The HALLOWEENfranchise is, without a doubt, a favorite topic of discussion here on NN and if you’ve ever looked at my list of pieces whether here on this blog, or elsewhere I’ve written for the past 10 years, you’ll come to the very correct conclusion that yes, I’m a superfan and could probably write about the subject forever without repeating myself once. However, there’s one thing that hasn’t been discussed by me, or really much anywhere, and that’s a hot take on who in the entire series of films actually deserved to die in these movies. Sure, there’s been talks here and there in forums; perhaps an article by some dopey website that aren’t even catered to horror fans. So, as a superfan myself, I’m obliged to take on the task, throw my rage at the keyboard and say “FUCK THESE GUYS, THEY HAD IT COMING.”
And no, as annoying as Tina can be in HALLOWEEN 5, she didn’t make the cut.
So let’s start slashing our way into these insufferable sons of bitches.
10. Bob (HALLOWEEN 1978)
If you’re wondering why I think Bob deserved to be strung up in the Wallace’s kitchen, the guy DID joke about ripping an eight-year-old girl’s clothes off. Plus because of his death, we wouldn’t have gotten one of the coolest shots of the entire franchise right here:
9. Kelly Meeker(HALLOWEEN 4)
The Haddonfield homewrecker, Kelly Meeker, the sheriff’s daughter, is just a total bitch. When Rachel confronted this hoe about sleeping with her boyfriend Brady (another fucking hoe) Kelly basically told Rachel that it was her fault that her man looked away and decided to spend Halloween with her instead. Ugh. She had it coming when Myers cleverly used a shotgun on her without pulling the trigger. Also, thanks for the Halloween costume inspiration!
But seriously, much love to the sweetheart that is Kathleen Kinmont. Only a fantastic actress can make us hate like that.
8. Mikey (HALLOWEEN 5)
An obvious choice if there ever was one. This prick had zero redeeming qualities. The guy only cared about his car and his dick. Tina, honey. You almost made the list because of your “electric connection” to toxic men.
Al least when you were riding with Mikey 2.0, you weren’t being verbally abused.
7. Pretty Much Everyone in HALLOWEEN: RESURRECTION
I’m just going to make a bold statement and say that every single person who died in HALLOWEEN RESURRECTION, had it coming and I felt not a bit of sorry for any of them-including Laurie Strode. Everybody was just so dumb – downed and straight up intolerable. Be it their lack of common sense (Laurie with her wanting to “make sure” and that cameraman who just stood there waiting for Michael to slash his ass), or the entitlement of the entire cast of the “Internet reality show”. I literally cheered for every single one of them to go down. And let’s face it- the one guy who isn’t even really an actor per se, Busta Rhymes, is the only watchable thing in this movie at all.
Shout outHorror Netfor putting together this kill count for RESURRECTION.
6. John Strode(HALLOWEEN 6)
Another no brainer is the abusive piece of shit John Strode. The uncle of Laurie Strode is one we were all very happy to see go down when it fianlly happened- and the fact it was extra violent was even more bittersweet. Smacking around your wife and kids in a horror movie gets your head blown up. Those are the rules!
5. Dr. Ranbir Sartain(HALLOWEEN 2018)
The idea of an anti-Loomis running around Haddonfield is entertaining. But I think Micheal was just as tired of hearing him talk as the audience was. Totally deserved that curb stomp. We can all only hope that we possess the superhuman strength, endurance, and durability in our 60s that Michael Myers has in this movie.
4. The Coroner Paramedics (Rob Zombie’s HALLOWEEN 2)
As much as I despise this movie and quite frankly, think pretty much everyone in Rob Zombie’s HALLOWEEN flicks deserve what they get, this scene in particular in RZ’s H2 is fairly satisfying and brutal enough to win a Golden Chainsaw award in 2010. The pair of nasty jackasses “joking” about necrophilia with dead women was enough for me to give this film a shout-out when Michael did his thing. And it was a beautiful service for the rest of us.
3. Ronnie (Rob Zombie’s HALLOWEEN 2007)
I don’t even need to explain this one-just roll that beautiful bean footage. I do think he got off way too easy though.
