Tag Archives: Jason Voorhees

“Jason Takes Manhattan” Is The PROPER Ending To The “Friday The 13th” Franchise

What a time to be alive. Growing up alongside slasher horror movies in the 80s’ was certainly a peak moment for many adolescent horror fans in the decade. As the villains’ became pop-culture phenomenons appearing on lunch boxes and bootleg toys, our special boy Jason Voorhees was no exception to the horror synthwave of the 80s’. With the exception of 1983 and 1987, Friday the 13th was the ONLY series of films to release one movie every single year from 1980-1989 with everyone bearing some charm, gore, and new angle to bring Jason back onto the scene for more murderous rampages on teenagers. After 1989, they tried to resurrect him again, but people like me just weren’t buying it. Friday the 13th Part 8: Jason Takes Manhattan was the true and final ending to a decade-long franchise of the Crystal Lake Killer.

Fight me.

Let’s rewind a bit: In The Final Chapter, Corey Feldman’s Tommy Jarvis successfully accomplished what everyone was trying to do for 4 years- kill Jason. While technically, this right here would have been a dignifying sendoff for our special, special boy, fans clamored for more and the studios pulled a 180 by bringing him back in A New Beginning… Well sort of. We all THOUGHT we were watching Voorhees torment a now teenage Tommy laying low in a camp for troubled teens- mass murder from a guy in a hockey mask in a Friday the 13th film, who else would it have been? The twist is that it was actually paramedic Roy Burns who, like Pamela before him, went into a homicidal rage after the death of his kid. Jason was still dead and the murders were done by a copycat. This kind of pissed off audiences and they felt cheated. While I always thought that was a clever route to go down by refreshing the storyline, much like with Halloween III, fans wanted the REAL Jason.

Bending to the fans who can make or break the studios, Paramount begged for forgiveness with Jason Lives. A more focused, and determined Jarvis returns to Jason’s grave to ensure he truly is dead. And he is until Jarvis and a friend open the casket for a Frankenstein resurrection moment to happen with Voorhees. And we’re off to the races again with a more powerful zombie Jason in predator mode- until he gets trapped at the bottom of the lake not once, but TWICE. The first time is when Jarvis sends him back to his watery grave from which he was formed in Part 6, and again with Tina’s telekinetic powers in Part 7. I mean, if it didn’t work the first time what made anyone think it would a second? Now, let’s get to where Jason takes a boat, I mean Manhattan, and the true and final ending to Voorhees.

I honestly don’t give a shit what anyone says. Jason Takes Manhattan is probably the most fun Friday movie given to us in the 80s’. It almost becomes such a parody of itself in the process of the film that you just can’t help but overlook the cop-out of him only spending about the last 20 minutes of the movie in New York; which at the time, had quite the reputation of being a dangerous place indeed full of crime and sketchy individuals. Jason fits right into the mold.

Jason’s final confrontation with main characters, Rennie and Sean, has them ending up in the city subway system, where it’s coincidentally revealed that a river of toxic waste is released every single night. In pursuit, Jason gets trapped inside the toxic waste, and reverts to a child-like state- and HE SPEAKS! This is blasphemy! Jason never uttered one word throughout the whole franchise, yet while his face is melting away and sees a river of more sewer waste pounding towards him, he cries for “mommy”. It’s actually sort of gut-wrenching and a stern reminder that Jason really just has the mind of a child. This is only validated further when Reenie sees Jason’s childhood self, at peace in death among the waters.

Ok, who’s cutting onions in here!

I truly feel as if this was the proper send-off to an otherwise tragic character. Not this Jason Goes To Hell garbage that made him a demon-body-hopper. I don’t know, maybe I’m too sentimental, but I believe an icon as important to the genre as this deserves a fitting ending if we’re going to give him one.

Thanks for coming to my Ted Talk.

Friday the 13th Collection [Blu-ray]

Someone Made An Actual Movie Trailer For the Friday the 13th NES Game and it is GLORIOUS

“You’re dead. Your friends are dead. Your family’s dead. Your fucking pets are being skinned alive. Your mom’s a fucking whore. You suck at life. The whole world hates you. You’re going to Hell. Live with it. Game Over.” – Via the ever so wise Nintendo Sensi, James Rolfe.

He wasn’t wrong you know. Although the original Friday the 13th game for the Nintendo Entertainment System seemed like a horror fan’s 8-bit wet dream, the frustration of gameplay quickly softened any prepubescent boners we may have had going into this pixelated LJN nightmare. I would never refer to it as a giant piece of donkey shit like some may have dubbed it, but the game itself is a goddamn pain in the ass for sure to get through without blowing your blood pressure out of range.

