Category Archives: Editorials

Necroscope – In Memory of Brian Lumley And The Dark Legacy He Left Behind

The recent passing of Brian Lumley left the world an emptier place as loyal fans stand together with heavy hearts at the loss of a true visionary. A visionary, yes, and what he envisioned – and, in turn – shared with us all has become the thing of untold magnificent nightmares.

Lumely was a true master of the macabre and worthy successor of the eldritch terrors originally introduced by H.P. Lovecraft. Without a doubt, the man’s extensive legacy of written horrors shall unendingly sink their dripping fangs into the beating veins of new generations yet to come. Those who discover Lumley’s chilling works are never left the same as though a radiance cast in ebony takes hold and slowly consumes the imagination.

“Since reading Lumley’s “Necroscope” series, I know that vampires really do exist!” —H. R. Giger

Lumley’s vampires dropped the romantics and are the lecherous children of Satan, who became the first vampire upon his expulsion from Heaven at the hands of his Almighty Father. Satan, dejected, lost, and insatiable stood as lord and sovereign of all demons of the night and spread his malignancy across the cold, dark corners of space.

The saga opens with Necrosope. Harry Keogh, the Necroscope has the unique ability to speak with the dead, the Great Majority as they’re known. The dead are restless, their spirits linked to their abysmal graves and after many long and lonely centuries, they crave for a chance to speak openly with the living once more. For that reason, they revere the Necroscope and divulge vital information when needed. As Necroscope Harry also unlocks a way for the dead to speak with one another and divulge vital information they’ve been sitting on for untold years.  

So imagine it this way. Upon dying Albert Einstein hasn’t stopped thinking but has had many long years to further compound his wisdom and theories but there’s no one to share his revelations with. The Necroscope builds the bridge to brilliant minds of the past and, in turn, learns from their wisdom. But the dead whisper of a terrible evil ravaging both the living and the departed

Set during the height of the Cold War both the East and the West have their ‘gifted’ agents and will stop at nothing to bring one another down. Unbeknownst to the paranormal high command in England the Soviets have their own type of Necroscope. A ghoulish man who torments both the living and (especially I might add) the dead, he tears the fetid guts from helpless cadavers to learn their coveted secrets, and, worst of all, the dead feel every single thing he does and are helpless to stop him. This Necromancer, Boris Dragosani, a ruthless KGB enforcer catches the attention of an ancient vampire, and the vampire, that Old Thing buried beneath an old Romanian ruin is ready to sink his evil seed into the Necromancer’s rotting soul as a way to spread his violent will from beyond the grave.

This is just the first book. As the series spreads out (and personally the 2nd is my favorite) we learn more about these demonic things, the vampires, and the hierarchy they exist in. How the vampires, the Vamphyri, come from a dark dimension outside of the world we know and hold dear. They’re compassionless, nearly unkillable, and hold their homeworld in an icy grip of unrelenting terror. They have invaded our world and with them brought the fell presence of their father Satan. Ok I’m gonna say it, these things are METAL AS FUCK!

As someone who consumes a lot of vampire lore (I grew up in Eastern Europe, friends, the very lands of the Vampyre!) I found the Vamphyri to be unlike any other kind of vampire we’re accustomed to. True, the classics are there such as the blood-drinking and aversion to sunlight. They also can morph … or maybe it’s just merely them letting down their masks, to reveal hideous faces with grotesque bat and wolf features. The other thing that really stands out to me is how damn near indestructible they are.  For example, cut the hand off one and it will sprout tentacles, eyes will suddenly bulge out and line it, and dozens of gnashing mouths ( filled with rows of fangs I might add) will start attacking you. It’ s not so easy to kill one of them. They are the children of pure evil and frankly take pleasure in that. They take, fuck, and eat whomever they so desire.

The series flows from the familiar roots of gothic horrors and gradually mutates into cosmic terrors. It grows and it builds like a fungal infestation and I found myself tearing through one book after another just to devour the next chapter in the saga. Lumely had a way of always hooking me. There were times I wouldn’t stop to eat until I finished a book. I would wake up at night thinking about the characters and worry for their safety.

