Tag Archives: Hellraiser

“Clive Barker’s Hellraiser: The Revival” Thoughts After The Demo

Discovering Hellraiser

Hellraiser scared me, and I wasn’t prepared for that. The film felt unsafe in a way that was far deeper than the typical array of slasher killers who haunt our dreams, stalk our streets, or rise from campsite lakes. I was sixteen at the time, and horror was my life; however, for many different reasons (of which I won’t bore you with), this movie really got to me. Its themes slid into my psyche to fester and grow, and its gruesome visuals never left my imagination. It’s fair to say it warped me, but only in the best way possible.

The Order of Gash, the film’s denizens of Hell, was different from all other monsters. They were waiting for you to invite them in. You hold the key, shaped like a puzzle box, and your desire alone swings the pendulum between your fate and the depths of Hell. The movie opens with a pointed question, “What’s your pleasure?” then sends viewers on an odyssey of suffering and obscene sights. You lead yourself to Hell, and that really, really bothered me.

The movie quickly became my favorite horror film and remains so today. It was made independently and marks Clive Barker’s directorial debut. All things considered, it’s aged fairly well, and its lore continues to retain its searing impact. It’s the one horror movie that ever gave me nightmares and helped to shape who I’d grow up to be.

The Revival

In an era when horror classics are rapidly being reimagined into video games, I found myself asking, “Where’s Hellraiser?” Especially after playing Outlast, I knew the potential for a genuine Hellraiser experience was there. So imagine my sick delight when they finally announced (this year!) we would get exactly that! Finally!

Ok sure, Hellraiser was technically slated to release on the NES (can you fucking believe that?) and in an extremely bizarre and confusing way it can be played today. Although I’ve never played it (and I’m not patient enough to learn how to), I’ve seen videos on YouTube that showcase the game. Pinhead has also appeared in Dead by Daylight and the fantastic Mortal Kombat clone, Terrordrome. So this isn’t exactly the first time Cenobites have been in gaming.

NES add for ‘Hellraiser’ game
Terrordrome

Saber Interactive is offering fans a unique experience with this game. It’s not a retelling of previous works, nor is it a remake—thank fuck! Instead, it’s a continuation of the story that introduces new elements we aren’t familiar with, such as new lead characters and even a new puzzle box, the Genesis Configuration.

The original four Cenobites, who terrified us in the past, are making a comeback, thankfully. Doug Bradley is back to reprise his iconic role as the Hellpriest, a character that’s defined his career. It’s also refreshing to know Clive Barker himself was involved in this project, which is one of the reasons Doug agreed to return.

First reactions

Based on the demo, the game fully embodies Clive Barker’s provocative vision, which may cause extreme discomfort for more sensitive gamers or those unfamiliar with his work. Fans of Barker’s body of work know he loves blending pseudo-philosophy with overt sexual themes and extreme violence. While it approaches the pornographic at times, it never crosses that line; however, it’s definitely not something you’d want your mom to see when she walks into the room. The demo plunges directly into this controversial nature (woo hoo!), leaving players with a thrilling sense of taboo.

Right off the bat, you (Aiden) and your girlfriend (Sunny) are in the heat of coitus with some lovely BDSM tossed in for spice. You get a feeling this level of kink is just a regular Tuesday night for these two lovebirds, though. In the heat of the moment, Sunny playfully uses Aiden as a pincushion for various piercings, and Aiden utilizes the Genesis Configuration—the new puzzle box from the game—to trace small cuts into her skin. This minor sadism sets a thrilling tone for your upcoming experience, so buckle up.

As her blood mingles with the configuration, it activates a gateway to the Labyrinth of Leviathan, and a realm of hellish delights beyond the ordinary awaits. Sunny eagerly steps forward, ready to delve deeper into this enticing world, prompting you to charge after her.

It’s worth mentioning that your character is completely naked, leaving you vulnerable as you enter the chilling depths of this obsidian hellscape. I admit I felt genuine dread while passing through the narrow halls of the Labyrinth. In the second film, we’re given only a small glimpse into the actual Hell of Hellraiser. Now, for the first time, we’re offered the chance to enter it for ourselves. You are sent into the dark unknown where pain is God. So bid the flesh farewell and abandon all hope.

I couldn’t imagine how trippy this would be in VR.

