Tag Archives: Nightmare Nostalgia

March to the Grave: The Dual Vision of Romero and Fulci

Welcome back my little nasties! Just can’t get enough of the dearly departed, now could you? Well, that’s perfectly alright with me. I love the dead too, don’t you know? Oh and what a maggoty treat have I in store for you this time around!

Today we’ll be delving even further into the dripping depths of this rancid crypt of  living death. The worm dieth not here as we expound upon the very threshold of Hell’s widening maul. The lights are dim and Death is restless as we take a look back at two extraordinary horror masters and the connection between both of their nightmarish visions. The original infection that began in the mind of George Romero spread across the globe to mutate in the fetid imagination of Lucio Fulci, and zombie mania became unstoppable thanks to both men’s fiendish contributions.

In The Beginning, There was NIGHT

 

The late George Romero managed to do something few creative minds in the field of horror ever have the good fortune to accomplish. He invented a new monster, a monster that tore away taboos and desecrated the sanctity of the restful grave. Without explanation, the dead rose from the cold soil and stalked friends, lovers, and family without prejudice. We, the unfortunate living, were prey for a fresh new nightmare, a nightmare that took the globe by storm and essentially gave way to an entire sub-genre. That same sub-genre persists to this day with no sign of hesitation in sight.

 

Mondo Tees
image via Mondo Tees

 

It should be noted that Paw Paw Romero was well aware that zombies had already appeared in cinema. However, those zombies were worlds apart from what we now know them as. Growing up, Romero saw movies involving Haitian zombies, men or women, unfortunately, who have fallen victim to some very dark voodoo magic. They were will-less slaves lumbering about with wide-eyed abandon to serve their master’s beck and call.

Did Romero intend to reinvent these helpless creatures? Aw hell no, and he would be the first to correct us should we argue any differently. George Romero did not set out to create a zombie movie, but rather he wanted to create a whole new kind of monster – ghouls! Being the learned man that he was, Paw Paw Romero was quite aware that ghouls in folklore were known to haunt mist-shrouded graveyards and feed their sensational gluttony among the dead. It was his genius to bend the rules (just a  little bit) to his own liking and make the ghouls of his movie be the actual dead freshly risen from the graves and set about with an insatiable craving for warm human flesh.

With that idea in mind Night of the Living Dead was made and a new genre was begotten. Romero’s ghouls were an instant hit as audiences screamed their lungs out and watched under a veil of tears as the victims on screen desperately fought a hopeless battle for their very lives, with increasing fever to just survive the dire night of merciless carnage.

Audiences embraced Romero’s monsters, but with one condition. By and large, people accepted them as zombies and not as ghouls. Ask most people today and even still they’ll say it’s a zombie movie. I’ve never really heard Romero had any qualms with that either. His vision was a success and he did accomplish creating a new type of nightmare to scare us shitless.

With the insistence of fellow horror genius – Dario Argento (Suspiria, Deep Red) – Romero was invited to Italy where he would sit down and lay the groundwork for what many (even still to this day) consider the greatest horror movie of all time – Dawn of the Dead. For many fans, Dawn of the Dead became their favorite scary movie, and for good reason. The movie includes a little bit of everything for anyone.

 

Night Gave Way to DAWN Something Darker Still

 

Relentless, cruel and still good-natured, this was Romero’s answer to his original vision of dread. The movie would be in color this time around meaning all the blood would be quite noticeable. It would also feature the ingenious work of special FX legend, Tom Savini who has spent a lifetime exploring ways to show us death in the most visually violent ways as possible.

Romero welcomed us all to the Apocalypse!

 

Nightmare on Film Street
image via Nightmare on Film Street

 

From the very opening scene, Romero impresses upon the audience a world that has lost all control. We are introduced to the Apocalypse from a news broadcasting room livid with very real human reactions. The movie wastes no time and drops the viewer into this world where you now must follow a band of characters who are ill-prepared to deal with the world’s ending at the hands of the zombie plague.

