Tag Archives: Here Lies

The Long Lost Hellraiser NES Game Brought Back to Life By Here Lies!

No one knows the pleasure (and pain in the right ass) of games better than Pinhead and the Cenobites, and thanks to my buddy Eddie Spughetti over at HERE LIES, he, and with a little bit of consulting from yours truly, have brought the long-lost Hellraiser Nintendo game back to life by opening the Lament Configuration with our love and passion for 80s and early 90s horror hotlines and a mock video featuring the game!

The cancelled HELLRAISER NES game was being developed by a company called Color Dreams in 1990, which had a reputation for creating unlicensed Nintendo games on the NES- all of which were also notorious for their poor quality. So much so, you may not have even heard of titles like “Baby Boomer” and “The Adventures of Captain Comic“.

The game itself was to be an updated version of the Wolfenstein 3D engine, played from a first-person viewpoint. You play an (unknown) character stuck inside the Lament Configuration, with the main focus being for you to solve the box and escape with the bonus ability to manipulate the inside of the puzzle box. The catch is, solving the box would not only free you but also the Cenobites inside it. That being said, upon freeing yourself, you’d then have to solve it again in another riddle from Hell fashion to trap the Cenobites back inside and win the game.

Ambitious? Yes. So much so that the developers realised that the NES system could not handle the RAM of the super Wolfenstein 3D engine without having to create some sort of super cartridge, which would cost a fortune, and the main reason, according to game nerd lore, that Hellraiser was just shelved permanently. But not before Color Dreams pre-ejaculated a bunch of ads in Game Pro for the game, giving us fans forever blue balls.

Balls so blue that Pinhead would revel in the pleasure of my pain.

Anyways, we’ve been denied in what could have been one of the coolest horror games for Nintendo, although with Color Dreams rep that might be a stretch, but at least we can use that thing we call an imagination and NOT AI to put together something of what we think might have been in the era of marketing to gamers in the early 90s.

Video editor and VHS Wizard Master Eddie Spuhghetti used the only available image of what was the title screen of the long-lost HELLRASIER game, a created soundtrack for the game available on SoundCloud, some clips from the films, and a little bit of voice magic to make the game come to life in this mock horror hotline sweepstakes commercial that feels as real as it is glorious.

Behold, for we have such sights to show you!

[VIDEO] The Alternate Ending Revealed for “HALLOWEEN ENDS” is What We SHOULD Have Had

Well, Cochran, I know this much: “HALLOWEEN ENDS” had the same kind of potential as SEASON OF THE WITCH, but it was all shot to shit in favor of a “deader than dead” ending that killed Michael Myers off for good. HALLOWEEN ENDS somewhat followed the formula of the now cult classic, HALLOWEEN III, with something new, fresh, and exciting. taking the franchise in a different direction felt like a breath of fresh air until they completely kicked themselves in the nuts by *SPOILER*, killing Corey and finishing that movie with the very appropriate “trash-bag” ending that we have.

It’s a damn shame, and in the new BLUMHOUSE behind-the-scenes book, “Horror’s New Wave: 15 Years Of Blumhouse” which was sent to me for a review and it is quite the masterful book, actress and Halloween franchise star, Jamie Lee Curtis opens up about the alternate ending that was considered for HALLOWEEN ENDS and quite frankly I’m severely pissed they didn’t go in this direction. It would have changed the tone of the movie entirely, and I feel would have been so much better received by fans and critics alike.

“The original ending of “Halloween Ends”, which was originally titled Halloween Dies, was a scene in a mask factory. You see a conveyor belt of masks being manufactured. They’re all Michael Myers masks, which was saying, “We’re all monsters if we put on the mask. It’s not just Michael, it’s all of us if we wear the mask.” And yet somehow it didn’t satiate. I think it was too intellectual for this finale/ It was a big swing, and I honor and support the big swing.

So basically, they wanted to dumb it down for everybody. Cool.

Here’s the entire passage from the book, including another alternate ending that was scrapped.

Now while that ending, which in my humble opinion, would have been the proper ending, never came to fruition, good ol’ HERE LIES made his own fan edit ending for HALLOWEEN ENDS a whole two years ago before any of this actually came to light via the book! And I’ll just say, they should have hired him as a consultant and I’ll take this ending and splice it into the movie just to satisfy my own bitterness over what could have been.

Sometimes, we just need a master VHS and digital video fan editor to step in and do the studio’s job and the holy horror Lord’s work.

Take a trip this Summer to 1993 with Here Lies’ Summer of ‘93 VHS Experience

Zombies Ate My Neighbors, Dream Phone, and McDees Pizza – three things I recall being as clear as Crystal Pepsi on my then five-year old pop culture radar in 1993. Being little over thirty years now, an interest in discovering (or re-discovering) the ‘90s is evident – it’s a fascinating decade that went through considerable changes by distancing itself from the pastel ’80s to a chrome-toned future of dial-up internet.

After completing a few entries in the Here Lies Halloween Companion series, I aspired to create a new non-holiday-themed collection that would be set during the summer months on specific years. The “Summer of” series gives you the experience of what it was like watching late night TV on a hot summer eve during the ’80s and ’90s – my first entry is 1987, which was picked because many had recollected to me about it being the best year of the 1980’s in their adolescence. But let’s stick to the era of Dunkaroos because I want to focus on the 2nd installment – Summer of ’93.

To date, this is the most difficult tape I’ve created, as not only did I have to stay true to the obvious shift in aesthetics but also nail the final result in capturing the feelings that a five-year-old me had experienced. Per usual, I avoid revealing the contents of my tapes so that your brain receives all the endorphins it can get when recognizing a commercial it hasn’t processed in a long time. But for this article (which I am very grateful Nightmare Nostalgia has let me pen), I gotta delve into a few aspects due to their personal relevance.

The 6hr Summer of ’93 begins with home video footage of a holiday being narrated by an enthusiastic Dad, specifically interested in getting a close up of a sunset as he refers to someone named Heinz. There’s a pan across the horizon where a windsurfer cruises the Atlantic Ocean, and then the camera gives us a look at the campsite – likely a familiar display for many, right down to the Coleman 4 Slice Toast ring. A silver Mazda MPV sits parked nearby as a cemetery eerily looks on from the other side of a fence. We then see a kid helping wash dishes at a picnic table, pulling out a plastic McDonalds spoon and exclaiming to the camera in a jingle-tone “McDonalds TO-DAY”. Cut immediately to a McDees Pizza commercial as we start off a block of YTV content.

This footage is actually from my family’s June 1993 trip to Prince Edward Island, and I am the McDonalds crazed kid. The cameraman is my Dad and Heinz is my Opa – who happens to make a few cameos on the Here Lies Xmas Companion VOL 2. The YTV block that follows is as close to exactly how I remember watching that channel – a kids station out of Toronto, Ontario, Canada – right down to the Maniac Mansion promo and anti-drug PSAs that back then I didn’t understand.

The finished result is six hours worth of capturing a feeling of innocence that co-sides with an abundant sense of optimism that went hard in ’93. An over-reliance on technology hasn’t kicked in just yet, but it’s coming. In the meantime, all the chips are in for environmentalism and stranger danger in the form of various colored vans. Stay alert and stay safe.

This Summer, relive (or see for the first time) what 1993 was like – it’s a fascinating year from the ’90s that captures a distinct shift in aesthetics and consumerism, while continuing to encourage recycling and exercise. Summer of ’93 can be found over at www.here-lies.com in all its 6 hour VHS glory with a free Bonus Digital copy so you can watch it on anything you wish!