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MASTERS OF THE UNIVERSE Movie Review!

He-Man comes to life in 2026 in a way we could only dream of as kids.

I admit this is the movie I was most afraid to see this year. Simply because I was worried that somehow Hollywood would do what it’s known to do and take a beloved IP and entirely fuck it to Hell and back. Any of our long-time readers will know what a He-Man fanatic I am. It’s my favorite thing of all time, the one IP I collect in any form I can find (on that note, one of my favorite pieces in my collection is a stupid paper Birthday plate from the ‘80s), and I’ve written more about MOTU on here than anything else, with Godzilla being a close second. Naturally, this is the movie I wanted to see but was scared it would be nothing but another disappointment, and I think that’s why a lot of people aren’t giving it a chance. We’ve been burnt too many times before.

So everyone who knows me wanted my thoughts on this highly anticipated movie. After seeing the movie four times (three times the first three days of its release), I’ve finally let it digest enough where I could share my thoughts confidently. In short, I love this movie! It surpassed my expectations, delivered a genuine He-Man story, and brings a whole lot of heart to a movie that’s essentially a glorified Saturday morning cartoon brought to live-action life.

Before seeing it, I told friends I didn’t care really if the movie was subpar as long as it had good fights; I would try to like it regardless. My expectations weren’t all that high as you can imagine, so I wasn’t expecting to be hit right in the feels by a story that’s deeply heartfelt and, well, powerfully hopeful.

First impressions

Director Travis Knight made it clear right from the start they wanted to base this cinematic world’s look primarily on the toy line, a series of colorful characters and playsets with distinct looks, weapons, and traits. MOTU is also the first toy line to be released with its own lore backing it. A lore expanded over the years through mini-comics, cartoon shows across the decades, and epic comic storylines.

People readily recognize these characters, and Castle Grayskull is an icon among pop culture. Why mess with perfection? Luckily, Travis Knight proves to be a fan like the rest of us and faithfully brought us an Eternia we’ve been waiting forty years to see.  

This is a movie full of big characters, bigger battles, and a badass return to the joy and simple pleasures of Saturday mornings when the cereal was sugary, and the floor was littered with our favorite toys. MOTU 2026 proudly plays right into the campy fun of the Filmation cartoon we grew up on, complete, I might add, with a valuable lesson learned once the movie ends.

That camp might discourage some who wanted a more serious-based He-Man film, but, for fuck’s sake, we already have a serious take on MOTU that was released nearly forty years ago (I feel old as fuck now), and despite it finding its cult following now, that movie was rejected by fans upon its initial release.

What about the controversies that surrounded the movie?

It’s ok to have fun at a movie, something many people have forgotten how to do, and the box office is showing that. Despite the praise from both critics and fans alike, the film is struggling at the box office, and that’s hard to admit. It has people asking how a movie so praised and loved can be struggling this badly. I don’t have an answer for that other than people are silly, spoiled, or stuck like a bump on a log. Some people are crossing their arms and refusing to go see it for one reason or another, and that’s not doing the box office any favors for sure. I read a lot of people already made up their minds not to see it, largely due to some controversies prior to the movie’s release. So let’s look at what all the fuss is over.

The Controversies

Jared Leto’s casting caused people to lose their minds. They foamed at the mouth, they pulled out their teeth, and they shoved whole pineapples up their asses when he was announced to be playing the greatest villain of all time, Skeletor. People thought he’d ruin the character and acted like his casting meant the world was going to explode. However, upon the film’s release, he’s since been called the best part about it. Skeletor steals the show! Anytime he’s on screen, he eats it up with his dastardly villainy and dramatic evil.

He’s larger than life and can go from pouting and pissed off to violent and dangerous in an instant. He insults his underlings and kills at a whim. He’s absolutely a threat and Eternia fears him. It shows why Eternia needs He-Man, the only one who has the power to combat someone as dangerous as Skeletor. I especially like how Skeletor hints that he comes from the darkest regions in the universe, making him both a mystic and cosmic threat. Plus he and He-Man have an amazing fight!

