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Five Horrifically Beautiful Traumatic Movies That Don Bluth Gave Us As Kids

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The 80s were a fantastic time to be a kid and a horror fan. If you were a product of this generation, chances are you were traumatized in one way or another by the dark delicacies of the media that gave absolutely ZERO fucks about not softening any blows when it came to life lessons in the form of movies and television. Whether it was watching Punky Brewster’s friend Cherie almost die in a fridge, or your grandma popping in a freshly rented VHS flick called WATERSHIP DOWN for the grandkids to watch because she thought it was a “lovely Easter movie”, we got hit with some messed up visuals that would never get past a writer’s discussion room in modern society. Which kind of pisses me off because I want my kids to experience something as cool and terrifying as a movie about the beloved Dorothy Gale getting sent to electric shock therapy and then facing off with a headless witch.

That’s some bullshit.

Anyway, one of the greatest culprits of true nightmare nostalgia for our childhood era is the great Don Bluth. For anyone unfamiliar or for Gen Z’ers, Don Bluth was a former Disney animator who made his mark as early as 1959 with Walt Disney’s SLEEPING BEAUTY, with his last animation directing credit with THE FOX AND THE HOUND before he left to start his own company in 1979- DON BLUTH ENTERTAINMENT. During the 1980s and 90s, he made a slew of gorgeous animated films that also, in turn, traumatized the shit out of a generation of kids.

And one animation for a video arcade game that I WOULD DIE TO SEE as a full-length movie.

Don Bluth radically distanced himself from his Disney days with animation he felt was more “pure” to the craft by keeping the hand drawn cel the way to go with his continuing work. The result was always one of passion and masterful craftsmanship that really pushed home some of the dark, and gritty themes Bluth films went balls deep with. That’s how you’ll always know you’re watch a DB movie. It always feels like something sinister is lurking right around the corner with the unnerving way he animated these films and of course, a central character always dies or has some type of serious traumatic event happen that in turn, spills into our own emotions, successfully grounding us into a euphoric depression. And I think somehow, as kids while it may have traumatized us, those moments served also as lessons that we, as children, needed to both see and hear for our own exponential growth and how to grieve in our own way.

Don Bluth never shied away from dealing with the shadows that are the human journey. Dealing with themes of sadness, loss, anger, and death remains a staple in almost all of his films. There were even moments where I felt like he was fucking with us and our emotions even more: Like when Littlefoot sees the shadow of what looks like his recently deceased mother but turns out to be his own, and he just sinks even deeper into depression. I was literally seven and screamed “FUCK YOU” to the screen while shedding my own tears; like goddamn was that necessary? But you know, looking back, it absolutely was. These are stages of grief, and it’s seen from the perspective of a child who had his world shattered. It really showed us kids that life isn’t all sunshine and fairytale castles. Bluth said, “This is life, little people. It’s a wild ride of emotions, and we need to talk about the realities of it.- also, fuck your feelings very much.”

That’s the best way I can describe a Bluth film, anyway. Narrowing it down to the top five movies that stayed with us through our childhood into adulthood from the DON of DARK ANIMATION was slightly challenging, but I think I got it right.

5. ANASTASIA (1997)

The legend of Anastasia comes to life in this late 90s Bluth entry about an orphaned Russian girl, the revolution surrounding her country, and the real-life villain of Rasputin (voiced by Christopher Lloyd). The animated reimagining of one of history’s darkest figures for a children’s film consists of the “wizard” in scenes where we see his eyes pop out, his jaws falling off as he lingers somewhere between life and death; much like the real Rasputin, who was infamously hard to kill, or so legend says. I mean, sure, what kid doesn’t love to see a decomposing evil wizard corpse do a full-on song and dance routine with his body parts popping off?

4. AN AMERICAN TAIL (1986)

AN AMERICAN TAIL was a personal favorite of mine as a little kid. The story of mice immigrants coming to America on a ship from Russia with SURPRISE, one little mouse named Fievel getting thrown overboard and being separated from his family; leaving little Fievel Mouskawitz on his own to navigate America on his own while he searches for his loved ones who presume him dead. This movie is where I also started to notice that perhaps Bluth is a dog guy rather than a cat person. I swear every film he makes, cats are villainous, vile creatures! Except for Tiger, anyway. The hoards of cats are almost downright terrifying and they really label them as bad animals! I suppose this was done metaphorically as immigrants, once upon a time, came to America thinking there was no violence in the streets. No cats in America? LOL. Let’s just stick with he hates cats.

