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Reader, Beware! It’s The Top 10 Goosebumps Books From the Original Series

The Summer of 1992 was memorable for at the time, this ten-year-old kid. The Summer of blockbusters including those of Batman Returns and Aladdin were fun movie-going memories among a very disappointing release of Alien 3 that just totally sucked in the eyes of this fifth-grade graduate. Beyond a handful of movies catered to someone like me releasing for the summer crowds and the introduction to a little arcade number at the game way alleys entitled Mortal Kombat, little was grabbing my attention for this soon-to-be middle schooler who was just entering into her seriously awkward phase of existence-one of which over 30 years later is still struggling to come out of. That is until one fateful day in early August of 1992.

After a round of horror movie rentals at my local Action Video, my pops and I ran into the next-door Osco Drugs to grab some soda and snacks. On every trip there, I would obviously make my way to the toy and magazine section when I came across something eye-popping. A book that stood out from the rest nestled in between some Judy Blume bullshit and something else I can’t even recall. The cover was unlike anything I had ever seen: a drippy slime-like title with tiny raised bumps etched within compared to that of a brail-like quality with a colorful yet dark and eerie picture of a haunted house on the cover splashed with a Blob purplish-pink background, (done by Tim Jacobus who has illustrated over 100 Goosebumps covers for Stine). “Welcome To Dead House” was the first entry of these books to eventually come home with me and so began the Summer of Goosebumps with many thereafter for millions of kids just like me.

I had also become completely obsessed with collecting every single book upon release and let me tell you something: Middle School Scholastic Book Fairs became even more glorious with the addition of Goosebumps and posters my friends.

1995 Scholastic Book Fair Poster

For 30 years, R.L. Stine’s Goosebumps has become a nostalgic phenomenon that has carried over to the next generation of young readers. With the addition of the 90s TV series, various Goosebumps-related literary works, and two blockbuster films, Goosebumps has become a right of passage for those seeking a gateway into the horror genre while being encouraged to read. The original book series which debuted in July of 1992, consisted of 62 original titles that were written between 1992 and 1997. Worth noting that Goosebumps was listed 15th in the list of most frequently challenged books during the 90s’ and 94th in the list of top banned/challenged books during 2000–2009. When the pearl-clutching tightwads of the American Library Association claim your books to be “too frightening for young people and depicting occult or demonic themes,” I’d say you’re doing something right.

As for my personal favorites? Well, I ruminated tirelessly over what I consider my personal top 10 books of the original series, and here are the ones that brought me, and so many others, the most joy during those awkward adolescent years (and still continue to do so).

*Some of the blurbs are a bit spoiler-y. Just a heads up.

10. Night Of The Living Dummy II #31

We just couldn’t get enough Slappy the first go-around so Stine wrote a sequel, and eventually a third, making a trilogy out of the wise-crackin’ ventriloquist dummy. Slappy invades a new family and his shenanigans begin immediately as his new “slave” Amy finds those magic words tucked away in his pocket and of course, being a kid reads them out loud not knowing she’s unleashing hell on herself and everyone surrounding her, bringing Slappy to life.

It reads just as good as the first with that Twilight Zone vibe all the way through, and hey because it’s Slappy, he gets on this list twice.

9. Attack of the Jack-O-Lanterns #48

Halloween and Goosebumps go together like peanut butter and jelly every time and “Attack of the Jack O Lanterns” is right up there with one of the greatest twist endings in a Goosebumps book. It involves two scary pumpkin-headed beings forcing kids to trick-or-treat forever and honestly, I don’t see any issue with that personally.

8. Deep Trouble #19

Being a huge fan while being simultaneously scared shitless of JAWS as a kid, it seemed like only a matter of time before Stine put out a book with a cover mocking this treasure. I’ll forgive the fact it’s sort of misleading as the Hammerhead pictured on the front isn’t the star of the story- as the tale resembles more like the movie Splash! rather than JAWS. However, it’s still a fun, and adventurous read especially curled up on the beach listening to the waves crash onto the shore.

