All posts by Patti PaulterGeist

Owner, operator, and fuzzy retro feelers giver at NightmareNostalgia.com. Worshipper of our Lord and savior Boo Berry, Patti is a seasoned pro having written for the top horror websites and magazines over the past few years until she decided to go balls to the wall and make her own focusing on pure feel-good nostalgia. Mom to two humans and three furballs.

WTF Review: “Look What’s Happened To Rosemary’s Baby”

WTF REVIEW: "LOOK WHAT'S HAPPENED TO ROSEMARY'S BABY"

In 1968, Roman Polanski shocked the cinema world with Rosemary’s Baby, starring Mia Farrow, John Cassavetes, Ruth Gordon, and  Sidney Blackmer. Seeming rather tame to today’s standards, the age-old story of trading eternal damnation of your soul for a bit of luxury was fresh entertainment over 50 years ago and remains a tried and true horror classic to the genre that the movie helped progress into more risky territory. So why not give it a worthy sequel, eh ? What became of little Adrian Woodhouse and his Antichrist fate?

Umm. Hmm.

Now, I hear a lot of shit about The Exorcist II: The Heretic being the worst sequel of all time- but I’d challenge anyone that makes that statement has surely never seen Look What’s Happened To Rosemary’s Baby. I had only found out about this sequel a few years ago, and then compeletly forgot about it’s existence until a conversation with my step-mother who was looking for the film- which understandably, had fallen into obscurity. BUT, when there’s a will, there’s a way and thank goddess for YouTube where I found a full version of the movie to indulge my curiosity.

Man. I wished I hadn’t.

The film made as a special Halloween presentation airing on ABC, premiered on October 29, 1976 continues the story of Rosemary, Guy, and their bastard Antichrist child, Adrian- whom Rosemary refers to as Andrew which is what his name had intended to be before he was reveled to be the spawn of Satan. Rosemary (this time played by Patty Duke) and “Andrew” have been lying low with Minnie and Roman (Ruth Gordon and Ray Milland) as with the rest of the cult for the past eight years. The pair flee to LA in the hopes of finding ex-husband Guy Woodhouse (George Maharis) and demanding help. However, “Andrew” is kidnapped by a curious woman who had promised help to Rosemary and the little satanic spawn while running on the road and we never see Rosemary again during the rest of the film.

Fast-forward a few years where Adrian (Stephen McHattie), as he is now being called, is a party rock star with hair that even 1978 John Travolta would envy and has all the looks of what you would envision a cocaine- fueled disco dickhead would look like. At the very least, they left out the cliché medallion off his half-exposed chest. He is still living with his abductor, Ellen, who he obviously has no clue of who she truly is. Minnie and Roman re-appear on the eve of Adrian’s non-specified-age birthday; where they intend to consecrate Adrian’s birthright and move forward only if he hasn’t been too tainted as they put it and his vessel can fully embody his demonic destiny. Following a few rituals and bizarre dream sequences, this turns into one real drugged-out comatose of a film. Now normally I can appreciate that fuzzy 70s’ B-Grade artistic experimental film, but this is a fucked up mess. It’s almost trying to be like De Palma’s Phantom of the Paradise, but far less interesting and done very badly . Adrian with white face paint and a black vest strutting across dance floors to a funky disco, and through a crowd of mindless disco-dancing nimrods as the Castevets, Guy, and the cult stare on as though they are mesmerized by his booty shakes and dream-like Pazuzu transformations is really… something.

I suppose the only redeeming quality to the movie is that Guy Woodhouse gets what he finally fucking deserves, but that’s about the best it gets. It truly doesn’t surprise me that a good majority of fans have never even heard of this film, as it seems to be just an embarrassment to the legacy of what is considered, one of the greatest horror films of all time. If you want a real sequel, I suggest picking up Son of Rosemary by Ira Levin.

Or.. If you dare, here’s the movie generously uploaded by Youtuber Ethan Terra. Either way, don’t say I didn’t warn you.

“The Exorcist” Trilogy Greenlit By Universal and Peacock; Ellen Burstyn Returns

"THE EXORCIST" TRILOGY GREENLIT BY UNIVERSAL AND PEACOCK; ELLEN BURSTYN RETURNS

400 million dollars. That’s how much it cost Universal Pictures and it’s cousin network Peacock to secure the rights for an Exorcist trilogy of films.

Holy hell that’s a head spinner.

Along with a partnership with Blumhouse and Morgan Creek in a release agreement, Ellen Burstyn returns in her role as Chris McNeil- the mother of possessed Regan and David Gordon Green (Halloween 2018) is slated to direct.  According to Deadline, Hamilton‘s Leslie Odom Jr. will star as the father of a possessed child who seeks out the aid of Chris MacNeil.

What fans should be most excited about, is that this series of films serves as a continuation to the classic horror series- not a remake or reimagining. Worth noting that Universal has said the previous entries (Exorcist II and III) will NOT be disregarded into further the storyline. Unlike with Director Green’s Halloween trilogy with Halloween Kills coming this October that only acknowledges the first film in the franchise; which is fairly nice to hear from this fan’s POV.

Produced by Jason Blum, and executive produced by David Gordon Green, Danny McBride and Couper Samuelson, the first of The Exorcist trilogy of films is set to hit theaters on October 13th, 2023.

As of right now, Linda Blair does NOT seem to be involved. But hey, things can change at the drop of a hat folks.

In the meantime, pick up this great Exorcist Anthology series from the Amazon Beast for a great deal and to celebrate this news!

Actresses’ Stacey Nelkin and Eva Hamilton Launch 80s’ Horror Movie Company With Tribute to “Halloween III”

Are you ready 70s’ and 80s’ kids? Two horror scream queens from different generations have come together and co-founded what is now, MoonCats Motion Picture Company in three genre productions constructed for Domestic Distribution, Commercial Exhibition and Elevated Festival Programming.

Stacey Nelkin (Halloween III: Season of the Witch, The Twilight Zone) and Eva Hamilton ( Death Kiss, Black Goat) have formed a wicked partnership to bring fans of the genre the sort of retro content we nostalgic nuggets so desire. And so to boot, have launched an Indiegogo campaign for production funding hinting if the goal is met, a “VERY special tribute to Halloween III” will be made for fans.

Umm. Yes please.

In addition to several films already underway in the MoonCats company lineup that star both Horror alumni actresses’, next year’s slated October release Double Feature contains a double-horror anthology film intercut with vintage-style drive-in advertisements for an aesthetic feel.

Honestly? I’m so in.

Per the Press Release:

THE SHED (2021) and KILLER VIDEO (2022), two short 35mm films both actively in development, will be shot on location in undisclosed rural locations between October of 2021 and March of 2022.

Upon completion, both films will appear in an Anthology Feature film “Double Feature”, constructed for exhibition on genre streaming services and an exclusive festival programming slate.

SYLVIA (2024) continues to actively develop as the company’s initial Feature Presentation, following the story of an aging model who reassumes power by taking over Miami as a legendary Cocaine Smuggler.

MoonCat additionally launches its Production Services Department, offering Promotional Content Services, Concept Packaging and Original Synthwave Licensing to Independent Genre Filmmakers.

Production Executive states: “We are open to working with passionate independent filmmakers with a strong eye for quality, commercial aesthetics and elevated narratives that lend themselves to venues like SXSW and Fantasia. Open to reviewing directorial reels at TheMoonCatPictureCompany@gmail.com

Producer and Founder: (Sage Summerson)
Producer and Co-Founder: (Eva Hamilton)
Creative Executive: (Stacey Nelkin)

Social Media: http://instagram.com/_The_Mooncats

Stay tuned for special updates!