Category Archives: Editorials

Let’s Celebrate the Ultimate Nostalgia of Halloween in the 70s!

Halloween throughout the 70s seemed like a special time for the holiday. Granted, I was only a twinkle in my father’s eye during the 70s (born in 1982 here), but with plenty of family, friends, and the good ol’ internet handy, to tell the story of a magnificent decade that really began the mainstream commercialized hype of Samhain, Halloween in the 70s looked to have kicked all kinds of ass. While Halloween’s traditions were well established in the U.S. decades earlier, it became a national, mainstream celebration for both adults and children in the 1970s, driven by the rise of horror films, increasing commercialization, and the growth of adult parties. 

And to be quite frank, those parties looked like PARTAYS.

The Decorations

The 70s is when that vintage decor Halloween junkies search for, everyone has at least one Holy Grail vintage item, went from mostly handmade, to commercialized die-cuts that were mass-produced and placed on store shelves. Stores also began decorating more for Halloween themselves with this decor to showcase and a buying incentive. Of course, the infamous Beistle and Dennison had been doing this since the early 1900s and only grew stronger with the rise of the Halloween culture in the 70s, but a slew of production companies and new KINDS of decor had entered the market like Empire Plastics Inc.,  Bernard Edward Co. (later called Beco), Poloron Products, Dapo, General Foam, and many others, that became a mainstay in Halloween traditions ever since: the Blow Mold. And in the 70s, the Blow Mold was as hot as ever since making its initial appearance a few years earlier during the 60s. After some decline after the 90s began, Halloween blow molds became almost extinct and has only in recent years made a comeback to Halloween. Nostalgia is a powerful tool, folks!

The Costumes

Picture it: The night before Halloween, mom takes you into K-mart, where you look through the picked-over plastic masks with matching costumes. You clutch that $5.99 Wonder Woman or Spiderman mask and matching costume to your chest on the way home as you slide around on the bench seat without a seatbelt in the back of your parents’ wood-paneled station wagon, while your mom smokes in the front seat. You immediately run up stairs to your room and place your beloved lucky find on All Hallows Eve on your bedroom wicker chair for the next day’s exciting events while you can smell the frozen Salisbury steak TV dinner cooking in the oven (and this time, mom remembers to pull back one corner of the aluminum foil on top, so the sauce isn’t frozen popsicle gravy). All is right in the world.

While homemade costumes from sheets and everyday items were common, the 1970s also saw a surge in store-bought, plastic costumes, often featuring popular TV and movie characters like the Universal Monsters, Star Wars, and even Alien! Largely thanks to the now infamous Ben Cooper company for providing kids with a smack of pop culture and barely breathable masks for trick-or-treating.

The Candy

Halloween candy culture in the 70s saw the beginnings of a widespread fear surrounding Halloween candy, stemming from an op-ed in The New York Times in 1970 and escalating with the Ronald Clark O’Bryan case in 1974, where a man intentionally poisoned his son with cyanide-laced Pixy Stix. Though these were isolated, publicized incidents, they fueled the “Halloween candy scare” and a lasting urban legend of random tamperings, which studies later found to be unsubstantiated. But that didn’t stop people from making those homemade popcorn balls or candied apples to give to kids coming to their door on Halloween night, Whether mom allowed you to keep it was entirely on her and trying to hide those in your pumpkin pail or pillow sack didn’t seem to work much. Also, she inspects every one of your pieces of candy for pinholes before allowing you to keep it. This was the beginning, folks. A few years later, HALLOWEEN II features that parental fear into a side scene in the film that was actually, one of the terrifying moments of the movie itself.

The Horror Movie Influence

The rise of commercially successful shock horror and slasher films like THE EXORCIST, TEXAS CHAINSAW MASSACRE, and, of course, the one and only, HALLOWEEN gave some much-needed holiday OOMPH for the adults and their enjoyment of Samhain. And any kids that happened to sneak into the movie theater to watch any of these, added an either amazing or traumatized element of horror to the holiday for them; one that is highly played on now rather than just plastic skeletons and sheet ghosts.

Imagine sitting in the theater and watching Halloween for the first time? In case you’re wondering what that’s like, check out this audio from 1979 from an audience viewing HALLOWEEN for the first time.

