Tag Archives: horror

Mortal Kombat (1995) After 30 Years Still Holds the Title for Best Video Game Adaptation

The Summer of 1995 was about as phenomenal in the pop culture aspect as you could get if you were a ’90s kid. We were either singing every line of TLC’s “Waterfalls” or Alanis Morissette’s “You Oughta Know” on the way to the local theater to see the big Summer Blockbuster film. Movies like Clueless, Batman Forever, and Braveheart were some notable hits among our angsty teenage group. However, the BIG ONE everyone was waiting for arrived late in the game before school commenced, ensuring we’d all be spending our first day of class most likely in detention trying to perfect that sidekick to the kidneys. And that film was, of course, MORTAL KOMBAT.

MORTAL KOMBAT was a huge fucking deal for our generation and not just for gamers alone, but rather infiltrated the entire pop culture aspect of our adolescence as the game itself gave us prepubescents the satisfaction of taking our anger out on a video game in the most creative and bloodiest way possible. Or perhaps, if we were in a slightly better mood, a FRIENDSHIP was summoned for shits and giggles.

The rise of fighting video game culture was at an all-time high in the early ’90s, and movie producer Lawrence Kasanof (BLOOD DINER) saw potential in bringing the game to life in a knock-down, drag-out all-action film after visiting some colleagues at MIDWAY GAMES and discovering the game for the first time. However, Midway head Neil D. Nicastro disagreed that the game could be a successful film, given the failure of past movie adaptations of video games. After a couple of months of negotiations, Kasanoff finally acquired a limited option on the Mortal Kombat film rights.

With several well-known directors submitting pitches for the film, the producer chose then-unknown director Paul Anderson after seeing a screening of his 1994 debut film, SHOPPING, which Larry felt demonstrated that he could take an innovative approach to the material. Anderson had no experience with visual effects but was an avid fan of the game and had a rock-hard erection about making a MORTAL KOMBAT movie, so he read every book he could find on visual effects and, in his words, “kind of bluffed my way in.”

I respect the shit out of that kind of trickery.

A couple of fun facts:

Filming began in the Summer of 1994 in both Los Angeles and Thailand and was completed before the year was out, but not without its share of on-set problems; I mean, it’s MORTAL KOMBAT, of course! This wasn’t going to be a flawless victory.

There were many actors considered for the roles of both our heroes and villains, but Cary-Hiroyuki Tagawa was the filmmakers’ first and only choice for the role of Shang Tsung. He came to the audition in a costume and read his lines while standing on a chair. Robin Shou beat out Jason Scott Lee and Russell Wong for Liu Kang and Linden Ashby was cast for Johnny Cage after the actor who inspired the character itself, Jean-Claude Van Damme turned it down; but not before mega stars Tom Cruise and Johnny Depp were considered. Cameron Diaz, hot off THE MASK with Jim Carrey was originally cast for Sonya Blade but had to drop out due to a wrist injury, calling in “Dat Ass” Veronica Vaughn, I mean, Bridgette Wilson who was initially passed up and flew out on her last day of filming BILLY MADISON to strap on her combat boots for the film. Steve James (AMERICAN NINJA) was originally cast to play Jaxx, but he died from pancreatic cancer a year before production on the film began, and the role of Rayden was first offered to Sean Connery.

I’m gonna be honest, I’m really glad Sean turned that down because he went on to do really great things on Celebrity Jeopardy.

MORTAL KOMBAT opened in theaters nationwide on August 18th, 1995 and by the gods of Outerworld, us kids were hyped the fuck up to see this movie. But we were also a tad bit skeptical after being jaded with STREET FIGHTER, which was released during Christmas break eight months prior, and being underwhelmed by the lack of faithfulness to the game storylines; to be fair, though, I appreciate the movie a lot more now than I did at the age of twelve.

I, and a few friends at the tender age of thirteen, hopped on our bikes to make the 3-mile trek to our local movie theater-back before there was nothing but chains and theaters only in casinos here in Las Vegas, to the brick-built Red Rock Theater 11 (the 11 meaning 11 screens which was a big deal for you whippersnappers). We bought our tickets and marched to the movie room, Butterfinger BB’s and an ICEE to crack us out in a sugar rush to bear witness to what was, and still is, the greatest video game adaptation ever. And that ain’t just nostalgia talking. All was silent as we were anticipating for the movie to start and then.. This happened. And we all collectively creamed our jeans.