2. The Entire Halloween Kills Mob That Made Lance Tivoli Commit Suicide
EVIL DIES TONIGHT. And you know what, it sort of does when this asshole mob out of pure fear, drive a man, Lance Tivoli, to his own death in a case of mistaken identity as the mob believes him to be Myers unmasked. To make it worse, the man suffered from severe mental illness. It’s a terrible tragedy to have someone who cries out for help, actively seeking medical assistance, and suffers a deathly fate for simply existing. So yes; I’m gonna let Joker take this one for Tommy Doyle and the mob of Haddonfield:
1. Michael Myers (Halloween Ends)
If you’re shocked to see Myers at number one, you just might be a sociopath. Listen, he did humanity a couple of favors by ridding a few insufferable twats from the Earth. But he also killed a lot of innocent people too, and plenty who didn’t deserve it. Danny Trejo anyone? I think the way he died was a bit weak and sort of a cop out, but then again there’s a lot I don’t agree with HALLOWEEN ENDS, and it has nothing to do with Corey. I actually thought him being the new Myers was a cool direction to go- until they killed him and fucked up their own potential. But eh, take what we can get for now, I guess. Let’s just hope the next set of reboot films gets things right this time.
Before anyone asks me why I didn’t place Conal Cochran on here, it’s because he knows his Halloween folklore, so he gets a pass from me. I respect that kind of knowledge.
In the year of our Lord, 1984, Apple launched its very first Macintosh Computer commercial bringing the wave of the future that would soon enter classrooms-Oregon trail anyone? Wendy’s wondered, “Where’s the Beef?” And Michael Jackson traded his lovely locks for a set of singed hairs on the set of the Pepsi commercial. It was a massive time for Pop Culture, consumerism, and the start of international benefit concerts and albums such as Band-Aid. It was the epitome of the Reagan era-who absolutely walloped Walter Mondale in the presidential primary election of that year. 1984 was also the year we were introduced to several legendary horror icons and franchises, Reaganomics not included, that have become some of the most beloved in the genre fan base. From a jacked, unstoppable Arnold, to a hungry green ghost that loves to slime Bill Murray, to Gremlins cannonballing into swimming pools, 1984 blew the genre into an otherworldly realm: THE BLOCKBUSTER. The two aforementioned films opened on the SAME DAY in 1984. Pretty wild to think that GHOSTBUSTERS and GREMLINS opened against each other on June 8th, 1984 to kick off the Summer and both movies ended up being the highest-performing films at the box office of the year. The combined forces brought in over a whopping $400 million domestically in theaters.
Winston said it best, folks.
1984 horror stood out with the blockbuster numbers for sure, but the year also brought some of the BEST in the Christmas horror game; with a total of three making the top 10 cut here, which is rather unusual for any yearly top ten horror list. One of which was banned from theaters due to a bunch of uptight pearl clutches who can’t differentiate a Santa Claus fiction from, well, another Santa Claus fiction. Crazy concept, eh?
Anyway, let’s get down on it, but real quick: It’s not really a movie but a short and I would never forgive myself for not giving it a spot here, so Honorary Best Horror Short Film goes to:
FRANKENWEENIE
In Tim Burton’s first major debut, his short film FRANKENWEENIE puts a spin on Mary Shelley’s FRANKENSTEIN, and we get our first taste of what I call, “The Burton Touch”. His films’ atmosphere is always immediately recognizable to his taste and character, mashing goth, fantasy, and horror all in one beautiful bubble of his very own genre. This neo-gothic French kiss to one of the greatest horror stories of all time is a virgin Tim Burton popping his cherry to the world, and it’s one of his best.
Before we actually get into this personalized top 10, I have to admit I had a HELL of a time placing these to my satisfaction- and even now writing this I’m definitely struggling because, in a perfect world, no one would EVER ask me to choose between, Slimer, Freddy, Stripe, and the goddamn Terminator. The audacity of this shit has been tasking on my mental health, y’all. So go easy on me.
10. THE TOXIC AVENGER
The only toxic relationship I want in my life. Troma’s 1984 triumph of raunchy cheese with a bullied nerd who, by the powers of toxic waste, becomes-THE TOXIC AVENGER! I still can’t believe this schlocky cult film was ever made into a Saturday morning cartoon for kids where, in the movie itself, had the absolute balls to kill a kid- very brutally! I mean, don’t get me wrong, I respect the hell out of a movie that pulls that kind of shit. When I was a kid in the 80s’, we always used the “points” tally for when we would make each other eat shit on our bikes. Beyond the movie itself being extra over-the-top in true TROMA fashion in gratuitous violence and perky mammary glands, Mop Melvin is the only true Avenger that ever mattered for us horror nerds. We salute you and your tutu, Toxie.