Along your journey, infernal things are always watching you in the nearby distance. For example, shapes move in spider-like patterns through huge gaps in the walls; I thought maybe it was the Engineer at first, then again perhaps they’re things we’ve never encountered yet. Eerie lights do little to brighten the path around you, and means of torture line the walls enclosing in on your already claustophobic space; you’re in Hell, and you’ve only just taken a few tentative steps into this bold, new existence. If you had any hope of turning around, well, it’s best not to hope here. Also, for comedic effect, I walked face-first into a tangle of dangling chains, which made me feel right at home in Hellraiser.

The whole time you’ll either hear or see your beloved Sunny ahead of you, always taunting you to journey deeper into the realm of tortured souls and save her from this fate. I caution you to watch your step, though, because Leviathan doesn’t like to lose a single soul.

The Labyrinth can be a huge puzzle in and of itself; your steps get rearranged, leaving you genuinely disoriented, walking in circles, and even panicked. It’s a claustrophobic nightmare where you walk alone to the naked gaze of Leviathan.

At this point in the demo, you aren’t given a weapon to defend yourself either, making you feel as helpless as a newborn against the many horrors of Hell and beyond.

Your steps gradually guide you toward Leviathan, almost as if it were by appointment. Gotta admit I felt small and entirely insignificant standing before…it? Him? Soon after, we get a glimpse of the game’s flair for the grotesque as we helplessly watch Sunny willingly submit to the Order of Gash. Their chains rush forward, and their hooks dig deeply into her slender body, pulling and shredding nerves and sanity.

They pull her flesh taut and lift her off her feet with her entrails spilling out. This honestly shocked even me. Didn’t expect to see her guts all dangly, so that was a new take on the familiar chaining scenes I’ve watched across the films. The high level of gore made me think of just how constrained horror movies can be. Things like budgets and props and actors are all to be contended with. Then, even once all of those factors fall into place, you still have to deal with an asshole ratings board that can rip your horror project apart.

A horror game has so much more liberty to be true to the intended vision no matter how grizzly that vision might be. You can rip the face off your lead character without harming an actor. Impale a whole cast of characters with their entrails dangling in the fetid wind, and you never have to pay for a prop. You can get as gruesome and be as twisted as you want to be, and the developers here showcase their satanic imagination on full display here. They don’t hold back, and the human body is nothing more than a canvas for the obscene to carve out a masterpiece of flesh and sorrow. Already from what little I’ve seen, I can say my expectations were not only met, but greatly exceeded.

This Isn’t For Your Eyes

Meanwhile, outside of Hell, an underground cult known as the Scarlet Church has taken a disturbing interest in you, and they immediately prove the Cenobites aren’t the only order to be terrified of here. The cult worships the Order of Gash, and it appears they’re striving to join their ranks or something like that, which is very alarming. The measure of pain a human being can inflict upon another is the stuff of nightmares, and people prove to be some of the scariest monsters found both in and out of fiction. So it is with the Scarlet Church.

To prove their undying devotion to Hell, they systematically carve up their victims and then display the corpses as macabre masterpieces of carnal art. It’s rumored this sort of practice actually happens around certain corners of the world where the elite gather in luxury and human life is cheap in their eyes. The atmosphere feels dangerous, much like the unsettling experience I had when I first watched the movie all those years ago. Of course I loved it.

The Scarlet Church remains shrouded in mystery, and I am already hooked, but I’m left with a lot of questions. Not sure how many answers I’ll get once I play, but it’s one more reason why I can’t wait to dive into this thing after it fully releases next month. It feels like the cult is pretty old, and a lot of the layout of their offices and fetishes remind me a hell of a lot of Dr. Channard’s from Hellbound: Hellraiser 2.

Was he a member of the Scarlet Church, and was this how he knew so much about the Cenobites? Or, upon further consideration, the Scarlet Church looks like it takes place inside an old, abandoned hospital, again harkening back to Hellbound. Could the cult have grown out of the research they discovered from the wicked doctor’s obsessive notes? Is this his hospital? The two may not be linked in the least, but I’d like to think there’s possibly a connection there.

The demo provided a glimpse into what the game has to offer, and I think it’s going to be amazing. The gameplay was smooth, the scares were effective, and I felt sincerely uneasy while playing. Well done! I’m also really glad this is a single-player, story-based game. Too many modern horror games end up focusing on co-op play, which can definitely work in some cases, but not in all. The first-person perspective fully immerses the player inside the nightmarish world of all Hellraiser can offer, allowing for a personal and terrifying journey.

