In case you’re new here, I hold HALLOWEEN 4: THE RETURN OF MICHAEL MYERS on a ridiculously high pedestal. It’s the ultimate 80s horror slasher sequel where a lot of nostalgia resides. It brings back characters from a horror franchise in the CORRECT way while giving us new characters to the plot who are actually likable. And it’s the only entry in the series where we get a glimpse as Michael Myers in a very KEN form.

Fun in the Sun Myers is not to be trifled with.

Ok so maybe those are just my biased opinions, but there’s one thing that we can all collectively agree on making it a fact: the opening to RETURN is regarded as one of the greatest things about the movie, and stands as possibly, one of the most atmospheric intros for the Halloween holiday of all damn time. Something so simple as a few eerie scenes of a basic farm shot on the dusk of Halloween Eve in the middle of fuckwhere America, with no context, set the tone and the mood for the whole film. As light slowly fades into dusk throughout the secular shots of the farm in Autumn along with a sinister soundtrack that crescendos into your very spine, the message to the audience is clear: Evil is coming, and it is angry.

Back in October, celebrating HALLOWEEN 4‘ 35th anniversary, I spoke with director Dwight Little about his experiences and memories of the film. Of course, one of the questions I asked was about that marvelous intro and how the inspiration for such a departure from the previous two Myers films’ i.e. pumpkin credit intros, came to be. My instincts on the answer to this being something much deeper than just a few shots on a farm that were taken for budgetary reasons that just happened to strike gold, turned out to be correct.

You know, we put a LOT of energy into that, and I had asked the writer on set, ya know, how much do we actually KNOW about the origins of Halloween? I looked up some references on it and found out there’s some old Scottish agricultural tradition where the fields have gone bare and everyone has to do their last harvest to get ready for the Winter. And so there’s all this iconic imagery of scarecrows and pumpkin men, and looking back into the roots of it all is how we came up with that title sequence that seems so beloved. I just didn’t want to do the pumpkin [intro sequence again] and wanted to try something else.

So when people say, “It ain’t that deep.” Yeah. Yeah, it is. The fact that the opening sequence provides hidden context into old harvest culture and using imagery that we all associate with the Fall and Halloween seasons in a much deeper way was a clever move. To a superstitious agrarian society, not only would scarecrows keep birds away from crops, but they could also scare children away from the fields where there might be strange things hiding. The hanging ghost on the farm, representing Myers returning from the dead, is another, with Danielle Harris’ name (who plays Jamie Lloyd-Myers’ niece) splashed on the screen next to it as if to say he’s coming back just for you, babydoll. Although that in itself is MY OWN speculation, let me just have that theory, fellas.

You can read the entire interview with Dwight Little here.

It’s just a beautiful new way to look at those banger opening credits. Don’t you think? So with that in mind, let’s just bask in all its malevolent glory, eh?