For being a 30-year-old film, the movie, even now as an adult, is still so much damn fun and holds true to the games more so than what is ever given credit for. Like, remember when Mortal Kombat movies had tournaments, which was the whole point of the game? The movie has cheese, but the cheese is necessary in palatable doses. I don’t want to live in a world where Johnny Cage doesn’t utter, “Those are $500 sunglasses, asshole.” I just don’t. And the actual one-on-one fights? Set in backdrops that are recognizable from gameplay is the kind of chef’s kiss that makes me want to burst.

The fights themselves, in particular Cage Vs Scorpion, or Liu Vs Reptile, are full of so much aggression and energy that it parallels the intensity of the game perfectly- especially that of a teenage kid seeing this for the first time back in the 90s. But even as an adult, I still feel those same goosebumps every time the beat drops and Reptile comes full form and at 100 miles per hour. You can read my MK 1995 fight rankings here.

FUN FACT: Robin Shou fractured two ribs while being thrown into the pillar here, but kept quiet about it for fear that the production would be shut down. He told only Keith Cooke, the actor who plays Reptile, asking him not to hit him on the right side of his rib cage, and finished the scene before going to the hospital. What a fuckin’ soldier.

And let’s not forget what was and still is, one of the GREATEST entrances in any movie of all time. I will die on this fucking hill, friends.

People will argue that the lack of character development in the film undercuts any of what I’m saying here. But tell me honestly: Did you watch this movie wanting a biography on Liu Kang or Johnny Cage, or did you want to see MORTAL KOMBAT? A game, now a movie, that slams your balls into the wall with quirky one-liners, fantastic martial arts fights, and canon moves from gameplay that we spent the last few years trying to perfect. I’m guessing the latter, which in point, case closed.

When adapting a beloved and popular game, care should always be taken to craft a story of quality, but it’s also equally important to capture the spirit of the game being made. It is crucial to understand the experience one has when sitting down and playing a game such as MK and all the emotions that come along with it. Excitement, fear, and frustration, all those things were felt when watching the film, and that is no easy task, I can assure you. Watching MORTAL KOMBAT back in 1995 vs. now evokes the same hits of dopamine that make this film such a cult classic. The movie understood the fucking assignment and delivered on all platforms. Except for perhaps that Sub-Zero fight, but, hey, not all of those battles were perfect.

With the 30-year anniversary of one of the greatest things to come out of the 90s and MORTAL KOMBAT II creeping into theaters later this Fall, I felt it was important to put out there the impact this game, and film had on the generation of 90s kids, and is just as popular and relevant today as it was three decades prior. Just do yourself a favor if you haven’t already and ignore the follow-up of MORTAL KOMBAT: ANNIHILATION entirely.

(VIDEO)The “Halloween 4” VHS Retailers Promo That Kicked Off The 1989 Summer Of Horror Rentals!

I’m almost certain that I hold the record on the horror blog Internet for writing the most pieces about HALLOWEEN 4Dwight Little actually agrees with me– and it’s a crown I wear with pride as the Queen of Vincent Drug. To my surprise, however, I’ve never thrown in this little doozy of a retailer promo, which is another kryptonite of mine featuring THE RETURN OF MICHAEL MYERS in all its glory.

In case you’re unfamiliar, a retailer promo is an early release of a VHS tape sent to video store owners that will ultimately either sway them to stock the shelves with said movie or give it a hard pass. In addition, some of these screeners would be sent to the media for review. Hard to imagine a time when critics would have to actually wait on the postman to deliver physical media as opposed to a screener email that can be obtained in under 60 seconds, eh?

Can we also appreciate this standee that was seen in Mom and Pop video shops? I covet thee so hard.

That being said, I don’t think HALLOWEEN 4 was ever going to be a hard sell to horror movie fans, but that, of course, never stops the PR machine from pimping the sequel for home video release like it was one of its top hookers on Broadway St. Hell, they were so confident in their success on the video rental market, they couldn’t even bother to spell Freddy’s Nightmares right when talking about television promo partnerships.

That’s a big dick move there, Mikey.

The street date for HALLOWEEN 4: THE RETURN OF MICHAEL MYERS landed on May 18th, 1989, just a few weeks after THEY LIVE and CHILD’S PLAY hit the shelves and five days before PUMPKINHEAD was added to the VHS horror movie rentals of ’89. 1988 was a HUGE year for horror movies-you can check my top 15 here-so therefore the Summer months following were a banger for us at the video rental stores.

I mean, they never had to oversell me. I’m the proud mom of two copies, while three others over the past 30 years have been laid to rest from being played to death.

Anyway, enjoy something that brings me a lot of personal joy and fuzziness. Huge shout-out to Tripsy Trailers for uploading this treasure for the rest of us!

