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Editorials, Horror Nostalgia

35 Years of Trauma: How Stephen King’s “IT” Miniseries Gave an Entire Generation Coulrophobia

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The year is 1990. NASA had launched the Hubble Space Telescope, the Undertaker made his national debut at the WWF Survivor Series, and one of Stephen King’s greatest (and most controversial) novels was adapted into a visual nightmare that premiered as a two-part miniseries on ABC on November 18th, 1990. And to put it mildly, kids of the ’90s were never the same after seeing Pennywise on their large, boxy floor television set.

I remember quite vividly as a kid, being hyped up for this television horror event, and while my peers were entangled with the brand-new series Beverly Hills, 90210, all I could think about was this upcoming Stephen King movie about a killer clown. Mind you before you come at me, at this age, I had yet to read the book nor know anything about the story other than what I had seen via TV previews, as afterword I was to discover that Pennywise was more than a clown, and as a young horror nerd, I liked what I saw. So my eyeballs were ready, and after the first night of Part 1, I was both traumatized by a clown with a million teeth and my prepubescent body was enchanted by a young Jonathon Brandis. It was quite a new experience for a movie to both disturb me and set my loins aflame. Rather impressive, actually.

Outta my way, Bev. My heart burns there too.

My pre-teen admiration aside, STEPHEN KING’S “IT”, at the same time set the world on fire and brought about a resurgence in Coulrophobia (fear of clowns) in both young and old; however, for kids my age it begat a fear we never thought we may have, or much thought about and because of Tim Curry’s masterful performance, it ignited a long-standing match against anyone with a painted face of nightmares. I mean, let’s talk turkey since it’s November:  I don’t know if it’s the makeup hiding their real faces; if it’s the sense of enforced fun, this idea that you’ve got to be laughing; or maybe it’s just that we don’t like anything that tricks us repeatedly, and makes us keep coming back for more. Clowns are fools who enjoy making others look foolish, after all. Nothing more distrustful and downright disrespectful than that. It’s as if this fear was hidden in our subconscious and awakened by Stephen King himself. So if clowns didn’t bother you before the premiere of 1990’s IT, they most likely had some sort of uneasy impact on you. Those are just facts.

And if you read the book after watching the miniseries, as many of us did, that didn’t help the cause much.

As long as the miniseries was, clocking in a total of 3 hours and 12 minutes, the experience of watching it seemed like an eternity, but in the best of ways, as Pennywise torments the Losers’ Club through his favorite clown apparition, a werewolf, a sewer-dwelling slime monster, and shape-shifting into seemingly normal inhabitants of Derry. Even IT’s final boss image of what is closest to his true self, a giant spider, with those awful effects that were almost unforgivable even in 1990, all that was merely background noise to Curry’s Pennywise the Dancing Clown and to this day if I were to ask you to paint me a picture of a scary clown, chances are you’re going to show me a picture of Pennywise.

The miniseries itself wasn’t a massive hit at first, but at the time, after the television airing, it was a whisper between kids at the playground that in turn fed into curiosity and ultimately a discovery of one hell of a new fear of clowns. The IT miniseries, among many of Stephen King’s works of the 90s, being adapted into television events like THE STAND, THE LANGOLIERS, and THE SHINING, outclassed them all regarding cult horror classics and mainstay power, and that is largely due to Tim Curry’s Pennywise performance at the end of the day with becoming a larger than life icon in the horror genre. So much so that when the remake was announced back in 2016, the million-dollar question was, “Who exactly has the balls to fill Tim Curry’s clown shoes as Pennywise”? It was Curry’s role and both charming and utterly terrifying rendition that gave an entire generation of kids nightmares and a lifelong fear of clowns. Curry’s ability to articulate the absolute joy in scaring the crap out of the children; children (the Losers’ Club) whom many of us could relate with in one way or another, is to this day unmatched. No matter how much budget you out into a movie, and I’m in no way knocking Skargard’s rendition of IT, but you can’t deny Curry’s study of this otherworldly monster and the impact he had on an entire generation and beyond. He was perfect.

Be proud of that, Tim. Fuck those kids.