Halloween Television Specials

Before the 70s, Halloween television specials were nonexistent except for “IT’S THE GREAT PUMPKIN, CHARLIE BROWN”. But with the rise in television programs and public interest, cozying in that crocheted blanket on your parents’ couch in the days leading up to Halloween and tuning into Casper’s Halloween, Witch’s Night Out, or my personal favorite, The Halloween That Almost Wasn’t, while perusing the Kmart or Woolworth ads in the local newspaper searching for your perfect costume sounds like heaven on Earth to me. I mean, I pretty much did this in the 80s too, so I can imagine it wasn’t all that different. But credit to the 70s and for starting a Halloween Special revolution.

Also, shout out To Paul Lynde and his Halloween special that pretty much rules to this very day.

Neighborhood Haunted Houses

As previously mentioned, the emergence of horror films spurred a significant transformation in Halloween culture, leading to the rise of neighborhood haunted houses, catering to both trick-or-treaters and emerging horror enthusiasts. These homemade, community-driven affairs, in contrast to today’s high-tech, professional productions, the ones I grew up with as well in the mid to late 80s, were full of passion and a promise to scare the piss out of you because these adults did not give one fuck about traumatizing you. In fact, they made it their business to do so. Kids today are too damn soft and will never have their balls molded of steel like the generation of the 70s and 80s.

Although because of the popular interest and success in these little haunts, full-on production haunted houses began in the late 70s and man, they looked richly aesthetically gothic.

Again, being only a nut in my dad’s sack at the time, I can only believe Halloween in the 70s was nothing short of a religious experience. And given what knowledge I do have and the faithful internet archives, it’s safe to say I’m probably right about that.

If you liked this piece, check out my Halloween in the 80s, and Halloween in the 90s articles. Happy Halloween Season!

Listen to Reason: “Pee Wee’s Big Adventure” Is Totally A Halloween Movie

I must admit that I fully know that many of you reading this are going to say this is a far reach; however, I got you here didn’t I?! So you must be open somehow with listening to reason that Pee Wee’s Big Adventure, most certainly can be seen as a Halloween movie.

Pee Wee’s first big-time Hollywood debut is one that many audiences cherish from this nugget in time and one that I personally, have both fond, and nightmarish memories of. The 80s’ really had a knack for taking a family-friendly film and inserting horrific scenes in them, giving kids, and hell even some adults, nightmares for years to come. Great examples of such are Return To Oz, hell that whole movie is a horror show, and how about Atrax’s fate in The Neverending Story? It’s clear as day why anyone of us growing up in the 80s’ needed therapy. Pee Wee’s Big “Halloween” Adventure is no exception, as the movie is chock full of sketchy scenes that are horrific in nature, horror movie references, and plenty of Halloween decor to give us that good ol’ Halloween feeling that we’re watching a film dedicated to our all-time favorite holiday.

So let’s open with the fact that this Tim Burton’s first big directorial debut, working alongside composer Danny Elfman. Who we all know when the pair are teamed together, make one hell of a kooky, gothic soundtrack that can only be described as well, Halloween-ish. Even in the light-hearted musical excerpts from the film have an underlying spook factor that you just can’t smooth over. And I absolutely love that shit.

Then, of course, there’s Pee Wee’s home. First off, there are Jack-O-Lanterns all over the house, skeleton cling decor, and a creepy Abe Lincoln with his minion animal dinosaur skeletons helping make Pee Wee breakfast. Pee Wee even sleeps with a cow skull attached to his headboard, with Godzilla figures keeping a watchful eye over his slumbers. I think Doc Brown would approve of the breakfast contraption, while I wholeheartedly approve of the creepy representation.

The Lobster might be mocking my Halloween vibes.
Notice the big ceramic (maybe) pumpkin on the shelf in the background.
The makings of a madman sleeping with cow skulls.
Another ceramic jack-o!
I spy some sort of weird Jack-O-Lantern dummy prop!

Hell, there’s even a little Jack-O-Lantern set up in the front yard that is a part of his secret hiding spot for his bike!

Then there’s Mario’s Magic shop, where it’s anything but. It just looks like a hole-in-the-wall Halloween store where horror fanatics are frequent flyers. Halloween masks and shrunken heads galore. Tell me this doesn’t scream Halloween mini-mart?

Not to mention the mistress of the dark herself, Elvira makes a cameo not only in the film as the badass biker chick, but on the wall of Mario’s at the entrance!

Now let’s talk about some of that nightmare-inducing imagery. Recurring scary clowns are all over this movie, and every single one of them gives all the damn skeevies.

Then there’s a delightful appearance with Francis as the devil murdering Pee Wee’s precious bike. I gotta tell you this whole dream sequence was pretty anxiety-inducing as a kid. Softcore kid horror at its finest folks.