45 Years of Launching the Slasher Subgenre For 80s Horror: “Friday the 13th”

That’s right. His name was Jason, and it’s been 45 years since the massacre at Crystal Lake that led to the birth of a horror icon and, technically, the birth of the 80s slasher.

In the early 1970s, Sean S. Cunningham sat in an editing room with director Wes Craven as the two cut together what would become, one of the most disturbing horror films ever made: THE LAST HOUSE ON THE LEFT. Cunningham’s first film, THE ART OF THE MARRIAGE, had attracted Craven, who wanted to be in the film business, a friendship struck and then went ahead and made basically a soft porn film together entitled, TOGETHER. Which is totally what I would expect from the master of 80s perky boob shots and gore.

After Last House, Craven would go on to direct THE HILLS HAVE EYES, but Cunningham had a different vision.

In 1978, John Carpenter’s HALLOWEEN was released and changed the horror game. Cunningham took notice of the huge success of the premise of a stalker going around killing teenage girls and thus began the creation of FRIDAY THE 13TH. A movie that would spawn 9 sequels, a remake, and a crossover with, ironically, one of his old buddy’s own iconic creations, and become one of the most influential horror movies of all time.

So before we go any further, let’s smack a kiss on little Mikey Myers. Because without him, there would be no Jason.

After coming up with a title that like, Halloween, centered around a mysterious date, FRIDAY THE 13TH, the aspiring horror director pulled a massively ballsy move without even shooting one scene of the movie, by making an advert of his movie idea and somehow getting it placed in the July 4th issue of VARIETY magazine. The idea was to maybe secure the financing necessary to start production. The now-infamous and very first ad appeared for the original film in the franchise, proclaiming Friday The 13th “The Most Terrifying Film Ever Made”. The gamble paid off with Paramount picking up the title and a green light to shoot the film for $1.5 million buckaroos.

The slasher film was still in its infancy back in 1979, and though films like BLACK XMAS (which in my opinion was the FIRST true slasher movie),  THE TEXAS CHAINSAW MASSACRE and HALLOWEEN set the bar for the subgenre, FRIDAY THE 13TH set the standard for the 80s slasher-and the absolute crazy oversaturation of it during that decade. And I wouldn’t have it any other fucking way.

FRIDAY THE 13TH set a new slasher standard for young bloods getting picked off one by one in an isolated setting where no adults could be found anywhere supervising the often horny and impaired kids. If they were around, they were usually presumed as drunk or crazy.

Crazy Ralph, anyone?

Not to mention the now cliché horror movie tropes that we’ve seen in almost every slasher movie since. Sex equals death. Drugs equal death. An unstoppable madman (or in this case, woman) with the killer POV camera shot that doesn’t directly show the killer, that keeps us guessing who their identity is throughout the movie. And of course, we need the all-important final girl. The more innocent she seemed, the better her chance of survival. Of course, FRIDAY wasn’t the first to establish that trend (that credit goes to HALLOWEEN), but they sure as hell ran with it religiously for an entire decade and inspired the very film they kind of-sort ripped off, (HALLOWEEN), to cash in on the slasher boom of the 80s with a couple of sequels. The formula set the standard for FRIDAY movies going forward, and the rest of the 80s slashers that came after.

Also, it spawned Randy. Randy is all of us. Thanks to the likes of Friday the 13th.

FRIDAY THE 13TH opened nationwide in the US on May 9th, 1980. Nobody expected this little horror movie to do much regarding big Box Office numbers, including Sean Cunningham, but holy shit was everyone surprised when this little film shot at Camp Nobebosco in New Jersey blew up and ending up meaning just shy of 40 million in the US domestically, and almost 60 million worldwide. Not a bad profit for a movie that was shot for half a million.

And then just like that, along with a sequel to HALLOWEEN, a film that never intended to have one, a slew of similar films embracing the same tropes that FRIDAY banked on, absolutely inundated theaters and straight to video stores with movies like SLEEPAWAY CAMP, CHEERLEADER CAMP, and SLUMBER PARTY MASSACRE. Not to mention the appeal of associating a murderous madman with a holiday like MY BLOODY VALENTINE, APRIL FOOL’S DAY, and SILENT NIGHT, DEADLY NIGHT. The trend continued throughout the entire 80s, with the golden era of horror movies busting out 253 slasher flicks. And it’s all thanks to a little mongoloid named Jason and his vengeful mother who started it all.

Let’s raise our machetes to Pamela and her fucked up kid this weekend! FRIDAY THE 13TH is currently streaming on PLUTO for free! Now, I’ll be right back…