It releases October 8th for PlayStation 5, Xbox Series X|S, Nintendo Switch 2, and PC (Steam). The demo is available on Steam.

Just in time for Halloween and what a Helluva way to ring in spooky season! I’ll see you in Hell, my nasties!

Manic out!

(Video) Get Hooked On This RARE VHS Promo For Hellraiser Merch!

One size fits all… Even Pinhead!

Welcome back to another round of rare VHS promos exploited unshamlessly here on Nightmare Nostalgia. If you’re new here, VHS promos are my kryptonite and I just can’t get enough like Depeche Mode. And this one here might be one of the more rare ones I’ve ever posted as it’s only ever been seen on the first run of VHS and Beta-Max tapes released in 1987!

Behold the sights I have to show: The Hellraiser “Watch and Wear” merch promo of 1987!

The informercial-like promo cuts into the end credits and opens with a crazy cat-lady and her, umm, beloved feline Percy leading us into a gorgeous amount of merchandise that would make any day in Hell a delight. With a variety that includes tee shirts, a thermos and mug set, duffle bags, and even a slick-as-shit SATAN, erm, I mean SATIN Hellraiser jacket. I’m pretty jealous of anyone who has any of these highly collectible horror items today.

With options to buy via phone or mail, that Hellraiser shirt is a damn steal at just $8! And I’m willing to bet it’s worth a few hundred at the very least today.

Check out the promo in its entirety uploaded by Youtube user, IntermissionSociety!

35 Years of Terror! Top 10 Horror Movies of 1987

1987: A year of historic events indeed. The first “The Simpsons” cartoon short is shown on The Tracey Ullman Show. President Ronald Reagan delivered his famous speech at the Berlin Wall. And Freddy Krueger delivered his most infamous line of the Nightmare franchise for the first time, “Welcome to Prime Time Bitch!” Also yes, I consider a Krueger one-liner as significant as the Berlin Wall speech- don’t judge me.

That being said, 1987 was a monumental year for horror. Considering the previous year 1986 and one hell of a year to follow, ’87 did a pretty bang-up job of another year full of horror flicks that we would cherish for years to come. So let’s just get right to it, but not before we give one honorary mention. There were so many damn good horror films out of this year it pains me to leave this one out so a big shout to…

The Stepfather

No one can play a psychopath step-parent like Terry O’ Quinn and that’s just how it is. Jerry Blake wants the perfect family, and he’ll kill to get it; which he does again and again as it seems like the perfect family doesn’t exist- shocker. Preying on widows and divorcees, Jerry/Henry/Bill whatever his name is that day is every bit as intimidating and sus even when trying not to be; so I find it a little insulting being a woman that these ladies aren’t tuning into that ol’ women’s intuition.

Although it would be extremely difficult today in a tech-social-media society for a homicidal maniac to be able to get away with these kinds of shenanigans, in 1987, it’s a fun ride and a gentle reminder of what once was in a pre-internet era: A bountiful time for serial killers.

Also, I like to fantasize that Terry O’ Quinn’s character of Sheriff Haller in Silver Bullet is in fact Jerry Blake gone mad with brain damage after that werewolf beating. Disappeared and began a new life as a serial killer unbeknownst of his life before. Watch them back to back and give that theory a try. Makes it that much more fun.

10. The Gate

The Gate is nothing short of bonkers nostalgia full of good old-fashioned Canadian charm and that’s exactly why we love it.

Kind of like Stranger Things meets The Goonies for a visual reference, The Gate takes that nostalgic 80s’ kids’ in danger hullabaloo and dials it into B-Movie madness with little satanic panic demons running around everywhere trying to take over the Earth thanks to a couple of curious kids digging up a portal of Hell in a suburban backyard. Because, that’s where all portals to Hell lie dormant, am I right? For context, one of the kids coincidentally finds a heavy metal LP that comes with a demonic bible of sorts that gives the kids all the information they might need should they want to open a portal to the dark realms and summon demonic forces.

That’s pretty much all you need to know to know this movie rules.

9. Prince Of Darkness

He might be best known for Halloween and The Thing, but John Carpenter’s Prince Of Darkness might be the creepiest and underrated of all his horror film entries. The score alone is overwhelmingly sadistic and unnerving and it damn well better be if you got the likes of Alice Cooper cast in your movie.