Oh, and let’s not forget, there’s a Day of the Dead parade happening in the middle of the movie. Which, of course, happens to be celebrated on the day after Halloween.

For context, this is seen during the chase between Andy and Pee Wee.

Last, but certainly not least, who could forget the most iconic scene from Big Adventure- LARGE MARGE. Yes sir. It was the worst accident I’ve (never seen). And I’m still of the opinion that Marge needs her own stand-alone horror film where we dive into her death and her restless spirit scaring the shit out of hitchhikers. Thanks.

I’m not here to convince anyone that Pee Wee’s Big Adventure is definitively a Halloween film, but I sure do get those Halloween vibes every time I watch it and it hits those notes even higher and more profound around the October season. Whether you agree with me or not, let’s at least agree that the movie rules.

“Jason Takes Manhattan” Is The PROPER Ending To The “Friday The 13th” Franchise

What a time to be alive. Growing up alongside slasher horror movies in the 80s’ was certainly a peak moment for many adolescent horror fans in the decade. As the villains’ became pop-culture phenomenons appearing on lunch boxes and bootleg toys, our special boy Jason Voorhees was no exception to the horror synthwave of the 80s’. With the exception of 1983 and 1987, Friday the 13th was the ONLY series of films to release one movie every single year from 1980-1989 with everyone bearing some charm, gore, and new angle to bring Jason back onto the scene for more murderous rampages on teenagers. After 1989, they tried to resurrect him again, but people like me just weren’t buying it. Friday the 13th Part 8: Jason Takes Manhattan was the true and final ending to a decade-long franchise of the Crystal Lake Killer.

Fight me.

Let’s rewind a bit: In The Final Chapter, Corey Feldman’s Tommy Jarvis successfully accomplished what everyone was trying to do for 4 years- kill Jason. While technically, this right here would have been a dignifying sendoff for our special, special boy, fans clamored for more and the studios pulled a 180 by bringing him back in A New Beginning… Well sort of. We all THOUGHT we were watching Voorhees torment a now teenage Tommy laying low in a camp for troubled teens- mass murder from a guy in a hockey mask in a Friday the 13th film, who else would it have been? The twist is that it was actually paramedic Roy Burns who, like Pamela before him, went into a homicidal rage after the death of his kid. Jason was still dead and the murders were done by a copycat. This kind of pissed off audiences and they felt cheated. While I always thought that was a clever route to go down by refreshing the storyline, much like with Halloween III, fans wanted the REAL Jason.

Bending to the fans who can make or break the studios, Paramount begged for forgiveness with Jason Lives. A more focused, and determined Jarvis returns to Jason’s grave to ensure he truly is dead. And he is until Jarvis and a friend open the casket for a Frankenstein resurrection moment to happen with Voorhees. And we’re off to the races again with a more powerful zombie Jason in predator mode- until he gets trapped at the bottom of the lake not once, but TWICE. The first time is when Jarvis sends him back to his watery grave from which he was formed in Part 6, and again with Tina’s telekinetic powers in Part 7. I mean, if it didn’t work the first time what made anyone think it would a second? Now, let’s get to where Jason takes a boat, I mean Manhattan, and the true and final ending to Voorhees.

I honestly don’t give a shit what anyone says. Jason Takes Manhattan is probably the most fun Friday movie given to us in the 80s’. It almost becomes such a parody of itself in the process of the film that you just can’t help but overlook the cop-out of him only spending about the last 20 minutes of the movie in New York; which at the time, had quite the reputation of being a dangerous place indeed full of crime and sketchy individuals. Jason fits right into the mold.

Jason’s final confrontation with main characters, Rennie and Sean, has them ending up in the city subway system, where it’s coincidentally revealed that a river of toxic waste is released every single night. In pursuit, Jason gets trapped inside the toxic waste, and reverts to a child-like state- and HE SPEAKS! This is blasphemy! Jason never uttered one word throughout the whole franchise, yet while his face is melting away and sees a river of more sewer waste pounding towards him, he cries for “mommy”. It’s actually sort of gut-wrenching and a stern reminder that Jason really just has the mind of a child. This is only validated further when Reenie sees Jason’s childhood self, at peace in death among the waters.

Ok, who’s cutting onions in here!

I truly feel as if this was the proper send-off to an otherwise tragic character. Not this Jason Goes To Hell garbage that made him a demon-body-hopper. I don’t know, maybe I’m too sentimental, but I believe an icon as important to the genre as this deserves a fitting ending if we’re going to give him one.

Thanks for coming to my Ted Talk.

Friday the 13th Collection [Blu-ray]