One moment that really stands out to me is when a fetus calls out for help from a nearby cemetery and the whole fucking graveyard opens up as a legion of zombies march to protect the unborn child and his mother. Another one is when Harry raises a macabre troop of rotting Tartars, their bloodlust not satiated even after all these centuries in the grave, and they slaughter everyone in his way.

When it comes to vampire stories Brian Lumely certainly left his mark on the world. Necroscope’s been my absolute favorite vampire saga and I can’t imagine anyone coming close to the brilliance and imagination he possessed. I had the honor of meeting the man almost ten years ago. Got my copy signed that day and got to meet one of the few people who’ve sincerely inspired me to write. It’s with a heavy heart I write this but how could I not? The man will be missed but his legacy lives on.

Necrscope is only one of the many great contributions he made to the field of horror and bizarre tales. Lumley must also be praised for his extensive contribution to the Cthulhu Mythos, many of which I own. Some could argue few have worked more extensively in the eldritch world Lovecraft invented than Brian Lumley. If there’s anyone who has please let me know because I’ll be adding their work to my library soon. Fans also celebrate the incredible Titus Crow saga – that’s a whole article all on its own if we were to get into that.

Not to mention many fans hail Khai of Khem to be Lumley’s best work yet. Again, this is only the surface of his many darkly imaginative works.

What would these books be though without the awesome cover art? If you’re noticing a trend it’s because each of these covers were done by Lumley’s friend, the one and only Bob Eggleton. Both of these men brought us some amazing nightmares.

In closing, well what more can I say? He was a great man and one of the few heroes I was blessed to meet. I’m saddened his pen is now set aside and the typewriter that spelled vampiric horror for decades now sits in gray silence. Thank you for all the amazing stories, stories I got lost in. You took me on an adventure that started in my teens while I lived overseas and I’ve crossed the world with a copy of Lord of the Rings and a Necroscope book in my backpack. Who knew I would actually stand in your presence? Little ol’ me from St. Petersburg, Russia! What a world. Goodbye, kind sir, and again thank you.

Manic out

‘MASTERS OF THE UNIVERSE: REVOLUTION’ spoiler-free review

Many people have been asking for my opinion about Kevin Smith’s latest work on the He-Man franchise for Netflix. As a huge fan of He-Man, I am always excited to see new content related to my favorite fandom. I recently pre-ordered an Orko figure by Mondo and even took an extra job temporarily to feed my collector’s itch and expand my MOTU collection. He-Man was the first hero I ever knew and I’ve always been fascinated by the champions and evildoers’ conflicts across Eternia. As I looked back at my work, I realized (kinda shocked by) how much time I’ve dedicated to this subject alone. Fair to say I might be a little obsessed, to be honest.

A few years ago, when the trailers for Kevin Smith’s Masters of the Universe started appearing, I was excited to return to Eternia and enjoy new adventures. The show promised beautiful animation and had some great voice talents like Mark Hamil (The Joker, Batman Animated, and Arkham games series) and Tony Todd (Candyman, Hatchet, Venom in Sony Spider-Man 2). However, that enthusiasm quickly faded like a fart in the wind once the show actually streamed. I’m not one of the fans who hated it to the point of wanting Kevin Smith’s head on a silver platter, and I don’t think the show was as bad as festering hemorrhoid like many let on about. Frankly, I found the two MOTU Revelation shows to be sinfully boring. The biggest issue was the show’s blatant disregard for the established lore created by the talented and imaginative minds behind the legendarium.

So when MOTU Revolution was announced it was met by a very barren field with maybe an occasional cricket chirp. Maybe a yawn could be heard too. You follow? No one out there (but maybe a handful of folks) gave a single shit about anything more Smith’s team had to bring to Eternia. He already drove everyone off and, frankly, it would take nothing short of a miracle to bring back that offended fan base. Myself included. I was the target audience for a new MOTU series but not even I could dig deep enough to find one good fuck to give about Revolution.