9.NIGHT OF THE COMET
The first of the Christmas Horror films, don’t tell me it isn’t because we WILL fight, is NIGHT OF THE COMET starring Catherine Mary Stewart and horror sweetheart Kelli Maroney, (you can check out our interview with her here!) While the world was waiting for Halley’s Comet to arrive in 1986, in comes a mini zombie apocalypse movie thanks to, well, a comet and leaves us with an end-of-mankind film with two totally ass-kicking women leads. We’re presented with two sisters from the Valley who are not ashamed of their sexuality, nor do they allow themselves to be shamed for it. They are capable of survival with or without a man to save them, and it really kicks that Valley Girl stereotype in the balls. Which is refreshingly different. The soundtrack is amazing. The nostalgia is high, looking back into the golden year of 1984. And it’s Kelli Maroney with zombies. What’s really not to love here?
8.FIRESTARTER
Stephen King’s FIRESTARTER is basically him writing a horror version of an X-MEN comic, and being a HUGE fan of X-MEN, I AM HERE FOR IT. Starring a young Drew Barrymore, Keith David, George C. Scott, and Martin Sheen, FIRESTARTER is Charlie, a little girl wanted by the government for her pyrokinesis and telekinetic abilities and is on the run with her father, who also harbors mind control powers- a little like Professor X! While Charlie’s powers are inherited, her parents’ abilities are the result of a government experiment, and now the shitheads at power want that little girl for their own personal weapon.
With a fantastic score by Tangerine Dream and an outstanding performance by a 9-year-old Drew, FIRESTARTER is miles better than the 2022 remake and I like to think the blueprint for STRANGER THINGS‘ Eleven. It’s not everyone’s favorite King adaptation, I’ve learned over the years, but it’s hard not to enjoy a film that features a little Drew Barrymore in pink bunny slippers telling Martin Sheen to go to hell. Yeah, she can start fires with her mind, but that is almost just as entertaining.
7. CHILDREN OF THE CORN
Ahh. 1984- the year when we attacked Linda Hamilton. Hear me outlanders, another Stephen King adaptation CHILDREN OF THE CORN had us never looking at corn fields the same way ever again. When the children of Gaitlin kill every adult in town on one fine Sunday morning at the will of creepy kid Issac and “he who walks behind the rows”, the premise of creepy kids in horror movies is thrown up a few notches and remains at the tippy-top of the killer-kid genre in the horror field. Enter Linda Hamilton and Peter Horton coming across this ghost town in the middle of cornfield nowhere full of homicidal kids and we got ourselves a good goddamn movie.
Also, one of the greatest PSAs’ for birth control I’ve ever seen.
6. FRIDAY THE 13TH PART IV: THE FINAL CHAPTER
After a year of absence from Jason Voorhees in 1983, FRIDAY THE 13TH attempted to bring the legacy of Jason home with THE FINAL CHAPTER and a definitive ending to our Crystal Lake killer- but we all know that hella didn’t happen. However, IF, this was actually the end of Jason, I felt it would have been a pretty proper send-off. This movie is a goddamn SLASHERTERPIECE. It has every box checked for everything you could want in a 80s slasher film: Corey Feldman. Naked twins. A pervert called Teddy Bear. A banana-eating hitchhiker. And a cool dog that LIVES toward the end of the movie. Also, with a great cast to boot-probably the best cast of all the Friday films, we are gifted with the national treasure of Crispin Glover and a dance that, to this day, no one has ever forgotten.