7. Werewolf Of Fever Swamp #14

Werewolves have been always been my favorite kind of mythological creature and when this book came out, I must have read it 10 times in one year alone. Also, unlike “Deep Trouble”, the cover isn’t deceiving us as this story is actually about a goddamn werewolf in a swamp.

Worth noting that one of the main characters’ name is Grady. Perhaps a play on Stephen King’s Silver Bullet Tarkers Mills’ local smartass, Brady? Probably not, but I like to think that way. Anyway, a story about friendship, loyalty, and werewolves makes any top ten list of Goosebumps books any day of the week.

6. The Scarecrow Walks At Midnight #20

Another fantastic entry with another favorite cover of mine. “The Scarecrow Walks At Midnight” is one of the Goosebumps books that would make a really great, and terrifying horror film if done right. Scarecrows coming to life via spells from a book? SIGN ME THE FUCK UP. The ambiance of the book really sets the mood of a scary story with a farm in the boonies. But also, chocolate pancakes and Gameboy. If you know you know.

5. Say Cheese and Die! #4

“Say Cheese and Die!” is not only one of the coolest stories in the original series but also has one of the raddest illustrations for any Goosebumps book… PERIOD. Reading like a tale told by Rod Serling himself, Stine channeled his inner Twilight Zone lord on this one with a cursed camera that in turn, curses the object being photographed with something bad to happen to it in the near future. If it’s not in everyone’s top 5, are you even Goosebump-ing right?

4. Monster Blood #3

“Monster Blood” had such an impact on Goosebumps fans that it spawned three more tales devoted to the slimy substance AND makes appearances throughout Stine’s other books as well.

In the 90s, what kid wasn’t attracted to cans of mystery goo? With the success of Nickelodeon’s trademark slime, toys like GAK and Dr. Dreadful’s food slime lab were must-haves for our generation of weirdos. So, of course, we had to have a Goosebumps book of a slime that brows into blob proportions eating people! Seems like the obvious move and the correct one at that.

3. Night Of The Living Dummy #7

Slappy’s face is the stuff of fucking nightmares. Like “Monster Blood”, “Night of the Living Dummy” made a monumental impact on Goosebumps readers, appearing several times throughout the series of books and even had a pretty prominent role in the 2015 Goosebumps movie. All deserving as this little fucker is basically a pre-curser to Chucky himself. Perhaps not as homicidal, but a ventriloquist’s dummy chasing you through the house screaming you’re “his slave” is enough to guarantee a few sleepless nights.

2. One Day At Horrorland #16

A fucked up family vacation? Or the most fun one yet? A personal perspective if there ever was one. A theme park or carnival is the ideal background setting and R.L Stine brings an original tale of horror fantasy to life in such a way that no one has ever forgotten this entry from their childhood Scholastic days.

As someone who has a bit of a phobia of certain carnival rides because I’m a little bitch who thinks a lot of them look sketchy and unsafe, this further fucked up my thoughts on the matter as a kid. Even now as an adult, if a carnival cook looks at me wrong, I’m not above pinching the bastard.

1. The Haunted Mask #11

“The Haunted Mask” in my worthless, blogg-o opinion, is the Magnum Opus of the Goosebumps series as it’s every single thing we love about the books rolled into one story- and set on Halloween night!

As someone who just adores Halloween III: Season of the Witch, “The Haunted Mask” plays on the dangers of a simple Halloween mask but also summons the young readers in telling a cautionary tale that every kid should hear and heed: You yourself are perfect just as you are. As Sheriff Brackett says, “It’s Halloween. Everyone is entitled to one good scare”, and that’s exactly what Carly Beth, our main protagonist got when she lifts a mask from the sketchy back warehouse of a drug store, even though she was warned NOT to mess with them and they were not for sale. The mask soon takes over her soul because of course that’s what happens when you screw around with cursed Halloween masks. Fucking kids, man.

And besides, the illustrated mask looks like a cover of a death metal album and I’m here for it.

So there you have it. My personal top ten Goosebumps books from the original series. Thanks, R.L. Stine for 30 years and going of frights and fun while encouraging reading for young horror fans. A legend if there ever was one.