Earth was in it. We’re only on Earth for like fifteen minutes, so don’t let that be a reason to keep you away. Yeah, when people weren’t bitching about Jared Leto, they were shitting the pants over the Earth scenes…myself included. Some people said they’d refuse to see the movie altogether due to it. I repeat, though, please don’t let that be a reason to keep you away. The Earth scenes aren’t awful. In fact, they’re used as a fun way to stick in some Easter eggs for eagle-eyed fans. Earth is also directly linked to Queen Marlena, who, yes, comes from there and decides it’s an ideal place to hide Prince Adam from Skeletor. So Earth is grounded in the lore, and who can deny how much fun it was to see Beastman rampaging across a crowded highway?

Overpopulation. People also thought there were too many characters. Somehow, despite the many characters filling out this cinematic universe, everyone is given fair screen time, with the exception of a few of them given greater character arcs such as Man-at-Arms. I especially love the early on conflict set up between him and Trapjaw. In a silly movie made about toys, it has a ton of heart and human soul played out in the drama of these characters. It dares to tackle subjects like using power over violence, getting up when you’ve been kicked down, and overcoming failures and loss. Many action films today lose these elements.

It’s a He-Man movie! Leading up to the release, I heard plenty of YouTubers saying this was going to be Teela’s movie and He-Man would be a side character. I think we have that Kevin Smith thing to thank for that, but rest assured, the focus is entirely on He-Man. About him learning to be the true hero and balance the hefty weight of Power laid on him.

It’s a fan film, but does it alienate newcomers?

One of my favorite things was taking my besties to go see it. Neither of them ever watched any of the shows or played with the toys growing up. There was no nostalgic pull for them, and the only link they had to this world was from seeing my MOTU collection scattered all over my home. They only went to support me; however, once the credits rolled, I heard them both shout, “I LOVED IT!” They related to the characters and followed along. As newcomers, they assumed they’d be lost the whole time but were pleasantly surprised by how much it pulled them in. Converts were made that day, and I walked out with my besties being MOTU fans.

That’s the power this movie has. All over online, you’ll find pictures of parents with their kids smiling ear-to-ear at the movie. People who grew up loving MOTU now get to share that bond with their own kids. This is a movie connecting generations of people, rekindling an old love and making people feel good. What’s wrong with that? A film about heroes and villains, a sword and sorcery film parents can take their kids to, and a movie best friends can bond over. It’s a love letter to fans, and I’m sure stuck-up critics won’t understand that, but hey, it’s for us.

Its cinematic future

Amazon claims the film is a win in their eyes already because they base success on fan reception, which means it’s already a win. Fans are eating this movie up and have gone to see it multiple times already; one guy says he’s seen it thirty times already. Not to mention the merchandise sales alone can make the company rich. I admit even I got pulled in to buying every popcorn bucket and specialty cup theaters had to offer. The only bucket I didn’t get (yet) is the Battle Cat one.

Amazon also says they’re measuring the film’s success by the upcoming streaming and Blu-ray/4K sales, which is proving another win, seeing that MOTU’s preorder sales are sitting at #1 on the site. They’re also watching to see how many fans tune in to Prime to watch the old cartoons. Both Filmation and the 200X shows are available, and there’s no better time to give in to the He-Mania than now and show Amazon we want more.

Let’s not forget that Travis Knight has gone on record to say there are still plenty of movies to make, with hopes of bringing She-Ra and Etheria into the cinematic universe. Plus, all those cool post-credit scenes hint at more story to cover. It’s an exciting time for fans.

He-Mania is on, and it feels like the ’80s have come full circle. He-Man is everywhere again. He’s on Denny’s menus, at the theater, and who’s ever gonna forget how they built Castle Grayskull at the Chinese Theater for the MOTU world premiere right there in Hollywood? A toy line made all of this happen. Not to mention that out-of-this-world drone show that lit up the night sky in preparation for this movie. I’m so glad to be alive and to have seen this all play out.

give it a watch!