Stephen King himself acknowledged, “his novel ‘IT’ probably contributed to your lifelong fear of clowns”, via the Los Angeles Times, and follows it up with, in so many words, “calm your tits, folks”. Real easy coming from a guy who also wrote in an extremely graphic child orgy into said novel. I think it’s safe to assume not a lot of things bother that man. And the resurgence of clown scares before the release of IT (2017), only validate that the character of Pennywise itself, harbors a tremendous influential power over our own psyche. That, in itself, is terrifying enough. To boot, we all know to steer clear of storm drains. Just another added phobia of sewers that at least half of 90s kids have.

Thanks, Stephen King. No, I don’t want it.

News

[VIDEO] The Alternate Ending Revealed for “HALLOWEEN ENDS” is What We SHOULD Have Had

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Well, Cochran, I know this much: “HALLOWEEN ENDS” had the same kind of potential as SEASON OF THE WITCH, but it was all shot to shit in favor of a “deader than dead” ending that killed Michael Myers off for good. HALLOWEEN ENDS somewhat followed the formula of the now cult classic, HALLOWEEN III, with something new, fresh, and exciting. taking the franchise in a different direction felt like a breath of fresh air until they completely kicked themselves in the nuts by *SPOILER*, killing Corey and finishing that movie with the very appropriate “trash-bag” ending that we have.

It’s a damn shame, and in the new BLUMHOUSE behind-the-scenes book, “Horror’s New Wave: 15 Years Of Blumhouse” which was sent to me for a review and it is quite the masterful book, actress and Halloween franchise star, Jamie Lee Curtis opens up about the alternate ending that was considered for HALLOWEEN ENDS and quite frankly I’m severely pissed they didn’t go in this direction. It would have changed the tone of the movie entirely, and I feel would have been so much better received by fans and critics alike.

“The original ending of “Halloween Ends”, which was originally titled Halloween Dies, was a scene in a mask factory. You see a conveyor belt of masks being manufactured. They’re all Michael Myers masks, which was saying, “We’re all monsters if we put on the mask. It’s not just Michael, it’s all of us if we wear the mask.” And yet somehow it didn’t satiate. I think it was too intellectual for this finale/ It was a big swing, and I honor and support the big swing.

So basically, they wanted to dumb it down for everybody. Cool.

Here’s the entire passage from the book, including another alternate ending that was scrapped.

Now while that ending, which in my humble opinion, would have been the proper ending, never came to fruition, good ol’ HERE LIES made his own fan edit ending for HALLOWEEN ENDS a whole two years ago before any of this actually came to light via the book! And I’ll just say, they should have hired him as a consultant and I’ll take this ending and splice it into the movie just to satisfy my own bitterness over what could have been.

Sometimes, we just need a master VHS and digital video fan editor to step in and do the studio’s job and the holy horror Lord’s work.

Editorials

Let’s Celebrate the Ultimate Nostalgia of Halloween in the 70s!

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Halloween throughout the 70s seemed like a special time for the holiday. Granted, I was only a twinkle in my father’s eye during the 70s (born in 1982 here), but with plenty of family, friends, and the good ol’ internet handy, to tell the story of a magnificent decade that really began the mainstream commercialized hype of Samhain, Halloween in the 70s looked to have kicked all kinds of ass. While Halloween’s traditions were well established in the U.S. decades earlier, it became a national, mainstream celebration for both adults and children in the 1970s, driven by the rise of horror films, increasing commercialization, and the growth of adult parties. 

And to be quite frank, those parties looked like PARTAYS.

The Decorations

The 70s is when that vintage decor Halloween junkies search for, everyone has at least one Holy Grail vintage item, went from mostly handmade, to commercialized die-cuts that were mass-produced and placed on store shelves. Stores also began decorating more for Halloween themselves with this decor to showcase and a buying incentive. Of course, the infamous Beistle and Dennison had been doing this since the early 1900s and only grew stronger with the rise of the Halloween culture in the 70s, but a slew of production companies and new KINDS of decor had entered the market like Empire Plastics Inc.,  Bernard Edward Co. (later called Beco), Poloron Products, Dapo, General Foam, and many others, that became a mainstay in Halloween traditions ever since: the Blow Mold. And in the 70s, the Blow Mold was as hot as ever since making its initial appearance a few years earlier during the 60s. After some decline after the 90s began, Halloween blow molds became almost extinct and has only in recent years made a comeback to Halloween. Nostalgia is a powerful tool, folks!