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OoOoh Baby. Ooo, Baby… It’s the Top 10 Horror Movies of 1985!

Another year has gone by, and another batch of movies hitting the big 40 hits me right in the gut—or perhaps that’s just my IBS talking. Either way, it has me reminiscing about the golden age of horror and the best that 1985 brought to the table. And OooO, baby, it was one hell of a year to be a horror fan. In particular, a fan of zombie movies at that. Or Miguel A. Núñez, Whichever you prefer.

The myriad of great films from the genre in 1985 serves as the pillar for what fans truly love about 80s horror. Tons of nonsensical plot lines, gore, boobs, and just enough cheese to grate on top without overdoing it, has evolved these once-regarded “trash horror” movies by snooty critics, into classics held high in the community and even outside the fan club in some cases.

I think Trash herself would just take that compliment.

I’ll just say it: It’s arguably one of the greatest years in horror history. And it sure as hell wasn’t easy trying to rank them either? How the fuck am I supposed to rank movies like RETURN OF THE LIVING DEAD, SILVER BULLET, FRIGHT NIGHT, and DAY OF THE DEAD together? That shit just isn’t fair. But here I am, once again torturing myself into doing it. So let’s just get to it, eh?

10. THE STUFF

Director: Larry Cohen

I love how the very first scene of this movie is some random guy who saw a goopy, bubbling substance on the ground and decided to eat it. It just sets the president for the whole film that it’s just absolutely bonkers. Aside from THEY LIVE, THE STUFF is the quintessential Reagan-Era horror satire where corporate control of the food supply and the manufactured desire for its consumption offer an incredible insight masked behind a wild-as-shit horror movie. I love THE BLOB and INVASION OF THE BODY SNATCHERS, and this just feels like the perfect hodgepodge of those movies.

It’s called The Stuff, and, believe me, enough is never enough- and I can’t get enough of this Cohen treasure of the 80s.

9. HOUSE

Directed by: Steve Miner 

DING DONG. YOU’RE DEAD! Man, I love that tagline.

This was an absolute sleepover staple back in the day. HOUSE was that movie where the trailer made the film seem a lot scarier than it actually is. As a matter of fact, it’s laugh-out-loud bat-shit bonkers and I’m here for every flying murderous garden tool second of it. Vietnam vet turned famous writer Roger Cobb returns to his Aunt’s house after her death and where his son went missing to write his latest book when a bunch of unexplained things begin to happen – is it all in his head? (well what do you think?)

If Joe Dante had directed EVIL DEAD 2 it would probably have looked something like this. Slapstick horror but with the gore switched off, HOUSE is a fun ride that I like to ride a few times in a row.

8. DEMONS

Directed by: Lamberto Bava

With Dario Argento writing the script, DEMONS is what happens when a pair of yuppies, a young couple, couple of college girls, a wise old blind man along with his nympho companion, a gang of Class of ’84 reject punks, and a mack-daddy pimp with his two hos all get trapped in a movie theater possessed by demons. It’s fucken chaos and gore galore in a perfect Italian horror event where the heroes of the movie are the goddamn beautiful practical effects that you just can’t get enough of. Nothing happens in this movie for any other reason than for the sake of being cool, and I enjoy the hell out of it.

Moral of the story: never, ever accept free movie tickets from a fella dressed as a bootleg Phantom of the Opera.

7. FRIDAY THE 13TH PART V: A NEW BEGINNING

Directed by:  Danny Steinmann

Jason is back… Or is he? I honestly feel like it’s only been in recent years where, publicly anyway, it’s been acceptable to praise this entry in the Friday franchise without getting absoulty shit on by toxic horror fans. I’ve been there and it was annoying as fuck. So thank Enchiladas, some of ya’ll have seen the light of Roy and have leaned into what I call, the HALLOWEEN III of the F13 sequels. It had its hate run, but now that’s over and you NEW BEGINNING haters are a dying breed. I’m sorry, but how can you NOT love a movie where the slaughter of an entire camp inhabited by mentally ill teenagers started over a fucking chocolate bar? Plus this was also my introduction to Pseudo Echo and I still to this day will get up and dance the Violet whenever their track hits on Spotify.