5. SILENT NIGHT, DEADLY NIGHT
Our second Christmas horror film of the list-SILENT NIGHT, DEADLY NIGHT is a personal favorite of mine and one horror flick where no one ever saw a franchise forming but here the fuck we are. And thank fucks because SNDN 5: THE TOYMAKER is a horrible guilty pleasure of mine. The karens’ of 1984 managed to get this holiday horror movie, that consists of a homicidal maniac dressed as Santa that murders a (shocker) naked Linnea Quigley by mounted deer antlers through the tatas, banned from theaters after only a week of it being released. Jokes on you, pearl clutches. That just piqued our interest all the more and we raise our disgusting eggnog to Billy- one of the most unhinged antagonists of a horror movie of all time that we also all collectively feel devastated and sorry for. That’s one hell of a combo and never easy to pull off. Plus, I love pausing the flick and looking around at all the vintage toys in IRA’s… it’s just an added bonus.
Before we go any further, I literally had a panic attack trying to rank the final four films because I love them all almost equally. So, basically what it came down to was longevity, the legacy, and a tad of a personal opinion.
4. The Terminator
Sticking THE TERMINATOR at number 4 hurts my goddamn soul, but hey, these decisions are never taken lightly. Also, I’m sure some would argue that TERMINATOR is NOT a horror movie, and while I tend to agree mostly with that, the premise of an unstoppable force hunting you down and the mass genocide of a human race by machines is enough for it to qualify. Again, we have the lovely Linda Hamilton as Sarah Connor who, in the future, gives birth to humankind’s only hope for survival, John Connor. Enter the Arnold, a cyborg consisting of living tissue over a robotic endoskeleton who is sent from the future to terminate Sarah and her upcoming pregnancy. James Cameron at his finest right here but the million-dollar question remains: according to Kyle Reese, these Terminators sweat and have stank breath. Which begs me to ask: these bots fartin’?
3. GREMLINS
Joe Dante and Stephen Spielberg’s team up of the horror Christmas classic GREMLINS, is undoubtedly, one of my own personal favorite films of all time. So putting it at number 3 hurts my own feelings, but someone has to suffer here, I guess. Writer Chris Columbus has us super emotionally invested in GIZMO, a mogwai given to Billy as a Christmas gift from his father who he found, and kind of stole, from a little shop in Chinatown. As cute as he can be, he comes with massive responsibilities that would be hard for any human to have to follow, let alone a teenager. And when the rule of 3 is broken, chaos ensues and Stripe along with a few other minions are born. This holiday movie is just so much fun and can be watched all year long without batting an eye. Although, I have to admit, it’s not really Christmas until I see Mrs. Deagle flying out a window. I just hope her cats were ok!
2. GHOSTBUSTERS
Listen, this seriously pains me putting GHOSTBUSTERS at number 2, but again, here I am, with my sanity slowing melting away like the sludge that drips off Venkman’s earlobes during the Slimer attack. Released on the same day as GREMLINS in June of 1984, GHOSTBUSTERS hits all the marks for what a great Blockbuster film should be and the concept of the action-horror-comedy genre was basically born as such thanks to this film. The 80s would HAVE never looked the same without the Ghostbusters and the mythic spell they put on its audiences that carried over into cartoons, merchandising, and a sequel five years later; not to mention the movies that have followed the events of the 80s’ films over the last few years with MORE coming. I can’t say much about this movie that hasn’t already been said a million times over, but I will say this: The MICK SMILEY MAGIC scene is by far, one of the GREATEST pieces of mood-setting cinematics in the history of film. Yeah, I said that and will die on that hill. The scene highlights ghosts staking their claim onto New York City, but the real monster is the one who let them out- a man with no dick, a Con Edison employee. If you’ve ever lived in New York, it’s completely plausible that a piece of shit like that would bring about the end of the world.
Anyways, enjoy this scene in all it’s brilliance. It’s so damn pretty. I get chills every time I watch it.
1. A NIGHTMARE ON ELM STREET
When it comes down to brass tacks boils and ghouls, Wes Craven’s A NIGHTMARE ON ELM STREET reigns supreme of 1984 for one reason beyond it being my favorite slasher franchise: Freddy became the forerunner into bringing serious horror into the mainstream market. This is not to shit on HALLOWEEN or FRIDAY THE 13th by any means at all. But history doesn’t lie. Freddy became the face of 80s horror luring a young generation in by his very claws. Between the merch, TV specials, music videos, and hell his own hour on MTV, well, Nancy said it best:
Everyone knows who Freddy is.