Horror genius Carpenter mixes faith, fear, and science into a delicious cocktail of horror movie cosmo when an old abandoned church a priest finds an old relic, a key, an old book, and a mysterious vat of green liquid. Mix in a group of scientists lobbying it up in the church along with a group of vagrants gathering outside the church, and the unthinkable happens: the green liquid attacks and it is the unholiest of Nickelodeon green gak you’ll see this side of Double Dare.

8. The Lost Boys

I feel like I might get a massive amount of shit from die-hard Lost Boys fans for putting this so low on the list. But, it is what it is folks. Also, I still believe the sax man in chains needed more screen time in an encore song, thanks very much.

Santa Carla is a hell of a place to live- if you’re a vampire that is. But it also makes for one hell of a movie, especially with not one, BUT TWO Coreys’ involved in trying to take down a gang of punk-rock teenage vampires. What I love most about The Lost Boys is that is a nostalgic 80s time capsule caught on film. Everything wonderful about northern Cali in the 80s’ is captured perfectly in a movie we can revisit time and again. From the mentality of teenage minds right down to the aesthetics. It’s a damn treasure for sure.

7. DOLLS

Stuart Gordon’s DOLLS was one of the first films I REALLY embraced as a kid on my own with zero influence from anyone else. Based solely on the VHS cover art alone, a rental happened and I was delighted every time I rented that movie- and it was legitimately about 98 times.

DOLLS is a creepy concept that marriages a kids’ fantasy that your toys come to life (it ain’t Toy Story folks) and the horror genre. With the visions of both Charles Band and Stuart Gordon, we get DOLLS. A movie that on the surface looks like another B-horror flick, but runs so much deeper, and scarier than that. Definitely, one of the greatest films to come out in the 80s under the radar and hold such a loyal cult following today. I mean, fans are loyal, and that’s a fact.

6. Monster Squad

The film that proved that not only the wolfman does indeed, have nards, but that also you can blow up a fuckin’ werewolf only for him to piece himself back together comes in at number five. And I feel almost sad about that but damn, 1987 was such a great year where other important films were laid on the table alongside the Squad that it just edges it out.

Monster Squad is like The Goonies on a whole ‘nother level of awesomeness with all the monsters we know from the golden age of horror, coming back and wreaking havoc on a small town with Dracula at the helm looking for his amulet so that he may obtain world domination and then destroy it. And only a small group of horror movie fans that call themselves the Monster Squad, can stop them. Also worth noting that Dracula has NEVER been more terrifying. He grabs a little girl by her chin, lifts her up, and calls her a bitch. That’s some balls I couldn’t even wrap my head around as a 5-year-old watching this; the same age as Phoebe in the film. That sort of fucked me up a little.

It’s pretty much every kid horror fan’s dream to meet a real-life monster and then become the hero to stop them to boot. Much like with The Lost Boys and The Gate, the nostalgic aesthetics of this movie pleases our senses but on a level way higher than the aforementioned. It rocks me until I drop.

5. Predator

Predator is a goddamn glorious spectacle full of the manliest of testosterone and honestly, I’ve always been here for it. The mash-up between a steroid-induced action film and a slasher movie deserves some kind of award- but I guess the best I can do is put it in the top five here of 1987.

With a cast like Carl Weathers, Jesse “The Body” Ventura, and of course Arnold Schwarzenegger, in a hunting match with a technologically advanced lone alien in the jungles of the fictional Central American country of Val Verde, ( the same made-up country used for Arnold’s 1985 action gala Commando) it’s hard to not fuckin’ love everything about this movie. From the “chef’s kiss” one-liners, gory kills, and ARNOLD VS an ALIEN thirty-minute finale, Predator is everything an 80s’ action/horror film should be and more.

Now “GET TO THA’ CHOPPA, MYAHHHHHH!”

4. Creepshow 2

On rare occasion, a sequel is right on par with the original, notwithstanding a shorter version but just as good as the 1982 anthology we all love and adore.