People wonder why a generation never got over He-Man, but my answer is just watch the show. Read the comics. Watch this new movie. Get lost in the characters and lore. In every single variation and all across differing media, the main concepts are never lost. The visuals of good vs evil, that regular people can achieve wondrous things, and the power of friendship all solidify and make MOTU what it is, and, not only that, make us love it because it’s inspiring. These aren’t new concepts, and they’re found in so many epic tales and legends such as Lord of the Rings and Harry Potter. They’re concepts that inspire generations of people, and He-Man has proven to do just that.

Going back to the Earth scenes, which in retrospect I argue are important, you can’t help but see the connection Adam shares with each one of us. Adam is stuck working a dead-end office job and bombarded by mundanity. From every angle, he’s being told he has to stop dreaming and just be normal. Live just like everyone else and be miserable all the while he’s dreaming of Eternia. He’s looking beyond the horizon of this dreary world, expecting something so much better.

Isn’t that what we each do? We have to live here where we pay bills, get dressed for work, and deal with stupid management. We’re forced to fit in, but fantasy, oh beautiful fantasy, allows us to look beyond the cubicle. It gives us a glimpse into worlds so much more beautiful, and even if severely dangerous, we still love it. We’re willing to trade in the safe world we know for faraway places where rings are magical, wizards go to school, and a sword gives a dork the Power of Grayskull!

He-Man is our generation’s King Arthur. He is our legend and a hero to look up to. He’s fundamentally good. When he’s not He-Man, he’s still a great guy. He is what we need in a time like today. He’s always stood out as a role model, and this new movie lets that shine. He has the big muscles, but it’s not about those; it’s about heart. He can punch a villain’s face off but would rather try to see the good in anyone. Some out there are just bad to the core, though, and Skeletor, we love you for that!

came home with me

I stood under a massive standee at a local theater and couldn’t believe it really. The characters I grew up loving stared back at me life-sized, and minutes before I went to watch the movie. There’s a little five-year-old in me that was losing his mind. He always knew these characters could come to life, and it finally happened. I know there was another movie, but nothing like this. Nothing to this degree.

I originally finished this review by saying my collection increased thanks to this movie, but that’s only a half-truth. It’s hokey, but I’ll say it anyway: my life’s increased now. People are connecting over this thing, and I’m encouraged by that. In an ugly world of endless arguments and online bitterness, it’s nice to see the anger lift and have people celebrating a hero. If you’re still on the fence and love He-Man, it’s time to go see it. It lives up to the hype and celebrates He-Man in a big way. This is a movie you want to see on the big screen and probably more than just once!

Plus, check this track out that’s actually in the movie. You’re welcome

Manic out.

10 Of The Greatest Horror Movie Songs You Will Ever Hear!

If you grew up in the 80s or early 90s, something quite magical happened in the horror movie genre, particularly with the slasher icons such as Freddy, Jason, and Pinhead. They had become so mainstream and embraced by the curious youth of horror heads and loathed by their parents. It was an incredible time when it was not only perfectly acceptable to wear an image of a child killer (Freddy) on your back, but hell, was totally encouraged by our comrades at school! Although in some areas of the country, we could totally get in trouble for it. Did we give any fucks? No. No, we didn’t.

It’s almost comparable to the way kids would rebel with music back in the day. Heavy Metal, Rap, and Rock and Roll, are all things that yuppie parents of the 80s were not so crazy about. So when the horror genre exploded and hit its golden era of the 80s, it seemed that a lot of these films had at least ONE memorable kick-ass song… Sometimes even a music video; remember the days when MTV was actually a music channel? And when us little horror heads saw a music video related to a kick ass horror movie, it was pure bliss. I, myself, am I complete sucker for Horror Movie soundtracks and always have been. Hell, I fall asleep to John Carpenter’s “Lost Themes” and Danny Elfman scores on the regular.