It also goes without saying that it’s one HELL of a movie that clawed its imprint on an entire generation of not just horror fans, but reached beyond the genre’s spectators into the minds and fears of those who don’t know dick about horror movies. That’s some serious slasher power right there. To this very day, no remake, reboot, or some carbon copy could ever TOUCH the perfection that is A NIGHTMARE ON ELM STREET. It also has Johnny Depp debuting himself to the world in a crop top. Yeah, that ain’t getting beat today, boys.
Well, nuggets. I can’t imagine literally anyone being happy with this ranking as I’m sure it’s going to cause hell for me via some die-hard fans of these movies. However, I’m ready to hear your praises, complaints, and thoughtful opinions! Let me have it in the comments! And let’s hear it for the massive year that is 1984!
There’s just something exceptionally satisfying about bedazzling the most “joyful” holiday of the year into a ho-ho-horror spectacle that gives me all the damn fuzzies. Christmas Horror, as we all know is entirely a subgenre on its own, churning out various titles throughout the years to keep our holidays grim and dark. From holiday horror treasures such as Black Christmasand Silent Night, Deadly Night, to more modern instant classics likeRare Exportsand most recently Violent Night, have become seasonal band-aids for genre fans to get even the scroogiest of Scrooges into the Xmas spirit.
Seriously, dive into some boozy eggnog and get cheery. You don’t want to be caught on the naughty list.
The Christmas Horror movie list is ever-growing in its own glorious classification of horror, but how about some of those holiday-themed episodes from some of our favorite television shows that fit into the horror category? Much like the beloved Halloween specials we receive on occasion from all the various genres of sitcoms, (Roseanne did it best, fight me) horror-infused primetime has a good chunk of dark yuletide ammo to mix things up in between those holiday-horror feature films that are generally free to watch with certain streaming subscriptions, or hell sometimes YouTube will give it to for free!
So grab your Finger Figgy Pudding, a shot of DeadNog, and let me advise you, viewers, on some binge-worthy essential Holiday Horror TV.
“The Munsters Scary Little Christmas Special”
The 90-minute special that aired on CBS back on December 17, 1996, introduces an all-new cast inhabiting the mansion on Mockingbird Lane; and it’s really not as bad as one would think. Just watch Rob Zombie’s crap version of 2022 and then get back to me on this.
The basic main plot centers around little Eddie and his melancholy holiday spirit that of course, only Santa Claus can resurrect- typical Christmas story plot. However, and again, this is the Munsters, so all sorts of silly shenanigans are afoot along the way. Certainly, the coolest part is the monster party Lily throws to cheer up Eddie and his longing for his Transylvanian home. Various branches of the extended Munster family make an appearance at the holiday shindig, all of which are depicted by famous movie monsters. Oh yes, there’s a Creature from the Black Lagoon in there and it’s fan-friggin-tastic.
In the very few times The Munsters have been rebooted and recast, this little holiday special seems most true to the feel of the original ‘60s series. The makeup and Munster Mansion could look better, but those are just nitpicking details that shouldn’t sway anyone from checking this one out at least once. It’s one of my eight-year-olds and my father’s favorites, who is a die-hard, no-bologna Munster fan. So if you love the silliness from the old show, chances are you’ll get a kick out of this as well. You can rent it here on Amazon for $3.99.
“Unholy Night”– “American Horror Story: Asylum”
Move over Bloody Face and make room for Santa Emerson.
In season two, episode eight of Asylum, we’re introduced to a seriously disturbed, homicidal Santa with one hell of a twisted sense of humor- Leigh Emerson (Ian McShane). Emerson kills a bell-ringing Santa and unleashes a reign of terror on a preselected family. Which ultimately lands him at the infamous Briarcliff and under Sister Jude’s abusive control. Until the tables turn on her anyway.
Of all the psycho Santas in the genre, McShane’s portrayal of this Yuletide maniac is by far the most seriously underrated. This character needs his own full-length Christmas horror feature for sure. “The only difference between me and the real Santa is that he only comes once a year!”
It gets me every time.
Personally speaking, I’m not a huge fan of AHS’s second season, but “Unholy Night” certainly hits a major high note for this chapter in Murphy’s spiritually connected saga. Bonus points, this episode is written by James Wong (Final Destination) and directed by Michael Lehmann (Heathers). You can stream this one here over on Hulu.
