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Horror Nostalgia

That One Time Horror Icons Got Together For A People Magazine Photoshoot in 1988

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Image: Bloody Disgusting

To be a horror fan, and what’s more, a horror slasher fanatic in the year 1988 was probably peak orgasms for genre enthusiasts, and we had more than material in that year alone to make every one of us cream our jeans. Classics like THEY LIVE, CHILD’S PLAY, and KILLER KLOWNS IN OUTER SPACE touched just the tip of the iceberg in the massive slew of horror films we got this year; including sequels to the unholy trinity of the horror slashers-Jason, Freddy, and Michael. So it was only appropriate, and damn right of them, for People Magazine to give these guys their due credit with a special spread and photoshoot honoring horror’s greatest icons.

Bringing together for the first time Robert Englund (Freddy), Kane Hodder (Jason), George P. Wilbur (Michael- HALLOWEEN 4), and Bob Elmore (Leatherface- TCM 2) like this is not something we’ve seen before, and never will again in the light of Wilbur’s passing in 2023; and it’s just beautiful.

The article in People that banded together the foursome of fear was unleashed on newsstands on November 7th, 1988, with a cute picture of Baby Jessica on the cover (remember that debacle)? That kid went through more trauma than any of these bad boys could give her so why not, eh? And with the releases of HALLOWEEN 4: THE RETURN OF MICHAEL MYERS, A NIGHTMARE ON ELM STREET 4: THE DREAM MASTER, and FRIDAY THE 13th PART VII: THE NEW BLOOD dominating the horror game in 1988, it was time for horror fans to truly celebrate as these homicidal maniacs were finally to be taken seriously as major influences in the genre and pop culture fandom as a whole. It really was a major win for us as only a few years prior, the MSM ran countless stories, and news pieces about how horror films were trash and led to violent teenagers. Just another arm of the whole Satanic Panic bullshit that needed to be laid to rest. And the fact these iconic characters and their legacies are even stronger today than it was over 35 years ago, is a testament of the power the four horsemen of the slasher films have on our dark, corroded hearts.

So let’s take a look at what PEOPLE had to say about our boys, huh?!

They’re the reason that Hollywood accountants sleep well at night and American teens don’t. Averaging 20 victims per outing, these Hollywood horror hounds have laid a trail of death over a quarter-mile long (assuming a 5-foot skull-to-toe-tag span per corpse). The box office take from their combined 17 monstrous flicks has topped a bloody $500 million. So, for Halloween, it seemed ghoulishly appropriate that Jason, Freddy, Michael and Leather-face, the peerless princes of the pathological, gather to compare notes.

Jason Voorhees (Kane Hodder, 33), the hockey-masked murderer of the Friday the 13th movies, which have grossed $172.5 million to date, groans about his teenage telekinetic adversary in Friday Part VII. “I chase her out onto the porch, and she causes the entire front of the house and the roof to collapse. About 700 pounds fell right on my head,” he moans. “Kind of rang my bell.”

George P. Wilbur, 46, the new endoskeleton beneath the other masked maniac, Michael Myers of the Halloween series ($168 million), is not to be outdone. Myers has just emerged from a 10-year coma to launch more mayhem in the new Halloween 4, and Wilbur is trying to number his latest cache of victims. “Oh, it’s countless,” he says despairingly. “A minimum of 15. I’ve got a massive body count on this one.”

Resting on the 45-inch blade of his insatiable chainsaw, Leatherface (Bob Elmore, 35) reminisces about filming the first sequel to The Texas Chainsaw Massacre($100 million) in 1986. “It was 170°,” he moans. “But I destroyed a Mercedes, killed lots of people and cut a guy’s head off. So that was real nice.”