That being said, Sir Derp of Derp of Pazuzu would like a word, sir.

With that out of my system, from the wave monster arising from the Atlantic Ocean that beats the hell out of the ship, and the reason Fievel gets knocked out to sea, to the Giant Mouse of Minsk, those two scenes in particular were visually pretty damn horrifying in such a beautifully artistic way. As a four-year-old, it successfully gave me nightmares, so hats off to a giant wooden rat with 20-foot-long teeth and the fact I would never ride on a boat until my teens because I was pretty sure I was going to get pummeled by a 100-foot wave monster man.

3. THE LAND BEFORE TIME (1988)

Yeah, well, we all very much know where this one is headed. One of Bluth’s most tragic films here just exhumes sadness at almost every turn leaning into the age of the dinosaur and the background of historic events that plagued the Earth at this time. Let’s also throw in a heavy scene where a mother is fighting to protect her child from being eaten by a T Rex and getting killed in the process. Exit stage left to an elongated scene of utter turmoil, and the dying mother mutters some final words of wisdom to her little one that “she’ll always be with him”. Make sure you have that Pizza Hut tie-in toy ready to clutch- If you don’t cry at this scene, you just might be a sociopath.

2. THE SECRET OF NIMH (1982)

An animal lover such as myself can find this movie extremely disturbing. Aside from all the beautifully dark imagery, the underlying tale of NIMH is sufficiently evil all on its own. Touching on the very real issues of cruel animal testing, rats and mice were taken to the NIMH labs and injected with needles full of fuck knows what.

One of these experiments led to their advanced intelligence and eventual escape, which brings us to another terrifying tale revolving around the struggles of love, betrayal, and ultimate power with the wife of one of the escaped NIMH mice, Mrs. Frisbey is on a journey to save her dying son.

Oh, and don’t forget again, the vicious terrible cat villain of the film!

Also, I can’t be the only one who thought that damn cave of bones-dwelling owl, was completely terrifying with those glowing eyes and no-nonsense demeanor. In fact, I know I wasn’t. So I’ll just leave Big Daddy Owl here for him to drum up some traumatic memories.

1. ALL DOGS GO TO HEAVEN (1989)

There are a few movies in my life that I make the conscious choice to never revisit, and ALL DOGS GO TO HEAVEN is one of them. It’s not because it’s a bad movie, it’s just that it’s way too sad. Again, being an animal lover, the last thing I wanted to face as a child was that my dog was, eventually, going to die. And while the sentiment of storytelling is that of the main title unless your dog is an absolute piece of shit I guess, is supposed to offer some comfort, all it did was make me cry- and a lot of other kids too. Hell, the story starts out of trauma hell already with street thug Charlie (voiced by Burt Reynolds), our main character mutt, being murdered and sent to Heaven where he of course can’t help himself and steals a pocket watch that allows him more time. Oh, but there’s punishment for that: when the watch stops ticking, he will be sent straight to Hell, where we get a nice sneak of it with dog skeletons and cat demons (because Bluth thinks kitties are the devil, right)!

He then befriends an orphaned little girl named Anne Marie who has been kidnapped and – you guessed it – coerced into forced labor by Carface, an evil dog who is also Charlie’s old partner and yep, murderer. Charlie forms a deep bond with the orphaned little girl, proving that his hardened heart can be softened but of course, dies at the end when she needs him most. However, the change in his attitude allows him to enter the pearly gates this time, for good.

What kills me most I think is learning about the death of Judith Barsi who voiced both little Anne Marie and Ducky (The Land Before Time) in a tragic murder-suicide at the hands of her abusive father after the fact, which really seals the deal in just how sad this movie really is.

Yeah, perfect bedtime story material, folks.

Now excuse me while I go wipe my face from cutting all these onions and go hug my animals.