That being said, I compiled a little list of horror movie-associated songs and videos from the best of the 80s and 90s era. Some of these tunes were made for the actual movie, and some of these weren’t directly written for the flick it was laid out with, but are consistently associated with the film it was in. Note that they aren’t in any particular order, but just a nice list for your ear and eyeholes to enjoy.

The Ballad of Henry Warden“- My Bloody Valentine (1981)

Artist: Paul Zaza and John Mcdermitt

I can dig that it’s a folk song and it sets the tone well for the movie. One can also appreciate it’s not the typical song you may hear associated with a slasher film. But hey, it works!

Goodbye Horses”- The Silence of the Lambs

Artist: Q Lazzarus

One cannot deny anytime you hear this song, you think of that Buffalo Bill dance. I’m also willing to bet a lot of you have tried to imitate that creepy ass dance. I’m not even going to pretend I haven’t. I’m also not going to pretend that I didn’t even know until last year that Q. Lazzarus is a POC woman. Mind. Fuck.

A Good Man, In a Bad Time”- Fright Night (1985)

Artist: Ian Hunter

Jerry Dandridge was about as flawless an 80s-era Dracula as one could imagine…and this is his theme music. Don’t try to tell me any different.

Hellraiser”- Hellraiser 3: Hell On Earth

Artist: Motorhead

Motörhead’s recording of the song was used in the 1992 film Hellraiser III: Hell on Earth, and was released as the A-side of the single and as the sixth track on their tenth studio album, March ör Die. When Lemmy shaves, he uses “Hells Razor”. Remember that.

Killer Klown From Outer Space”- Killer Klowns From Outer Space

Artist: The Dickies

Yeah, well. We all knew this one was going to be on here no matter what! Fun fact: The Dickies had never seen the movie but put together a song that fit perfectly with the movie.

He’s Back (Man Behind The Mask“- Friday the 13th Part 6: Jason Lives

Artist: Alice Cooper

A time that brought two major horror icons together for a magic musical moment: Cooper and the Camp Blood killer himself. The music video alone is just pure awesomeness and sets the tone for an amazing soundtrack for this installment of the Friday franchise. Good stuff.

Pet Sematary”- Pet Sematary (1989)

Artist: The Ramones

Never mind that these guys are legends, this song just kicks all the ass and paired with such a classic with the same name- it’s such a win all around. Even though they say, “Sometimes… Dead is better.” Not so much in this case. RIP Ramones.

Dream Warriors”- A Nightmare On Elm Street 3: The Dream Warriors

Artist: Dokken

We’re the Dream Warriooorrrrs!” Besides it just being a great song in itself, the music video blends a great performance from the band meshed with scenes from the movie with dear ol’ Freddy adding a bit of flair to the video. I like to think that “Dream Warriors” got the ball rolling for the following songs that were written for the franchise, as dozens were written directly specifically for the Nightmare films after this.

Are You Ready For Freddy?– A Nightmare On Elm Street Part 4: The Dream Master

Artist: The Fat Boys

Personally, I like the video a whole lot more than the song, But then again, who doesn’t like to hear Robert Englund bust a rap?

Partytime”- The Return of the Living Dead

Artist: 45 Grave

And my personal all-time favorite, PARTYTIME. While this song was out before the movie ever came on to the scene, it fits so damn beautifully. Well, ALMOST. This is the original lyrics by 45 Grave about a 5 girl, Sabine, who was abused and tortured by her family. The song on RETURN OF THE LIVING DEAD was shortened and sped up and re-written with (zombie version) lyrics.

Since I’ve said my piece, drop your favorite in the comments below!

It’s Time to Embrace “The Fly II” as the Solid Monster Movie it Set Out to Be

Let’s face it. Martin is pretty fly for a monster alley.