6. A Nightmare On Elm Street 2: Freddy’s Revenge

Directed by:  Jack Sholder

You’ve got the body. I’ve got the brain.

The red-headed bastard son of a 100 maniacs sequel is wildly considered, even today to many, to be not so much a favorite. Which is just bonkers to me. It’s miles away different from Wes Craven’s masterpiece- almost an entirely different film with Freddy attached to it, but it doesn’t make it bad. Ok, the gym teacher scene picking up Jesse from the S&M Club and getting towel-whipped to death is a bit much, but the pool scene more than makes up for it. In fact, it’s one of the most brutal scenes in the franchise-Freddy running amok at a midnight pool party? YES PLEASE.  But let’s talk about the pink elephant in the room: This film is so blatantly queer in many ways that, surprisingly, many didn’t even notice it when it came out. If you’re not convinced that Jesse is gay after seeing the Kate Bush poster hanging in his room, then I don’t know what else to tell you. I’m just sad we didn’t get an ending with Jesse and Ron running up into the sunset.

DAY OF THE DEAD

Directed by: George A. Romero

The darkest day of horror the world has ever known!

This masterpiece of a zombie flick has it all. The total collapse of civilization, the intersection of scientific ethics and bloodthirsty militarism, and BUB- the greatest zombie to have ever been reincarnated from death. With God-tier Savini gore FX, the emotional, political, and moral realities Romero carves into these people before we see them shredded to pieces are masterfully done in visuals that stick with you well beyond a viewing. It’s the quintessential thought-provoking zombie flick of the 80s, and Romero to the core. Oh, and a badass opener and soundtrack to boot.

RE-ANIMATOR

Directed by: Stuart Gordon

Cat’s dead. Details later.

I’m gonna get shot for this: but I much prefer the ripoff rendition theme of RE-ANIMATOR than the PSYCHO version it was samples from.

This is a movie where I’d love to watch myself watching it because I can feel myself grinning like a goddamn idiot the entire time. It’s a wonderfully campy low-budget horror b-movie with some hilarious scenery-chewing performances from its entire cast, Jeffrey Combs especially, and great practical gore effects. Plus we got quotes like, “Who’s going to believe a talking head, get a job in a side show?!”. It’s just hard to beat with the lovely Barbara Crampton to boot, Noy to mention, the most traumatic/hilarious cat death since Boondock Saints. I love how moments of crazy just escalate in RE-ANIMATOR, especially the bonkers finale that goes off the rails into a pure schizoid panic of insanity—very much my definition of perfection.



STEPHEN KING’S SILVER BULLET

Directed by:  Daniel Attias

Holy balded-headed jumping Jesus palomina. I can hear the people coming for me now putting this and RE-ANIMATOR ahead of DAY OF THE DEAD. But, you know…

I don’t give a fuckkkkk.

CYCLE OF THE WEREWOLF was, and still is, one of my favorite quick novellas’ to read over the span of my life and while this movie strays far and a lot of away from the structure of King’s little book, it does hold faithful regard to the heart of the story- the unlikely hero of Marty. SILVER BULLET expands the twelve-month itinerary novella further into a full-blown werewolf tale of horror with a soundtrack and imagery that is haunting as fuck. Everett McGill as Reverend Lowe was born to play that were-bear (I still don’t think that costume is as bad as everyone thinks), and Gary Busey gives us comic relief with his ‘pissing on the Yankees‘ one-liners and the fact that the man wrassles a werewolf. That’s enough to give this the top 3 spot.

Oh, and this scene right here.

FRIGHT NIGHT

Directed by: Tom Holland

Jerry Dandridge. Making vampires sexy again.