Creature Features

Believe It’s Magic! The Painstaking Special Effects of “Ghostbusters”

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I think it goes without saying Ghostbusters is a once-in-a-lifetime movie experience that can and never will be replicated, and a lot of that credit goes towards the special effects of the film. In 1984, this sort of visual sorcery wasn’t running rampant across filmmaking. With few exceptions like Star Wars and Poltergeist, (both of which Ghostbusters visual effects supervisor Richard Edlund worked on) audiences were bedazzled with the hypnotic effects the movie presented within.

Let’s take a ride and talk about that.

A mere year after the visual stunner of Poltergiest, Ivan Reitman and his crew were tasked to make Ghostbusters in UNDER A YEAR. In this case, is asking the impossible with the sort of movie that called for such heavy special effects to sell the story. But according to Ivan Reitman, it had to be done in such a way as to balance the comedy with the “ghosts” so as to not make it too silly, or too scary as doing so would damage the film entirely.

“The special effects are just as important as the comedy. We’ve never seen this level of first-class effects in a comedy film before and it has to be evened out.” – Ivan Reitman

Much of Dan Akroyd’s vision for the creatures were on a large scale, some of which even ended up in space if you can just picture that! However, the budget for the film was about $5 million and Reitman worked with Akroyd to rewrite the script and the creatures in a way that would work in a beautiful balance of comedy and terror. Though they ended up around $700,000 over by the time the film was locked, if Dan Aykroyd’s original script had been filmed, according to associate producer Joe Medjuck, it would have had “50 large scale monsters”.

Enter Richard Enlund, head honcho of Boss studios. Launched in 1983 specifically for Ghostbusters, who knew the importance of not making these creatures into flat-out jokes for the film. And what we ended up with was some of the best damn practical effects of apparations still to this day.

In the instance of the Marshmallow Man, Edlund and his team went through dozens of ideas and designs before opting for the simple, yet practical 100-foot monstrosity we all know and love.

Part of what made the effects so, well, effective, was their practical nature. You just can’t beat practical movie magic no matter how much technology you throw in front of it. The clip below from Ghostbusters.net gives us a short and sweet breakdown of some of the wizardry undertaken in bringing the Library Ghost, Slimer, and more to life in the film.

Made in just ten months and filmed in 55 days, Ghostbusters is the prime example of practical effects done in a time-crunch without the technology of a computer. Cliche to say it has aged like fine wine, so we’ll just say it has aged as well as Keanu Reeves in 2022. Charming, beautiful, breathtaking, and as soft and nostalgic as a twinkie.

With that, I’ll leave here with my personal favorite shot from the movie- the ghost escape from the firehouse that wreaks havoc on New York City all leading up to the climax of Gozer. I’m actually kind of obsessed with this scene as it has everything that is great about this movie all rolled into two minutes of spectacular energy. It’s ominous, a bit silly, but not so much to where you can’t overlook the sense of dread that is coming. Paired with Mick Smiley’s “I Believe It’s Magic”, this is just cinematic gold right here. And I believe what Ivan Reitman set out to do in balancing terror and comedy, marries perfectly in this one scene alone.

Horror Nostalgia

The Most Messed Up “Unsolved Mysteries” Episode That Scarred Me For Life

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January 20, 1987- a day that lives in infamy with true crime aficionados all over the country, with the arrival of that haunting theme music and Robert Stack inviting us to join him in solving some of America’s wildest unsolved mysteries.

As a young kid, I spent a lot of time being babysitted by my grandparents, who were balls deep into this show and would pretty much force me to watch it every Tuesday night with them. I mean, it was either that or hiding in the pantry eating saltines with ketchup, (they were never that great at having any kid-friendly snacks around). So yeah, I opted in for that nightmare fuel that traumatized the shit out of plenty of us 80s kids. To be clear, I was no stranger to horror in my home. Hell, I was watching JAWS and HALLOWEEN in diapers. But Unsolved Mysteries was no fantasy or the option to tell your brain that it isn’t real. It was the real-life Boogeyman that awaited you when you shut off the light and laid your head on a pillow for a very restless night’s sleep. Usually accompanied by that fan-fucking-tactic theme music spinning around in your head like a hamster wheel.

Tuesday nights were never the same, folks.