It was February 1989 and a pretty highly spoken about film around the Mom-and-Pop video store (ACTION VIDEO) where I had frequented, rummaging around the horror video section like the very young gorehound I was, had just been released. At the time, I had only actually seen bits and pieces of David Cronenberg’s body horror masterpiece, THE FLY, mostly because I was six-years-old, and I had only caught a few scenes of the film courtesy of my cousins. The word around the video store via the owner and employees was that THE FLY II was highly anticipated around there, and I distinctly remember hearing those adult horror fanatic conversations as a young genre fan who had just made her crossover into able to rent slasher movies; (A Nightmare On Elm Street, Friday the 13th, etc…) I was truly fascinated by ugly movie monsters, so my parents allowed me to rent THE FLY for a watch so I could be cool like the clerks at Action Video. And holy fucking gross-out I had no idea what I was getting into.

And to be quite honest, nothing grossed me out and stuck with more than the hand-wrestling scene.

Now, being six-years-old, I didn’t really understand the true complexity of THE FLY. I knew it was gross, but also kind of sad. I also knew I kind of really dug it. So I had BEGGED my mother for us to go see the sequel because I knew it had to do with Brundle Fly Jr; and I had to see what the fuck would come next after this. She reluctantly agreed, and guess what? I lasted 30 mins before I began crying hysterically inside the theater over a beautiful dog that was turned into mush. I was immediately taken out and brought to the nearest Toys ‘R’ Us to try and help soothe my hyperventilating ass.

I cried for a damn week, y’all. Also, I’m reliving some PTSD and welling up now, even thinking of that image. Excuse me while I go cover my dog in kisses and hugs.

Anyway, it took me a few years and a lot of balls to finish the movie, I think I may have been around 12. Getting past the traumatic dog scenes was just as hard as it was the first time, but I managed to push through it- and beyond the PTSD, I actually rather enjoyed the movie.

Listen, we all know THE FLY II is in no way better than its predecessor, so let’s just get that out of the way. That being said, the sequel had some massive shoes to fill and with all the low-critic scoring on this one, I’m here to say that’s a bit unfair. Directed by the first film’s makeup and animatronic effects specialist Chris Walas, with a screenplay by Frank Darabont and Mick Garris, the sequel suffered “intense meddling” by studio execs on what they wanted to see; and according to Darabont himself, these were people that hadn’t even SEEN the first movie! That in itself is a crime and makes me want to regurgitate my own acid reflux.

That being said, THE FLY II went through at least several different ideas, scripts, and rewrites before settling on what we know starring Eric Stoltz as Martin Brundle (fun fact: Keanu Reeves was the studio’s first choice to play Brundlefly 2.0, but he turned it down), and Daphne Zuniga who took some time off from the Planet Druidia to play his love interest. We open with a woman who is supposed to look like Geena Davis giving birth in a laboratory surrounded by the assholes of Bartok Industries. She dies in childbirth as a horrified and hysterical and also now crippled, Stathis Borans looks on as what is pushed out is a wriggling larva pod (I’m so glad his smart ass in this movie) and the baby is now the sole property of Bartok Labs and what we see from the get-go, a very evil Dr. Bartok himself. The larva pod cracks and out comes a perfectly, beautiful baby boy! Or, well, so it looks like.

They name him Martin and the child grows at an enormous rate. When he’s 11 months old he looks like he is four; and to top it off his IQ surpasses that of even his own father, who he was told died of an aging disease that was passed down onto him. By year two, he looks to be about 10 and is becoming more curious about the world outside his small one, where he’s closely monitored. He eventually manages to copy a passkey that allows him to wander about the facilities late at night. He ends up in a room filled with animals that are used for experiments and befriends a cute Golden Retriever. He visits the dog often and it becomes his only friend and companion in a world where he’s led to believe he’s going to die soon from his disease. Then, that one part happens that fucking traumatized the hell out of me.

In one part of the facility, Seth Brundle’s telepods are being experimented with and of course, they decide to use Martin’s new friend as a guinea pig. And well. Ya’ know. Didn’t turn out so well. And poor Martin watched the whole thing.