Freddy Krueger (the recently wed Robert Englund), 39, is the only actor here to have played his fiendish character in every sequel of A Nightmare on Elm Street I through 4, which have grossed $148 million. Now star of the new TV series Freddy’s Nightmares, he looks undead on his feet per usual. The char-grilled “bastard son of a hundred maniacs” is lazily skewering apple slices on his razor fingers. Sneering in perfect Freddy fashion and baring his rotting fangs, he raises his wineglass and hisses a toast: “This blood’s for you, sucker.”

Uh, thanks, Freddy, and Happy Halloween, guys.

I’m pretty sure we won’t ever see something that fucking cool again.

Creature Features

Believe It’s Magic! The Painstaking Special Effects of “Ghostbusters”

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I think it goes without saying Ghostbusters is a once-in-a-lifetime movie experience that can and never will be replicated, and a lot of that credit goes towards the special effects of the film. In 1984, this sort of visual sorcery wasn’t running rampant across filmmaking. With few exceptions like Star Wars and Poltergeist, (both of which Ghostbusters visual effects supervisor Richard Edlund worked on) audiences were bedazzled with the hypnotic effects the movie presented within.

Let’s take a ride and talk about that.

A mere year after the visual stunner of Poltergiest, Ivan Reitman and his crew were tasked to make Ghostbusters in UNDER A YEAR. In this case, is asking the impossible with the sort of movie that called for such heavy special effects to sell the story. But according to Ivan Reitman, it had to be done in such a way as to balance the comedy with the “ghosts” so as to not make it too silly, or too scary as doing so would damage the film entirely.

“The special effects are just as important as the comedy. We’ve never seen this level of first-class effects in a comedy film before and it has to be evened out.” – Ivan Reitman

Much of Dan Akroyd’s vision for the creatures were on a large scale, some of which even ended up in space if you can just picture that! However, the budget for the film was about $5 million and Reitman worked with Akroyd to rewrite the script and the creatures in a way that would work in a beautiful balance of comedy and terror. Though they ended up around $700,000 over by the time the film was locked, if Dan Aykroyd’s original script had been filmed, according to associate producer Joe Medjuck, it would have had “50 large scale monsters”.

Enter Richard Enlund, head honcho of Boss studios. Launched in 1983 specifically for Ghostbusters, who knew the importance of not making these creatures into flat-out jokes for the film. And what we ended up with was some of the best damn practical effects of apparations still to this day.

In the instance of the Marshmallow Man, Edlund and his team went through dozens of ideas and designs before opting for the simple, yet practical 100-foot monstrosity we all know and love.

Part of what made the effects so, well, effective, was their practical nature. You just can’t beat practical movie magic no matter how much technology you throw in front of it. The clip below from Ghostbusters.net gives us a short and sweet breakdown of some of the wizardry undertaken in bringing the Library Ghost, Slimer, and more to life in the film.

Made in just ten months and filmed in 55 days, Ghostbusters is the prime example of practical effects done in a time-crunch without the technology of a computer. Cliche to say it has aged like fine wine, so we’ll just say it has aged as well as Keanu Reeves in 2022. Charming, beautiful, breathtaking, and as soft and nostalgic as a twinkie.

With that, I’ll leave here with my personal favorite shot from the movie- the ghost escape from the firehouse that wreaks havoc on New York City all leading up to the climax of Gozer. I’m actually kind of obsessed with this scene as it has everything that is great about this movie all rolled into two minutes of spectacular energy. It’s ominous, a bit silly, but not so much to where you can’t overlook the sense of dread that is coming. Paired with Mick Smiley’s “I Believe It’s Magic”, this is just cinematic gold right here. And I believe what Ivan Reitman set out to do in balancing terror and comedy, marries perfectly in this one scene alone.

Editorials

We Almost Got An Extremely Violent and Gory R-Rated “Gremlins” Movie

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Unfathomable to believe that GREMLINS hits their 40th anniversary this year, and with that comes four decades of dedicated loyalty to either Gizmo or the rebellious Stripe, (you like one better than the other, admit it). Stripe, technically an offspring of Gizmo, is that punk rock kid that blows his nose on your family room curtains, eats the last of the fried chicken in the fridge, and breaks into the candy store to steal all the yum yums.