Anyway, I can certainly rattle off a few episodes that induced a couple of sleepless nights. Segments like the La Posada Hotel, The Black Hope Horror, the abduction of Angela Hammond are all top contenders for me personally. However, Season 2, Episode 3 of Unsolved Mysteries is one that to this day, still fills me with dread and anger and one that I can’t ever rewatch because it’ll make a cry like a baby.

That segment I’m referring to is the Mabel Woods Kennel fire of 1987.

As an avid UM lover, I think about this case all the time, and it fills me with a sense of rage that I cannot convey with words. But I suppose I’ll try.

Sixty-eight-year-old Mabel Wood loved animals. So much so, she been started a sanctuary for stray dogs in southern Missouri and ran it for fifteen successful years. In 1985, she moved to a 110-acre farm in Bonne Terre where she poured her life savings into a $60,000 kennel to house the 115 dogs she was caring for. They were offered for adoption, but those who didn’t find new homes, just lived with Mabel on the sanctuary.

How sweet is that?! As a fellow animal lover, that’s the dream for me. They would have to cuddle and watch A Nightmare On Elm Street 4 with me at least twice a month.

The farm was in an isolated location with her closest neighbors a mile away, so pretty ideal as that would ensure a low disturbance complaint. However, after 18 months of peace and harmony on the farm , on December 11, 1986, that wonderful existence turned to tragedy. Someone had broke into the kennel and shot at some of the dogs, killing two and injuring two. When she discovered them the next day, she rushed the most seriously injured ones to the vet, and they were saved. The police investigated, but at the time, there was a low priority on animal cruelty because the crime was only considered a misdemeanor. Which I to this day disagree with heavily as the murder of innocent animals should be goddamn high on the “let’s find this cocksucker and string him up by his toes” list.


After the shooting, Mabel hired an assistant named Charlie Jacobs to help her and to mostly keep a lookout. Two months later, what we could assume were the previous assailants returned with a vengeance, and what transpired next is nothing short of everything worse than any horror movie you could ever put in front of me.

On the night of February 10, 1987, they burned down the kennel with sixty beautiful dogs trapped inside. It was reported that the blaze was so intense that smoke alarms were set off in homes a mile away. It completely destroyed the kennel, the lives of 60 dogs, along with many hearts that watched this story- including mine.

According to Mabel and the investigation goes, there was no reason for the fire to start accidentally. The kennel was up to code and still brand new. It was noted that the burning came from the inside, not the outside. Mabel also stated that she was certain that it was arson because the dogs were “blazing” as if an accelerant had been put on them.

Just writing that makes my stomach turn with my own fiery rage and disgust.

Days after the murder of these animals, the investigators cleaned off the kennel floor and noticed a “spalding” pattern which occurs when a flammable substance is ignited on concrete, giving credence to Mabel’s theory. Authorities mapped out their own theory and string of events as it transpired: They believe that on the night of the fire, the assailants entered through the doors that separated the two parts of the kennel. They then poured gasoline on the dogs, walls, and floors. They then went back out the doors and lit the fire. Once it was determined that arson had caused the fire, police officials joined the investigation. One hundred yards away from the kennel, a single tire track was found in the mud as their only clue.

And to this day, the case has never been solved. To add insult to injury, poor Mabel and her lovely dogs were targeted once again in 1994 with one shot, one beaten, and another gone missing (never recovered). Mabel Woods was a hero to animals and despite the brutal harassment, kept the sanctuary going for as long as she was able. Miss Mabel passed away on July 4, 2012, at the age of 91 with no justice for her or her rescued puppers.

Massive credit to the folks at Unsolved Mysteries for at least bringing this case to the public eye on a nationwide scale. The show itself has been a life boat for investigators trying to solve crimes with the public’s help. It’s just a shame that one of the saddest stories ever seen on this show, remains unsolved. My mind and heart also remains scarred on the visuals alone of what was described during the crime, and it’s VERY unnerving that, perhaps, these people who did this are still walking around unscathed among society.

If you’d like to actually watch the episode, here’s the video but I warn you, it will fuck you up and want to go on a murderous rampage of your own. And as always, in a long shot but have to do my due diligence here, anyone with any tips on this case, can send them to Unsolved.com or reach out to Bonne Terre authorities in Missouri.