Fast-forward to Martin (Stoltz) at his fifth birthday party and he is a fully grown man at this point. His gift from Dr. Bartok is his very own “private apartment” which turns out to be anything but, and his own work area where he can work on the secrets of his father’s telepods. Since Martin doesn’t sleep. he works all day and night and befriends Beth ( Daphne Zuniga) a night shift worker at the labs. The attraction to each other is noticeable right away and is kind of sweet. Kind of like watching a teenage kid discover love for the first time.

She invites him to a party at the lab and this is where the real heart of the story begins: Martin discovers that his dog hasn’t been put down, but rather being kept at the bottom of what looks like a dirty, dungeon. The mutated dog is in pain and barely mobile and Martin bursts into tears and runs away only to return later that evening and euthanize his old friend.

Things start to hit the shit fan from here.

Just like with Seth, Martin slowly begins to transform. The trigger point was an accident with an injection that left a wound that instead of healing began to ooze and drip out slimy, sticky goo. Just like with his discovery of the dog, he also finds out his real fate and what he is turning into and that Bartok is truly excited for his transformation. Hell, he straight up tells Martin upon the discovery, that’s why he’s kept him there and calm all those years. A truly devastated Martin, who looks at Bartok as the only parental figure he’s ever known,pushes him to the side and goes on a rampage inside the labs until he finally escapes. Ending up at Beth’s home, they both go on the run from Bartok and his cronies until Martin is physically unable to run anymore. A horrified Beth says he is getting worse.

But you know what, Martin at this point is starting to embrace this shit and delivers the best line of the whole movie.

Caught and taken back to the lab, Martin makes the full transformation and that’s where THE FLY II really starts to shine as a GREAT special effects monster movie of the 80s. The revenge and rampage of Martinfly is fucking perfect. IN Cronenberg’s THE FLY, we sympathize with Seth, and we feel sorry for him, but we’re really rooting for Geena Davis as Seth has completely lost his humanity side and just has “Insect Politics”brain. With Martin’s transformation, he is COMPLETELY in control. His humanity is still there. He might be a homicidal fly on the loose killing everyone in that lab, who goddamn deserves every bit of it mind you, but he still loves the puppies! And the puppies totally love him.

I fucking love this so much

Also, can we sit and appreciate the makeup effects? Chris Walas nad his huge team of artists really pulled it off here in making something similar, yet totally different from Cronenberg’s version. In fact, one could arguably say, superior in some regard as the devil is always in the details. You could see every damn insect hair on Martin’s body as clear as day and for me personally, it’s right up there with Pumpkinhead as far as extremely well-thought-out monsters go.

The killings along the way on the final rampage are gory as HELL. Also, quite satisfying as unbeknownst to Bartok and his cronies, Martin has actually figured out the cure for himself that involves swapping his DNA with another healthy human via the telepods. Of course, the human donor would render up dead pretty much so Martin, because he’s a pretty nice guy for a fly, never once considered it an option. Until NOW.

SPOLIER ALERT: Don’t continue if you’ve never seen this.

In a twist of beautiful fate and poetic justice, Martin has a showdown, wild west style, in the telepod lab with Bartok and once he tries to harm Beth, who was being held as bait for Martin, and then Martin being shot at by Bartok, Martin has enough of this shit and grabs that fat fuck, dragging him to the telepod for some Gene Swapping Therapy.

Once the teleportation is complete, Martin and Bartok are fused in a gooey mess but only by some sort of slime. Martin returns back into his human self as the gene swapping therapy was successful and Bartok.. Got his just deserts as he comes out looking just like Martin’s beloved dog. The kicker is he is placed in that SAME gross dungeon, force-fed gruel and to live the rest of his miserable and painful days paying for his karma as a terrible human.

I’ll never watch that dog scene again, but I’ll watch this a million times.

THE FLY II may not be the masterpiece that Cronenberg made, but it certainly has its own merits and deserves a little praise for the things it set out to accomplish with so much standing in the way. It’s a great revenge film with a cool as hell monster. It also has one of the most brutal kill scenes I’ve ever seen.

OOOOOOF.

Leave your thoughts down in the comments below!