This isn’t something anyone can prepare for, and it certainly proved to be something no audience at the time was prepared to handle. Savini’s gruesome work splashed across the big screen like foul art, a thing no one wanted to see but nobody could look away. It was a violent array of popping headshots, flesh-eating, and ghoulish fun.

Romero struck gold and genre fans couldn’t get enough of the simple formula he used.

This formula is repeated even still. If you’re a fan of The Walking Dead or Resident Evil you have George Romero and his Dawn of the Dead to thank for that. Once again, the man reinvented himself and the monster he brought to life.

 

The Italian Echo of Living Death

 

When Dawn of the Dead was released overseas, in Italy the movie was simply titled Zombi. The film had a definite impact on one particular viewer – Lucio Fulci.

 

Film International
image via Film International

 

It’s been said that the screenplay for (what would become) Zombi 2 was written before Romero’s classic DotD was released. What is fact though is Lucio’s movie served as the unofficial sequel to Dawn, or Zombi, and hence the name Zombi 2.

 

VHS Archives
image via VHS Archives

 

Fulci’s contribution is brilliant. This is not some half-assed movie either, something quickly cooked upped to cash in on an internationally acclaimed hit. This movie has heart, a swollen, blackened heart beating with putrescent awe and terrible beauty.

 

Amazon
image via Amazon

 

A few years ago Shriek Show was kind enough to releases an incredible 25th-anniversary edition of Lucio’s cult classic. This is the edition you’ll want to pick up if you’ve not seen the movie, love zombies, and have even the smallest bit of interest right now. To be honest this is my all-time favorite zombie film. Yup, even though I love Paw Paw Romero, Zombi 2 is my favorite out of all the great many zombie flicks to choose from. When asked why I always refer to one simple reason – this movie has everything I’d expect out of a zombie film. Lots of gore is a given, as well as actual visuals of the dead themselves rising from their graves. And these are rotting zombies too, so foul you can almost smell their ripe decay. Not to mention we get some pretty ladies running for their lives and heroes who don’t really stand a chance. This movie is chilling of its own accord and the slow pace build up is powerfully executed.

 

Mondo Digital.jpg

 

The one scene that stands out most to me – and if you know this movie you’ll probably already be guessing which one, but you’d be surprised to find you’re wrong – is what I call the’ zombie picnic’ scene (not the shark scene, although it’s also amazing). It’s just a scene featuring some zombies seated around a freshly dead victim. Her body is in oozing pieces. Blood is pooling everywhere and the living dead help themselves to the meaty morsels of her organs and muscles. Like I said it’s a great (and chilling) scene. One that takes a moment, hits pause on the action and just focuses on why we are afraid of zombies. We fear them because they feed off of us. Your spouse, your children, your best friend, should they die, will come back with a need to feed off of you. Or you, should you go first, will ultimately eat your own loved ones. That is the terror of zombies, that inescapable march to the grave, and not even the grave is safe anymore thanks to them. Weirdly it’s sometimes overlooked in so many other zombie movies.

 

The Series (?)

Now, wait, if we take this seriously, that would make Dawn of the Dead, Zombi 1. Sooo would that mean Night of the Living Dead is Zombi the Prequel? It’s kinda fun to let that be true. To imagine these movies are all connected. (And Disney tries to act like Marvel was first to do a shared universe)

There were follow up movies after Zombi 2 made its mark. We might get into those at a later time, but that’s going to be it for now. I hope you enjoyed our little visit with these flesh eating monstrosities. As always be sure to keep checking in to get all those warm thrills or eerie chills, all right here at Nightmare Nostalgia! I’m Manic Exorcism, and I bid you all farewell for now. Go while you still can, dearies. Hehehe.

Netflix Series “The Toys That Made Us” Season 2 Confirmed With Hints of Possible Lineup!