“How the Ghosts Stole Christmas”“The X-Files”
Originally airing on December 13, 1998, The X-Filessixth season brought forth a nice little Christmas episode wrapped in paranormal packaging. “How the Ghosts Stole Christmas” is one of those stand-alone monster episodes in the series that strays away from the storyline, but is welcomed nonetheless. Some of the best episodes in the series have been these types of episodes, and this one, in particular, is way up on that list folks.
The episode co-stars Ed Asner and Lily Tomlin as a pair of trickery star-crossed deceased lovers, who performed a murder/suicide pact in their home. Folklore has it that any couple who enters their abandoned house will become trapped and forced into the same fate. That sounds like a case for Mulder and Scully! What better way to spend Christmas than ghostbusting, eh?
With a fantastically dark haunted house set up on the heels of the Noel holiday, this Christmas edition of X-Files has plenty of good scares and some personal time with Mulder and Scully. Among all the paranormal illusions and corpses under the floorboard, there’s a really touching Christmas moment between the pair at the end of the episode. Ending it on a heartfelt high note. Because that’s what Christmas is all about, right? Grab your significant other and catch this one on Hulu here.
“Night of the Meek”–“The Twilight Zone”
First airing on December, 23rd 1960 on the CBS primetime lineup, Twilight Zone’s “Night of the Meek” has become an annual tradition in our house of horrors. There isn’t any blood, gore, or psycho Santas swinging axes, but there’s a lot of heart and mystery here. That goes a long way.
Most episodes from The Twilight Zone offer some sort of mind-fucking twist to get you rattled a tad. However, “Night of the Meek” is one of those rare exceptions that just leaves you all fuzzy on the inside. Rod Serling takes us on a Christmas Eve journey into The Twilight Zone with a down-and-out Mall Santa, Henry Corwin. Visibly drunk and a bit disoriented, Corwin is fired from his jolly job and then goes into a pretty powerful monologue explaining why he is boozing it up for the holidays. Unable to truly bring happiness and full bellies of hungry kids as Santa, Corwin’s only Christmas wish is for the “meek to inherit the Earth.”
Well, this is The Twilight Zone. Corwin is about to get his selfless wish granted.
Nearly 60 years after its premiere, “Night of the Meek” is a true classic not just from the series as a whole, but in pop culture altogether. For a simple 30-minute TV episode to stand the test of time and manage to give you all the damn feels, is something not to be ignored in the slightest. Forget waiting for that New Year’s marathon. Watch the episode here on Paramount Plus!
“And All Through the House”– “Tales From the Crypt”
To this day, I’m not sure if there are any other televised psycho Sandy Claws that tops the Cryptkeeper’s “And All Through the House” season one episode. Heavily considered in fandom as one of the best in the series, the June 10th, 1989 premiere is taken directly from the #35 Vault of Horror EC comic. Staying true to that 1950s eerie tale in the graphic mag, Director Robert Zemeckis and Monster Squad writer Fred Dekker begin the shenanigans with an even more horrifying than usual Cryptkeeper donning a Santa mask. (I’m pretty certain that was the most terrifying visual during the entire 22 minutes.)
Writer Dekker brings in his Monster Squad actress, the late Mary Ellen Trainor to portray a greedy wife who murdered her husband on Christmas Eve to gain insurance money. All while their daughter is upstairs anxiously waiting for the arrival of Santa. Lovely, eh? Well, karma is a mighty bitch and while the housewife of the year is dumping the body in the backyard, an escaped lunatic dressed as St. Nick attacks her. She narrowly escapes back to the house, but the deranged Kris Kringle is relentless in his attempts to give her a dose of Christmas justice.
Also, worth noting, Hollywood giant in Cinematography Dean Cundey worked on this episode. In case you’re unfamiliar, Cundey has provided his directorial photography skills to various John Carpenter classics such as Big Trouble in Little China, The Thing, Halloween II, Season of The Witch, and evenJurassic Park! Just a fun little fact I didn’t want you guys to miss. Speaking of, can we please get all the seasons streaming already with our literal 10,000 different subscribed services!? It’s 2022 and the fact Tales From The Crypt can’t get a home anywhere is beyond frustrating. The licensing issues shave gone on far too long and enough is enough. So thank ghouls that we have a FREE YOUTUBE upload here courtesy of 42nd Street Films Grindhouse .
Nightmare Nostalgia 