I was completely surprised once Revolution finally streamed. I couldn’t stop watching it and found myself invested, excited, and even entranced by what I was seeing. It was like all that old magic came rushing back to me. Watching each episode back-to-back was a refreshing experience that felt like a return to the glorious days of high adventure. Swords and sorcery flowed across each consequential story, connecting them in a pattern that enhanced and deepened the lore and awe revolving around Castle Grayskull. The show joined both those who protect her and those sworn to take her by force in what can be nothing short of a true classic Ultimate Battleground – something that He-Man has always been known for.

Every episode is well-written, with magic vs technology, and good vs evil all woven together in a sovereign tapestry. Episode one sets the tone, and the series builds on it, culminating in an epic battle between the Masters and the Horde Empire, and, oh yes, He-Man battling none other than Skeletor. It’s a fantastic ending that lives up to the legendary comic runs.

I’ll do my best to avoid spoilers (and believe me I want to go over everything here) but Revolution is packed with throwbacks, homages, and plenty of Easter eggs. However, the show doesn’t rely on these nods to make the story work, and they aren’t just there to wink at the camera. Instead, they’re part of a larger tapestry that’s woven throughout the show and provide something new to discover with each rewatch, and it’s a testament to the show’s quality that I’ve rewatched this thing multiple times now. I also appreciate how Revolution not only respects the established He-Man lore but in fact, adds to it. That’s something not easily accomplished and they did so brilliantly.

Indeed the adventures continue and are a must-see. The team did their homework this time around (a sweet fan of mine said they must have read my articles…bless you for that) and set out to actually tell a genuine Masters of the Universe story worthy of Grayskull.

I would love to go over all the Easter eggs and surprises here so maybe that’ll be a new article. In the meantime do yourself a favor and watch MOTU Revolution.

Manic out!

50 Years of Fear: A Look Back at the Audience Reactions and the Phenomenon of “The Exorcist”

Christmas at the cinema has been a long-standing holiday tradition for many families. After a chaotic morning of shuffling around from house to house opening unwanted presents of socks and fruitcakes while dealing with overly loud in-laws, one tends to want to wind down with a good, wholesome film.

Enter The Exorcist, which opened nationwide in theaters the day after “Jesus’ birthday” on December 26th, 1973.

A bit of a stray from good ol’ Rankin Bass entertainment, eh?

When it comes to The Exorcist, you can’t even to attempt to argue that BOTH the 1971 novel and 1973 film are nothing short of a massive achievement in both the horror genre and filmmaking in general. What many people call “The scariest movie of all time” has left its imprint of terror on people. In 1973 when the film first premiered it caused QUITE a stir all over the nation. It was like nothing anyone has ever seen on screen, or even witnessed at a theater. Alfred Hitchcock’s Psycho was the first to bring serious public controversy and horror to movie audiences with the shocking shower scene, but The Exorcist raised the bar far higher than anyone could ever imagine, and audiences were absolutely not ready for this shit. You’ve heard the stories: people fainting in the theaters, vomiting, some bolting out the door like a bat out of hell to their closest church out of fear and to repent.

Goddamn. What a beautiful site. I wish I could have experienced this phenomenon.

The Exorcist opened the same day in 24 theaters in 21 metro areas in the U.S. and Canada on Wednesday, December 26th, 1973 with strategically creating a sense of scarcity by adding new theaters slowly over the course of the following months per the studios. The results made The Exorcist a smash hit, even beating out The Sting which was released on Christmas Day and as far as Holiday theatrical releases go- The Exorcist is only trailing behind TITANIC as far as gross income.

Of course, we have to value the other strategic promotions from the studios, where they really ate up the “getting ill” inside the theater aspect. That alone piqued people’s interest, only making them want to watch it more-as human nature goes, you tell us not to touch something, it makes us only lust after it all the more. This movie was not expected to do well. However, after the news pounced on the rumors of people fainting in the theater, people lined up in droves in freezing temperatures to get in on The Exorcist phenomenon.

Bless those people’s frozen chops for helping make The Exorcist one of the highest-grossing R-rated films of all time and giving the world a Christmas miracle: One where it centered around, ironically, a demonic possession.