This movie is such a miracle to watch and every single scene steals me away like it’s the first time watching it after well over the 100th time. Tom Holland’s directorial debut is a masterpiece of 80’s horror.  Combining just the right amount of comedy and thrills, it checks all the boxes with a cherry on top with Roddy McDowall as Peter Vincent.  The practical effects by Richard Edlund and Ken Diaz are phenomenal and to this day, feels like it’s the best interpretation of the gothic creature when Sexy Chris Sarandon flips the script into his evil form. Also, Evil Ed is pretty rad too. The fact that this is a teenage 80s rendition of REAR WINDOW with Charley in the seat of James Stewart but with vampires is fucking smart as hell. It’s just about the most perfect 80s film there is.

Jerry Dandridge dancing in the club with Amy and being this illegally horny is the hottest thing I’ve seen a vampire could do. He is for sure, the biggest-dicked vampire in cinema. I just know I’m right about this. I’ve seen Nosferatu’s ween. It’s nothing to write home about.

RETURN OF THE LIVING DEAD

Directed by: Dan O’ Bannon

IT’S PARTY TIME!

In my opinion, RETURN OF THE LIVING DEAD is the ultimate offering from 1985 because quite simply, it has something for everyone. Dan O’Bannon (creator of ALIEN screenplay) delivered a one-two knock-out punch of comedy and horror with endlessly quotable lines.  The idea of a zombie that runs and can’t be killed is just shit your pants kind of scary, let alone a horde of them.

So many standout performances from the likes of scream queen Linnea Quigley, Clu Gulager, and James Karen that had me running around screeching like a rabid weasel.  When the director offers to eat real calf brains with the actors, then you know you have something special.

I love that the zombies can talk about how much it sucks to be a zombie and make me feel sorry for them. I love that even though they have been decomposing in the ground for years, they still have perfectly formed bright blue eyeballs. I love that they can wag their exposed spinal column’s like a dog’s tail. I love James Karen and Thom Matthews who are ‘turning’ over a ridiculously drawn out and hilarious length of time, like half the movie, and listening to them bitch and complain every step of the way. I could go on and on but I’ll just finish with this:

Is it the best zombie film?  I think arguably so.  “ It’s not a bad question, Burt.

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“What Could Have Been”-George A. Romero’s ‘Resident Evil’ Doc Streaming Today

In what is possibly the most intriguing “what could have been” moment in the horror genre, the documentary announced way back in 2022, GEORGE A ROMERO’s RESIDENT EVIL documentary is finally ready to sink into the eyeballs of Romero and Resident Evil fans alike.

The investigative documentary dives deep into the original film that was slated to be directed by the godfather of zombies, George A Romero. In 1998, Constantin Film set out to bring Resident Evil, the legendary horror video game, to the big screen. They enlisted Romero to adapt the project, but despite the perfect pairing of horror’s greatest minds, Romero’s vision for Resident Evil was never realized. Now, for the first time, Salisbury’s documentary uncovers the hidden story behind the project that captivated fans and the horror industry alike.

“George Romero gave birth to modern horror, the modern zombie, and ultimately Resident Evil,” says Salisbury. “I am honored to bring fans the untold story of his most important unmade project, to celebrate the legacy of the man that inspired me to pursue filmmaking as a career. I hope fans enjoy this ultimate experience in survival horror.”

George A. Romero’s Resident Evil delivers an immersive, stylized experience, weaving together archival footage, newly uncovered documents, and fresh interviews with key personalities. Taking inspiration from documentaries like Jodorowsky’s Dune, Salisbury crafts a compelling narrative that revisits the people and the creative vision behind this unproduced adaptation. Through candid interviews with industry insiders, George A. Romero’s Resident Evil brings to light the enduring mystery and the ambitious spirit that could have redefined the franchise’s journey into Hollywood.

“Uncork’d is honored to bring George A. Romero’s Resident Evil to fans who have long awaited the untold story behind this legendary, unmade project,” says Keith Leopard, President of Uncork’d Entertainment. “This documentary pays homage to Romero’s incredible vision and the power of storytelling that transcends what could have been. We’re excited for audiences to finally experience the mystery and legacy of his work in a whole new way.”

The GEORGE A ROMERO RESIDENT EVIL doc is on digital and On Demand release today (you can rent or buy it on Amazon at this LINK HERE.