With three stories in the horror anthology that just seems to get better as the film rolls along with a frame story of little Billy on the run from some asshole bullies in animated form, Creepshow 2 is a goddamn good time for everyone of all ages. With a screenplay by George Romero and stories by Stephen King, Creepshow has always seemed to me to be the kind of fun, and silly horror anthology that 10-year-olds would try and smugly rent under their parents’ noses at the local video shop. As a witness to this in my youth with friends who didn’t have quite as cool parents as I did, I always associated the anthology series as a youthful gateway into the horror world. To my surprise, a lot of fans don’t seem to like this installment in comparison with the original. My answer to that is simply putting it at number 4 and offering them a one-way ticket to Lake Sludge.

3. Evil Dead 2

And sometimes when a sequel is on par with the original, then there are others that even surpass their predecessor. That is mother fuckin’ Evil Dead 2.

Honestly, there’s no evidence to the contrary that Bruce Campbell is the second coming of Christ because who else can we call when the deadites are on the loose? When Ash saws off his own hand while screaming manically, I’ve never felt closer to God. Evil Dead 2 is heavy metal horror on steroids with a low budget and is better, faster, and more gnarly in every single way all while being unapologetic for what the movie actually is. Self-parodying isn’t uncommon in horror franchises, but the fact that Evil Dead 2 did it to the point that it BECAME the franchise and the most beloved, is fucking wild.

Now, swallow this.

2. Hellraiser

Jesus wept only because there was ONE other horror film that could beat out Clive Barker’s masterpiece- Hellraiser.

I can distinctly remember the time when my little brother was 9 and my parents had to pick him up from a sleepover in the middle of the night because he was scared shitless after watching a little horror movie with a friend. Can we all take a guess on what film that was? Mmmhmm. That being said, I had never seen Hellraiser myself so after this debacle, I dived right into it and never looked at a Rubix cube the same way again.

Hellraiser is beautifully chaotic in its energy to terrify and turn your stomach acid upside-down-or if you prefer, inside-out. Doug Bradley, in his very minimal screen-time, managed to make a monster of an icon out of Pinhead and has become the Robert Englund of his own character; as in, there’s just no replacing the guy. Yes, I’m well aware of the upcoming reboot with the casting of a female; which in actuality, is a lot closer to the literary version of the descriptions of the cenobites not having a binary gender identity. In fact, Pinhead is described as having a feminine-sounding voice, but I don’t care about any of that. Give me Doug, or give me death.

Yep. This is my hell.

1. A Nightmare On Elm Street 3: The Dream Warriors

Yep, I have crowned a sequel to be the Horror Champ of 1987. Wes Craven’s ANOES gave birth to one of the greatest horror icons and franchises to come out of the 20th century, and Dream Warriors is like The Godfather II to that film; continuing directly from the source at the same steady beat while expanding it much deeper than one could ever dream of, ironically. As an advocate for mental illness, Nightmare 3 is a film I hold near and dear to me; and one I can dissect and pick apart for hours with all the metaphors I’ve found in the film regarding the subject.

The film has a great story, memorable kills, and really was the birthing point of when Freddy really came into his own as a sadistic villain, that somehow you loved?! That’s some genius shit right there. Sort of how Vince Gilligan shaped Walter White in Breaking Bad, no matter how malevolent he made the character, the audiences embraced him even more. Not to mention, it coincides with the time Freddy Mania really got momentum and brought the horror phenom to the mainstream, enticing the youth of our generation to indulge in our curiosities of the horror genre. When a film and a goddamn sequel for that matter can make that kind of impact, it has to be acknowledged and respected.

Bless the Prime Time, Bitch.

Obligatory Honorary Non-Horror Mention

Robocop

Listen, I can’t even talk about films of 1987 without at the very least, giving a shout-out to part man-part machine, Robocop.

While the film itself isn’t horror per se, Robocop harbors some elemental terror in the fact that man is playing GOD over another man’s life and death. Even though the cops of Detroit signed a waiver with OCP gaining them access to their remains in the event of a tragedy, selling your soul to big corp while giving them too much power is just as relevant as is today in this terrifying age that we all live in where the monopoly of greedy corporations take away the average joes’ livelihoods all for the sake of a buck and some extra power. Pretty sick and twisted metaphors inside a badass movie that I’ve seen about 200 times and never get sick of it.

Also, seeing this guy melt as a kid and then explode into a pool of sludge was definitely one of the scariest fuckin’ things I’ve ever seen. Don’t you deny it.

So let’s make like Clarence Boddicker, sniff some wine off our fingers, and raise our glasses to a wonderful year of terror- 1987.