Ahhhh… Those sweet, sweet smells of plastic glory and nostalgia are coming back for another round of Netflix binge-worthy programming. The Toys That Made Us is officially confirmed for a second season!

My heart is so happy.

giphy

 

Making its debut last December on the streaming giant, the short four-episode series that featured childhood relics’ such as G.I. JOE, Star Wars, Barbie, and He-Man/ Masters of the Universe was a Christmas gift beyond expectations for us retro toy geeks. The educational trip down memory lane was glorious indeed, it left people like yours truly over here, drooling for further episodes. While we still have the second-half of season one on the way featuring stories behind LEGO, Transformers, Hello Kitty and Star Trek, (coming within the next few months) the thought of another ringing of the Liberty Bell of Nostalgia with our favorite pieces of plastic playthings, just gives me all the fuzzies. And, thanks to an interview with Den of Geek, brainchild of the series Brian Volk-Weiss speaks on what HE wants to focus on for the anticipated second season.

*Mind you, these aren’t confirmed but if that’s the man in charge, I’d expect to see at least one, or all of these in upcoming episodes!

No release date has been announced as of now, but I’ll only assume another slot around Christmas 2018, might be a good guess. In the meantime, can we get a Rainbow Brite episode, please?

5 Made For TV Movies That Traumatized the Hell Out of Us

Sometimes, venturing out to your local video rental shop wasn’t required to find the most psychologically fucked up film for your Saturday viewing pleasures. Every once in a while, Lifetime, or whatever station the “movie-of-the-week” aired on, would throw you for a loop with one of those based-on-a-true-story flicks that just scarred the ever-loving hell out of you. All for free-ninety-free! Well, to us moochy kids not paying the cable bill anyway. When I think back on nostalgic made for TV films,  without fail these five movies are always the ones that first come to mind. Mostly due to the really screwed up scenes entailed within that tend to stick with you, ensuring you never forget the first time you watched poor Jo from The Facts of Life get horrifically stabbed and mangled at the hands of Pet Semetary‘s Louis Creed.

Talk about traumatizing for not just a kid, but anyone with an even little bit of heart. So without further adieu, here are the five made-for-tv movies that set the bar high in the “goddamn this is disturbing” category.

5. “No One Would Tell” (1996)

5 Made For TV Movies That Traumatized the Hell Out of Us

Based on the real-life incident between 14-year-old Amy Carnevale her murderer, 16-year-old Jamie Fuller, NBC’s No One Would Tell took that loveable Kevin Arnold and made us hate him with every bone in our fibers in 1996.

Stacy (Candace Cameron) and Bobby (Fred Savage) seem like such a cute couple. But hey, it’s movie of the week and that can’t be the end of it. Bobby is an insanely jealous son-of-a-bitch who is extremely abusive to poor Stacy; leaving her with mental and physical bruises. She takes it with her head down for some time, however, when she breaks off the relationship, things turn deadly.

Personally, and while this is a movie based on true events, I feel like the most traumatizing aspect of this is seeing these family-friendly stars from The Wonder Years and Full House, in this sort of role. I mean, KEVIN KILLED DJ! Never, have I ever looked at The Wonder Years the same again without snarling a tad at Kevin.

No One Would Tell

4. What Ever Happened to Baby Jane? (1991)

5 Made For TV Movies That Traumatized the Hell Out of Us

Before we even dive into this bag of dicks, let me make very clear this is in no way superior to the original with Miss Bette Davis and Joan Crawford. Nowhere close. But, Lynn Redgrave does give a mighty unsettling performance as Baby Jane. Enough so to scare the living shit out of me when I was a kid. So credit where it’s due.

The plot remains the same as the 1962 adaptation but is set in the 90s for a more modern take on the novel by Henry Farrell. As stated of course, this rehash doesn’t compare to the masterpiece of the original, but if you look at it as a mere retelling of a classic, then its a rather enjoyable flick. And the late Redgrave’s portrayal of the insanity-induced Jane is creepy on all the levels. Which is why I made the decision to include it on this list. Her performance alone gave me undeniable skeevies.