Image result for avgn friday the 13th gif

Anyway, today being the 13th of Friday here at Nightmare Nostalgia, I figured now is as a good as time as ever to showcase something that any fan of the NES game would appreciate the Holy Pixels out of. Youtube channel Mega64 brought about this hilarious fanmade movie trailer back in 2015 of you guessed it-Friday the 13th The Game The Movie. And it is goddamn gloriously nostalgic from those days of throwing ineffective knives at zombies and flying Pamela Voorhees rotting heads. Complete with VHS static to give it that retro feel, the fanmade trailer nails every aspect of the game that we love to bitch about endlessly. They even throw in the old joke of Jason’s machete looking like a giant toothbrush gag.

It doesn’t really get any better than that, folks. Happy Friday the 13th campers!

45 Years of Launching the Slasher Subgenre For 80s Horror: “Friday the 13th”

That’s right. His name was Jason, and it’s been 45 years since the massacre at Crystal Lake that led to the birth of a horror icon and, technically, the birth of the 80s slasher.

In the early 1970s, Sean S. Cunningham sat in an editing room with director Wes Craven as the two cut together what would become, one of the most disturbing horror films ever made: THE LAST HOUSE ON THE LEFT. Cunningham’s first film, THE ART OF THE MARRIAGE, had attracted Craven, who wanted to be in the film business, a friendship struck and then went ahead and made basically a soft porn film together entitled, TOGETHER. Which is totally what I would expect from the master of 80s perky boob shots and gore.

After Last House, Craven would go on to direct THE HILLS HAVE EYES, but Cunningham had a different vision.

In 1978, John Carpenter’s HALLOWEEN was released and changed the horror game. Cunningham took notice of the huge success of the premise of a stalker going around killing teenage girls and thus began the creation of FRIDAY THE 13TH. A movie that would spawn 9 sequels, a remake, and a crossover with, ironically, one of his old buddy’s own iconic creations, and become one of the most influential horror movies of all time.

So before we go any further, let’s smack a kiss on little Mikey Myers. Because without him, there would be no Jason.

After coming up with a title that like, Halloween, centered around a mysterious date, FRIDAY THE 13TH, the aspiring horror director pulled a massively ballsy move without even shooting one scene of the movie, by making an advert of his movie idea and somehow getting it placed in the July 4th issue of VARIETY magazine. The idea was to maybe secure the financing necessary to start production. The now-infamous and very first ad appeared for the original film in the franchise, proclaiming Friday The 13th “The Most Terrifying Film Ever Made”. The gamble paid off with Paramount picking up the title and a green light to shoot the film for $1.5 million buckaroos.

The slasher film was still in its infancy back in 1979, and though films like BLACK XMAS (which in my opinion was the FIRST true slasher movie),  THE TEXAS CHAINSAW MASSACRE and HALLOWEEN set the bar for the subgenre, FRIDAY THE 13TH set the standard for the 80s slasher-and the absolute crazy oversaturation of it during that decade. And I wouldn’t have it any other fucking way.

FRIDAY THE 13TH set a new slasher standard for young bloods getting picked off one by one in an isolated setting where no adults could be found anywhere supervising the often horny and impaired kids. If they were around, they were usually presumed as drunk or crazy.

Crazy Ralph, anyone?

Not to mention the now cliché horror movie tropes that we’ve seen in almost every slasher movie since. Sex equals death. Drugs equal death. An unstoppable madman (or in this case, woman) with the killer POV camera shot that doesn’t directly show the killer, that keeps us guessing who their identity is throughout the movie. And of course, we need the all-important final girl. The more innocent she seemed, the better her chance of survival. Of course, FRIDAY wasn’t the first to establish that trend (that credit goes to HALLOWEEN), but they sure as hell ran with it religiously for an entire decade and inspired the very film they kind of-sort ripped off, (HALLOWEEN), to cash in on the slasher boom of the 80s with a couple of sequels. The formula set the standard for FRIDAY movies going forward, and the rest of the 80s slashers that came after.

Also, it spawned Randy. Randy is all of us. Thanks to the likes of Friday the 13th.

FRIDAY THE 13TH opened nationwide in the US on May 9th, 1980. Nobody expected this little horror movie to do much regarding big Box Office numbers, including Sean Cunningham, but holy shit was everyone surprised when this little film shot at Camp Nobebosco in New Jersey blew up and ending up meaning just shy of 40 million in the US domestically, and almost 60 million worldwide. Not a bad profit for a movie that was shot for half a million.

And then just like that, along with a sequel to HALLOWEEN, a film that never intended to have one, a slew of similar films embracing the same tropes that FRIDAY banked on, absolutely inundated theaters and straight to video stores with movies like SLEEPAWAY CAMP, CHEERLEADER CAMP, and SLUMBER PARTY MASSACRE. Not to mention the appeal of associating a murderous madman with a holiday like MY BLOODY VALENTINE, APRIL FOOL’S DAY, and SILENT NIGHT, DEADLY NIGHT. The trend continued throughout the entire 80s, with the golden era of horror movies busting out 253 slasher flicks. And it’s all thanks to a little mongoloid named Jason and his vengeful mother who started it all.

Let’s raise our machetes to Pamela and her fucked up kid this weekend! FRIDAY THE 13TH is currently streaming on PLUTO for free! Now, I’ll be right back…