Also, I’ve heard he’s an award-winning cannonballer.

Then there’s the loveable Gizmo. Everyone’s favorite cute and cuddly bringer of the apocalypse, even though he doesn’t mean any of it. He’s so damn adorable and friendly, Billy’s dad Rand Peltzer premonition of the Mogwai possibly replacing doggies and man’s best friend could have been a foreseeable outcome. If only it wasn’t for Gizzy’s one little flaw-his ability to mass produce an army of homicidal, albeit humorous, clones that aren’t as friendly as him.

Ahh, well. No one is perfect.

However, Gizmo wasn’t always slated to be America’s furball sweetheart of the 80s. In fact, the original script of GREMLINS wrote him in as the ultimate villain!

In Chris Columbus’ first draft of GREMLINS, Gizmo (who is just referred as Mogwai in the script) is basically what we see in the final product as Stripe, only WAY WORSE. There is no relationship between him and Billy- although Billy DID receive him as a Christmas gift in pretty much the same as the final draft. Instead, the nameless Mogwai has water spilled on him, in the same manner we see in the film by Pete (played by Corey Feldman in the movie), and out pops a couple of little hellraisers. who all hail to King Gizmo, I mean, Mogwai, and they proceed to EAT BARNEY. Yep. You heard that right. They eat Billy’s best friend instead of a hefty plate of leftover fried chicken.

THOSE BASTARDS.

Poor Barney isn’t the first to fall victim to the Gremsters in this original script, but rather, half the goddamn town of Kingston Falls gets murdered! Pete goes Christmas caroling and gets eaten alive by a hoard of gremlins. The sheriff gets a more brutal hands-on send-off, and Billy and friends come upon a McDonald’s where everyone inside the restaurant is dead with half-eaten Big Macs hanging out of their mouths.

I personally would have loved to see that.

Worth noting, the early script version here DID have the Gremlin hoard in the theater head banging to SNOW WHITE AND THE SEVEN DWARVES and they kept that throughout the entire screenplay process where it finally landed in the movie. Some things are just too good to ever throw in the script edits trash can.

Then, there’s Billy’s dear mother, Lynn Peltzer. Stories were going around for quite some time, and in a few articles making the rounds, Lynn had her head cut off by Gizmo and his band of merry maniacs. As far as I know, other than in hearsay or in commentaries, there is no mention of this in the script available on the Internet. In fact, it’s the second draft -not the first, which I will link all of you to at the bottom of this piece so you can read it for yourselves- and people are spreading this as fact. Well, the facts are in black and white here and state: that Lynn was lured to the attic, attacked by the creatures, and killed. That’s for certain. But no decapitation occurred here.

Now, of course, Stephen Spielberg swoops in and convinces everyone GREMLINS would work better at a PG level; so that’s what we got. I’m not mad about it. Hell, GREMLINS is in my top ten movies of all time. Yet still, I also wouldn’t be mad if this film were to EVER get the proper horror movie monster treatment. Can you imagine a homicidal Gizmo? I think they should take a crack at it.

You can read the entire Chris Columbus draft by clicking here, and I highly recommend doing so.

In the meantime, let’s grab some freshly squeezed orange juice from the Peltzer Juicer, and let me oblige you with my personal favorite scene from GREMLINS. While the throwing of Mrs. Deagle through her own window is as close to a second as they come, the snow plow home invasion with Murray and his wife makes me laugh my goddamn ass off. I mean, and that maniacal laugh from Mr. Plow Gremlin? He clearly loves his job! Give that man a raise! Comment below with your favorite scene in GREMLINS and let’s celebrate 40 years of people getting murdered by little hysterical creatures while we enjoyed every damn second of it as kids- and even more as adults.