3. The Burning Bed (1984)

5 Made For TV Movies That Traumatized the Hell Out of Us

Oh man, here we go. The Burning Bed from 1984 tells the horrific tale of fed-up battered housewife, Francine Hughes. Played by Charlie’s Angels sweetheart Farrah Fawcett, the film that debuted on NBC recounts the relationship between Francine and her scumbag husband of 13 years, James “Mickey” Hughes. The amount of physical and mental abuse at the hands of this man (and I use that term rather loosely) is beyond my comprehension. And it only makes me question why she didn’t do what she did a hell of a lot sooner.

On March 9th, 1977 Francine grabbed her kids and asked them to wait in the car in the middle of the night while her drunk as a skunk husband was passed out on their bed. She then grabbed some gasoline, poured it over the bed with the wife-beater in it, and set it aflame. Killing her abuser and freeing herself once and for all. Well, in the physical sense anyway.

Now, I normally wouldn’t condone such an action. But to understand, you’d have to see for yourself the viciousness this poor woman went through. It was bad enough for even the viewers of the film to become rather disturbed by such a thought. And even now in the present, still manages to give you goosebumps. Francine Moran Hughes died just last year from complications from pneumonia. She was 69.

The Burning Bed

2. David (1988)

david

The true story of a young burn victim David Rothenberg (played by Matthew Lawrence) at the hands of his own father came to ABC in October of 1988. This made-for-TV treasure took us on a roller coaster of every emotion imaginable. One I still haven’t forgotten and scarred my ass for life.

Co-starring Dan Lauria, Bernadette Peters, and John Glover, David is rather difficult to watch. Watching the destruction and ultimate betrayal of trust between David and his father is something not only any parent, but any sane humanoid would find difficult to swallow. I mean, he set his kid on fire for fuck’s sake! If that wasn’t horrific enough, we witness a struggle and burden I would never wish on any parent- David’s mother. However, underneath the horror story is a tale of heart-warming triumph as we watch little David become a stronger human being than anyone could ever foresee. On a personal note, I lose my shit every time on the scene with little David trying to eat ice cream in his body burn cast.

Today, David is doing well and if anyone is interested in following him, here’s his facebook page.

 

David

 

 

1. A Cry For Help: The Tracy Thurman Story (1989)

5 Made For TV Movies That Traumatized the Hell Out of Us

Holy Buck, nothing in the universe will ever top the traumatizing visual this film based on the vicious attack on Miss Tracy Thurman courtesy of her estranged, psycho of a husband, Buck Thurman.

Starring Nancy McKeon as Tracy and Dale Midkiff as the insufferable Buck, the story follows the pair’s tumultuous relationship from the moment they met, through the abuse, and finally the incident on Norwell St. on June 10, 1983, that nearly killed her. And that incident reenacted for this film that premiered in October (horrifyingly appropriate) on NBC, is ridiculously disturbing on so many levels. AND LONG AS HELL. It literally seems to last for a good 15 minutes. I just want to break everything in sight as I sit and watch this all go down, with so many people watching and doing nothing. An incompetent cop about to shit his pants who just stands there asking politely for the knife dripping with Tracy’s blood from Buck’s hand. All while he’s holding the ex-couple’s three-year-old son mind you. I rage with all the fury every time I think about it. This is all really happened, and it makes me so angry.

However, in light of the attack, Tracy’s survival, and the police department that failed her, a lawsuit filed by Tracy and her lawyer Burton Weinstein brought about sweeping national reform of domestic violence laws, including the “Thurman Law” (aka the Family Violence Prevention and Response Act) instituted in Connecticut in 1986. Making domestic violence an automatically arrestable offense, even if the victim does not wish to press charges.

You go girl. Also, if you have the balls and the stomach, here’s that clip I was ranting about.