The Costumes

Picture it: The night before Halloween, mom takes you into K-mart, where you look through the picked-over plastic masks with matching costumes. You clutch that $5.99 Wonder Woman or Spiderman mask and matching costume to your chest on the way home as you slide around on the bench seat without a seatbelt in the back of your parents’ wood-paneled station wagon, while your mom smokes in the front seat. You immediately run up stairs to your room and place your beloved lucky find on All Hallows Eve on your bedroom wicker chair for the next day’s exciting events while you can smell the frozen Salisbury steak TV dinner cooking in the oven (and this time, mom remembers to pull back one corner of the aluminum foil on top, so the sauce isn’t frozen popsicle gravy). All is right in the world.

While homemade costumes from sheets and everyday items were common, the 1970s also saw a surge in store-bought, plastic costumes, often featuring popular TV and movie characters like the Universal Monsters, Star Wars, and even Alien! Largely thanks to the now infamous Ben Cooper company for providing kids with a smack of pop culture and barely breathable masks for trick-or-treating.

The Candy

Halloween candy culture in the 70s saw the beginnings of a widespread fear surrounding Halloween candy, stemming from an op-ed in The New York Times in 1970 and escalating with the Ronald Clark O’Bryan case in 1974, where a man intentionally poisoned his son with cyanide-laced Pixy Stix. Though these were isolated, publicized incidents, they fueled the “Halloween candy scare” and a lasting urban legend of random tamperings, which studies later found to be unsubstantiated. But that didn’t stop people from making those homemade popcorn balls or candied apples to give to kids coming to their door on Halloween night, Whether mom allowed you to keep it was entirely on her and trying to hide those in your pumpkin pail or pillow sack didn’t seem to work much. Also, she inspects every one of your pieces of candy for pinholes before allowing you to keep it. This was the beginning, folks. A few years later, HALLOWEEN II features that parental fear into a side scene in the film that was actually, one of the terrifying moments of the movie itself.

The Horror Movie Influence

The rise of commercially successful shock horror and slasher films like THE EXORCIST, TEXAS CHAINSAW MASSACRE, and, of course, the one and only, HALLOWEEN gave some much-needed holiday OOMPH for the adults and their enjoyment of Samhain. And any kids that happened to sneak into the movie theater to watch any of these, added an either amazing or traumatized element of horror to the holiday for them; one that is highly played on now rather than just plastic skeletons and sheet ghosts.

Imagine sitting in the theater and watching Halloween for the first time? In case you’re wondering what that’s like, check out this audio from 1979 from an audience viewing HALLOWEEN for the first time.

Halloween Television Specials

Before the 70s, Halloween television specials were nonexistent except for “IT’S THE GREAT PUMPKIN, CHARLIE BROWN”. But with the rise in television programs and public interest, cozying in that crocheted blanket on your parents’ couch in the days leading up to Halloween and tuning into Casper’s Halloween, Witch’s Night Out, or my personal favorite, The Halloween That Almost Wasn’t, while perusing the Kmart or Woolworth ads in the local newspaper searching for your perfect costume sounds like heaven on Earth to me. I mean, I pretty much did this in the 80s too, so I can imagine it wasn’t all that different. But credit to the 70s and for starting a Halloween Special revolution.

Also, shout out To Paul Lynde and his Halloween special that pretty much rules to this very day.

Neighborhood Haunted Houses

As previously mentioned, the emergence of horror films spurred a significant transformation in Halloween culture, leading to the rise of neighborhood haunted houses, catering to both trick-or-treaters and emerging horror enthusiasts. These homemade, community-driven affairs, in contrast to today’s high-tech, professional productions, the ones I grew up with as well in the mid to late 80s, were full of passion and a promise to scare the piss out of you because these adults did not give one fuck about traumatizing you. In fact, they made it their business to do so. Kids today are too damn soft and will never have their balls molded of steel like the generation of the 70s and 80s.

Although because of the popular interest and success in these little haunts, full-on production haunted houses began in the late 70s and man, they looked richly aesthetically gothic.

Again, being only a nut in my dad’s sack at the time, I can only believe Halloween in the 70s was nothing short of a religious experience. And given what knowledge I do have and the faithful internet archives, it’s safe to say I’m probably right about that.

If you liked this piece, check out my Halloween in the 80s, and Halloween in the 90s articles. Happy Halloween Season!