seeing. It was like all that old magic came rushing back to me. Watching each episode back-to-back was a refreshing experience that felt like a return to the glorious days of high adventure. Swords and sorcery flowed across each consequential story, connecting them in a pattern that enhanced and deepened the lore and awe revolving around Castle Grayskull. The show joined both those who protect her and those sworn to take her by force in what can be nothing short of a true classic Ultimate Battleground – something that He-Man has always been known for.

Every episode is well-written, with magic vs technology, and good vs evil all woven together in a sovereign tapestry. Episode one sets the tone, and the series builds on it, culminating in an epic battle between the Masters and the Horde Empire, and, oh yes, He-Man battling none other than Skeletor. It’s a fantastic ending that lives up to the legendary comic runs.

I’ll do my best to avoid spoilers (and believe me I want to go over everything here) but Revolution is packed with throwbacks, homages, and plenty of Easter eggs. However, the show doesn’t rely on these nods to make the story work, and they aren’t just there to wink at the camera. Instead, they’re part of a larger tapestry that’s woven throughout the show and provide something new to discover with each rewatch, and it’s a testament to the show’s quality that I’ve rewatched this thing multiple times now. I also appreciate how Revolution not only respects the established He-Man lore but in fact, adds to it. That’s something not easily accomplished and they did so brilliantly.

Indeed the adventures continue and are a must-see. The team did their homework this time around (a sweet fan of mine said they must have read my articles…bless you for that) and set out to actually tell a genuine Masters of the Universe story worthy of Grayskull.

I would love to go over all the Easter eggs and surprises here so maybe that’ll be a new article. In the meantime do yourself a favor and watch MOTU Revolution.

Manic out!